Comparative Literature Commons^™

Rationale For Pride Of Baghdad, Crag Hill Ph.D.

SANE journal: Sequential Art Narrative in Education

A rationale for teaching the graphic novel Pride of Baghdad at the secondary level.

Sequential Art, Graphic Novels, And Comics, Brian Kelley

SANE journal: Sequential Art Narrative in Education

The first global distribution of a paper prepared for the Science Fiction, Fantasy, and Graphic Novels Special Interest Group of the International Reading Association,the Executive Board of the New Jersey Reading Association, and the Legislative and Professional Standards Committee of the NJRA.

The Thirty-Eighth George Eliot Memorial Lecture, 2009- A Loss For Words, Giles Foster

The George Eliot Review Online, ISSN: 2831-5375

A loss for words ... I am genuinely lost for words in my admiration of the novels but the title of today's talk is intended to dig a bit below the surface of simple enjoyment and highlight some of the differences - strengths and weaknesses - between novels and adaptations. What words alone can and can't do. What a film adaptation can achieve and omit. What a stage version can offer. And we should not forget other experiences of encountering books - a mother reading to children, a radio or audio tape reading.

A few years ago there was a …

Review Of Teaching Graphic Novels, By Katie Monnin, Susan Spangler

SANE journal: Sequential Art Narrative in Education

No abstract provided.

Rationale For Magneto: Testament, Brian Kelley

SANE journal: Sequential Art Narrative in Education

A rationale for teaching the graphic novel Magneto:Testament in secondary schools.

Comic Vision, Gale Acuff

SANE journal: Sequential Art Narrative in Education

A narrative, rhetorical poem

The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső

Department of English: Faculty Publications

The relation of modernism to immigrant literatures should not be conceived in terms of an opposition between universalistic and particularistic discourses. Rather, we should explore what can be called a modernist transnationalism based on a general universalist argument. Two examples of this transnationalism are explored side by side: Ezra Pound’s and Anzia Yezierska’s definitions of the aesthetic act in terms of translation. The readings show that the critical discourses of these two authors are structured by a belief in universalism while showing opposite possibilities, both generated by modernist transnationalism. The essay concludes that we now need to interpret the cultures …

Achebe's Igbo Poems: Oral Traditional Resources And The Process Of ‘Deschooling’ In Modern African Poetics, Chukwuma Azuonye

Africana Studies Faculty Publication Series

The present paper examines the diction, imagery and other features of language and style in Chinua Achebe's two Igbo poems ("Uno Onwu Okigbo" and "Akuko Kpulu Uwa Iru"). Disposing of charges of plagiarism levied on Achebe on account of his modeling of the poems on well-known Igbo folk songs, the paper argues that what is rather involved in the compositional process is a process of "deschooling" from the strictures of European or Eurocentric conventions of versification. It concludes that a process of "deschooling" of this kind is one way in which African writers can begin their journey back with undivided …

Ogbuu-Kay! The "After Laugh" Lingers On, Chukwuma Azuonye

Africana Studies Faculty Publication Series

Memorial Tribute to Ogbu Uke Kalu, 1942-2009.

The African Roots Of Michael Echeruo’S Poetry: A Close-Reading Of ‘Sophia’, Chukwuma Azuonye

Africana Studies Faculty Publication Series

This paper argues that, contrary to widespread opinion, the poetry of first generation, postcolonial, modernist Nigerian poet, Michael J. C. Echeruo, draws some of its core and defining tropes from indigenous African system of thought and symbolism. The much maligned early poem "Sophia" is subjected to line-by-line close-reading to illustrate this argument. The analysis suggests that, as a matter of fact, "Sophia" can be read as a portal to Echeruo's poetic corpus as a whole.

A Critical And Cultural Poetics Of The End: Self, Space, And Volatility In Los Angeles, Pamela Albanese

Dissertations, Theses, and Capstone Projects

A Critical and Cultural Poetics of the End: Self, Space, and Volatility in Los Angeles delineates the correspondences between Los Angeles spaces--exterior, topographical, architectural, and imaginary--and aspects of the self--interiority, identity, experience, and desire--in fictional and non-fictional depictions of Los Angeles. Through close readings of key Los Angeles novels, essays, and films, this project emphasizes how the narrative "I" traverses urban space, focusing on the dissolution of boundaries between self and place. Los Angeles' sprawling, decentralized layout and rapidly-shifting landscape have a profound influence on narrative identity, generating a volatile and disquieting sense of self; this project also explores how …

Venezuelan Avant-Garde: María Calcaño's Erotic Poetry, Giovanna Montenegro

Comparative Literature Faculty and Student Scholarship

Abstract: This essay treats the Venezuelan avant-garde and its historical development through the poet María Calcaño (1906-1956). An analysis of Calcaño’s work reveals how her erotic avant-gardism was excluded from male-dominated avant-garde literary circles in Venezuela in the 1920s and the 1930s. Rather than analyzing the Latin- American avant-garde as a product of European vanguardisms, I show how Calcaño’s poetry draws upon women’s physical and erotic experience to generate a new female- authored avant-garde poetic corpus. Calcaño therefore produces work that illustrates the poetic expression of women’s identity in Venezuela. She is the first poet who breaks with poetic forms …

Paradoxism’S Manifestos And International Folklore, Florentin Smarandache

Branch Mathematics and Statistics Faculty and Staff Publications

The book is structured in two parts as follows:

- in the first part, the theory of paradoxism through its first six published worldwide

manifestos (1983-2010);

- in the second part, the paradoxism collected from the international (English, French,

Spanish/Arabic, and Romanian) folklore in images and paradoxist situations.

PARADOXISM is an avant-garde movement in literature, art, philosophy, science, based on

excessive use of antitheses, antinomies, contradictions, parables, odds, anti-clichés, deviations of senses,

against-the-grain speech, nonsense, paraphrases, oxymorons, inversions, digressions, paradoxes,

semiparadoxes, etc. in creations.

It was set up and led by the writer Florentin Smarandache since 1980's, who said: "The …

Melodrama In Performance: Nilo Cruz's Two Sisters And A Piano, Pauline Gonzales

Comparative Literature M.A. Essays

No abstract provided.

Ancient Country, New Mandate': Reading Mao 235 As A Ritual Song, Jian Wang

Comparative Literature M.A. Essays

No abstract provided.

More Than Words, More Than Wounds: (Re)Writing 'Wounded' Women And Healing Pedagogies, Rachel Nicole Spear

LSU Doctoral Dissertations

This project reconceptualizes how women and their personal stories of trauma have been read and represented in literary, feminist, and pedagogical studies, asserting that these authors and their texts should be recognized respectively as wounded healers and healing narratives. By situating my study within links among trauma, women, and writing, I argue that women and their personal stories of trauma exist in marginal, or rather, wounded positions. I problematize scholarship where links among these three commonly emerge (namely psychoanalytic, autobiographical, and feminist fields) to challenge monolithic readings and re-write these women and texts as more than wounded. More than Words, …

Reading Out Of Doors: How Nature Becomes Text And Vice-Versa, Richmond Minor Eustis

LSU Doctoral Dissertations

The tensions between city and country, the artificial and the natural, the real and the fake are at the heart of attempts to render nature in writing. In many such texts, nature—especially wilderness—is the realm of the real, authentic, and pure, while the city is the realm of the artificial and corrupt. This placement of value in nature, members of the critical theory camp tend to counter, is misguided. Any effort to render nature in text is by its “nature” artificial—far more about human values embedded in language itself than about some extra-textual world. With an approach derived from theorists …

Dueling, Honor And Sensibility In Eighteenth-Century Spanish Sentimental Comedies, Kristie Bulleit Niemeier

University of Kentucky Doctoral Dissertations

This dissertation explores the representation of dueling and honor in five theatrical works in order to answer one central question: How does the Golden Age concept of honor transform in the age of Enlightenment? This question may be broken down into specific inquiries, such as: 1) How is honor filtered through sentiment? 2) How did eighteenth-century ilustrados use theater to attempt to resolve the conflict between using violence to defend one’s honor and the Enlightenment ideal of avoiding excess? and 3) How did honor affect the private citizen and his relationship to the state in plays?

During the eighteenth century, …

Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers

Publications and Research

This dissertation explores the ways in which several fiction writers from France, the U.S., and Latin America experiment with the form of their works in writing about traumatic experience, as they navigate the tension between a propulsion toward expression and toward silence. Some of these traumas are vast, as in Edmond Jabès’ Le livre des questions (1963-1973), which addresses not only the Holocaust, but also questions of exile and identity. Others are on a smaller scale, such as Jacques Roubaud’s Quelque chose noir (1986), Julio Cortázar's Los autonautas de la cosmopista (1983), and Macedonio Fernández’s Museo de la Novela de …

“I Could Still See Her In My Mind’S Eye”: Water And Maternal Imagery In Uwe Johnson’S Anniversaries: From The Life Of Gesine Cresspahl, Caroline Rupprecht

Publications and Research

This article analyzes the writings of East German author Uwe Johnson (1934-84) in terms of his experimental style—specifically transitions between descriptive passages—in conjunction with maternal imagery, as discussed through reference to Susan Suleiman’s concept of a “1.5 generation” of Holocaust survivors. A non- Jewish German author, Johnson addresses German history from the position of the perpetrators, yet born in 1934, he experienced National Socialism from the point of view of a child. In his tetralogy, Anniversaries: From the Life of Gesine Cresspahl (1970-83), feelings of guilt and attempts to understand the German past are negotiated through the maternal figure. This …

The Return Of Logos: Language And Meaning In Hamlet, James Funk

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Revisions To Realist Representation In Far From The Madding Crowd And Heart Of Darkness., Paul Robertson Stephens

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 12 Fall 2010

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Front Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Nothing New, Mark Harris

Faculty Publications and Presentations

No abstract provided.

The Right Stuff: Habitus And Embodied Virtue In Sir Gawain And The Green Knight, Alice F. Blackwell

Quidditas

One of the themes weaving in and out of Sir Gawain and the Green Knight is that of virtue: Gawain’s shield proclaims his virtue, yet at the end of the Green Chapel scene, he exclaims vice has destroyed his virtue, leaving him “faulty and false.” This scene has troubled critics and students, however, for many consider his reaction excessive for his default on the rules of a courtly game. The present paper contends that the notion of virtue written for Gawain naturalizes embodied virtue. While both religious and lay writers tended to argue that one possessed predisposition to moral or …

Review Article: Quidditas And Medieval Studies Today, Erin Felicia Labbie

Quidditas

Medieval studies today may be precisely characterized by quidditas. The Aristotelian term quidditas became central to the development of medieval scholastic inquiry in the West when, in 1066 Anselm of Canterbury wrote the Monologion. This eleventh-century foray into the revival of Aristotelian thought is also seen in Porphyry’s third-century translations of Aristotle and in Boethius’ sixth-century concern with universals elaborated in his commentaries on universals and categories. For Anselm and the developing model of medieval scholastic thought, the Monologion and its immediate successor, the Proslogian, assert a double discourse of the difference between quidditas and haeccitas, …

Saints And The Social Order: Alexander Barclay’S The Life Of St. George, Maggie Gallup Kopp

Quidditas

This paper examines The Life of St. George, Alexander Barclay’s 1515 translation of a humanist Latin prose poem. Barclay, who styled himself a laureate in the tradition of Lydgate, adapts laureate poetic practice in order to address a noble audience in a bid to gain court patronage. Barclay’s emendations and additions transform the hagiography of England’s patron saint into a commentary on traditional English ideals of citizenship and good governance, aimed at an audience comprised of both common citizens and noble elites, including, as this paper argues, the young king Henry VIII.