Music Commons^™

Four Sonnets By Pablo Neruda, Sets 1 And 2, By Judith Cloud, For High Voice And Piano: A Performer’S Perspective, Sheronda Levonne Mckee

UNLV Theses, Dissertations, Professional Papers, and Capstones

Twentieth and twenty-first century compositions are growing in popularity amongst scholars of music. Along with this budding interest comes a plethora of composers, many of whom are women. While not a discussion on feminism in the modern age, this document will concentrate on one female composer. Drawing from the historical significance of the poet and the compositional history of Four Sonnets by Pablo Neruda set 1 and Four Sonnets by Pablo Neruda set 2 by Dr. Judith Cloud, my goal is to make these two song cycles more accessible to sopranos, as well as to those wanting to expand their …

A Discussion Of Shiguang Cui’S Piano Concerto No. 2, Focusing On A Stylistic Analysis And Traditional Chinese Musical Elements, Yuting Ji

Dissertations

Shiguang Cui (崔世光) (b. 1948) is a Chinese composer and pianist. To celebrate the 2008 Summer Olympic Games held in Beijing, his work Concerto for Ten Concert Grand Pianos and Orchestra was commissioned by the Dean of the National Center for the Performing Arts, Mr. Ping Chen. Ten internationally-renowned pianists were invited to give the world premiere on August 19, 2008. The pianists were Claude Frank, Phillippe Entremont, Vladimir Feltsman, Louis Lortie, Yunyi Qin (秦云轶), Shikun Liu (刘诗昆), Lang Lang (郎朗), Cyprien Katsaris, Guillermo Gonzalez, and Sha Chen (陈萨).¹

This piece was originally conceived as Concerto for Ten Concert …

Current Perceptions Of Music Therapists On The Benefits And Liabilities Of State Licensure, Dianne Sawyer

Masters Theses

This qualitative study investigated a state task force perceptions of music therapists who served on the task force to become licensed. Participants included six licensed music therapists, all of which were female. Through Naturalistic Inquiry, participants provided information about the perceived benefits and liabilities for music therapists, accessibility to clients, funding sources, and other healthcare professionals causing harm. Collected data was analyzed to determine common themes, perceived benefits and drawbacks of licensure, and the push for more regulations based on music therapists’: years of experience, level of education and advanced trainings. The overall perception from the licensed music therapists, is …

The Perceptions Of Music Therapy Interns And Internship Supervisors: American Music Therapy Association Professional Competencies, Jordan Rebecca Novak

Masters Theses

The purpose of this study was to investigate perceptual differences of the AMTA Professional Competencies between music therapy pre-interns and internship supervisors in the Great Lakes Region. The participants (N = 33) were 19 pre-interns and 14 internship supervisors at AMTA Approved internship sites and academic programs. This 32 question survey study utilized a Likert-type 5-point scale that required the participant to rate their perceived need for assistance from little to no need for assistance to very high need for assistance. Results showed that pre-interns and supervisors differ significantly on the subjects of “Leading and accompanying on guitar and piano” …

A Performance Analysis Of Dorothy Rudd Moore's Sonnets On Love, Rosebuds, And Death, Cordelia Elizabeth Anderson

UNLV Theses, Dissertations, Professional Papers, and Capstones

The purpose of this document is to evaluate Dorothy Rudd Moore’s Sonnets on Love, Rosebuds, and Death through a performance analysis, and to discuss the significance of the Harlem Renaissance in relation to the song cycle. Moore used seven reputable poets from the Harlem Renaissance to compile this song cycle. The poets are Alice Dunbar Nelson, Clarissa Scott Delany, Gwendolyn Bennett, Langston Hughes, Arna Bontemps, Countee Cullen, and Helene Johnson. A few of them were a part of the core group that spurred this powerful movement. The Harlem Renaissance was a flourishing time in American history when African Americans felt …

Preparation For Collegiate Music Theory And Aural Skills Through Repertoire, Caroline E. Dunmire

Senior Honors Theses

Music majors often struggle in first-year music theory and aural skills coursework. These struggles have lead to increased dropout rates among music students. Even those students who succeed in music theory course work often are not able to apply theory concepts to music literature. Some universities have identified this problem and sought to rectify it through offering remedial course work, however the universities should not bear this burden. Success in theory and aural skills is linked to mastery of music fundamentals and basic aural skills. Pre-college studies should focus on these subjects and not place too much emphasis on advanced …

Songs From The Willow Tree: Staging Collective Inspiration For Creative Songwriting, Aubrey W. Carpenter

Undergraduate Honors Theses

The songwriting process, inspiration to song, can take many forms. This project explores a highly structured approach, using themes derived from reported individual experience to direct the creation of musical ends addressing common experience.

2016-2017 Performance Forum - December 1, 2016, Clarissa Vieira, Huyen Anh Nguyen, Sing Hong Lee, Alberto Zilbertstein, Stephanie Barrett, Nolan Carbin, Mario Rivieccio, Mariana Cisneros, Gustave Wilde, Amy Nickler, Evan Musgrave, Jordan Nashman, August Berger, Feruza Dadabaeva, Scott Davis, Yu Lu, Bailey Michelle Collins, Nicole Marie P. Cortero, Suhao Bai, Xiaoxiao Wang

Performance Forum

No abstract provided.

Bells Of Death: Rachmaninoff’S Use Of The Dies Irae In His Choral Symphony, Kolokola, Madeleine Lowrey

Honors Theses

This thesis investigates Sergei Rachmaninoff’s use of a musical theme, the Dies Irae chant, in his choral symphony Kolokola. I briefly introduce the Dies Irae theme, then examine how Rachmaninoff uses it to unify his choral work. I consider textual themes found in Edgar Allan Poe’s poems “The Bells” as well as how those themes are augmented in Konstantin Demetrievich Balmont’s Russian re-imagining of Poe’s poetry, the form set in Kolokola. The changes of the original poetry in the Russian translation are explored, with emphasis on how Rachmaninoff’s use of the Dies Irae emphasizes how conceptions of death permeate Balmont’s …

Image, Narrative, & Concept Of Time In Valerie Capers's Song Cycle Song Of The Seasons, Lillian Channelle Roberts

UNLV Theses, Dissertations, Professional Papers, and Capstones

Once I was a classical pianist, then I was a jazz pianist, but now I’m a pianist – No label. And in my writing, I’m not concerned with any particular style. I’ve found that if you have musical groundwork and some idea of the emotional impact the music should have, the musical style will hang together.

—Valerie Capers

Primarily known as a renowned jazz pianist, Valerie Capers is a blind, African-American woman composer who defied all odds by becoming the first blind graduate of The Juilliard School. Dr. Capers also became valedictorian of the New York Institute for the Education …

George Crumb’S Personal Response To The Golden Age Of Social Activism: Night Of The Four Moons, Black Angels, And Vox Balaenae, Yi Ling Tsai

UNLV Theses, Dissertations, Professional Papers, and Capstones

American composer George Crumb (b. 1929) started to garner public attention in the 1960s with a new kind of message and sound. Crumb’s approach to composition has been to exploit music as a form of communication to convey the metaphysical and the psychological through various mediums. With the social movements in the 1960s, many Americans were inspired to fight for change; as for Crumb, composing became his platform for social commentary. His approach to social activism was to express his ideas through musical dialogues and symbolism. The subtle quotations that he often borrowed from other composers are typically short in …

Departmental Assembly Recital, Department Of Music

Concerts and Event Programs 2016-2017

Students of the Department of Music featuring works by Saint-Saëns, Liszt and Scriabin.

Six Reflections Through Music And Poetry, Nicholas Shawn Vecchio

Graduate Theses and Dissertations

Since beginning school at the University of Arkansas in 2008 I have learned many lessons both in and outside the classroom. To date, the most challenging lessons have been those that I have learned about myself. The manifestation of the person that I am today has been an adventure with many twists and turns. This piece aims to capture the essence of some of the lessons that I have learned. Each poem offers the product of that lesson.

The movement entitled “Memories” has a subdued joy in its message. The poem offers nostalgia to begin the piece with. However, it …

Characteristics Of Lifelong Musicians, Austin Lamon Farnam

Graduate Theses and Dissertations

The purpose of this study was to investigate causes for lifelong musicianship through examining the life experiences and influences of ten lifelong musicians. The participants in this study have played music starting in their childhood and into adulthood. Ages of participants range between 35 and 60 years of age. All participants have separate careers in conjunction with being active musicians.

Data collection was attained through a three phase process of an observation, interview, and collection of artifacts. Data was coded using open, focused, and axial coding and further analyzed for the purpose of identifying emerging themes. From the analysis, the …

Character Interpretation In Poulenc's La Voix Humaine: A Performer's Guide, Stefanie Nicole Anduri

Dissertations

Francis Poulenc’s 1959 opera, La Voix humaine provides uncommon opportunities for divergent character interpretations and unique challenges to the performer. The opera chronicles the final telephone conversation between the sole character and her estranged lover. The opera’s format is unprecedented; because the audience does not hear Monsieur’s responses, the performer must create and portray them through her reactions, a challenge unique to this work. Through the exploration of four distinct characterizations, I discuss the choices and ramifications for the woman’s demeanor towards other people on the telephone line, her relationship with the man, the function of the various musical motives …

Creolisation In Music Traditions: South Connemara, The Scottish Western Isles And Francophone Louisiana, Brian Ó Huiginn

Doctoral

Why do people mix musics? What causes them to break down the boundaries between music genres and produce new genres that are a mix of others, and what does a melody migrating between cultures have to do to conform to a new music culture? Researchers such as Bruno Nettl, John Blacking, George List and Mark Slobin have over the past eighty years or more, attempted to look at the issue of music mixing under the headings of diffusion, acculturation and globalisation. This thesis seeks to further the understanding of this phenomenon, by examining three cases of cultures that are known …

Phi Mu Alpha Sinfonia Theta Chapter, Phi Mu Alpha Sinfonia, Setnor School Of Music

Setnor School of Music - Performance Programs

No abstract provided.

University Of Richmond Symphony Orchestra, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Trynchuk Studio Recital, Department Of Music

Concerts and Event Programs 2016-2017

Students of Carla Trynchuk featuring works by Prokofieff, Bruch, Bach, Schumann, Barber, Brahms, Wieniawski, Sibelius, and Saint-Saëns.

Nothin' But A Good Time: Hair Metal, Conservatism, And The End Of The Cold War In The 1980s, Chelsea Anne Watts

USF Tampa Graduate Theses and Dissertations

This dissertation offers a cultural history of the 1980s through an examination of one of the decade’s most memorable cultural forms – hair metal. The notion that hair metal musicians, and subsequently their fans, wanted “nothin’ but a good time,” shaped popular perceptions of the genre as shallow, hedonistic, and apolitical. Set against the backdrop of Reagan’s election and the rise of conservatism throughout the decade, hair metal’s transgressive nature embodied in the performers’ apparent obsession with partying and their absolute refusal to adopt the traditional values and trappings of “yuppies” or middle-class Americans, certainly appeared to be a strong …

Old Dominion University Jazz Choir, Old Dominion University Jazz Combo And Old Dominion University Jazz Orchestra, Old Dominion University Jazz Choir, Old Dominion University Jazz Combo, John Toomey (Director), Old Dominion University Jazz Orchestra, Douglas T. Owens (Director)

Ensemble Performances

No abstract provided.

Keyboard Collaborative Arts Recital, Yijiao Tian, Evangelina Jodjana, Jason Liebson, Varsénik Aslanyan, Jeffrey Goldberg, Esther Kim, Ariel Chien, Mikayla Feldman, Rachel Danielson, Tyler Johnson, Erin Theodorakis

Printed Performance Programs (PDF Format)

No abstract provided.

Big Band & Jazz Combo In Concert, Chapman Big Band, Chapman Jazz Combo

Printed Performance Programs (PDF Format)

No abstract provided.

2016-2017 Ppc Recital - Sebastian Castellanos (Bassoon), Sebastian Castellanos, Sheng Yuan Kuan

PPC/PSDP Recitals

No abstract provided.

2016-2017 Junior Recital - Elizabeth Lee (Cello), Elizabeth Lee, Sheng Yuan Kuan, Sohyun Park

Junior and Senior Recitals

No abstract provided.

Cuban Spectacular: From The Big Easy To The Big Apple: A Celebration Of The Mambo, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Student Recital: Cailin Gwaltney, Soprano, Cailin Gwaltney

Student Recitals

No abstract provided.

Chamber Ensembles, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Piano Studio Recital Of Chi Yong Yun, Department Of Music

Concerts and Event Programs 2016-2017

Students of Chi Yong Yun featuring works by Beethoven, Brahms, Clementi, Scarlatti, Debussy, Mendelssohn, Liszt, Scarlatti, Prokofiev, Bartok and Chopin.

Interfaith-Cross-Cultural Improvisation: Music And Meaning Across Boundaries Of Faith And Culture, Gerard J. Yun

Consensus

This article explores the social value and meaning of interfaith-cross-cultural improvisation (musical improvisation between people from differing cultural and faith traditions) and its unique quality of engaging widely different cultural and faith-based groups. It draws concepts from evolutionary biology, ethnomusicology, religious experience, the emerging field of community music, and the insight of first-hand participants. Interfaith-cross-cultural improvisation can be seen as a form of “deep play” with the ability to signal and evoke empathy across participants who identify with divergent beliefs, cultures, and practices. The article attempts to illuminate the process of interfaith-cross-cultural improvisation as a meaningful undertaking of interfaith and …