Comparative Literature Commons^™

Book Review: "A Delicious Effervescence Of The Mind", Gabriel Woolf, Rosalind Shanks

The George Eliot Review Online, ISSN: 2831-5375

"A delicious effervescence of the mind"? It is not a quality that one immediately associates with George Eliot, whose name and countenance promise more of the sturdier attributes and less of the "fizz". Yet in a brilliant recital by Gabriel Wooir and Rosalind Shanks, many sparkling bubbles of wit sprang to life. Her love of jokes was recalled from books she laughed over in childhood, and the lively amusement she gleaned from the foibles of folk emerged from the perhaps unlikely pages of "Janet's Repentance". Bartle Massey from Adam Bede was not unexpected, but less predictable was the quick, dry …

Treasurer's Report- 1984

The George Eliot Review Online, ISSN: 2831-5375

The Statement of Accounts for 1984 is quite straightforward and little comment is needed. Although 'we had fewer members, with the result that income from subscriptions was less than in the previous year, we were much encouraged to receive donations of £96.47p. We are grateful to the Life Members who, having joined the Fellowship when subscriptions were low, have now made extra payments. We hope this is an indication of approval of what we are doing and we welcome their generous help.

Profits on most of our activities were satisfactory, especially on Gabriel Woolf's Readings, without which our finances would …

Deception And Distance In Béroul's Tristan: A Reconsideration, Norris J. Lacy

Quidditas

Some years ago, I suggested that the irony and the pervasive equivocations that characterize the text of Béroul's Tristan have the effect of precluding, on the narrator's part, an implicit ethical endorsement of the characters. Although that is still my view, I went on, perhaps too incautiously, to question Béroul's narrative reliability. Considering the importance of such matters for our understanding of Béroul's art, it is not inappropriate to reconsider this problem. In fact, I think it reasonable now to begin with the assertion that, although his work is full of ambiguities, ironies, and tricks, Béroul's narrator never deceives his …

The Fiction Of The "Livre" In Robert De Boron's Merlin, Stephen Maddux

Quidditas

Robert de Baron, thought to have been responsible for changing Chrétien's graal into a Christian relic and his tale of Perceval into a cycle, was also an innovator when it came to the convention of the bookish source for his story. Marie de France and Chrétien both were careful to supply their poems with some kind of external authority, which was often book-like, if not in fact always a written text. Chrétien twice refers to actual books; Marie de France's sources were presumably all oral, but she treats them as though they were written, that is, deserving the same treatment …

Full Issue

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Chaucer And The Three Crowns Of Florence (Dante, Petrarch, And Boccaccio): Recent Comparative Scholarship, Madison U. Sowell

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Chaucer and the Italian Trecento. Ed. Piero Boitani. Cambridge: Cambridge University Press, 1983. 313 p. $49.50.

Howard H. Schless, Chaucer and Dante: A Revaluation. Norman, OK: Pilgrim Books, 1984. 268 p. $85.00.

R. A. Shoaf, Dante, Chaucer, and the Currency of the World: Money, Images, and Reference in Late Medieval Poetry. Norman, OK: Pilgrim Books, 1983. 313 p. $39.95.

Great Black Goats And Evil Little Women: The Image Of The Witch In Sixteenth-Century German Aart, Jane P. Davidson

Quidditas

Witch imagery in German Renaissance art may strike the modern observer as something incongruous in an age noted for interest in humanism, reformation, science, appreciation of beauty and the like. Nonetheless, it existed. Further, we find a number of prominent German artists who depicted witches. The operative point here is probably an interest in realism. Renaissance artists, north and south, were preoccupied with reality. Too this end, their art stressed optical accuracy, factual anatomy, convincing natural details and so on.

Correspondence With Women: The Case Of John Knox, A. Daniel Frankforter

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The Reformation opened an ambiguous era for women. There were risks of losses and opportunities for gain for women who made the transition to Protestant faith. Protestant women gave up some traditional religious supports. The Virgin Mary and the female saints, who provided Catholic women with role models and sisterly patronage, were thrust aside. Priestly intercession ended, the Protestant women, like men, stood alone with their consciences in the presence of God. Women were denied the option of careers as nuns in self-governing female communities, and virginity ceased to be a respected female vocation. All women were expected to marry, …

Gawain's "Anti-Feminism" Reconsidered, S. L. Clark, Julian N. Wasserman

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In Sir Gawain and the Green Knight, the protagonist survives the return blow for which he had contracted with the Green Knight but finds to his dismay that he has unwittingly failed a more significant test. As the awareness comes to Gawain that the Green Knight and his Yuletide host share one identity, that it was upon Bercilak's instructions that his wife attempted to seduce him, and that Morgan la Fée had, in effect, master-minded the whole plan, Gawain reacts with bursts of anger which, wen analyzed, speak not only to the Pearl-Poet's skill at characterization but also …

Recreating Writing: A Consideration Of Translated Literature, Rabea Jan

Theses Digitization Project

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Front Matter

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Can We Speak Of An Islamic Middle Ages? A Conceptual Problem Examined Through Literature, Julie Scott Meisami

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In his introduction to The Arabs and Medieval Europe Norman Daniel, after rejecting the "traditional" Gibbonian definition of the Middle Ages as "the age between a fixed classical civilization and the modern world which inherits it" in favor of a view which affirms the unbroken continuity of European history, concludes that "for all non-European peoples ... the concept of a Middle Age has no relevance, at least for their internal history. Any relevance it has must be in relation to Europe" (3). Similarly, in the area oof literature, Robert Rehder in a review article states categorically that "Medieval is …

Adam's Dream: Fortune And The Tragedy Of The Chester 'Drapers Playe', George Ovitt Jr.

Quidditas

In glossing a passage from his translation of Boethius's De consolatione philosophiae, Chaucer provides a definition of tragedy which would have been familiar to any fourteenth-century reader and which, perhaps, still seems adequate to the twentieth-century reader: "What other thyng bywaylen the cryinges of tragedyes but oonly the dedes of Fortune, that this unwar strook overturneth the realmes of greet nobleye? (Glose. Tragedye is to seyn a dite of a prosperite for a tyme, that endeth in wrecchidnesse.)" The substance of this gloss is repeated in the 'Prologue' to the "Monk's Tale": "Tragedie is to seyn a certeyn storie, …

Latin And Vernacular In Fourteenth- And Fifteenth-Century Italy, Paul Oskar Kristeller

Quidditas

The subject of this essay concerns Dante only indirectly and in part. Nevertheless I hope to be able, among other things, to explain Dante's historical position and his influence on the Italian Renaissance. I cannot avoid partially repeating what I wrote in some of my previous studies, especially in my early article on the Italian prose language. Some of my prior observations, which seemed new to me at the time, have since been widely accepted; but some new sources and literature have been added in the meantime, and on some points I have changed my opinion or paid attention to …

Rites And Passage In Leonardo Bruni's Dialogues To Pier Paolo Vergerio, Olga Zorzi Pugliese

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The Dialogues to Pier Paolo Vergerio are a fairly brief, rather unassuming, yet much defamed work by Leonardo Bruni (c. 1370-1444), the Italian humanist from Arezzo who lived most of his life in Florence, the hub of early Renaissance civilization. Composed of two parts, the second of which is, apparently, a retraction of the first, and dating probably from a the years 1401 and 1405-06, respectively, the Dialogues constitute, because of the contradictions contained in them, a puzzling text that has elicited a variety of interpretations from critics in the historical as well as the literary fields. Although much research …

Book Review: The Mills On The Floss, J.C. Trewin

The George Eliot Review Online, ISSN: 2831-5375

“George Eliot" seems to be fashionable at the moment. I gather that Silas Marner is planned for television. Now Margaret Wolfit, Sir Donald's actress daughter, has managed to get her single-handed stage version of The Mill On The Floss into two hours.

For some it is the most immediately appealing of all the books; and it is good to see its problems yield to so direct an approach.

Margaret Wolfit has the right kind of modesty. She does not approach her protean task as if she were launching a battleship, but talks her way quietly into the narrative, establishing everyone …

Address Given By Revd. B.A. Ritchie At The Unveiling And Dedication Of A Memorial To George Eliot, B.A. Ritchie

The George Eliot Review Online, ISSN: 2831-5375

There is no difference in kind between our human selves and those particular human beings who we have learnt, throughout our history. to call the artist, the thinker, the hero, the saint . The difference is not one of kind, it is rather one of intensity of experience. At the highest level in our culture the artist. the thinker. the hero. the saint are those who. according to one of the leading theologians of our age, have ventured on our behalf on a journey of intensification. It is. of course. a journey that, to a greater or lesser degree. we …

The 1984 George Eliot Memorial Lecture: Love, Knowledge And Narration: George Eliot On Other Minds, Richard Freadman, D. Phil

The George Eliot Review Online, ISSN: 2831-5375

'It was by loving them ... that he knew them; it was not by knowing them that he loved'1 - such was Henry James's legendary conclusion about Balzac and his characters. James's point was simple but important: Balzac was, in his view, able to invest his characters with a special freedom and opaqueness because he loved them as one might love another person. They didn't spring complete and transparent from a fictional blueprint. ²

James makes a similar point about Trollope, a writer in whom he elsewhere finds fault. If Trollope 'was a knowing psychologist, he was so by grace; …

Mill On The Floss: The Author's Tone Of Voice

The George Eliot Review Online, ISSN: 2831-5375

It is a breathtaking evening at the Fortune Theatre, in the sense that we come to share the actress's evident inhalation of the novel and exhalation of it - all in two hours for us.

It can hardly be described as breathtaking entertainment since "The Mill on the Floss" has, until its tragic end, all the characteristics of its kind least suited, you may think, to theatrical adaptation. So the achievement of Margaret Wolfit in translating George Eliot's supposedly autobiographical novel to the stage (or to the needs of a solitary performer) is the more remarkable.

For it introduces everyone …

George Eliot's Theory Of The Novel, Richard Freadman

The George Eliot Review Online, ISSN: 2831-5375

By the time George Eliot began work on Scenes of Clerical Life late in 1856, she already had in mind a pretty clear idea of what a novel ought to be. Here her work for the Westminster Review and the Leader had been of great assistance, for it had enabled her to assess many contemporary novels as well as numerous works of historical, sociological, philosophical and topical interest. The 'theory' of the novel that resulted was not as comprehensive or integrated as the historic one formalised in Henry James's Prefaces fifty years later, and it clearly underwent alteration as George …

The 1985 George Eliot Memorial Lecture, Michael Bell

The George Eliot Review Online, ISSN: 2831-5375

At the heart of George Eliot's fiction is an abiding concern for truth of feel i ng. The al truism of a Dorothea, as much as the egoism of a Rosamund, can lead to a disastrous failure in self-knowledge and in understanding of the world. Eliot, of course, was concerned with the outer worlds of nature, of society and of history, yet her approach is always through the emotional perceptions of specific individuals. Several of the great mid-Victorian novelists shared this belief that large social questions were to be approached through the issue of right feeling. Most notably Dickens sought …

Book Review: Forms Of Feeling In Victorian Fiction, Kathleen Porter, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

The art of representing feeling within a fictional character, and of eliciting response from the reader, was well understood by the great Victorian novelists. Their methods were so successful that the characters they created and the emotional experiences they described affect today's readers as powerfully as the readers of their own time.

In this study, Professor Barbara Hardy examines the forms and languages used by various authors to represent feeling, to analyse it, and to manipulate readers' responses. She begins by considering the techniques of some earlier writers from which developed the more 'realistic' Victorian forms of fiction. She chooses …

Dani El Deronda : George Eliot's "Negro Novel", John Stott

The George Eliot Review Online, ISSN: 2831-5375

Daniel Deronda, G.H. Lewes once rather ingenuously explained, was "all about English ladies and gentlemen with the scene laid in Wiltshire" (Letters 6:136)² ... and although the novel is evidently "about" far more than that, Lewes' words are a useful reminder that Deronda gains his entree to the world of the novel as a gentleman, the ward of Sir Hugo Mallinger, and not as a political figure: a believer in a Palestinian homeland for the Jews. I t is necessary for the novel that he believe in something, of course; as R. T. Jones has commented, "In order to …

The Quality Of Humour In 'Brother Jacob', Graham Handley

The George Eliot Review Online, ISSN: 2831-5375

'Brother Jacob' was written in 1860. but not published until 1864. some months after Romola had completed its run in the Cornhill Magazine. At first sight it appears to be an undistinguished piece of work. with the omniscient author well in evidence. The opening is heavy-handed, a deliberate and sententious humour being levelled at the reader:

Among the many fatalities attending the bloom of young desire. that of blindly taking to the confectionery line has not. perhaps, been sufficiently considered.

Fortunately, this is prelude to a fascinating story which has a comparable psychological insight to that shown in 'The Lifted …

On Location With 'Silas Marner', Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

If you have ever regarded the life of an actor to be a glamorous one, it would have been something of an eye-opener to have visited the location of the BBC Television film of 'Silas Marner' on a cold March day. The day had followed one of almost continuous rain, and I have never seen such mud, nor so much of it. The setting was in the Cotswolds, chosen because this area remains one of the last almost totally unspoilt regions in England. The production team, eager to be as authentic as possible, had travelled the length and breadth of …

Ignorance And Power: George Eliot's Attack On Professional Incompetence, Linda K. Robertson

The George Eliot Review Online, ISSN: 2831-5375

Throughout both her essays and her fiction, George Eliot shows little patience with ignorance. in the epigraph to chapter 21 of Daniel Deronda she states, "It is a common sentence that Knowledge is power; but who hath duly considered or set forth the power of Ignorance?" (bk. 1) The failure of an individual to fulfill his role in society with a reasonable level of competence because of inadequate knowledge or an inability to apply information properly is a matter for concern. Beginning with her earliest fiction, Eliot uses characterisation and plot to demonstrate her contempt for a wide spectrum of …

Message Of Greeting From The Fellowship President Mr. ]Onathan G. Ouvry, Jonathan G. Ouvry

The George Eliot Review Online, ISSN: 2831-5375

The first year of my presidency of the George Eliot Fellowship has now safely passed, and how quickly it went! I have much enjoyed it, and though, for reasons of distance and available time, I have missed many of the most interesting functions with which the newsletter has tempted me from time to time, I have attended, with my wife Marjorie, the annual wreath-laying ceremony at Westminster Abbey which was a great pleasure as always, and the Birthday Luncheon in November which we very much enjoyed.

We were particularly sorry to miss performances on behalf of the Fellowship by Margaret …

Book Review: Frederic Harrison: The Vocations Of A Positivist, Graham Handley

The George Eliot Review Online, ISSN: 2831-5375

This book, the result of more than half a lifetime's research, provides a much-needed insight into the nature of English Positivism and one of its leading disciples, Frederic Harrison. I t opens excitingly with the twenty-three-year-old Harrison meeting the ageing but wonderfully fluent Auguste Comte, and being so mesmerised that the interview changed the course of his life and gave him his major 'vocation', the spreading of the Positivist gospel. It is a fascinating story, not so much for the positivism but because of the sheer variety of the man and his interests and indestructible energy. Martha Vogeler's great merit …

Book Review: Selections From George Eliot's Letters, Leon Drucker

The George Eliot Review Online, ISSN: 2831-5375

This is a most welcome and meticulous distillation of Dr. Haight's The George Eliot Letters in nine volumes, which in this age of the video cassette will be inaccessible even in many good reference libraries. My only reservation about the editing of this very readable book of some 650 letters in 560 pages is that the letters themselves are not numbered. I certainly commend the informative headnotes above each letter, though sometimes the longer the letter, the briefer the note, which proves that Dr. Haight is never one to obtrude between himself and his heroine.

The first sentence of the …

Toast For The 1985 George Eliot Birthday Luncheon, Graham Handley

The George Eliot Review Online, ISSN: 2831-5375

In proposing this toast I thought I would like to look briefly at George Eliot's real children, and before anyone, sensing an even bigger mid-Victorian scandal than she created by Iiving with George Henry Lewes, asks 'Did she have any?', let me define what I mean by 'real'. I do not mean G. H. Lewes's boys, though she was a devoted mother to them in the best sense of the word, writing to them, being caring and concerned at all times, nursing one in his young manhood dedicatedly until his premature death. I do not mean Elma Stuart, whom George …