Comparative Literature Commons^™

The Art Critic As Learner: A Review Of Erica Cardwell’S Wrong Is Not My Name, Bronte Cronsberry

Comparative Woman

Erica Cardwell’s debut book Wrong is Not My Name: Notes on (Black) Art is about art, race, family and perhaps most prominently, about grief. Through her personal experiences with these themes, Cardwell’s voice as art critic is still undeniably present throughout the entirety of the text. Wrong is Not My Name reminds readers of the power of art to push us towards growth, but in the context of this issue on Aesthetic Education, I focus on Cardwell’s approach to art as critic, which she continually grounds in her approach to art as learner. It is this orientation in particular that …

Pedagogical Escapism And Western Performativity: A Psycho-Aesthetic Critique Of Belly-Dance Adaption Symbolics, Maryam Farahani

Comparative Woman

This paper addresses positionality misreading in Western pedagogical adaptions of belly dancing. Raqs Sharqi, known in the West as belly dancing, is a predominantly West Asian and North African discipline and performance art with multimodal varieties, globally taught and practiced while crossing sport, narratology, and story-telling boundaries. As a unique performance activity, it portrays a dynamic entertainment space to connect one’s multiple identities. I argue that Raqs Sharqi, not only as an aesthetic-educational art form but also, perhaps unwittingly, reiterated as an Orientalist communication trope in belly dancing, has forged East-West performativity models. However, the historical education-literature for Western women …

A Defense Of Judgment By Michael W. Clune. London & Chicago: The University Of Chicago Press, 2021. Isbn-13: 978- 0- 226- 77029- 1, Tajudeen Salaudeen

Comparative Woman

No abstract provided.

From Sensibility To Critical Engagement: Sympathy, Animality, And Subjecthood In Wollstonecraft’S Maria And Vindication, Yingnan Shang

Comparative Woman

This paper examines Mary Wollstonecraft’s strategic use of sentimental animal tropes alongside rationalist critique in Maria, or The Wrongs of Woman (1798) and A Vindication of the Rights of Woman (1792), arguing that she mobilizes sensibility not as an end in itself, but as a pedagogical instrument within a broader project of aesthetic education—one intended to move readers from affective sympathy toward political and philosophical judgment. Focusing in particular on animal metaphors—especially in the character of Jemima, who repeatedly figures herself as a domesticated and brutalized creature—I trace how Wollstonecraft employs tropes of animality to illuminate the processes by which …

Beyond The Madrasah: Digital Pedagogies And Nigerian Yoruba Muslim Women's Engagement With Islamic Knowledge, Abdulgafar Olawale Fahm

Comparative Woman

This paper explores how digital pedagogies are reshaping the landscape of Islamic education among Nigerian Muslim women, with a primary focus on Yoruba communities in Southern Nigeria. Historically, Islamic learning in Nigeria has been rooted in traditional institutions, notably the madrasa, characterized by face-to-face instruction and rigid gender norms. However, the proliferation of digital technologies - particularly online madrasas, WhatsApp study groups, Zoom-based Qur’anic classes, and Islamic mobile applications - has significantly altered women’s access to religious knowledge. Utilizing ethnographic evidence and qualitative interviews, this interdisciplinary study examines how digital platforms enhance accessibility, overcome sociocultural barriers, and enable Nigerian Yoruba …

" A Beautiful Maiden Shot My Heart" By Antar Bin Shadad:, Yasser K. R. Aman

Comparative Woman

This is a translation of an Arabic poem from Pre-Islamic poetry written by Antara Bin Shadad. This poem is an example of appropriation in literary translation. When the meaning is not only cultural but when it is ambience- bound as well, appropriation is difficult but not impossible to achieve. " رمتِ الفؤادَ مليحة عذراءُ" " A Beautiful Maiden Shot My Heart" is an example of a hard choice whether to translate a poem into classical or modern poetry. However, the best I have done was to appropriate between both choices. Images are almost kept the same, but the classical style, …

Body, Mind, And Archives: A Critical Questioning Of “Places For Knowledge” In David Treuer’S The Translation Of Dr. Apelles, Lisa Brau-Weglinski

Comparative Woman

Western conceptualizations of time and space are common topics to be queried within the field of Indigenous literary study. However, while the focus has been laid on temporal and spatial literary conventions, too little attention has been drawn to the conceptualization and norms around an identity forming element: knowledge. This paper is particularly suspicious of Western conceptualizations of “places for knowledge,” as this has very real consequences for how we understand and treat ourselves and others. As such, my work highlights that “places for knowledge” can cloud and limit our perception of reality, which, concerning the project of decolonization …

How Seamlessly...., Pulkita Anand

Comparative Woman

No abstract provided.

Living Losses, Courtney A. Brown Phd

Comparative Woman

Contextually, I am from a line of strong black women. I am from a community of strivers and survivors who’ve accomplished great things through the blanket of patriarchy and civil injustices. I stand on the shoulders of many who took literal and figurative hits so that I could have opportunities they only dreamed of. I have followed in this legacy shattering glass ceilings into unrecognizable pieces for those who will come next.

However, breaking through has not come without cuts, bruises, scrapes and wounds. The celebration of smashing stereotypes should at least be balanced with the acknowledgement of the formidable …

A Recipe For Pumpkin Bread, Tyler R. Sheldon

Comparative Woman

No abstract provided.

Against Conflict, Against Occupation: Protest Songs In India And Kashmir, Mridula Sharma

Comparative Woman

The establishment of All India Progressive Writers’ Association in colonial India encouraged artists to articulate and examine social realities. Literary-cultural productions, particularly popular songs in Hindi films, in independent India continued to remain preoccupied with social conflicts such as religious bigotry and communalism. Sahir Ludhianvi’s “Yeh Duniya Agar Mil Bhi Jaye” (trans. “What can one gain, even if one gains this world?,” 1958 ) and “Yeh Kiska Lahu Hai, Kaun Mara” (trans. “Whose Blood Has Spilled? Who Died?,” 1961) are early examples of a lasting tide of pessimism owing to communal violence during the 1947 India-Pakistan …

Ladybugs, Gabrielle Bologna

Comparative Woman

No abstract provided.

Interculturality, Creolization, And Globalization In "Ángeles Nómadas" By Minelys Sánchez, Cecily Bernard

Comparative Woman

No abstract provided.

Madness As Response To Inherent Cultural Conflicts In Anglophone Fiction From 1700 To 2020, Anna Klambauer

Comparative Woman

Madness in literature has a long and colourful history. While its representation varies significantly in different literary periods, madness is nonetheless a consistent theme responding to inherent conflicts of civilisation. Thus, in the eighteenth-century novel, madness is subdued and forced to express itself in the language of rationality, while in the nineteenth century the theme becomes increasingly subversive. In the form of the madwoman trope (Gilbert and Gubar 1979), madness is simultaneously a reaction to restrictive patriarchal norms, and a frame in which the gender conflicts of the time can be safely and effectively played out. In the twentieth century, …

"Too Immoral To Be Narrated By A Woman": Censoring Erotic Fiction Of Arab Women Writers In Girls Of Riyadh And Distant View Of A Minaret And Other Stories, Muhammed Salem

Comparative Woman

In the Arab world, bargaining with censorship has been an ongoing struggle for writers, particularly female authors. How could we explain that only male writers were allowed to discuss sexuality in the Arabic canon, insofar as female characters are portrayed as passive sexual objects? Are Arab women writers victims of double censorship? One is imposed on their fellow male writers, and another is tacit censorship which judges women’s morality based on their writing. Girls of Riyadh (2007) by Saudi novelist, Rajaa Abdullah Alsanea, and Distant View of the Minaret and Other Stories (1987) by Egyptian novelist, Alifa Rifaat, are two …

Women, Animals, Food: Planetary Perspectives On The Non-(Hu)Man, Samu/Elle Striewski

Comparative Woman

The paper comparatively reads Mahasweta Devi’s Pterodactyl, Pirtha, and Puran Sahay (1995) and Margaret Atwood’s The Year of the Flood (2009) to trace the ways in which both novels show the complex intertwinement of the climate crisis with gender, class, race, subalternity, anthropocentrism, and veganism. Bringing together Gayatri C. Spivak’s notion of “planetarity” with ecofeminist philosophy and literary criticism, the article proposes a planetary ecogender reading of the two texts and their representation of the non-man, non-human, and non-subject. Building up further on Jacques Derrida’s critique of carno-phallogocentrism, the pedagogy of a relational ethics of “nurturing” is hence presented …

Mapping Literature In The Age Of Ai, Virginia Ramos

Comparative Woman

"Mapping literature in the age of AI" discusses the concept of "mapping", from its historical meaning to its technological meaning in the field of literature and AI tools developed in recent years and designed to "map literature". The article addresses ethics, biases, and the issue of human capacities vis a vis machine capacities, in support of the critical and crucial value of the humanities and their unavoidable relationship with GenAI.

Poems On Gender, Sexuality, And Kinship, Elisa Subin

Comparative Woman

The attached poems are a series thematically linked through gender, sexuality, and kinship.

5 Poems, Rebecca Ruth Gould

Comparative Woman

These poems examine the challenges facing the woman creator, and focus in particular on the problem of the muse, and how this relates to the feminist reconceptualization of traditional notions of gender and sexuality. As part of this broader poetic inquiry, I also challenge traditional notions of monogamy and heterosexual desire.

Kinship Poems, K. Avvirin Gray

Comparative Woman

In the appended collection of three poems, canopied under the title, ”Kinship Poems” I explore the possibilities for and practice of kinship between Native and African American women. In my first poem, ”Auntie,” a prose poem, I center non-sanguineous kinship affiliation in the decolonial project. In my final poem, I give equal consideration to biological kinship, by staging a speaker’s direct address to her unborn child.

Gotra I Choose, Aparajita Dutta

Comparative Woman

This poem is about kinship terms explored by a Bengali girl who came from West Bengal , India to Louisiana and found a family there after facing discrimination as an independent non-Brahmin woman.

Reverberations Of Boarding School Trauma In Upstate New York, Grace A. Miller

Comparative Woman

The legacy of boarding schools in Upstate New York is one that non-Natives seem to have forgotten. This historical amnesia compounds other acts of genocide, including cultural genocide, of the Haudenosaunee people throughout US history. Established in 1855 at the Cattaraugus Reservation (Seneca), the Thomas Indian School would serve as an institution of forced assimilation and displacement, much like the other Native American boarding schools. While the larger US population has grown to forget these schools' existence, the shadowed legacy of institutions, like the Thomas Indian School, Haskell, and Carlisle Indian Industrial School, the rippling effects of these schools’ practices …

Wolfpen Hollow, Amy Wright Vollmar

Comparative Woman

No abstract provided.

Twitter As Limited Digital Rhetorical Forum – The Reproductive Rights Discourse Online, Jacob L. Longini

Comparative Woman

Rhetorical discourse has long been characterized by patriarchal systems, and this reality has persisted in online spaces. How might today’s scholar dissect and better understand the nature of online communities, specifically those that engage in women’s rights discourses? I argue that using Thomas Farrell’s notion of “rhetorical forum”, James P. Zappen’s outline for digital rhetorical theory, and Sonja K. Foss and Cindy L. Griffin’s feminist understanding of rhetorical practice, one can account for the current state of such discourses on Twitter. The patriarchal flaws that Foss and Griffin identify in traditional rhetoric can shed light on the negative aspects of …

Magpies, Bridge And Goddess: Unearthing The Hidden Symbols And Rediscovering The Lost Goddess In Chinese Qiqiao Festival, Juan Wu

Comparative Woman

The Qiqiao Festival, also known as the Qixi Festival, or Chinese valentine’s day, is a festival celebrating the annual meeting of the Cowherd and Weaver Maid in mythology. The most influential version focuses on the romance or love theme; however, it ignores its underlying historical context, gender tension and mythical belief. This paper takes the texts, rituals and materials related to the Qiqiao festival to investigate its origin and evolution. First, it takes the anthological case of the Qiqiao festival in Xihe county to explore its core image of the holy bridge and Goddess Qiao. Second, it traces the bridge …

Wise As You Will Become, Meghan E. Hodges

Comparative Woman

No abstract provided.

My Mother On Dream Interpretation And The Lack Of Finality In Death, Jaime Elizabeth Johnston

Comparative Woman

This is an interview with my mother, a dream interpreter. In this interview we explore her process of interpreting dreams and her contact with the spirit world.

Ekatvam, Atreyee Chakraborty

Comparative Woman

"What is spirituality? Is this all about God? And what is God? A mystical concept? All I know that if we surrender to the will of God, if we pray and repent for our sins, we will be saved out of our trouble and we will get peace of mind. To me, my dance is my God. Through my dance I have touched the essence of spirituality."

My Mother On Dream Interpretation And The Lack Of Finality In Death, Liz Johnston

Comparative Woman

This is an interview with my mother, a dream interpreter. Here, we explore her practice of reading dreams and discuss her experiences in communicating with spirits.

In Between Realms: The Search For Feminine Selfhood In The Essais Of Montaigne, Anna Suarez

Comparative Woman

My purpose is to explore factors of the Renaissance that determined women’s selfhood in Montaigne’s Essais. I argue that the shift into modernity is responsible for the loss of women’s autonomy as well as the anxiety experienced by men regarding their power as well as their potential. Montaigne and Renaissance discourse defines women only by their bodies (sexual organs) and I explore the elements that established biological essentialism. This paper exemplifies comparative literature in the sense that it combines literature, theory, and art for the purpose of creating a well-researched examination of the root causes for why women were …