Music Commons^™

2016-2017 Junior Recital - Shaun Murray (French Horn), Shaun Murray, Sohyun Park

Junior and Senior Recitals

No abstract provided.

Bach's Birthday Concert, Anne Laver

Setnor School of Music - Performance Programs

No abstract provided.

The Adam Larson Trio, March 21, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Geoffrey Durbin, Euphonium, March 21. 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2016-2017 Bach In The Subways: Roberta Rust & Friends, Hikari Nakamura, Nicole Marie P. Cortero, Xiaoxiao Wang, Roberta Rust, Carol Cole, David Cole, Sergei Skobin, Asmik Arutiuniants, Karen Dixon

Other Seasonal Concerts

No abstract provided.

Violin Master Class With Marilyn Mcdonald, Olivia Abbott, Alexis Hansen, Chandra Harvey, Mark Gubler, Rebecca Ostermiller, Aubrey Moeller, Laurana Wheeler, Molly Petrik, Marilyn Mcdonald

All Music Department Programs

Marilyn McDonald, a founding member of the Smithson Quartet and the Castle Trio, currently plays in the Axelrod Quartet in residence at the Smithsonian Institution and so named in honor of the donor of the decorated Stradivarius instruments on which the quartet performs.

Five Miles Outside Town: A Play With Music, Luke John Mcloughlin

Theses and Dissertations

Months ago, I wanted to write something like an opera or a musical for my thesis. This is not quite what happened. Instead, I have written a play with music; that is, there are four solo songs interspersed within the drama. While there are parts of it that I would like to change, the present work (the pages following this abstract, the title page, the copyright page, the committee page, the acknowledgments page, and the table of contents) represents what I was able to put together within the restrictions of the academic schedule.

The following are descriptions of various facets …

Richard Becker And Doris Wylee-Becker, Pianos, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital- Rebecca Soelberg, Rebecca Soelberg, Dallas Heaton

All Music Department Programs

No abstract provided.

Junior Recital- Savy Despain, Savy Despain, Dallas Heaton

All Music Department Programs

No abstract provided.

Senior Recital - Eric Burton, Eric Burton

All Music Department Programs

This recital is in partial fulfillment of the requirements for the degree of Bachelor of Music in Music Performance.

David Niethamer, Clarinet, And Lisa Kinzer, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

New Compositions For Percussion Duo, Andrea Venet

Showcase of Faculty Scholarly & Creative Activity

The submitted videos are a representation of recent performances and world premieres of commissions by Dr. Andrea Venet’s percussion duo, Escape Ten. Escape Ten is an ensemble in residence at the UNF School of Music with Dr. Annie Stevens (Virginia Tech). The first video is of a new composition, 2300 Degrees, by Ivan Trevino. Trevino held a musical residence at the Corning Museum of Glass in Corning, NY and was greatly affected by observing glass blower Lino Tagliapietra work. Ivan states “In order to recreate the feelings I felt while watching Lino work, I decided to create a piece with …

2016-2017 Pianist Sheng-Yuan Kuan In Recital, Sheng Yuan Kuan

Faculty Recitals

No abstract provided.

2016-2017 Performance Forum - March 16, 2017, Yue Yang, Nicole Marie P. Cortero, Yasa Poletaeva, Darren Matias, Elizabeth Lee

Performance Forum

No abstract provided.

"Orchestral Conducting In The Nineteenth Century," Edited By Roberto Illiano And Michela Niccolai, Clive Brown

Performance Practice Review

Clive Brown discusses this 2014 publication, edited by Roberto Illiano and Michela Niccolai.

Illiano, R., M. Niccolai, eds. Orchestral Conducting in the Nineteenth Century. Turnhout: Brepols, 2014.

ISBN: 9782503552477.

Old Dominion University Sound Recording Technology Guitar Studio And Guitar Ensemble Recital, Old Dominion University Sound Recording Technology Guitar Studio, Old Dominion University Guitar Ensemble, Eldon Sully (Director)

Ensemble Performances

No abstract provided.

2016-2017 Junior Recital - Nolan Carbin (Trombone) And Hallgrimur Hauksson (Bass Trombone), Nolan Carbin, Hallgrimur Hauksson

Junior and Senior Recitals

No abstract provided.

2016-2017 Senior Recital - Mariana Cisneros (Trombone), Mariana Cisneros, Sheng Yuan Kuan, Sohyun Park, Brian Garcia

Junior and Senior Recitals

No abstract provided.

2016-2017 Master Class And Mini-Recital - Michael Lewin (Piano), Michael Lewin, Yu Lu, Chance Israel

Master Classes

No abstract provided.

2016-2017 Master Class And Mini-Recital - Michael Lewin (Piano), Michael Lewin

Master Classes

No abstract provided.

2016-2017 Senior Recital - John Weisberg (Oboe), John Weisberg, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Shall We Dance? Lawrence University Symphony Orchestra, March 10, 2017, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

P13. Wagner's Use Of The Formal Lament For King Mark In Tristan Und Isolde, Julie Anne Nord

Western Research Forum

Background: The composer Richard Wagner often expressed his distaste for “number” operas and other contrived forms used in the Italianate works of his forerunners and contemporaries. In place of these operatic conventions, Wagner drew upon the Tragedy of Ancient Greece to propose a “total artwork” (Gesamtkunstwerk)) with no contrived breaks for conventional form. Despite, or perhaps because of, his aversion toward operatic formal conventions, Wagner turned to one such form for his music for King Mark in Tristan und Isolde.

Methods: This poster demonstrates Wagner’s use of lament tropes from the poetry of Greek Tragedy and from …

P24. The Birds And The Beats: Perception Of A Beat In An Avian Model, Brendon Samuels

Western Research Forum

Background: Beat perception is a complex cognitive skill that enables humans to “feel” the beat in music, and is an essential component of synchronization of behavior and dance. The mechanisms in the human brain that facilitate beat perception are not entirely understood, and have only been studied thus far using non-invasive techniques. Some animals, such as songbirds, also seem to be able to detect a beat in rhythms, though this has never been formally tested independent of motor synchronization.

Methods: An operant experiment is used to assess if European starlings, a type of songbird, are capable of categorizing …

Jazz Small Groups (Combos 4 & 5), March 9, 2017, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Lawrence University Brass Department Chamber Music Recital, March 9, 2017, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Percussion Ensembles Concert, March 9, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Chai Ming, Piano: Student Recital, Chai Ming

Setnor School of Music - Performance Programs

No abstract provided.

Guest Recital, Jacob Sentgeorge, Tenor, Liz Pearse, Soprano, March 8, 2017, Lawrence University

Conservatory of Music Concert Programs

Harper Hall