Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Social and Behavioral Sciences (219)
- Communication (162)
- Critical and Cultural Studies (162)
- American Studies (68)
- Other Arts and Humanities (68)
-
- Film and Media Studies (66)
- Reading and Language (66)
- Feminist, Gender, and Sexuality Studies (65)
- Other Film and Media Studies (57)
- Rhetoric and Composition (57)
- European Languages and Societies (56)
- Theatre and Performance Studies (50)
- Education (49)
- Television (44)
- East Asian Languages and Societies (14)
- English Language and Literature (13)
- Chinese Studies (11)
- Translation Studies (10)
- Modern Literature (9)
- Race, Ethnicity and Post-Colonial Studies (7)
- Philosophy (6)
- Literature in English, North America (5)
- Religion (5)
- Women's Studies (5)
- American Literature (4)
- American Popular Culture (4)
- Comparative Philosophy (4)
- French and Francophone Language and Literature (4)
- Publication Year
- Publication
- Publication Type
Articles 1 - 30 of 281
Full-Text Articles in Comparative Literature
Small Nations, Big Debates: Empowering The Slovenes As A Subject Of World History In The Critical 1930s, Marko Juvan
Small Nations, Big Debates: Empowering The Slovenes As A Subject Of World History In The Critical 1930s, Marko Juvan
CLCWeb: Comparative Literature and Culture
The article looks at how Slovene intellectuals and writers in the 1930s attempted to redefine the role of a small nation within the world-system in the face of global economic crisis, authoritarianism, imperialism, and the threat of fascist expansion. Three central interventions are examined in detail: firstly, Josip Vidmar’s culturalist defense of Slovenia as a nation defined by its intellectual and artistic achievements, which is contrasted with Edvard Kardelj’s Marxist reinterpretation of the Slovene national question as part of a broader anti-imperialist struggle; secondly, Anton Ocvirk’s peripheral model of comparative literary history, which emphasizes the creative contribution of small literatures …
Introduction: Reading Marx, Thomas Waller, Sean O'Brien
Introduction: Reading Marx, Thomas Waller, Sean O'Brien
CLCWeb: Comparative Literature and Culture
Introduction for special issue, 'Keywords for Value and Culture'
Exploring The Relationship Between Man And Nature In A Postmodern Context：A Review Of Ecocriticism And Chinese Literature: Imaginary Landscapes And Real Living Spaces, Jiyong Geng, Jie Yang
Exploring The Relationship Between Man And Nature In A Postmodern Context：A Review Of Ecocriticism And Chinese Literature: Imaginary Landscapes And Real Living Spaces, Jiyong Geng, Jie Yang
CLCWeb: Comparative Literature and Culture
No abstract provided.
"El Corregidor" At The Crossroads: Desire, Law, And Coloniality In Martel's Zama, Leisa Kauffmann
"El Corregidor" At The Crossroads: Desire, Law, And Coloniality In Martel's Zama, Leisa Kauffmann
CLCWeb: Comparative Literature and Culture
In "'El Corregidor at the Crossroads: Desire, Law and Coloniality in Martel's Zama" Leisa Kauffmann discusses Lucrecia Martel's filmic adaptation of Antonio DiBenedetto's 1952 novel, Zama. Highlighting the director's emphasis on the psychoanalytic (as opposed to the existentialist) dimensions of the novel, the essay follows the titular characater's unravelling and shows how Martel's film allegorizes colonial(ist) subjectivity. In Kauffmann's essay, various psychoanalytic theories (such as the work of Bhabha, Fanon, and Žižek), and critiques centering the notion of race in the Lacanian tradition are applied. In addition, differences between the novel and film, particularly regarding Zama's mutilation and …
Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang
Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Malvinas/Falklands War In Transatlantic Narratives: Exploring Collective Memory And Negotiating Self/Other Identity, Andrea R. Bellot
The Malvinas/Falklands War In Transatlantic Narratives: Exploring Collective Memory And Negotiating Self/Other Identity, Andrea R. Bellot
CLCWeb: Comparative Literature and Culture
In her article "The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity", Andrea R. Bellot examines the remembrance of the Malvinas/Falklands War (1982) through cultural texts for children, presenting a comparative analysis of post-war narratives from both the United Kingdom and Argentina. Through a detailed exploration of "The Tin-Pot Foreign General and the Old Iron Woman" by British author and illustrator Raymond Briggs (1984), and the Argentine TV cartoon show "La Asombrosa Excursión de Zamba en las Islas Malvinas" (2012), broadcasted on Paka Paka, Bellot discusses how collective memory and national identity are crafted and contested …
Chinese Ideas And American Politics: Confucius As A Guideline For Leadership, Alfred Hornung
Chinese Ideas And American Politics: Confucius As A Guideline For Leadership, Alfred Hornung
CLCWeb: Comparative Literature and Culture
In his article "Chinese Ideas and American Politics: Confucius as a Guideline for Leadership", Alfred Hornung traces the influence of Chinese ideas on American politics with a focus on the works of Confucius. The more than 2.500-year-old impact of the Chinese philosopher on public conduct and his pursuit of virtuous perfection has served as a guideline for leadership emanating from China to Europe and America. For this trajectory of ideas, the historic and the new Silk Road play a decisive role. The exchange of goods along the land-based and maritime routes, which inform Xi Jinping's Belt and Road Initiative, also …
All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng
All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng
CLCWeb: Comparative Literature and Culture
In her article “All Men Are Brothers: Pearl S. Buck’s Translation of Shui Hu Zhuan and its Effects on Her Writing Career,” Zhihui Sophia Geng focuses on Pulitzer Prize winner and Noble Laureate Pearl Sydenstricker Buck’s All Men Are Brothers, her translation of the classical Chinese novel Shui Hu Zhuan. She examines the reception of her translation and analyzes the significance of All Men Are Brothers to Buck’s literary career. By providing the first complete translation of Shui Hu Zhuan to an English-speaking audience, Buck made a significant cultural contribution to the United States and English-speaking cultural spheres. The …
Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You
Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You
CLCWeb: Comparative Literature and Culture
As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …
Translating Literary Ideology From Ancient Chinese Into Modern French: François Cheng’S Francophone Poetry In Double Chant (2000), Gabriel F. Y. Tsang
Translating Literary Ideology From Ancient Chinese Into Modern French: François Cheng’S Francophone Poetry In Double Chant (2000), Gabriel F. Y. Tsang
CLCWeb: Comparative Literature and Culture
François Cheng (1929- ), elected to the Académie Française in 2002, structurally introduced the lexicological, syntactic, and semiotic form of Tang poetry to the French academia via his academic works. In the late 1980s, François Cheng shifted his focus from academic writing to creative writing, both in French, winning the 1998 Prix Femina for his novel Le Dit de Tianyi (1998) and Prix Roger Caillois for his collection of poems Double chant (2000). Focusing on his less-discussed poetry, which reveals higher congruity of his understanding of Chinese literary classics with creative representation, this paper argues that, as an analyst of …
Storytelling As A Way Of Translation: The Rendition Of Taoism In Ursula K. Le Guin's The Lathe Of Heaven, Xiulu Wang
Storytelling As A Way Of Translation: The Rendition Of Taoism In Ursula K. Le Guin's The Lathe Of Heaven, Xiulu Wang
CLCWeb: Comparative Literature and Culture
Ursula K. Le Guin (1929-2018) is an immensely popular author of numerous science fictions and fantasy classics. A number of critics have noticed the influence of Taoism on Le Guin’s writing.critical insights offered by Translation Studies and Walter Benjamin’s comments on storytelling and translation, this paper argues that storytelling and translation are similar discursive practices that aim at the exchange of experiences, creating knowledge, and shaping culture. Taking Le Guin’s The Lathe of Heaven (1971) as a case study, this paper delves into how her storytelling serves as a unique form of translation, bridging the thought of ancient Chinese Taoist …
Ecopoetry As Method: Reading Gary Snyder As A Cultural Mediator Between China And The World, Winnie L M Yee
Ecopoetry As Method: Reading Gary Snyder As A Cultural Mediator Between China And The World, Winnie L M Yee
CLCWeb: Comparative Literature and Culture
Ecocriticism is a field that is inherently cross-cultural, and poetry is an art form that creates bonds across cultural communities. This paper focuses on Gary Snyder, a prominent poet in his own right, who is famous for his translation of the works by Chinese poet Han Shan. His attraction to Chinese classical poetry and Eastern civilization offers an alternative to the Western developmental paradigm, and the ecopoetry he espouses is pertinent to today’s environmental debates. His references to nature do not function merely as reminders that nature should be respected but as an impetus to reflect on the coexistence of …
The Animal In The Wild In Hwang Sun-Mi’S The Hen Who Dreamed She Could Fly, Sarah Yoon
The Animal In The Wild In Hwang Sun-Mi’S The Hen Who Dreamed She Could Fly, Sarah Yoon
CLCWeb: Comparative Literature and Culture
Hwang Sun-mi’s The Hen Who Dreamed She Could Fly has become a contemporary classic children’s story in Korea since its original publication in 2000. Since then, the story has been translated and redesigned with new illustrations in almost thirty different countries (Y. Kim). The Hen Who Dreamed She Could Fly centers on a hen that raises a duckling as her “baby,” with the story drawing upon a rich reservoir of cultural associations between humans and nature in East Asian traditions. In this story, the hen leaves the human-dominated barnyard, based on profit, exploitation, and competition, for a reconnection with moral …
Translating Diversity From Ralph Ellison To Kenzaburō Ōe, Raphaël Lambert
Translating Diversity From Ralph Ellison To Kenzaburō Ōe, Raphaël Lambert
CLCWeb: Comparative Literature and Culture
The purpose of this article is twofold: first, it endeavors to understand the vagaries of the notion of diversity as it travels from one national and political context to the next; and second, it shows how two major fiction writers and essayists have used that notion in their work and to what ends. The first part focuses on the work of Ralph Ellison, who put diversity at the heart of his reflection on what a truly democratic American society should be. Kenzaburō Ōe initially borrowed the notion of diversity from Ellison himself, but as the second part demonstrates, Ōe did …
Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer
Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer
CLCWeb: Comparative Literature and Culture
In her comparative study “Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon,” Reema Binghadeer considers the work of the African American poet Yusef Komunyakaa (b. 1941) and the (Arab) Iraqi poet Sinan Antoon (b. 1967) through the lens of trauma theory of some notable theorists including; Freud, Cathy Caruth, Jean Laplanche, Roger Luckhurst, and Shoshana Felman—have negotiated in this field. The article explores the literary manifestations of trauma in two distinct historical periods and geographical settings to show the specificities of each prototype and how the historical-cultural significance and textual meanings of trauma have intertwined …
Cooling Down Transmedia Storytelling, Jan Baetens, Domingo Sánchez-Mesa
Cooling Down Transmedia Storytelling, Jan Baetens, Domingo Sánchez-Mesa
CLCWeb: Comparative Literature and Culture
In this article we propose a reading of “Dead End Street”, one of the most successful songs of one of the most popular British pop groups of the 60s, The Kinks. However, we will not discuss the song as such, but its remediation as a music video (a practice that did not have to wait for MTV to make its appearance in mass media culture). The analysis will briefly contextualize the group, the song and the clip, but its major objective is to use the Kinks example to open a new question in the larger debate on intermediality and transmediality …
Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang
Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang
CLCWeb: Comparative Literature and Culture
Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …
Representation Of Terror And Terrorism In Two Arab Films: Paradise Now (2005) By Hany Abu-Assad And Horses Of God (2012) By Nabil Ayouch, Mustapha Hamil
Representation Of Terror And Terrorism In Two Arab Films: Paradise Now (2005) By Hany Abu-Assad And Horses Of God (2012) By Nabil Ayouch, Mustapha Hamil
CLCWeb: Comparative Literature and Culture
Middle Eastern violence and terrorism are not novel subjects in world cinema, especially American cinema. The Arab or Muslim other in these films is always presented as someone who epitomises a culture of violence, directed mostly against innocent civilians. Against the backdrop of Hollywood’s stereotypical representation of Middle-Easterners as advocate of indiscriminate terror and terrorism, Arab filmmakers have turned in recent years to the representation of terror and religious extremism. Paradise Now (Abu Assad 2005) and Horses of God (Ayouch 2012) address the controversial issue of suicide bombing with the same motivation: to examine the choice of suicide bombing within …
Vulgarity As Springboard For High Art—A Comparative Study Of Vladimir Nabokov And Qian Zhongshu’S Notions Of Vulgarity, Derong Cao
CLCWeb: Comparative Literature and Culture
The discussion of vulgarity features prominently in both Nabokov and Qian’s creative writing. In this essay, their notions of vulgarity will be compared and contrasted. Nabokov and Qian have surprisingly similar understandings of vulgarity. To be more specific, both identify pretense/ affectation and triteness/ mediocrity as its fundamental characteristics. Moreover, both authors believe that the quintessential feature of vulgarity lies in its downplay of individual consciousness. The two authors’ understandings of vulgarity also differ in major ways. Qian’s Fortress Besieged, though showing deep social and moral concerns, did not seem to suspect a direct causal link between vulgarity and …
Nationalist Allegories In The Post-Human Era, Siqi Zhang
Nationalist Allegories In The Post-Human Era, Siqi Zhang
CLCWeb: Comparative Literature and Culture
As China’s expansion of influence now takes up the spotlight of the world stage, Chinese science fiction, a relatively little known genre, reaches a global audience. In 2015, Liu Cixin received the Hugo Award for Best Novel for his trilogy The Three-Body Problem, as the first Asian science fiction writer to receive the Hugo Award. A year later, Hao Jingfang’s Folding Beijing was awarded the 2016 Hugo Award for Best Novelette. The recent world-wide recognition of Chinese science fiction begins with English translation, U.S. publication and promotion. The New York Times cited The Three-Body Problem as having helped popularize Chinese …
Strategies Of (In)Visibility And Resilience: Women Writers In A Digital Era, Miriam Borham-Puyal, Daniel Escandell-Montiel
Strategies Of (In)Visibility And Resilience: Women Writers In A Digital Era, Miriam Borham-Puyal, Daniel Escandell-Montiel
CLCWeb: Comparative Literature and Culture
Women’s presence in literary history has been particularly conditioned by their place in society and by the limited spheres in which their production was expected to appear (e.g. the sentimental novel, romances or children’s literature). In today’s digital, open and connected society, women continue to face visibility problems in the publishing industry and in the online spaces that grant presence and agency. Their role in cultural creations is still hindered by vertical powers that operate as main censors. This circumstance takes place even in a rhizomatic and decentralized virtual space, where dissident discourses have highlighted it, although without enough discursive …
Problems With Perceptual And Cognitive Idiosyncrasies In Li Wenjun’S Translation Of The Benjy Section Of Faulkner's The Sound And The Fury, Aaron L. Moore
Problems With Perceptual And Cognitive Idiosyncrasies In Li Wenjun’S Translation Of The Benjy Section Of Faulkner's The Sound And The Fury, Aaron L. Moore
CLCWeb: Comparative Literature and Culture
In his article “Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner’s The Sound and the Fury,” Aaron Lee Moore conducts a close explication of a 2014 English-Chinese edition of part of The Sound and the Fury. Li Wenjun’s translation of the Benjy section of The Sound and the Fury is certainly admirable in its graceful rendering of Faulkner’s complex, idiosyncratic prose style into accessible Chinese—and particularly laudable in its meticulous tracking of the a-chronological sequence of Benjy’s stream of consciousness narrative. However, problems arise in the translation due to an …
Deconstructing Feminine And Feminist Fantastic Through The Study Of Living Dolls, Raquel Velázquez
Deconstructing Feminine And Feminist Fantastic Through The Study Of Living Dolls, Raquel Velázquez
CLCWeb: Comparative Literature and Culture
In her "Deconstructing Feminine and Feminine Fantastic through the Study of Living Dolls," Raquel Velázquez analyzes the treatment of one idiosyncratic image within the fantastic genre, and one that also has a special impact on the configuration of the feminine: the doll. On the one hand, she examines the evolution of this fantastic motif in order to determine whether it involves a transformation of how the feminine fantastic is represented. On the other hand, she establishes some correlations between the image of the fantastic doll, and the development of processes such as the dollification of women or the humanization of …
The Inappropriate/D Fantastic: A Proposal Beyond Feminism, Teresa López-Pellisa
The Inappropriate/D Fantastic: A Proposal Beyond Feminism, Teresa López-Pellisa
CLCWeb: Comparative Literature and Culture
Teresa López-Pellisa’s article “The Inappropriate/d Fantastic: A Proposal Beyond Feminism” discusses a type of narration that goes beyond the feminist fantastic. These are fantastic texts permeated not only by a feminist discourse, but by intersectionality, transfeminism, ecofeminism, cyberfeminism, post-humanism, xenofeminism and/or necropolitics as well. Borrowing the term inappropriate/d others from Donna Haraway (The Promises of Monsters), who in turn takes it from the feminist theorist Trinh Minh-ha, we can analyze those fantastic stories that call into question the categories of gender, class, race and sexuality established by Western enlightened humanism. These types of non-mimetic narrations have …
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai
The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai
CLCWeb: Comparative Literature and Culture
This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …
China Question Of Western Postcolonial Translation Theory, Zhijie Wu, Yuping Wang
China Question Of Western Postcolonial Translation Theory, Zhijie Wu, Yuping Wang
CLCWeb: Comparative Literature and Culture
“China Question of Western Postcolonial Translation Theory” deals with how western postcolonial translation theory is read, interpreted and applied in China, as well as how the reception in China influences revision and development of the theory. Western postcolonial translation theory, though frequently quoted and highly influential in China, is sometimes incapable of effectively explaining Chinese translation practice and convincing Chinese readers. Based on the analysis of the encounter between postcolonial translation theory and China, three suggestions are proposed to revise translation theory so as to build a “greener,” healthier hetero-generative ecology of languages and cultures.
Sewing Lives: Mary Shelley’S Frankenstein And The Global Garment Industry, Sarah Garland
Sewing Lives: Mary Shelley’S Frankenstein And The Global Garment Industry, Sarah Garland
CLCWeb: Comparative Literature and Culture
This paper takes Mary Shelley’s Frankenstein and uses it as an extended metaphor to investigate the points of destructive alienation and disassociation within the globalized consumption of clothing. The promise of new clothing is a set of garments that function like Victor’s dream of creation; materials are stitched together to give objects that match our closest-held ideals. And yet, because of our quick Victor-Frankenstein-like alienation from these ‘fast fashion’ objects when they no longer please us, clothing becomes, like the monster, an abjected figure for waste and shame, moving around the globe destructively, created from the bodies of the poor …
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain
CLCWeb: Comparative Literature and Culture
Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …
Making The Global Visible: Charting The Uneven Development Of Global Monsters In Bong Joon-Ho’S Okja And Nacho Vigalondo’S Colossal, Ju Young Jin
CLCWeb: Comparative Literature and Culture
In her essay, “Making the Global Visible: Charting the Uneven Development of Global Monsters in Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal,” Ju Young Jin examines the entanglement of the global and the monstrous in two recent films that position Korea on the cusp between Cold War politics and global capitalism: Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal. The Korean filmmaker Bong Joon-Ho and Spanish filmmaker Nacho Vigalondo offer viewers films that challenge conventional notions of monster by fusing it with a coming-of-age plot of the female protagonist that takes place on a global scale, which contests the …
A Thin Line Between Sovereign And Abject Agents: Global Action Thrillers With The Sci-Fi Mind-Game War On Terror, Seung-Hoon Jeong
A Thin Line Between Sovereign And Abject Agents: Global Action Thrillers With The Sci-Fi Mind-Game War On Terror, Seung-Hoon Jeong
CLCWeb: Comparative Literature and Culture
Seung-hoon Jeong discusses in his paper global action thrillers about the war on terror. He highlights the biopolitical abjection of counterterrorist agents from their state agencies. This abjection ends up either self-reaffirming in the manner of a sovereign agent (the Bond series) or terrorizing their sovereign system (the Bourne series), while both are trapped in the vicious cycle of terror and counterterror. More notable is the “mind-game” sci-fi genre. Source Code, among others, stages a loop of a traumatic counterterrorist mission with retroactive causality, a closed circuit of neoliberal productivity and pathological abjection in a video-game narrative. The time-travel …