Music Commons^™

Specific Ways In Which Your Eyes Help You Hear Classical Music Performances: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

When people listen to a musical performance, they normally use their ears as their main source of intake for the music. How about when people watch a performance live? Do the ears have as big of an intake as visual cues? I would like to determine the specific cues that people observe while watching a musical performance in order to deem it successful. This article will determine which performers were considered more successful and discover the common performance habits shared between each performer. Upon completion of this paper, readers will have a better understanding of performance habits that can increase …

Medieval Coding Of Sacred Content, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Underestimated Music Of Sergei Rachmaninoff, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Research Of The Most Well-Known Tenor Roles In Mozart’S Operas, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

The Writing Style Of “Der Erlkönig” And “Serenade”, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Metric Organization In Modern Guitar Transcriptions Of Renaissance Music: An Annotated Bibliography, Diogo Alvarez Leite Duarte

Musicology and Ethnomusicology: Student Scholarship

The concept of meter in music has changed throughout the centuries and many related terms and concepts (such as bar, time signature, tactus and prolatio) have either emerged or disappeared from the vocabulary of the professional musician according to the mindset of each period. Consequently, the understanding of metric organization in Renaissance music by modern musicians is compromised, and so are modern editions of said repertoire, which are based in modern music notation. In informed editions, the decisions regarding the use of bar lines, if one is to avoid arbitrariness, should reflect a concern for conveying a metric idea …

A Study Of Player Technique And Equipment Setup And Their Effects On Trumpet Tone, Greg Sills

Musicology and Ethnomusicology: Student Scholarship

One of the pinnacles of performance practice is that of creating a recognizable, individualistic sound. There are differing opinions on this matter in relation to how a trumpet sound is formed and changed through both player technique and equipment setup. The purpose of this study is to take an objective point of view on the matter, using what others have said as well as the science of sound production on the trumpet, to find a window in to how players use technique and equipment to their advantage in creating the sound they desire.

Mindfulness As An Alternative To Prescriptive Pedagogical Methods For Technique, Seth Quay

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Issues Of Authenticity In The Performing Of Bach Cello Suites, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

The French Air De Cour And The English Ayre, Audrey Oden

Musicology and Ethnomusicology: Student Scholarship

This project aims to explore the relationship between French airs de cour and English ayres (or airs) in the early 17th century. Although the first collection of airs de cour was published in 1571 by Adrian LeRoy, airs de cour were most popular was in the 17th century during the reign of Louis the XIII, with composers the Pierre Guédron, Antoine Boësset and Etienne Moulinié. The popularity of the English ayre began with John Dowland’s publication First Booke of Songes or Ayres in 1597 and continued with composers such as Thomas Campion and John Danyel. There are apparent similarities between …

Challenges For Women In Jazz Education: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

A Historical Overview And Analysis Of Béla Bartók’S “Violin Concerto No. 1 Posthumous” And Its Place In Standard Violin Repertoire, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

There Has Been A Certain Type Of Demographic That Has Consistently Attended Classical Music Performances, But At The Same Time The Classical World Can Broaden Its Group Of Audience Members, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Ron Carter's Influence On Miles Davis' Quintet From 1963 - 1968, Bob Songster

Musicology and Ethnomusicology: Student Scholarship

How Ron Carter influenced Miles Davis’ 1963-1968 quintet, and how this quintet influenced Ron Carter’s playing style. Compare and contrast both Carter's work before and after the Davis quintet, and Davis’ work before and after the quintet.

Learning From The Pop World: How Studying Listeners Of Pop Music Can Inform The Building Of A Classical Music Audience: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Bill Evans Senior Honors Project, Reese Lyon Rehkopf

Honors Projects

A paper on the life and music of Bill Evans and his influence on jazz music. This project consists of three transcriptions of Evans' jazz improvisations and a paper.

Uni Jazz Bands, November 1, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Sunday Music Series: Carla Trynchuk & Chi Yong Yun, Brandon Shin

Andrews Agenda: Campus News

No abstract provided.

Editor’S Essay, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Music Therapy: Effects On Children Diagnosed With Asd, Jennifer Lynn Mahr

Masters Theses

This study was conducted to focus on the use of music therapy as a treatment to serve people of special needs, including individuals with ASD. The research seeks to inform parents/students of children with ASD that music therapy could be the avenue in which their children/students are treated in certain areas. The information in this research can assist parents with the knowledge and understanding they need relating to music therapy in order for their child to overcome weaknesses associated with ASD. Similarly, music teachers can gain further insight into the world of music therapy to encourage students who struggle in …

School Of Music Faculty/Staff Newsletter, November 2018, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• GEORGIA SOUTHERN CHORALE FUNDRAISER
• FACULTY FEATURES
• STUDENT ACCOMPLISHMENTS

• GUEST ARTISTS: THE ERIC MINTEL QUARTET

• UPCOMING EVENTS IN STATESBORO

• UPCOMING EVENTS AT ARMSTRONG

Review Of Alex Horwitz, Great Performances: Hamilton's America. Pbs, October 21, 2016, Streaming, Elissa Harbert

Music Faculty publications

No abstract provided.

2018-2019 Performance Forum - November 1, 2018, Nalin Myoung, Jovani Williams, Karolina Kukolova, Ricardo Lemus, Hyemin Lee, Devin Lamarr, Kayla Williams, Kristine Mezines, Michael Puryear, Guzal Isametdinova, Ting An Lee, Ying Peng Wang

Performance Forum

No abstract provided.

Iglu (Improvisation Group Of Lawrence University), Performs To "The Cabinet Of Dr. Caligari," October 31, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

"Master Chef" With Chan And Mann

St. Norbert Times

• News
  • “Master Chef” with Chan and Mann
  • Callaghan Speaks as Ambassador of Peace
  • Demand for Clarity of Title IX
  • Roundtable: Opening a Dialogue
  • Dance Marathon Coming up Soon
  • 2018 Academic Honor Code Review
• Opinion
  • Anger Becomes Action
  • #WontBeErased
  • It’s That Time of Year
  • The Importance of Hobbies
  • Wicca
  • Abortion: The Central Issue
• Features
  • Hallowed Haunts of Green Bay
  • Saving Earth One Meeting at a Time
  • Run for Lungs 5K
• Entertainment
  • Event Spotlight
  • Sudoku
  • Trivia
  • What Happened to the Music Industry
  • Album Review: “Birthplace” by Novo Amor
  • Reminiscence of “The Flintstones”
  • “Chronicles of Narnia” Series in the Works at Netflix
  • Junk …

Ensemble Concert: Isu Double Bass, October 31, 2018, Dr. Bill Koehler

School of Music Programs

Kemp Recital Hall
October 31, 2018
Wednesday Evening
8:00 p.m.

Piano Studio Recital, Brooke Ward, Elizabeth Baker, Jashkal Germelus, Jerry Davis, Robert Stahl, Nicole Dorobanov

Student Recitals

No abstract provided.

Frankenstein: Syracuse University Symphony Orchestra; James Tapia, Director, Syracuse University Symphony Orchestra, Setnor School Of Music, James Tapia

Setnor School of Music - Performance Programs

No abstract provided.

Charles W. Bolen Faculty Recital Series: Sarah Gentry, Violin; Katherine Lewis, Viola; Adrianna Ransom, Cello; Tuyen Tonnu, Piano; October 30, 2018, Sarah Gentry, Katherine Lewis, Adriana Ransom, Tuyen Tonnu

School of Music Programs

Kemp Recital Hall
October 30, 2018
Tuesday Evening
7:30 p.m.