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Articles 1 - 30 of 235
Full-Text Articles in Comparative Literature
Hesse's Steppenwolf As Modern Ethical Fiction, Michał Koza
Hesse's Steppenwolf As Modern Ethical Fiction, Michał Koza
CLCWeb: Comparative Literature and Culture
In his article "Hesse's Steppenwolf as Modern Ethical Fiction" Michał Koza discusses the significance of "ethical fiction" in modern literature. Such fiction, according to Kant, Kierkegaard, and Nietzsche, are not only milestones of ethical thinking, but more importantly offer a narrative for self-creation as an ethical subject. Harry Haller, the protagonist of Hermann Hesse's Steppenwolf, is a man living on the border of modern subjectivity embodying a cultural and existential crisis. Koza argues that "ethical reading" enables one to see the relation between philosophy and literature that not only enter in a dialogue with each other, but also share …
Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su
Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su
CLCWeb: Comparative Literature and Culture
In her article "Perspectives of Ethical Identity in Ng's Steer toward Rock and Jen's Mona in the Promised Land" Hui Su examines Fae Myenne Ng's and Gish Jen's novels. In the novels, the protagonists make different decisions: in Steer Toward Rock Jack after displacement in China adopts US-American identity and in Mona in the Promised Land Mona, a second generation Chinese American, selects Jewish identity. Owing to their different situations, the two protagonists reflect challenges of identity building in the case of the "Other" in US-American culture and society. Su argues that Ng and Jen, although varying in their …
Luo’S Ethical Experience Of Growth In Mo Yan's Pow!, Zhenzhao Nie
Luo’S Ethical Experience Of Growth In Mo Yan's Pow!, Zhenzhao Nie
CLCWeb: Comparative Literature and Culture
In his article "Luo's Ethical Experience of Growth in Mo Yan's Pow!" Zhenzhao Nie examines the protagonist's experience of self-discovery in the process of natural to ethical choice. Nie's analysis of the novel rests on the theoretical framework "ethical literary criticism" he developed. In the novel Luo's life is narrated in retrospect when he is attempting to become the disciple of a monk and al-though Luo does not find what he is searching for in religion, he arrives at a new stage in his life which is based on ethical principles. The young Luo is unable to make …
Ethical Discourse And Narrative Strategies In Yan's老师,好美 (To My Teacher, With Love), Zhuo Wang
Ethical Discourse And Narrative Strategies In Yan's老师,好美 (To My Teacher, With Love), Zhuo Wang
CLCWeb: Comparative Literature and Culture
In her article "Ethical Discourse and Narrative Strategies in Yan's老师,好美 (To My Teacher, with Love)" Zhuo Wang discusses the way in which narrative converges with ethics at the site of a radical "ethical environment" in Geling Yan's novel. Wang focuses on how the novel's first-person confessional narration, third-person reflective narration, and online narration dialogue with and interrogate one another working together to bring forth Yan's reconsideration of the ethical dimensions of her text. Wang argues that the novel's personal and social ethics are embodied multiple narrative voices which altogether reflect on the close relationship between novels and ethical discourse …
Indigeneity, Diaspora, And Ethical Turn In Anzaldúa’S Borderlands/La Frontera, Hsinya Huang
Indigeneity, Diaspora, And Ethical Turn In Anzaldúa’S Borderlands/La Frontera, Hsinya Huang
CLCWeb: Comparative Literature and Culture
In her article "Indigeneity, Diaspora, and Ethical Turn in Anzaldúa's Borderlands/La Frontera" Hsinya Huang discusses indigeneity vis-à-vis diaspora, two concepts often used as if they were necessarily antagonistic and antithetical to one another. While in diaspora studies Native people are marginalized, Huang resituates the figure of the Native to the core of diasporic discussion by tracing the movement, migration, or scattering of Native people from their established or ancestral homeland. Drawing on Gloria Anzaldúa's life narrative in Borderlands/La Frontera, Huang advances the concept of the ethical turn in diaspora studies by questioning the master narrative regarding …
Selected Bibliography For The Study Of Fiction And Ethics, Wenying Jiang
Selected Bibliography For The Study Of Fiction And Ethics, Wenying Jiang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Introduction To Fiction And Ethics In The Twenty-First Century, Zhenzhao Nie, Biwu Shang
Introduction To Fiction And Ethics In The Twenty-First Century, Zhenzhao Nie, Biwu Shang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go, Inseop Shin, Jooyoung Kim
Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go, Inseop Shin, Jooyoung Kim
CLCWeb: Comparative Literature and Culture
In their article "Ethics of Father and Son in Ri's 流域へ (Watershed Above) and Kaneshiro's GO" Inseop Shin and Jooyoung Kim discuss the ethics of father and son as they appear in the two novels by Kaisei Ri and Kazuki Kaneshiro. In both narratives the protagonists suffer from ethical conflicts with their fathers during their struggle to find their identities. The father is port-rayed as a figure who determines the ethical choices the protagonists face when they pursue their own lives. Shin and Kim argue that Korean Japanese fiction is a narrative that folds these choices back on oneself. …
Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act, Biwu Shang
Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act, Biwu Shang
CLCWeb: Comparative Literature and Culture
In his article "Ethical Dilemma and Ethical Epiphany in McEwan's The Children Act" Biwu Shang attempts to explore the ethical nature of the child's welfare in Ian McEwan's novel. Shang examines the various legal cases processed by the British High Court judge Fiona Maye and the blood transfusion case of Adam Henry in particular. Shang argues that Maye adopts ethical criteria throughout the cases she deals with. More significantly, Adam's blood transfusion case and his consequential death lead Maye to her ethical epiphany related to the child's welfare: life is the fundamental welfare of the child and to protect …
Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning
Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning
CLCWeb: Comparative Literature and Culture
In her article "Narrative Ethics and Alterity in Adichie's Novel Americanah" Nora Berning analyses Chimamanda Ngozi Adichie's novel through the lens of a narrative ethics of alterity. Focusing on the notion of alterity, Berning argues that a specific turn-of-the-century ethics emerges in contemporary fictions of migration in general and in intercultural novels in particular. An ethical genre in its own right, such twenty-first century fictions as Americanah generate a particular kind of ethical knowledge that revolves around questions of identity and alterity and around individual and collective perceptions of self and other. By addressing the interplay of "the ethics …
Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo
Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo
CLCWeb: Comparative Literature and Culture
In her article "Human Cloning as the Other in Ishiguro's Never Let Me Go" Wen Guo analyzes Kazuo Ishiguro's novel with focus on Ishiguro's analogy between human cloning and people of marginality in contemporary society. Guo discusses the novel's ambience of doubt and suspense and elaborates on how the theme of otherness is addressed by Ishiguro's mock-realism in a landscape of science fiction. Further, Guo analyses the "unhomely" Hailsham of the novel, the clones' self-pursuit, and their ethical attitudes. Guo argues that in Ishiguro's novel a person's ethical choices are determined by his/her situation which confirms Ishiguro's beliefs with …
Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He
Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He
CLCWeb: Comparative Literature and Culture
In his article "Ethics of Counter-Narrative in DeLillo's Falling Man" Qingji He analyzes Don DeLillo's counter-narrative in his post-9/11 novel Falling Man. The objective is to show how ethical dimensions function fundamentally in formulating an appropriate counter-narrative and why DeLillo's counter-narrative echoes views expressed in his "In the Ruins of the Future." He argues that DeLillo's counter-narrative entails the necessity of ethical consciousness and responsibility. It is Giorgio Morandi's still life paintings instead of media representation that become pivotal in Lianne's transformative and redemptive process after the terrorist attack. Similarly, David Janiak's performance art and Richard Drew's picture …
T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya
T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya
Honors Thesis
The following thesis explores the work of T.S. Eliot before and after his conversion to the Anglican Church. While the paper explores the stylistic qualities of Eliot's poetry, the main focus of the essay lies in bridging the pre and post conversion works together in order to show that both of the periods were significant in the poet's life. While many critics viewed Eliot's early poetry as a lot more exploratory and challenging, calling his later poetry banal and bland, my essay aims to show that even though the poetry had shifted in its content, its significance, complexity, and experimentality …
National Narratives, Comparative Moves: Tracing Literary Connections Between Anglophone Postcolonial Literatures And Modern Turkish Literature, Aysegul Turan
Arts & Sciences Graduate Student Theses and Dissertations
This dissertation examines Anglophone postcolonial literatures and modern Turkish literature through their representations of the idea of empire and the nation-state. By employing a comparative framework that brings together Anglophone postcolonial literatures and modern Turkish literature, this project strives to relocate the focus of postcolonial discourse from the colonizer-colonized divide to a broader frame of uneven power relations, both past and present. In doing so, it examines paradigms such as the independence struggle, the nation-state, and modernization that are vital to an understanding not only of the imperial past but also of the global present. The Anglophone postcolonial canon and …
Two Million "Butterflies" Searching For Home: Identity And Images Of Korean Chinese In Ho Yon-Sun's Yanbian Narratives, Xiang Jin
Theses and Dissertations
This thesis examines the representation of Korean Chinese searching for home in relation to Korean diasporic identity. Home as a sense of identity is both personal and collective. It is also a reflection of one’s psyche and emotion. For Korean Chinese, searching for a place to call home in between their host-homeland China and original homeland Korea involves many aspects of meaning, the home of an individual, of a family, and of a community. Therefore, the third cultural region Yanbian, the Korean Chinese Autonomous Prefecture of China, and Yanbian narratives become the central issue of this thesis. I first offer …
Quelques Réflexions Sur Les Épilogues De Beloved Et De Célanire Cou-Coupé : Ariane Et La Mygale, Anne Debrosse
Quelques Réflexions Sur Les Épilogues De Beloved Et De Célanire Cou-Coupé : Ariane Et La Mygale, Anne Debrosse
Présence Francophone: Revue internationale de langue et de littérature
This paper focuses on the links between Ariadne or Arachne on the one hand and Sethe and Célanire on the other hand, the protagonists of Toni Morrison’s Beloved and Maryse Condé’s Célanire cou-coupé. Weaving and sewing are often used as metaphors of the texts ; however, Condé and Morrison play with that metaphor and redefine this hackneyed common place.
Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker
Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker
Master's Theses
Christopher Marlowe’s drama Edward II has long been known for its representation of a close male, arguably homosexual, friendship between King Edward II and his favorite, the French Piers Gaveston, as well as their union’s negative effects on the court. Indeed much criticism exists on the common belief that the characters’ relationship is problematic in early modern England both because the two characters are male and because there is an obvious class divide. However, critics have seemed to overlook Gaveston’s being French, even in light of the massive immigration to England during the late sixteenth and early seventeenth centuries. This …
Representations Of Politicians In Contemporary Ghanaian Hiplife Music, Mark Nartey
Representations Of Politicians In Contemporary Ghanaian Hiplife Music, Mark Nartey
CLCWeb: Comparative Literature and Culture
In his article "Representations of Politicians in Contemporary Ghanaian Hiplife Music" Mark Nartey argues that in Asare Obeng's music politicians in Ghana are depicted as self-seeking, self-serving, and self-centered. Further, he argues that since its emergence on the Ghanaian music scene in the early 1990s, hiplife music now transcends its original purpose of providing an entertainment outlet for its audience, predominantly the youth, offering them a pleasurable and therapeutic means of escaping from the harsh realities and pressures of life. Importantly, Nartey demonstrates that this musical genre has taken on a new and, perhaps, more important role: a legitimate avenue …
Goethe’S World Literature, Universal Particularism, And European Imperialism, Dongho Cha
Goethe’S World Literature, Universal Particularism, And European Imperialism, Dongho Cha
CLCWeb: Comparative Literature and Culture
In his article "Goethe's World Literature, Universal Particularism, and European Imperialism" Dongho Cha tracks the ideology in Goethe's concept of "world literature." Early comparatists claim to stand for the universalism of this concept by understanding it to totalize all literatures across linguistic, territorial, and national boundaries and intended to go beyond European nationalism. Cha argues that Goethe's idea of world literature is not a universal category that includes all of the world nliteratures, but a limited category that includes European literatures only and posits that world literature's and comparative literature's universalism is related to nineteenth-century European imperialism. Contrary to the …
Overt And Covert Shandyism Of Nabokov's Nikolai Gogol, Margarit Ordukhanyan
Overt And Covert Shandyism Of Nabokov's Nikolai Gogol, Margarit Ordukhanyan
CLCWeb: Comparative Literature and Culture
In her article "Overt and Covert Shandyism of Nabokov's Nikolai Gogol" Margarit Ordukhanyan examines Vladimir Nabokov's 1942 novel, an unusual biography of the nineteenth-century Russian author. Ordukhanyan discusses parallels between Nabokov's biography of Gogol and Laurence Sterne's Life and Opinions of Tristram Shandy. She highlights the direct allusions and textual references Nabokov makes to Sterne's novel and argues that Nabokov uses Tristram Shandy as the model for creating and interpreting his biography of Gogol by fictionalizing Gogol and portraying him as a Shandean character. Further, Ordukhanyan discusses how Nabokov uses Sterne's novel to undermine the genre of literary …
Borges's Postmodern Landscape, Mario Vrbančić
Borges's Postmodern Landscape, Mario Vrbančić
CLCWeb: Comparative Literature and Culture
In his article "Borges's Postmodern Landscape" Mario Vrbančić examines specific constructs of space -- among them heterotopia (Michel Foucault) and hyperreality (Jean Baudrillard) -- and applies them to narration and narrative strategies in Jorge Luis Borges's texts. Vrbančić posits that postmodern mapping undermines our known familiar geography and that authors like Borges who experimented with different spaces and connections in their texts, represent postmodernism avant la lettre.
A Theory Of Genre Formation In The Twentieth Century, Michael Rodgers
A Theory Of Genre Formation In The Twentieth Century, Michael Rodgers
CLCWeb: Comparative Literature and Culture
In his article "A Theory of Genre Formation in the Twentieth Century" Michael Rodgers explores the relationship between Vladimir Nabokov's Invitation to a Beheading and magical realism in order to theorize about genre formation in the twentieth century. Rodgers argues not only that specific twentieth-century narrative forms are bound intrinsically with literary realism and socio-political conditions, but also that these factors can produce formal commonalities.
Time Distortion In Bierce's "One Of The Missing" And Uroshevic's "Ракописот Од Китаб-Ан" ("The Manuscript From Kitab-An"), Kalina Maleska
Time Distortion In Bierce's "One Of The Missing" And Uroshevic's "Ракописот Од Китаб-Ан" ("The Manuscript From Kitab-An"), Kalina Maleska
CLCWeb: Comparative Literature and Culture
In her article "Time Distortion in Bierce's 'One of the Missing' and Uroshevic's 'Ракописот од Китаб-Ан' ('The Manuscript from Kitab-An')" Kalina Maleska examines the relationship between literature and astronomy in the context of time. The two stories share several common elements: they explore the possible manipulations of time in unexpected and extraordinary ways and come close to certain scientific explorations of time. For "One of the Missing," Albert Einstein's theory of relativity provides an interesting foundation for understanding Bierce's treatment of time. For The Manuscript of Kitab-An, the speculations of time travel starting from the Einstein-Rosen concept of the black …
Leisure And Posthumanism In Houellebecq's Platform And Lanzarote, Nurit Buchweitz, Elie Cohen-Gewerc
Leisure And Posthumanism In Houellebecq's Platform And Lanzarote, Nurit Buchweitz, Elie Cohen-Gewerc
CLCWeb: Comparative Literature and Culture
In their article "Leisure and Posthumanism in Houellebecq's Platform and Lanzarote" Nuriot Buchweitz and Elie Cohen-Gewerc analyze Michel Houellebecq's novels in the context of leisure studies. They posit that in particular in Platform and Lanzarote Houellebecq explores leisure practices available in industrial societies marked by consumer culture. Further, Buchweitz and Cohen-Gewerc argue that the abundant depictions of leisure in Houellbecq's texts is not unintentional because he introduces the concept of the posthuman condition and rethinks agency and human selfhood as a consequence of the collapse of subjectivity. Employing postmodern indeterminacy, Houellebecq explores contemporary mores and debates the extinction of …
Photography, Writing, Literature: A Book Review Article Of New Work By Brunet And Beckman And Weissberg, Geert Vandermeersche
Photography, Writing, Literature: A Book Review Article Of New Work By Brunet And Beckman And Weissberg, Geert Vandermeersche
CLCWeb: Comparative Literature and Culture
No abstract provided.
Without Mandate For Conquest: A Transnational Comparison Of Toni Morrison's Song Of Solomon And Isabel Allende's Eva Luna, Vivianna Noelle Orsini
Without Mandate For Conquest: A Transnational Comparison Of Toni Morrison's Song Of Solomon And Isabel Allende's Eva Luna, Vivianna Noelle Orsini
UNLV Theses, Dissertations, Professional Papers, and Capstones
In our current age of globalization, multiculturalism is a key component of human relations. Place, when thought of as a geographic concept is more than just coordinates on a map, it is a concentration of a set of social relations. Geographers use this information to see how places are relational to other places. Morrison and Allende are relational because of their consciousness of place especially exhibited in Song of Solomon and Eva Luna. This project examines the disparate histories, politics, and landscapes that both authors emerged from, and argue the complexity of their work stems from thinking geographically, their conscious …
How Does Poetry Confess? Zhai Yongming's Poems And The Landscape Of "Confession", Xin Xu
How Does Poetry Confess? Zhai Yongming's Poems And The Landscape Of "Confession", Xin Xu
Seton Hall University Dissertations and Theses (ETDs)
In the 1980s, a Chinese poet, Zhai Yongming (翟永明), published a linked suite of nineteen poems. Zhai entitled this sequence “Women” (Nǚren女人) and claimed that her poems were largely influenced by American confessional poets such as Sylvia Plath. Chinese critics suggest that Zhai inaugurates the trend of confessional poetry in China. This paper will first contextualize the Chinese translation of American confessional poetry in the Mao and post-Mao age, and then problematize the concept of “confession” in Chinese poetry criticism by making American confessional poetry a counter point. Under the term of confessional poetry it is “the illusion of a …
“Carried In The Arms Of Standing Waves:" The Transmotional Aesthetics Of Nora Marks Dauenhauer, Billy J. Stratton
“Carried In The Arms Of Standing Waves:" The Transmotional Aesthetics Of Nora Marks Dauenhauer, Billy J. Stratton
English and Literary Arts: Faculty Scholarship
In recent years, Native, Indigenous, First Nations, and Aboriginal scholars and writers have forged alliances to initiate and support decolonization efforts and the reassertion of native survivance. Native and non-Native scholars have responded to modern challenges by reconceptualizing notions of peoplehood, identity, and nationalism. Following these intellectual contours, rather than conceiving of native culture as totalizing, static, and/or incommensurable—as always already foreign—responsive readings informed by the critical work of Gerald Vizenor can support more sophisticated understandings of native literary production while revealing sites of native transmotion. Through a thusly informed examination of the work of the Tlingit poet, Nora Marks …
The Sober Joy Of Thieving, Jennifer Stob
The Sober Joy Of Thieving, Jennifer Stob
Criticism
Radical Prototypes: Allan Kaprow and the Invention of Happenings by Judith F. Rodenbeck. Cambridge, MA: MIT Press, 2011. Pp. 312, 47 illustrations. $34.95 cloth, $17.95 paper.
On Writing Neo-Victorian Fiction: James Miranda Barry (1999) And Sophie And The And The Sibyl: A Victorian Romance (2015), Patricia Duncker
On Writing Neo-Victorian Fiction: James Miranda Barry (1999) And Sophie And The And The Sibyl: A Victorian Romance (2015), Patricia Duncker
The George Eliot Review Online, ISSN: 2831-5375
This is the text of the Forty-Fourth George Eliot Memorial Lecture delivered at the Chilvers Coton Heritage Centre on 10 October, 2015. An extended version of this article will appear in late 2016 or early 2017 as an interview/essay in the series 'anglistik & englischunterricht': Christina Flotmann and Anna Lienen (eds.), Victorian Ideologies in Contemporary British Culture, Heidelberg: Winter Verlag.
My first historical novel - lames Miranda Barry (1999) was not born a Neo-Victorian novel, but became one. And it had a very personal link to my own life. Barry was a nineteenth-century colonial doctor and medical reformer, who had …