Comparative Literature Commons^™

Embodied Horror: Women And Medical Authority In Video Games, Jocilynn Denise Colombo

Comparative Literature M.A. Essays

Through a critical analysis of interactive horror, this paper argues that video games can function as ethical diagnostic narratives that uniquely expose systemic failures surrounding women’s bodies and medical authority. Focusing on Silent Hill 3 (2003) and Alice: Madness Returns (2011), I examine how these games render harm legible through player participation. By requiring players to move characters through hostile environments and make decisions within systems that simultaneously grant and restrict control, these games foster identification and complicity by positioning players directly within the structures they critique.

While feminist horror scholarship—notably from Julia Kristeva and Barbara Creed—has explored societal anxieties …

The Transparent Crypt: Temporal Stratification, Materiality, And The Affective Archive In Jenny Erpenbeck’S "Kairos", Mallory Wooldridge

Comparative Literature M.A. Essays

For Germany, the process of reckoning with the past is not a new one. Termed Vergangenheitsbewältigung in the post-war period and envisioned as a project extending beyond the academy into public consciousness, “dealing with the past” was first envisioned in response to the Nazi regime and its horrors. While already a disjointed project in the Nazi context, the question of how reunified Germany reckons with the former German Democratic Republic’s past remains unresolved.

In her 2021 novel Kairos, Jenny Erpenbeck proposes a different model of historical consciousness. Drawing on Theodor Adorno’s post-war theory of working through the past ( …

Wood Lands: Forest As Site Of National Memory In Germany And Italy, Clarissa Melendez

Comparative Literature M.A. Essays

Arguing that the rich symbolic associations of trees become a medium to synthesize shared identity during a country’s formative moments, this paper theorizes the image of the forest as a site of national memory. By tracking representations of the natural landscape during nation-building to representations that attempt to recover and reclaim dignity postwar, this paper lays bare the potential of the national symbol to transform as history progresses. The paper’s author reads three genres–fairy tales, a novel, and a work of public art–from three authors–the Brothers Grimm, Italo Calvino, and Joseph Beuys–across time to interrogate the role of the forest …

Between Word And World: Textual Space In Modern Sephardic Literature, Inci Cetin

Comparative Literature M.A. Essays

In the context of modern Sephardic literature, this paper defines “textual space” as the narrative’s self-conscious arrangement of its own textual elements such as time, space, and language to negotiate a position vis-à-vis the nation-state that is neither fully subsumed within nor completely outside of it. Textual spaces neither conform to the nation state’s borders even though they write from it, nor to nationalist temporalities as they continue a narrative thread that reaches back to 15th-century Spain. Through Myriam Moscona’s Tela de sevoya (2012) and Mario Levi’s Istanbul Was a Fairytale (1999), this paper investigates how textual spaces are deliberately …

Theatricality Of The Ephemeral: Media Of Surplus And Spectatorship In Liang Dynasty (南朝梁, 502-557) Palace-Style Poetry And Hou Hsiao-Hsien’S A City Of Sadness (1989), Yingyi Wang

Comparative Literature M.A. Essays

This essay focuses on the mediation of spectatorship experience by “ephemeral media” in Liang Dynasty (南朝梁, 502-557) palace-style poetry and Hou Hsiao-hsien’s film A City of Sadness (1989). Drawing from Alexander Galloway’s “the interface effects” in new media studies, I investigate how the diegetic “ephemeral media” in these two texts, such as dust, candlelight, silence, and writing, function as opaque interfaces that complicate spectatorship. I examine spectatorship experience from the angle of ephemeral media by looking at how they direct spectators’ attention from the world of representations to processes of mediation. Transplanting Xiaofei Tian’s notion of the “surplus” in her …

Ritual As Resistance: Orality, Identity, And Soviet Kazakh Childhood In Sayin Muratbekov’S The Smell Of Wormwood, Dana Akhmerova

Comparative Literature M.A. Essays

This essay analyzes The Smell of Wormwood (1967), a short novel by Soviet Kazakh author Sayin Muratbekov, set in a Kazakh village during World War II. The narrative centers on Ayan, a nine-year-old orphan with a physical disability, who copes with trauma and marginalization by becoming a storyteller for the village children. Focusing on the role of Kazakh folklore—particularly storytelling and initiation rituals—I explore how these cultural forms shape the novel’s characters, structure, and central conflict. Drawing on Arnold van Gennep and Victor Turner’s theories of ritual, I argue that Ayan’s storytelling creates an informal liminal space through which the …

Beware The Wandering Woman: Depictions Of Female Spatial Transgression In Athenian Public Dramas Of The 5th And 4th Centuries Bce, Anne E. Mcgrath

Comparative Literature M.A. Essays

This paper explores how ancient Greek literature and culture construct autonomous, mobile women as threats to the ideological and spatial order of the polis. Referencing mythological precedents and closely reading Classical texts, I propose the category of “excepted women” to address the threads of female transgression woven throughout this extensive literary corpus. Focusing on figures who transgress imposed spatial boundaries, I examine how such women are positioned as disruptors of gendered norms and civic stability, thus reflecting deep cultural anxieties about female agency and movement into spaces coded as masculine. The paper engages theoretical frameworks from Althusser and Butler to …

Star Power: An Analysis Of Digital Astrology Content As An Instrument Of Political Tractability, Aliza Phillips

Comparative Literature M.A. Essays

In an essay from 1953 titled, The Stars Down to Earth, Theodor Adorno performed an exacting analysis of the weekly horoscopes published in The Los Angeles Times to illuminate the latent authoritarianism embedded in the rhetoric of astrology. One of Adorno’s primary arguments is that an insidious form of political tractability is forged through the simultaneous determinism and individualism of astrology. Seventy years after The Stars Down to Earth, the genre of short-form astrology videos has skyrocketed in popularity across social media platforms. This essay offers a series of close readings of digital astrology videos to theorize both …

Questioning Modernity’S Episteme: A Comparative Literary Analysis Towards Planetary Spiritualism, Pumho Karimi

Comparative Literature M.A. Essays

How do the modern era’s sociopolitical and technological developments, from the Age of Enlightenment, the Scientific Revolution to the Industrial Revolution, influence our contemporary 21st century views on truth? How do they relate to the technological, sociopolitical, and ecological predicaments faced in the 21st century? My project, through comparative literary analysis, offers a critique of modernity by paying attention to its imperial and colonial character and how it establishes its epistemological power to define what is fact and truth at the expense of other ways of knowing, seeing and being that offer potential solutions to 21st century predicaments. I argue …

Displaced Ukrainian Writers After 2014, A Postcolonial Perspective, Sophie Ivanka Shields

Comparative Literature M.A. Essays

This paper analyzes post-2014 Ukrainian displacement literature from a postcolonial perspective. I argue that Ukrainian writers, displaced with the 2014 invasion of Eastern Ukraine and/or 2022 full-scale invasion by Russia, transform literature into a tool of cultural resistance against Russia, forging a postcolonial Ukrainian identity in their works that unites those displaced since 2014. I particularly focus on two long-form works by displaced writers: the novel Mondegreen: Songs about Death and Love (2019) by Volodymyr Rafeyenko, who was displaced in 2014 from Donetsk to Kyiv and again in 2022 to Pittsburgh, USA on the City of Asylum Exiled Writer and …

Transcreation In World Of Warcraft’S China Localization: Echoes Of Poetry Across Two Worlds, Yilu Ren

Comparative Literature M.A. Essays

The official trailer for the globally popular MMORPG (massively multiplayer online role-playing game) World of Warcraft Patch 5.2: The Thunder King featured an original English poem, subsequently translated into 10 other languages. All versions retained a poetic form, with the one release in mainland China creatively borrowing the tetrasyllabic verse style akin to that used in Shijing, the first anthology of Chinese poetry. This unprecedented adaptation of a literary genre in the localization of a non-literary video game product blurred the conceptual boundary between Lawrence Venuti's binary notions of foreignization and domestication in translation theory.

Viewed in light of …

Mending Wounds: A Reparative Feminist Analysis Of The Japanese Film Series Guinea Pig, Mikayla Walker

Comparative Literature M.A. Essays

Guinea Pig (ギニーピッグ) is an anthology series of six body horror films created and released in Japan from 1985 to 1990, all connected by a common theme of bodily experimentation and destruction. The series has maintained a controversial legacy due to its portrayal of intense misogynistic violence. However, upon closer examination, the films reveal subtle moments of patriarchal critique when viewed as a cohesive unit. Using Cynthia Freeland’s framework for creating feminist readings of horror films and Eve Sedgwick’s concept of reparative reading, this research aims to highlight those moments of subversion in order to create a more progressive feminist …

Self-Effacement In Christian Mysticism: A Case Study Of Teresa Of Ávila And Simone Weil, Zihan Zhang

Comparative Literature M.A. Essays

The neoliberal society we live in encourages a constant maximization of the “project of the self.” The tradition of Christian mysticism, centered on self-denial and passivity, provides an alternative understanding of the self. In this essay, I draw testimonial and theoretical accounts of mysticism from the autobiography of a 16th-century Spanish nun, Teresa of Ávila, and essays from a 20th-century French philosopher, Simone Weil. By bringing these two authors in conversation, I hope to illuminate three aspects of self-effacement in the Christian mystical tradition. I first start with discussing the idea of labor as a means to prepare for self-annihilation …

The Birds That Embrace Both Illusions: An Intersemiotic Translation Of All Watched Over By Machines Of Loving Grace By Richard Brautigan, Veronika Yadukha

Comparative Literature M.A. Essays

This essay analyzes the influence of various worldviews on Richard Brautigan's poetry, which form his particular language. A combination of Zen Buddhism, Japanese aesthetics, American poetic tradition, and echoes of the philosophy of absurdism are some of the core themes that serve as mechanisms for Brautigan's poems.

For each chapter of the book All Watched Over by Machines of Loving Grace, I make an intersemiotic translation transposing Brautigan's poems into ceramic tea bowls. By combining different art forms and translating from an abstract symbolic art – poetry – to a form of applied art that is much more physically …

Bound To A Mast: Matelotage And The Queer Contract In Shakespeare's Twelfth Night And The Tempest, Agnese Palumbo

Comparative Literature M.A. Essays

Analyzing the language of a 1699 matelotage contract and locating that same terminology in Shakespeare’s maritime plays, this essay argues that there is a thematic and genealogical link between the contractual forms of homosocial union that existed during the premodern and early modern periods and the bonds shared by male characters in those plays where a “sea change” occurs. First, the essay delineates a history of matelotage and of contractual bonds; then, it establishes this homosocial dynamic as an additional point of inquiry for male relationships in Shakespeare. Critical attention has largely overlooked this queer contract, and prioritized a focus …

From Nihilation To Redemption: Profanations And Overlaps In Claudio Magris’ Danube, Nicola Mazzotti

Comparative Literature M.A. Essays

This essay analyzes the novel Danube by the Italian writer and scholar Claudio Magris and focuses on its depiction of the political potential inscribed in the Danubian territory. With his journey along the river, the narrator of the novel attempts to unveil the materiality of this territory and the agency of the river, thus deconstructing cultural and political claims aimed at their appropriation. First, the essay investigates the use and representation of 'sources' made by the narrator, both as origin of the river and cultural artifacts. It is shown how the narrator performatively traces the origin of the river back …

Colonial Translation Turned Vietnamization: Phạm Quỳnh And The Discourse Of Transculturation, Camellia Pham

Comparative Literature M.A. Essays

Vietnam during French colonialism (1861-1945) was a site of hybrid enunciations that displayed tensions with multiple languages (Chinese, Vietnamese, French) and multiple scripts (classical Chinese, Nôm script, Quốc Ngữ, and French) while existing under the influence of various powers (the Nguyễn feudal dynasty, the French colonial government, and the nascent Democratic Republic of Vietnam). The array of choices reflected a state of confusion in which every decision made by Vietnamese translators was inherently political. This eccentric hybridity is well exemplified in translations by Phạm Quỳnh 范瓊 (1892-1945), a late Nguyễn dynasty monarchist and early French colonial collaborator.

My paper …

Ephemeral Elsewheres: Locating Narratives Of Resignation, Resistance, And Refusal In The Poetry Of Black Cuban And Black Brazilian Women, Aidan Keys

Comparative Literature M.A. Essays

This essay dissects the language of Latin American revolution and nationalism to locate the body of the black woman and the appropriation of her image. In two seemingly incommensurable radical movements—the Cuban Revolution (1952-1959) and the Brazilian Unified Black Movement (1978-)—the contributions of Black women are unevenly recognized. Reading the poetry of cubanas Nancy Morejón and Georgina Herrera and brasileiras Sônia Fátima and Esmeralda Ribeiro, this essay claims that in both contexts, the Black woman is marginalized to a geographic “elsewhere.” Expanding on this term, coined by scholar Carol Boyce Davies, this essay further identifies temporal and ephemeral “elsewheres.” The …

"I Am Not Alive": A Bionian Reading Of Life And Death In Balzac's Le Colonel Chabert And Tynianov's Podporuchik Kizhe, Andres Meraz

Comparative Literature M.A. Essays

This essay investigates the themes of life and death in Balzac’s novel, Le Colonel Chabert (1832), and Tynianov’s novella, Podporuchik Kizhe (1927). In these works, life and death are as much socio-political and legal constructs as they are organic or ontological states—that is, the chronological, biological beginning and ending of a “life.” In other words, life and death become conceptual spaces into which one may enter, or from which one may be excluded. Additionally, this essay asserts that while the approach taken in one text may to be a kind of conceptual inversion of the approach taken in the other, …

The Wailing Of The Streets: Novelistic Form And The Everyday In Voyage In The Dark And Voyage Au Bout De La Nuit, Tutkunur Vatansever

Comparative Literature M.A. Essays

In 1911, before the increased attention to everyday life in critical theory, György Lukács contemplated the concept of trivial life and its relation to literary form. The recent theories of everyday life like that of Blanchot – emphasizing its formlessness and defiance of subjectivity – invite us to address the variance in the modernist novelistic form in the framework that Lukács outlined. In Voyage in the Dark by Jean Rhys and Voyage au bout de la nuit by Louis-Ferdinand Céline, both published in the 1930s, the pain and suffering of everyday life on the streets diffuse into the form of …

“Whenever We Crossed A Mountain / On This Earth, Yet Another One Appeared”: Circumstantial Poetry In ʿAbd Al-Ghanī Al-Nābulusī’S (D. 1143/1731) Travelogues, Tom J. Abi Samra

Comparative Literature M.A. Essays

This essay identifies an early modern aesthetic that mobilizes the mundane to make a point about the world or the grandiose. Through a close reading of the poetry in the travelogues of the 17th-century Ottoman Damascene scholar ʿAbd al-Ghanī al-Nābulusī (d. 1143/1731), this essay identifies, theorizes, and historicizes early modern Arabic circumstantial verse—what the 19th-century French poet Stéphane Mallarmé calls vers de circonstance. By drawing on Mikhail Bakhtin’s concept of the “chronotope,” this essay shows how the poetry in Nābulusī’s travelogues fits within, and sometimes advances, their linear narrative. If poetry is expected to transcend the chronotope in which …

“For Now We See In A Mirror, Dimly”: Dialectical Wholeness In Oshii Mamoru’S Ghost In The Shell, Mari Aida

Comparative Literature M.A. Essays

This essay argues that Oshii Mamoru's 1995 animated film Ghost in the Shell, while indicating possible alliances with the political interests of cyberfeminism, ultimately advocates for the oppositional agenda of dialectical wholeness. Foundational texts of cyberfeminism, such as Donna J. Haraway's "A Manifesto for Cyborgs," have criticized narratives of isolation and a return towards a primordial wholeness implicit in Euro-American scientific culture. In the context of these texts, the cyborg symbolizes a departure from such narratives and guides the political project of reimagining epistemological boundaries. However, despite its apparent alignment with such projects, Ghost in the Shell dramatizes and …

The Idyllic Houses Of Collective Trauma Reading Home And World War Ii In Ian Mcewan’S Atonement And Jenny Erpenbeck’S Heimsuchung, Victoria Wirtz

Comparative Literature M.A. Essays

This essay investigates the themes of home, homeland and belonging in Ian McEwan’s Atonement and Jenny Erpenbeck’s Heimsuchung. Both works encourage critical reflection on the nostalgia for Home, in exposing that the idea of such is all too often based on an ideological concept and social exclusion. Using Mikhail Bakhtin’s theory of the ‘Idyllic Chronotope', I identify the houses of both narratives as spaces that allow for the uncorrupted preservation of their families' values and traditions. However, as the concept of ‘home’ is embedded in their owners’ belief in national supremacy, their residencies are revealed as realms of collective, social …

The City Of Nightmares: Occultism, Ecstasy, And The Literature Of Late-Victorian London, Sophie Labenski

Comparative Literature M.A. Essays

While the relationship between Gothic motifs and anxieties about transgressive sexuality at the end of the 19th century is well understood, most of the scholarship written on this topic takes the idea of the supernatural for granted, or sees it as a way of establishing the links between monstrosity and sexuality. In this essay

I turn to the work of Arthur Machen in order to recontextualize the supernatural aspects of the late-Victorian Gothic literature in regard to the forms of credulity that inform the occult. While texts like Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde …

Out Of The Gutter, Into The Gram: A Comical Message And A Digital Medium, Tala Majzoub

Comparative Literature M.A. Essays

By analyzing three different comics on Instagram by the Lebanese political cartoonist, the Art of Boo, this essay argues that comics generate political meaning through emulating the medium of Instagram on the one hand, and by inviting the audience to become active participants on the other. Although a lot has been written about digital activism and political cartoons in the Arab world, little has been theorized about what makes this form of political artistic expression and dissent powerful on digital platforms. By drawing on Scott McCloud’s Understanding Comics, this essay demonstrates that the medium of comics operates as a …

Banal/Queer/Spectacular: Reframing Blue Is The Warmest Color, Sophie Frank

Comparative Literature M.A. Essays

In this essay, I interrogate visual representations of a lesbian love story in Jul’ Maroh’s graphic novel Le bleu est une couleur chaude and its film adaptation by director Abdellatif Kechiche, La vie d’Adèle : Chapitres 1 et 2. By studying the diegesis of each work’s opening scene, I reveal that the graphic novel embodies Barthes’s concept of a writerly text, or one that requires its reader to produce its meaning, while the film, as a readerly work, constructs a passive viewing experience for its audience. I argue that each author’s narratological approach exemplifies the particular manner in which they …

Hideous Men In The Age Of #Metoo: On Wallace, Puig, And The Specter Of Misogyny, Sage Engberg

Comparative Literature M.A. Essays

No abstract provided.

Cite-Seeing: Parody, Narrative Desire, And Enchanted Castles In Orlando Furioso And Don Quijote, Diego Fleitas

Comparative Literature M.A. Essays

No abstract provided.

Goblin Market : Visuality, Adaptations, And The Price Of Transformation, Michaela Jordan

Comparative Literature M.A. Essays

No abstract provided.

Milton, Racine And The Turn Towards Biblical Tragedy: Thinking History In Athalie And Samson​, Michel Klante

Comparative Literature M.A. Essays

No abstract provided.