Comparative Literature Commons^™

Story Of Everything, Mariana Romo-Carmona

Publications and Research

Story of Everything, by Mariana Romo-Carmona. Translated by Caragh Barry.

Original title: Cuento de todas las cosas.

Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic

Publications and Research

Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …

The Golden Age Of Mexican Cinema, Daniel Galindo

Publications and Research

This presentation is about the film called María Candelaria (1943), a film of the cinema of the golden age of Mexico that shows the lifestyle of the people of that time, more than anything it shows how women were reviled in the macho society. The Golden Age of Mexican Cinema is a period of brilliance in the history of Mexican cinema, which began in 1936-1956.

Describing Dictee, Seo-Young J. Chu

Publications and Research

The visual images in Dictee are famously captionless. They resist straightforward explanation. In writing image descriptions of the images in Dictee, I have tried to preserve the "captionlessness" of the original. The point here is not to explain the pictures—an image description is not identical to a caption—but to make Dictee more accessible to readers who are blind and visually impaired. I realize, of course, that in trying to make Dictee's captionless images more "legible," I have inevitably "mistranslated" Dictee as it was originally designed to be experienced. Its captionlessness is lost in translation despite my efforts to preserve it. …

Cuento De Todas Las Cosas, Mariana Romo-Carmona

Publications and Research

"Este cuento breve tal vez cae en el antiguo género de lo real maravilloso o, lo que se conoce en inglés como especulativo. Explora los efectos de la homofobia, el exilio, la enajenación, a través de personajes en un parque encantado, que puede ser el Parque Central en la ciudad de Nueva York." from the editor, Bilingual Review

This short story was translated into English and published in Review: Literature and Arts of the Americas, Vol. 57, No. 2, Dec. 2024, issue 109

Excerpts From An Anti-Standardized “수능”: A Design-Fictional Approach To Korea, Seo-Young J. Chu, Seo-Young J. Chu

Publications and Research

"Excerpts from an Anti-Standardized '수능'” experiments with design fiction to disrupt overly rehearsed ways of thinking about Korea’s past(s), present(s), and future(s).

The Avenging Women: Grendel’S Mother, Signy, And Kriemhild, Kayla J. Baur

Publications and Research

The three respective texts, the Old English poem Beowulf, the Old Norse The Saga of the Volsungs, and the Middle High German text Nibelungenlied, feature female characters who fulfill the avenging woman archetype. In each of the three works, the female character uses unfeminine strength or cunning to exact vengeance for being wronged. In Beowulf, the avenging woman takes the form of Grendel’s mother, whose descriptions of monstrosity are owed to her acts of bloodshed to avenge the death of her son. In The Saga of the Volsungs, the vengeful plot enacted by Signy reveals her unusual display of cunning …

Exploring Dante’S Sources Online: Interactive Reading, Visualizations, And The Study Of Dantean Intertextuality In The Digital Age, Julie Van Peteghem

Publications and Research

Dante’s Commedia is a highly allusive text, and readers throughout time have noted the many parallels between Dante’s verses and those of others. Now that the text of the Commedia and various scholarly and artistic interpretations of the poem (commentaries, translations, illuminated manuscripts) have become accessible online, also the concordance, the lists of parallel passages in Dante’s poem and other works, has become a digital resource. In this essay I explore the study of Dante’s sources in a digital environment mainly through the Intertextual Dante project and its Dante-Ovid edition, published on Digital Dante. Intertextual Dante visualizes moments of …

Stahlmann's 'Asian Eyes': Jewish Identity In Peter Weiss's The Aesthetics Of Resistance Vol. 3, Caroline Rupprecht, Caroline Rupprecht

Publications and Research

No abstract provided.

Re-Presenting The Un-Presentable: Annie Ernaux’S "L’Évènement" And Cristian Mungiu’S "4 Months, 3 Weeks, And Two Days", Victoria Tomasulo

Publications and Research

Situating Annie Ernaux’s L’évènement and Cristian Mungiu’s 4 Months, 3 Weeks, and 2 Days in a reproductive justice framework, I argue that both the memoir and the film contribute to working-class historiographies by documenting backstreet abortion in times and places where it was heavily criminalized: 1960s France and Communist Romania. Committed to a working-class aesthetic with roots in neorealism, Ernaux and Mungiu focus singularly on an event once deemed unrepresentable in literature and cinema. Drawing upon the distinction made between empathy and “rational compassion” made by Paul Bloom in Against Empathy (2016), as well as from Kelly Oliver’s Witnessing: Beyond …

Friendship In The Confucian Tradition, Andrew Lambert

Publications and Research

An overview of how friendship has been represented and assessed in the Confucian tradition, and particularly in classical Confucian texts such as the Analects and the Mencius. Themes covered include the relationship between the family and friendship, the ambivalence towards friendship in imperial China, and the connection between friendship and the Confucian ideal of personal cultivation. The chapter finishes by exploring novel conceptions of friendship and human relatedness suggested by the Confucian tradition.

Cien Botellas En Una Pared And Blanco Nocturno: The Feminization And Queering Of Representations Of Violence In Latin American Novels Of The 21st Century, Mariana Romo-Carmona

Publications and Research

A look at two novels at the turn of the 21st Century that emerge in clear counterpoint to the Boom, recognizing the violence inherent in national historical realities, and shattering the marginalization of writers subordinated by gender, class, or race. Portela and Piglia portray the heritage of violence in their characters, and the tension of their subjectivities in dialog with a historical understanding of the nation, both in their inimitable, unique, and ebullient narrative style.

Quevedo Y La Tupida Selva Europea Del Anacreón Castellano, Adrian Izquierdo

Publications and Research

No abstract provided.

"The Battle Trumpet Blown!": Whitman's Persian Imitations In Drum-Taps, Roger Sedarat

Publications and Research

While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his explicit foreign references, aside from observations of specific Persian signifiers in “A Persian Lesson,” his engagement with the poetry of Iran has remained especially speculative and therefore analogical, with studies like J. R. LeMaster and Sabahat Jahan’s Walt Whitman and the Persian Poets showing how his mystical relation to his own religious influences tends to resemble the Sufism of Rumi and Hafez. A new discovery emerging from an examination of his personal copy of William Alger’s The Poetry of the East along with his …

"Writing Unspeakable Things: Speechlessness, Abjection, And The Ethics/Aesthetics Of (Not) Representing Sexual Violence In Three Korean American "Comfort Women' Novels", M Laura Barberan Reinares

Publications and Research

This article analyzes “comfort women” novels by the Korean American authors Therese Park, Nora Okja Keller, and Chang-rae Lee in terms of the ethics and aesthetics of representing sexual violence through language. I specifically look at these authors’ stylistic strategies to describe rape in writing and how they (more or less successfully) avoid voyeuristic portrayals of the “comfort women” by controlling the narrative point of view and relying on traumatic “speechlessness” and abjection. Building on relevant notions from the fields of photography, cinematography, philosophy, and psychoanalysis, this analysis suggests that in-progress representations of rape in language become a futile project …

Lady Delacour’S Resentment Of The “Ideal Woman” Standard In Edgeworth’S Belinda, Kayla J. Baur

Publications and Research

Maria Edgeworth’s nineteenth-century novel Belinda (1801) follows the tale of seventeen-year-old Belinda Portman who is sent away by her notorious match-making aunt to lodge with the reputable Lady Delacour in the hopes of having her find a suitable husband. Women must take great care to present themselves as worthy, respectable damsels during the process of finding suitors, which means they must associate with respectable crowds and show society they are capable of becoming the “ideal woman”. An ideal woman during this time is expected to simultaneously fulfill her obligations as an obedient wife, an attentive and nurturing mother, and a …

A Commentary On The Interpretation Of Dreams, Kayla J. Baur

Publications and Research

Sigmund Freud’s The Interpretation of Dreams explains the role of the theory of psychoanalysis as it pertains to dreams. Freud then leads into the idea of how psychoanalysis as a theory applies to literature. Along with Oedipus Rex, Freud uses William Shakespeare’s Hamlet to exemplify the way in which literary texts express the desires, emotions, and/or memories of the unconscious mind, just as dreams-thoughts (unconscious desire) display themselves in dreams. Hamlet experiences troubling emotions upon the death of his father as he finds himself referring back to his childhood feelings about him, and thus finds it difficult to exact …

Imagining An Asian American Superhero Of North Korean Origin: A Design Fiction, Seo-Young J. Chu

Publications and Research

My talk, a thought-experimental blend of literary criticism and speculative "design fiction," will introduce you to an Asian American superhero of North Korean origin. In this science-fictional superhero, whom I have tentatively named "구름"/"☁️"/"Ku-reum," Korea's elusive realities coalesce into legible form. More specifically, they become available for narrative experience and relatable to us as an anthropomorphic character, a person with whom we might identify, come face-to-face, sympathize, interact dynamically, and have a conversation. Ku-reum is designed to reflect Korea's complex past and hopes for the future. Existing beyond division systems, Ku-reum uses the non-binary pronouns "one"/"they." Neither "South" nor "North," …

Reverent Induction: Epistemology And The Romantic Education Of The Child Reader In Charles Kingsley’S The Water-Babies (1863), Laura H. Clarke

Publications and Research

In his essays and fiction for children, Kingsley champions inductive reason, the process of making generalizations from specific observations, and criticizes deductive reason, the process of arriving at definite conclusions on the basis of general theories. For Kingsley, in deriving a general axiom from a concrete observation—the unknown out of the known—the process of inductive reasoning requires a leap of faith that cannot be reduced to logical formulations. Like the Romantics, Kingsley believed that the wonder and imagination of childhood were essential for fostering what he called ‘reverent induction’—the ability to see in each process of inductive reasoning the unfolding …

Shamanic Performancesjoseph Beuys's Der Eurasier, Eurasia Siberian Symphony, And Auschwitz Demonstration, Caroline Rupprecht

Publications and Research

No abstract provided.

De La Novela Picaresca A El Chavo Del 8, Carlos Aguasaco

Publications and Research

Los albores de la modernidad[i] coincidieron con la emergencia de la novela picaresca en la que temas como la niñez, la educación, la pobreza agravada por el hambre extrema, y la idea de la movilidad social, aparecieron representados en obras muy populares como El Lazarillo de Tormes (1554), El Buscón (1626), El Periquillo Sarniento (1819) y La vida inútil de Pito Pérez (1938). La popularidad de la novela picaresca emanaba de su novedosos realismo social y urbano, sumados a la disponibilidad de copias hecha posible gracias a la imprenta de Gutenberg. El Chavo del 8 (1971-1980) ha tenido una …

The Nature Of Comparison: Macunaima And Orlando, Václav Paris

Publications and Research

Dominant modes for comparing modernist literatures do so by coordinating individual texts against a larger narrative of modernity conceived as economic or political globalization. This article proposes an alternative premise for comparison. Instead of focusing on development, it considers the ways in which different national modernisms registered a changing modernity in terms of nature and natural history. This switch is demanded by two texts that bear a number of thematic and conceptual similarities and were published months apart in 1928: Mário de Andrade’s Macunaíma and Virginia Woolf ’s Orlando. Both works rethink Darwinism’s import for national representation by adapting the …

Rhetoric And Imagery Of The Caracazo In La Última Vez And Its Link To The Political Narrative Of Chavismo, Luis Mora-Ballesteros

Publications and Research

The present paper is an analysis of topics related to discourse and imagery as articulated in Héctor Bujanda’s novel La última vez (2007). Critics broadly regard this work as a modern archetype for a sort of literature that employs apposite sets of images and establishes relevant metaphoric spaces as underpinnings for a historical frame of reference. In the case of this novel, that frame of reference is the wave of unrest known as the Caracazo (1989). Strictly speaking, the work’s discursive register displays traits and context that revolve around those protests and their aftermath. Due to the manifest political character …

The New Realism Of The Roman: Friedrich Schlegel’S Theory Of The Novel And Byron’S Don Juan, Laura H. Clarke

Publications and Research

The complex question of genre in Byron’s Don Juan is often discussed in terms of the epic, but critics are increasingly turning to the novel to address the puzzling questions that remain about the generic status of Byron’s last work.1In The English Novel: A Panorama, Lionel Stevenson contends that Byron’s Don Juan belongs “essentially in the central tradition of the English novel, with its satirical realism, its picaresque series of adventures, and its complex panorama of contemporary society. Even the digressive comments are in the manner of Fielding.”2Stevenson exclaims,“One cannot help but thinking that if Byron had lived longer he …

Fascist Aesthetics From 1940 To Contemporary Times, Anna M. Gellerman

Publications and Research

Movies and literature all over the world share some common aesthetics: militarization, romanticization of death, beauty of perfection, and even purity. What most don't think about is how these tropes rose to popularity due to Nazi Germany's propaganda films. This work describes these fascist aesthetics, and uses famous publications from the 1940s until now to paint just how common these themes are.

The White Album As Neo-Victorian Fiction Of Loss, Lucas Kwong

Publications and Research

Although much has been written about the Beatles' celebration of Victorian culture on the album Sgt. Pepper's Lonely Hearts Club Band, little scholarship, if any, has focused on the White Album’s relationship to the late Victorian period. This paper examines the White Album through the lens of what Victorian studies scholar Stephen Arata has called “fictions of loss,” a body of late Victorian texts depicting intertwined processes of “national, biological, [and] aesthetic” decline. Through examining songs like "Helter Skelter" and "Revolution Number 9," I argue that the White Album deserves consideration alongside Dracula and She as a “fiction of loss,” …

The Haunting Parallel Amid Governmental Responses: Tlatelolco Massacre & The Covid-19 Pandemic, Chelsea Wepy

Publications and Research

The overall purpose of this analysis was to exemplify the parallels between the governmental responses to the Tlatelolco Massacre of 1968 and the COVID-19 Pandemic of 2020. “Memorial de Tlatelolco” is a poem that was written by Mexican poet and activist, Rosario Castellanos in 1968 following the Tlatelolco Massacre. The findings of this research note the familiarity instilled in those suffering through the COVID-19 Pandemic by Castellanos' poem.

Alice Meynell's Negative Happiness: The Primacy Of Emotion And The Nature Of Art, Laura H. Clarke

Publications and Research

In a review of Alice Meynell’s essays, Coventry Patmore declared that her prose challenged conventional views of gender: “At rare intervals the world is startled by the phenomenon of a woman whose qualities of mind and heart seem to demand a revision of its conception of womanhood and as an enlargement of those limitations which it delights in regarding as essentials of her very nature.” Meynell, he exclaims, “belongs to a species quite distinct from that of the typical sweet companion of man’s life” in that she is a “woman of genius.” Patmore contends that “in a very small volume …

Adam And The Early Mesopotamian Creation Mythology, Saad D. Abulhab

Publications and Research

The first monotheist human, Adam, was likely a god, in the Mesopotamian mythology, just as the Hebrew Genesis reluctantly revealed, and the assertive Quran slightly hinted. Specifically, he was the pre-monotheist, Sumerian god, Idim, who was also called GodEa and many other nicknames over the millenniums. The names Idim and Adam are even linguistically related, according to early Arabic root words analysis. As a Mesopotamian god, Idim was the creator of the first human, and the father of his immediate generations, as he was sometimes referred to in the ancient literature. He was the preserver of life on earth, and …

Global And Radical Homesickness: Rewriting Identities In The Airport Narratives Of Pico Iyer And Sir Alfred Mehran, Sean Scanlan

Publications and Research

This article explores the personal narratives of two displaced travelers, Pico Iyer and Sir Alfred Mehran. Their memoirs, The Global Soul (2000) and The Terminal Man (2004), provide evidence that anxieties associated with global mobility are heightened due to a loss of community anchors and social orientation points. My reconceptualization of homesickness provides a powerful expression for these losses and uncertainties. In particular, the collision between past memories and present identity tests, especially as these tests occur in global airports, can produce global homesickness or a more destabilizing feeling: radical homesickness. Iyer’s class, national affiliation, and passport allow him to …