Comparative Literature Commons^™

Address At Wreath-Laying In The George Eliot Memorial Garden, Nuneaton 11 June 2006, Tim Over

The George Eliot Review Online, ISSN: 2831-5375

May I begin by thanking the Fellowship for the invitation to be the principal guest at the annual wreath-laying ceremony. My association with today's event goes back over a number of years bringing students to lay a floral tribute at the obelisk. Indeed, when I first came more schools were involved. It is fitting that the secondary school named after many would say the greatest Victorian woman novelist, still comes along faithfully to the Memorial Garden. Kathleen and Bill Adams have visited the school, talked to groups of students and presented the school with a portrait of George Eliot and …

Review Of George Eliot: A Critic's Biography, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

Barbara Hardy has been thinking and writing about George Eliot for about fifty years, always in ways that push against reigning orthodoxies, and that immerse us in particular patterns of imagery, affect, or narrative organization that make the substance and texture of George Eliot's work come alive. Her new book is no exception. This 'anti-biography', as she calls it, is an attempt 'to redress the balance' of conventional biography by focusing on the effect of George Eliot's life on her writing, rather than on retelling the story of her life (xi). In fact, it redresses more balances than that. Hardy …

Review Of Identifying The Remains: George Eliot's Death In The London Religious Press, K.K. Collins

The George Eliot Review Online, ISSN: 2831-5375

This is a detailed examination of the various religious-based obituaries which followed George Eliot's death in December 1880. It exposes misinformation, largely biographical, examines bias, confusion, open and concealed concerns, direct, responsible and weighted theological arguments, dubious and inconclusive conclusions, the forms and themes of the debate about the beliefs of a major writer. Collins's dissertation-like topic is informed with foreground and background research: his footnotes read as tellingly as his text and provide wide-ranging and perceptive quotation.

He considers the idea, derived from Richard Simpson, that the appearance of George Eliot's name on the title-pages of Scenes of Clerical …

George Eliot Birthday Luncheon, 19 November 2006- The Toast To The Immortal Memory, Adrian Litvinoff

The George Eliot Review Online, ISSN: 2831-5375

I was surprised, honoured and delighted by the invitation to join you today and propose the toast to the immortal memory of George Eliot. I am no George Eliot expert, or indeed scholar, although I am an enthusiast. She is, after all, Warwickshire's other world-class writer, and it is tempting to think how much better known she might have been in her home county had Shakespeare been born in Stoke-on-Trent, say, rather than Stratford-upon-Avon.

My first encounter with George Eliot was while taking' A' level English at school. I still recall my dawning surprise and admiration as I, an inexperienced …

The George Eliot Centenary Of 1919, Margaret Harris

The George Eliot Review Online, ISSN: 2831-5375

The centenary of George Eliot's birth in 1919 was recognized as an opportunity to commemorate her connection with the parts of Warwickshire where she was born and spent her early life. While her association with Coventry and Nuneaton had been noted during her lifetime and in obituaries, and emphasized again when George Eliot's Life as related in her letters and journals, arranged and edited by her husband J. W. Cross was published in 1885, there were some inhibitions about too enthusiastically claiming an agnostic libertine as a local celebrity. Both Nuneaton and Coventry chose to celebrate the centenary, and reconstruction …

Review Of Middlemarch In The Twenty-First Century, Karen Chase

The George Eliot Review Online, ISSN: 2831-5375

This set of eight original essays engages afresh with a novel that many readers might claim to know well, in such a way as to make 'the lights and shadows ... fall with a certain difference' (chap. xxi). Karen Chase is well-known for her own studies of George Eliot, not least George Eliot: 'Middlemarch' (1991). Here, she confines herself to an introductory essay, which cogently states the brief given to her contributors, to reflect on how Middlemarch can be read in the twenty-first century. 'Who besides Eliot has been better aware of the alteration of objects given a change in …

Review Of George Eliot And The Discourses Of Medievalism, Judith Johnston

The George Eliot Review Online, ISSN: 2831-5375

George Eliot and the Discourses of Medievalism argues that Eliot abandons realism in her last two novels in favour of medievalism, and that recognizing the presence and function of medieval discourses in Middlemarch and Daniel Deronda enables subversive political readings. Johnston positions these readings against criticism of the novels that identifies a collapse of narrative coherence and characterization in Eliot's 'failure' to sustain their apparent realism. In contrast, Johnston proposes that Eliot's manipulation of medievalism signals neither the failure of realism nor realism's antithesis. Johnston argues that the discourses of medievalism that Eliot manipulates share a facility for transformation: hagiography …

Notes On Contributors- 2007

The George Eliot Review Online, ISSN: 2831-5375

Kathleen Adams has been Secretary of the Fellowship since 1968. She initiated the Review in 1970, was editor until 1981 and co-editor 1982-91. She published Those of Us Who Loved Her in 1980 and A Community of Interest: The Story of the George Eliot Fellowship 1930-2000 in 2000.

Rosemary Ashton is Quain Professor of English Language and Literature at University College London. She is the author of acclaimed critical biographies of George Eliot (1996) and G. H. Lewes (1991). Her many publications on George Eliot include The Mill on the Floss: A Natural History (1990), and editions of Middlemarch (Penguin, …

The Thirty-Fifth George Eliot Memorial Lecture, 2006- Glimpses Of Life At 142 Strand, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

1. John Chapman and the Strand in 1847

24 July 1847 the following advertisement appeared in the weekly periodical, the Athenaeum:

MR CHAPMAN, Bookseller and Publisher, begs to announce that he has REMOVED his Business from 121 Newgate Street, to more spacious premises on the South side of the STRAND, No 142, a few doors West of Somerset House; and requests, therefore, that all communications may be forwarded to the latter address.

For the next seven years John Chapman's 'spacious premises' - consisting of the bookselling business and publishing house, his family home, and rooms for literary lodgers - was …

Front Matter

Quidditas

No abstract provided.

Review Essay: Some Thoughts On The Greater Integration Of Islamic Sources Into The Wider Framework Of Medieval History, John J. Curry

Quidditas

The study of Islam has been attracting greater interest in recent years, due to high-profile political and economic events. In addition, the rise of world history programs has generated a need for resources by which both students and faculty alike can strengthen their knowledge in this field. Still, general knowledge on the field is limited. This disparity has occurred, in part, because the field of Islamic history, especially in its formative and medieval periods, has been oriented toward specialists rather than a general audience. Often, world history sourcebooks are content to give only short selections from religious sources such as …

Charlemagne’S Denarius, Constantine’S Edicule, And The Vera Crux, John F. Moffitt

Quidditas

In 806 a much-discussed silver denarius bearing the likeness of Charlemagne was issued. This is called the “temple-type” coin due to the (as yet unidentified) architectural structure illustrated on the reverse side, and which is explicitly labeled as representing the epitome of “Christian Religion.” By examining different kinds of archeological and documentary evidence, this building can now be finally identified. It is, in short, the “Edicule” built by Constantine the Great in 326 to cover the Tomb of Christ (or Holy Sepulcher) in Jerusalem.

Review Of Virtual Americas: Transnational Fictions And The Transatlantic Imaginary, By Paul Giles, Oscar Fernandez

University Studies Faculty Publications and Presentations

Book review of Virtual Americas: Transnational Fictions and the Transatlantic Imaginary by Paul Giles, published by Duke University Press in 2002.

胡金銓電影的"時間"與"空間" = The Temporal And Spatial Dimensions Of King Hu's Films, Pak Tong Cheuk

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

萍蹤倩影．日月光華 : 論胡金銓電影的女性人物與山水美學 = Lithe Shadow And Graceful Trace · Glow Of The Sun And Lustre Of The Moon : The Female Figures And Landscape Aesthetics In King Hu's Films, Natalia Chan

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Christopher Okigbo At Work: Towards A Pilot Study And Critical Edition Of His Previously Unpublished Poems, 1957-1967, Chukwuma Azuonye

Africana Studies Faculty Publication Series

The objectives of the present paper are two-fold. The first is to produce a critical edition of the complete corpus of the previously unpublished papers of Christopher Okigbo (1930-1967), who is today widely acknowledged as by far the most outstanding postcolonial, Anglophone, African, modernist poet of the 20th century. The second is to offer a pilot critical interpretation of the previously unknown poems in the corpus and to ascertain their place in the Okigbo canon. In 2007 these papers became the first corpus of unpublished works to be nominated and accepted into the UNESCO Memory of the World Register. The …

Form And Content : King Hu's Raining In The Mountain As Stylization And Allegory = 形式與內容 : 胡金銓《空山靈雨》的風格化及諷喻, Yun Tong, Thomas Luk

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

關於胡金銓的自傳 = About King Hu's Autobiography, Wang Ting

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

An Ambiguous Faith: Tennyson's Response To Victorian Science, Matthew Hahn

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Aristotle And Howells: Old And New Rules Of Storytelling, William Comfort Anderson

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 9 Fall 2007

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Transforming Ovid’S Metamorphoses: Classical Literature Contextualized, Paul H. Hughes

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Displacement And The Text: Exploring Otherness In Jean Rhys' Wide Sargasso Sea, Maryse Condé'S La Migration Des Coeurs, Rosario Ferré'S The House On The Lagoon, And Tina De Rosa's Paper Fish, Melody Boyd Carriere

LSU Doctoral Dissertations

This dissertation is a study of how some displaced Caribbean and Italian American women examine identity within a literary tradition that considers them "Other." I have chosen four culturally diverse novels to explore, each one written by a different female author: Jean Rhys' Wide Sargasso Sea, Maryse Condé's La migration des cœurs, Rosario Ferré's The House on the Lagoon, and Tina De Rosa's Paper Fish. I identify the causes of the protagonists' displacement, and analyze the actions they take to make themselves heard in a tradition that has formerly silenced them. The role of the mother is especially important in …

Context, Translator And History : A Study Of Three Translations Of Luotuo Xiangzi In The Usa, Ying Jun Li

Lingnan Theses

Three different English translations of Lao She’s (老舍) Luotuo Xiangzi (骆驼祥子) were marketed in the USA from 1945 to 2005. What are the major historical occurrences and trends from the late 19th to the early 21st century that define the contexts of these translations? Beginning with an analysis of the stylistic features of each translation, the present study explores how each of the three translators and the corresponding historical context impacted on the production of the translated text, its marketing orientation and its reception in the USA.

With a comparison of the three translated texts and their meta-textual features, the …

Old Icelandic Gaglviðr, Aurelijus Vijūnas

Quidditas

This essay discusses a debated word form gaglviðr occurring in stanza 42 of the Old Icelandic poem VÄluspá 'The Prophesy of the Seeress'. The noun gaglviðr is problematic both from the semantic point of view (Old Icelandic gagl 'gosling', viðr 'tree; forest' 'gosling forest'?), and because it possesses a variant spelling galgviðr ('gallows' tree;’gallows' forest') which occurs in another manuscript containing the same poem. In the present paper, the form gaglviðr is considered to be the correct and the original form of this word, whereas the form galgviðr is interpreted as a scribal error. Various existing semantic analyses of the …

Delno C. West Award Winner (2006)

Quidditas

Margaret Harp

The West Award recognizes the most distinguished paper given by a senior scholar at the annual conference.

Twentieth-Century Illustrators’ Interpretations Of The Works Of Rabelais, Margaret Harp

Quidditas

Gustave Doré's mid-nineteenth-century illustrations of François Rabelais's oeuvre have become as well-known as the text itself: their fanciful details capture the literally larger-than-life personality of the French sixteenth-century humanist's protaganist-giants, Pantagruel and Gargantua. Equally intrigued by the thematic complexity and imaginative narrative of this Renaissance masterpiece, subsequent artists and illustrators of Rabelais continue to create new and unexpected artistic representations. This paper presents the illustrations of a lesser-known twentieth-century French wood engraver, Jean Chièze. His notable contributions to a 1935 commemorative edition of Pantagruel simultaneously highlight the medieval woodcut, emphasize the playful tone of Rabelais's narrative and allude to contemporary …