Comparative Literature Commons^™

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 7 Fall 2005

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Essential But Forgotten Woman: A Feminist Reading Of Chaim Potok's My Name Is Asher Lev, Kerry Brooks

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

編選重寫與翻譯重寫 : 沈從文作品英譯選集研究, Kit Ching Leung

Lingnan Theses

中國現代作家沈從文 (1902-1988) 的著作，自一九四九年開始在中國大陸 和台灣被禁，長達三十年。這期間，沈從文的文學成就被主流文學史忽略，甚 至否定。可以說，沈從文在中國的文學評論界，以至中國文學史“缺席”逾三 十年。八十年代初，中國大陸的政治環境改變，西方學者的影響增加，中國學 術界開始重新肯定沈從文的文學成就，沈從文的名字乃得以在中國現代文學史 的論述中重現。反之，在西方學術界，沈從文研究從沒有中斷。

選集，無論是個別作家的專集，還是不同作家的合集，是作家風格、面貌 的縮影，而中國現代作家的英譯選集，更是英語讀者認識中國作家最便捷的途 徑。翻譯、編選是“重寫”(rewriting) 活動，而“重寫”往往隱含選取、評價 等判別標準，操縱着譯者、編者對作品、作家的認識與接受程度，對文學作品 能否成為經典作品和成為甚麼樣的經典，有一定的影響。本論文借用勒菲弗爾 (André Lefevere) 的“重寫”概念，先從宏觀角度探討沈從文作品英譯選集的編 者在編選過程中，如何“重寫”沈從文的形象；然後從微觀角度分析譯者在翻 譯的過程中，如何“重寫”沈從文的作品及其形象；而在兩種“重寫”的操縱 下，各英譯選集又如何折射沈從文的形象。

Allen D. Breck Award Winner (2004)

Quidditas

Jennifer McNabb

The Allen D. Breck Award recognizes the most distinguished paper given by a junior scholar at the annual conference.

Getting Your Name Out There: Traveling Acting Companies And Royal And Aristocratic Prestige In Tudor England, James H. Forse

Quidditas

Records published to date concerning early English drama suggest that in the first third of the sixteenth century touring activity by municipal, amateur acting companies exceeded that of royal and aristocratic troupes. But after about 1535, the religious, social, and economic policies of Henry VIII, and Edward VI, severely limited locally based performances. At the same time tours by royal acting troupes substantially increased. Yet of all the Tudors, it was Elizabeth who seems to have realized the potential of her acting troupe representing the monarch's presence throughout the kingdom. From the beginning of her reign the Queen’s Men appeared …

Front Matter

Quidditas

No abstract provided.

Fame And The Making Of Marriage In Northwest England, 1560-1640, Jennifer Mcnabb

Quidditas

Because England did not enact a comprehensive reform of its medieval marital law until Lord Hardwicke’s Act in 1753, it was possible to construct a binding marriage outside the authority of the Church of England during the Tudor and Stuart periods. Marriages created by the exchange of present-tense consent, even if they failed to follow the church’s suggested rules concerning time and place, its emphasis on clerical presence, and its stress on publicity (through three readings of the banns or the procurement of a marriage license), were considered spiritually legitimate throughout the eight decades prior to the civil wars. An …

Tenth-Century Drama In The Twenty-First Century A Staging Of Three Plays By Hrotsvit Of Gandersheim At Stetson University (2005), Julia Schmitt

Quidditas

During the fall semester of 2005, the Department of Communication Studies and Theatre Arts at Stetson University undertook a unique, but highly rewarding production challenge. Professor Ken McCoy and I were asked by The English Department of Stetson University to stage a medieval play in conjunction with the Southeast Medieval Association Conference to be held at Stetson during the month of September. The English Department was eager to offer conference attendees an opportunity to experience a live production of a medieval play.

Separatist Nationalism In Gilbert Imlay's The Emigrants, Karsten H. Piep

CLCWeb: Comparative Literature and Culture

Karsten H. Piep, in his paper "Separatist Nationalism in Gilbert Imlay's The Emigrants," argues that only recently rediscovered among American scholars and still awaiting much critical work, Gilbert Imlay's The Emigrants offers an intriguing case study in the complex relationship between fictional representation and late eighteenth-century nation formation. Tracing briefly the novel's reception history, Piep locates The Emigrants within the socio-political context of eighteenth-century discourses on revolution, emancipation, and independence. Taking Benedict Anderson's study on the rise of nationalism as a point of reference, Piep argues that Imlay's novel offers an example of a perhaps uniquely American separatist nationalism that …

Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods

CLCWeb: Comparative Literature and Culture

Michelle Woods, in her paper "Czech Literature, The King with the Horse's Ears, and Its Translations by Karel Havlícek Borovský and Milan Uhde," analyses the adaptation and "translation" of the Irish legend into the Czech language in Karel Havlícek Borovský's 1854 epic poem Král Lávra and in Milan Uhde's 1964 play Král Vávra. The translation of Irish language myths and legends into English functioned as way of constructing and disseminating the notion of a great literary and heroic past within the language of the colonizer but also in dissent to the constructions imposed by that language. Woods focuses on how …

Literary Cosmotopia And Nationalism In Ariel, Camilla Fojas

CLCWeb: Comparative Literature and Culture

Camilla Fojas, in her paper "Literary Cosmotopia and Nationalism in Ariel," argues that turn-of-the-century cosmopolitan literary texts encoded political interests and that they were concerned with the proper way of being cosmopolitan and national at the same time, of forging literary and diplomatic parity between national and international interests. Unfortunately, this search for balance was beset by rhetorical and ideological prejudices manifest in phobic language about the corrupting forces of cosmopolitan effeminacy on national character. The conflict of cosmopolitanism with nationalism was played out as a kind of war between the sexes, as a gendered battle for dominance. This tension …

Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz

CLCWeb: Comparative Literature and Culture

Seth Jacobowitz, in his paper "Hellenism, Hebraism, and the Eugenics of Culture in E.M. Forster's Howards End," explores how the culturalist principles of Hellenism and Hebraism theorized by Matthew Arnold as the basis of Englishness in Culture and Anarchy (1869) were incorporated into the text of E.M. Forster's Howards End (1910) to show the close institutional and conceptual linkages Forster shared with Arnold. Further, Jacobowitz seeks to bring Howards End into dialog with Forster's only major work of science fiction, The Machine Stops (1928), to address their mutual themes of eugenics, the racialization of class difference, and concerns over the …

The New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng

CLCWeb: Comparative Literature and Culture

Jin Feng, in her paper "The New Woman in Early Twentieth-Century Chinese Fiction," proposes that the representation of the "new woman" in Chinese fiction was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Previous scholarship on fiction of the period probed occasionally the thematic implications of female characters in specific works but has not engaged in systematic study of the "new woman" as a figure through a discussion of the politics of the narrative form. Feng addresses aspects of audience in early-twentieth-century Chinese …

P. Herc. 1570 Pieces 4, 5, 6a, 6b: [Philodemi] [De Divitiis], Joseph Anton Ponczoch

Theses and Dissertations

P. Herc. 1570 is an unedited papyrus extant in seven pieces that together measure ca. 1.6 m. long; these are contained in five frames in the Officina dei Papiri Ercolanesi “Marcello Gigante” at the Biblioteca Nazionale “Vittorio Emanuele III&rduo; in Naples, Italy. Like many of the Herculaneum papyri, P. Herc. 1570 has remained unedited largely because of the great difficulty with which traces of letters can be discerned on its surface. It was unrolled more than fifty years after its discovery, as one of ca. 1,100 papyri that were unearthed during the excavation of first-century Herculaneum (1752-1754); but it was …

Notes On Contributors, Providence College

Providence: Studies in Western Civilization

No abstract provided.

Resilience And Courage: Women, Men, And The Holocaust, Jane Lunin Perel

Providence: Studies in Western Civilization

No abstract provided.

Reading Ondaatje's Poetry, Eluned Summers-Bremner

CLCWeb: Comparative Literature and Culture

Eluned Summers-Bremner pursues in her paper "Reading Ondaatje's Poetry" a psychoanalytic reading of Ondaatje's poetry based on Lacan's thought, highlighting occasions where nature and culture meet. Focusing on the volumes Secular Love and The Man with Seven Toes, Summers-Bremner explores how nature's troubled regions are navigated through the structural estrangement of looking for a name. In Lacanian terms, a proper name signals the contradiction of one's belonging to a biological or other kind of family, whence one's name often arises, and being a user or respondent of language, which produces meaning through its infringement or exceeding of its users' intentions, …

Touching The Language Of Citizenship In Ondaatje's Anil's Ghost, Sandeep Sanghera

CLCWeb: Comparative Literature and Culture

Sandeep Sanghera, in her paper "Touching the Language of Citizenship in Ondaatje's Anil's Ghost" discusses questions which make Ondaatje's novel a text about postmodern identity: who is this woman Anil who lives mostly in the West, travels on a British passport, works for an international organization, and no longer has any real ties to her first home? In the paper, these questions are examined via the languages Anil adopts and abandons in the novel. Sanghera elaborates on the question of foreign-ness represented by the protagonist of the novel; however, this foreign-ness is examined in the particular context concerning the substance …

Oral History And The Writing Of The Other In Ondaatje's In The Skin Of A Lion, Winfried Siemerling

CLCWeb: Comparative Literature and Culture

Winfried Siemerling argues in his paper "Oral History and the Writing of the Other in Ondaatje's In the Skin of a Lion" that the simulation of oral narratives in the novel imagines the conveyance of oral histories of immigrant experiences obscured by historiography. The narrative device of simulated orality -- the written text casts itself as the outcome of serial story-telling -- serves here to introduce erstwhile anonymous societal actors as makers of history, and emphasizes the collective production of story and history. Oral narratives emerge dreamlike like light out of darkness in this text; yet light, like writing, creates …

Ondaatje's The English Patient And Rewriting History, Stephanie M. Hilger

CLCWeb: Comparative Literature and Culture

Stephanie M. Hilger, in her paper "Ondaatje's The English Patient and Rewriting History," situates the novel within the long-standing Western tradition of writing about the cultural "Other," from Herodotus to Michel de Montaigne to Rudyard Kipling. Michel de Certeau's notion of history serves as a reference point for the analysis of Ondaatje's presentation of the "English" patient's story as well as of twentieth-century history. Hilger argues that the protagonist's physical mutilation is a metonymic representation of post-World War II and postcolonial consciousness. In the same way that the characters in the novel attempt to understand the mystery that is the …

Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

Post-Nationalism And The Cinematic Apparatus In Minghella's Adaptation Of Ondaatje's The English Patient, Hsuan Hsu

CLCWeb: Comparative Literature and Culture

Hsuan Hsu, in his paper "Post-Nationalism and the Cinematic Apparatus in Minghella's Adaptation of Ondaatje's The English Patient," discusses Anthony Minghella's cinematic version of Ondaatje's novel. In Hsu's view, Minghella and Ondaatje (Ondaatje collaborated on the film script) emphasize in the film the visual and social implications of mapmaking in order to align imperialism with the cinematic apparatus. While the film explores the workings of visual power, it also explores their adulteration by unmapped forces of desire: Almásy's and Katherine's adulterous relationship transgresses marital and national constraints, but also reinscribes them when Almásy desires to possess her body and Katherine …

Representations Of Buddhism In Ondaatje's Anil's Ghost, Marlene Goldman

CLCWeb: Comparative Literature and Culture

Marlene Goldman suggests in her paper "Representations of Buddhism in Ondaatje's Anil's Ghost" that at first glance Ondaatje appears to promote the idea of a Sri Lankan Buddhist faith as transcending history. Ondaatje introduces the subject of Buddhism early on in the novel, emphasizing initially the devastation wrought by imperial and colonial forces. Goldman, however, argues that subsequent references to Buddhism undermine the initial portrayal of a religion besieged by external imperialist forces. For example, at one point, the character Palipana refers to the assassination of his brother, Narada, a Buddhist monk. Narada was possibly the victim of a "political …

The Motif Of The Collector And History In Ondaatje's Work, Jon Saklofske

CLCWeb: Comparative Literature and Culture

Jon Saklofske, in his paper "The Motif of the Collector and History in Ondaatje's Work" recognizes that Ondaatje rescues Buddy Bolden from historical obscurity by elevating and complicating the musician's largely forgotten history with a self-conscious and largely fictional synthesis of memory and imagination. The liberties Ondaatje takes in Coming Through Slaughter with his subject to achieve this re-presentation and the ownership of the portrait that results exposes this type of authorial activity as a problematic appropriation. Saklofske suggests that to understand the implications of Ondaatje's activity it is useful to compare his efforts with Walter Benjamin's "collector" figure, who …

Frontmatter, Providence College

Providence: Studies in Western Civilization

No abstract provided.

Paul Ricoeur: A Philosophical Journey, William C. Dowling

Providence: Studies in Western Civilization

No abstract provided.

Providence: Studies In Western Civilization Fall/Winter 2004, Providence College

Providence: Studies in Western Civilization

No abstract provided.

Imperial Catholicism In Late Antiquity? A North African Illustration, Daniel Van Slyke

Providence: Studies in Western Civilization

No abstract provided.