Music Commons^™

Yuan Yuan, Violin: Student Recital, Yuan Yuan

Setnor School of Music - Performance Programs

No abstract provided.

Junior Recital: Jacqueline Gabrielle Schimpf, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Instrumental Chamber Music: Brass And Woodwinds

Printed Performance Programs (PDF Format)

No abstract provided.

Instrumental Chamber Music: Strings, Emy Eddow, Sam Naff, Amadea Tanner, Charley Story, Alicia Correa, Julianne Lussier, Ariel Chien, Katie Kotar, Arturo Balmaceda, Chris Noble, Hannah Ceriani, Lorianne Frelly, Lisa Yoshida, Safieh Moshir-Fatemi, Preston Yamasaki, Haley Hedegard, Will Parker, Ryan Kelly, Isabella Pepke, Stella Monshaw, Eileen Kim, Chris Nelson, Clio Brady

Printed Performance Programs (PDF Format)

No abstract provided.

Chapman Guitar Ensemble, Chapman Guitar Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

2016 Ursinus College Messiah Performance Program, Music Department

Messiah Programs

This music event program from 2016 contains information about the 79th annual performance of Handel's "Messiah" at Ursinus College. It lists the performers and conductor as well as the order of each piece of music.

2016-2017 Guest Pianists Weekend - Stanislav Ioudenitch, Stanislav Ioudenitch

Guest Recitals

The master class was held on Sunday, December 4, 2016.

Senior Recital: Erin Elizabeth Vidlak, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

2016-2017 Master Of Music Recital - Michael Pittman (Bassoon), Michael Pittman, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

2016-2017 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Sheng Yuan Kuan, Xiaonan Huang, Julia Jakkel, Yasa Poletaeva, Darren Matias, Huyen Anh Nguyen, Katherine Baloff

Master Classes

No abstract provided.

Manuela Baranik, Voice And Megan Murphy, Voice: Junior Voice Recital, Manuela Baranik, Megan Murphy

Setnor School of Music - Performance Programs

No abstract provided.

Welcome Christmas, Department Of Music

Concerts and Event Programs 2016-2017

AU Singers and Choral, and AU Orchestra under the direction of Stephen Zork featuring works by Thompson, Nickel, Harris, Courtney, Bell, Archer, Nelhybel, Berkey, Arnesen and Rose.

Student Conductors:

Heidi Ordaz

Joshua Goines

Soloists:

Megan Mocca, mezzo-soprano

Jamila Sylvester, mezzo-soprano

Katia Nikolaus, flute

Ex Nihilo: An Inquiry Into The Nature Of Musical Creation, David Orvek

Capstone Research Projects

As of late there has been much interest in the creative process of musical composition. Most studies to date have taken the form of quantitative and/or psychological analyses performed upon composers by researchers who are not themselves composers. In contrast, this project takes a more philosophical and historical approach in that it takes time to reflect upon the context and manner in which music has been composed throughout history. Additionally, this study offers a more personal perspective as it draws information from the author’s own compositional process–as recorded in a composition journal–as well as the thoughts and reflections of composers …

2016-2017 Master Class - John Miller (Bassoon), Erika Andersen, Michael Pittman, Sebastian Castellanos, Fabiola Hoya

Master Classes

No abstract provided.

New Music Ensemble, Chapman New Music Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Xuan Lin, Composition; Student Recital, Xuan Lin

Setnor School of Music - Performance Programs

No abstract provided.

An Introduction To Serbian Piano Music: Musical And Cultural Influences On Three Selected Composers, Jelena Djukic

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Serbia is a country that has survived many political and religious conflicts. Perhaps the best way to describe Serbian culture and tradition would be a country whose inhabitants struggled for many years, yet managed to incorporate the best elements of its conquerors’ cultures. Serbian musical identity is an amalgam of local and international influences and styles.

Different foreign authorities occupied this country for centuries. The Danube River was the main border of the Austro-Hungarian Empire, located in the north, and the Turkish Ottoman Empire, situated south of the Danube. The Austro-Hungarian influences on Serbian music are most evident in piano …

Music And Words: Connecting The Love Of Music With Language, Eileen P. Kennedy, Raymond Torres- Santos

Publications and Research

Children from different cultures have a natural affinity for rhymes, rhythm and music. Imagine if students were able, from the beginning of their education and experiences with academic writing and literacy, to access their unconscious and original selves from which to create their writing. The study of music can help to access this aware, inventive side that can enhance anyone’s writing. As an early childhood writing teacher and a composition teacher, we draw on our experiences with young children with words and music. We examine the relationship between music and words in an effort to bring the primitive drive of …

Uni Saxophone Studio Recital, December 1, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Amy Pfrimmer, Soprano, John Hines, Bass, And Korey Barrett, Piano, December 1, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Art Infested Water, December 2016, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

Curious, Collaborative Creativity: Applying Student-Centered Principles To Performing Ensembles, Danni Gilbert

Glenn Korff School of Music: Faculty Publications

This article explores a comprehensive, student-centered alternative to traditional ensemble instruction with the goal of promoting better opportunities for musical independence and lifelong musicianship. Developed by Caron Collins from the Crane School of Music at the State University of New York–Potsdam, the Curious, Collaborative Creativity (CCC) concept fosters student-centered learning and the promotion of 21st-century skills by encouraging students to select, arrange, and compose the repertoire to be studied; to work together in teams to equally contribute to the learning/understanding of music; and to share their work through informances to engage and enlighten community members. Examples from a current ensemble …

Relationships Between Pitch-Matching And Grade Level, Gender, Ethnicity, And Classroom Teachers’ Use Of Music In Grades K-3,, Shelly C. Cooper, Jere T. Humphreys

Music Faculty Publications

The purpose of this study was to examine relationships between pitch-matching and grade level, sex, ethnicity, and classroom teachers’ use of music among K-3 students (N = 289) taught by the same general music teacher. Portions of the data from a pitch-matching exercise that functioned as the music teacher’s roll-taking procedure during the 2005-06 school year were treated as pre- and posttests. There were no significant pretest differences between ethnic groups (Hispanic, White, Other). There were significant pretest differences among classes taught by different classroom teachers, as well as the female students scoring significantly higher than males. Covariance analysis (pretest …

Efficient Strategies For Playing The Horn, Jon Allan Holloway

UNLV Theses, Dissertations, Professional Papers, and Capstones

In their pursuit of becoming accomplished performers, horn players spend a great deal of time studying proper brass playing techniques from the great pedagogues. The modern horn is a fairly young instrument (less than two hundred years old) and the most efficient pedagogical approach is still evolving. Because of this, horn players spend a great deal of time studying proper brass playing techniques from the great pedagogues. Books by Philip Farkas, Arnold Jacobs, Raphael Mendez, and more have many theories and exercises on how to breathe, the best way to perfect embouchure development, performance techniques, and more.

Modern pedagogues have …

The Big Band And The Piano: Nikolai Kapustin’S Variations Op. 41, Ryan Kelly

UNLV Theses, Dissertations, Professional Papers, and Capstones

Much has been written and said on how piano works should almost imitate the sounds of an orchestra to be played well. There is a style and musical language that serious pianists must master in order to play with correct voicing, specific tones, and other techniques that make a piano sound like a full orchestra and thus bring it to life.

While there much written about how the piano should imitate the traditional orchestra in the classical and romantic style, what of the big band? In the last century many works have been written for the piano using jazz rhythms, …

Hildegard Of Bingen And Musical Reception: The Modern Revival Of A Medieval Composer (Book Review), John Macinnis

Faculty Work Comprehensive List

Reviewed Title: Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer by Jennifer Bain. Cambridge: Cambridge University Press, 2015. 235 pp. ISBN: 9781107076662.

Indigiana, Elizabeth A. Knox

Graduate Thesis Collection

Indigiana, for orchestra and audio soundscape, is dedicated to the 2016 bicentennial celebration of the State of Indiana. The title is derived from the words, ‘Indiana,’ ‘Digital,’ and ‘Indigenous.’ Its programmatic style is based on the natural landscape and my reflections on four Indiana state parks. In addition to the state's bicentennial honor, Indiana celebrated its 100^th anniversary of the purchase of its first two recreational facilities, McCormick's Creek and Turkey Run State Park.² To honor the state and my family’s longstanding heritage as Hoosiers, I used the natural landscape and environmental sounds of four Indiana state parks …

Mexica Music, Tizoc E. Ramirez-Marquez

Capstone Projects and Master's Theses

This paper explores the society of Mexica, or the Aztecs, and some of the instruments that were produced in the civilization and used in today’s compositions. The history and their creation mythology will also be deliberated for those individuals who do not know this information of the culture. In the history, the subjects of the Mexica constructing a giant city in a lake to the conquest that was lead by Hernan Cortez will be discussed. The creation story will also exhibit the ideology of the Mexica and how their culture is sustained before the conquest. In the music section, the …

Automation: From Consoles To Daws, Christian Ekeke

Capstone Projects and Master's Theses

Since the beginning of modern music there has always been a need to implement movement into a mix. Whether it is bringing down dynamics for a classic fade out or a filter sweep slowly building into a chorus, dynamic activity in a song has always been pleasing to the average music listeners. The process that makes these mixing techniques possible is automation. Before I get into details about automation in regards to mixing I will explain common ways automation is used. Automation in a nutshell is the use of various techniques, method, system of operating or controlling a process by …

Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, And Japanese Influences Network To Create Concerto Pour Flute Et Piano And Sonate Pour Flute Et Piano, Kelly A. Collier

UNLV Theses, Dissertations, Professional Papers, and Capstones

André Jolivet’s Fusion, represents his formative style period, post-World War II. Fusion is a combination of Jolivet’s two earlier style-writing periods for flute, “magical music” and conventional lyricism. This study presents detailed analyses of two compositions reflecting this style period, Concerto pour flûte et piano and Sonate pour flûte et piano, by André Jolivet. In order to acquaint the reader with Jolivet’s interest in ancient musical cultures, a brief biography offers information on Jolivet’s interests in ancient rituals and mysticism. As appointed Director of the Comédie-Française in 1945, Jolivet extensively travelled and experienced new musical phenomena. These musical phenomena, Japanese …