Comparative Literature Commons^™

Traditional Culture And Contemporary Performance : Adaw Palaf's The Great Flood = 傳統文化與當代表演 : 阿道．巴辣夫的《大洪水》, Terence Russell

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Couching Race In The Global Era : Intra-Asian Racism In Crouching Tiger, Hidden Dragon = 全球化年代的種族表述 : 從《臥虎藏龍》看亞洲內部的種族主義, Nick Kaldis

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

小說家的辯言 : 包天笑的小說和困境 = A Defense Of The Novelist : Bao Tianxiao's Novel And Dilemma, Feng Ying Ming

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Notes On Contributors = 作者簡介

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Liu Yichang And The Temporalities Of Capitalist Modernity = 劉以鬯與資本主義的時間性, Kwai Cheung Lo

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Centering And Decentering Methodologies : Wang Anyi's Migratory Mythology And Descriptive Historiography = 向心與離心 : 王安憶的移民神話與歷史描寫, Y.F., Howard Choy

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

“Disagreement As Duty: On The Importance Of The Self And Friendship In Cavell's Moral Philosophy.”, Jeroen Gerrits

Comparative Literature Faculty and Student Scholarship

This essay focuses on the significance of disagreem ent in what Cavell has coined“Emersonian” perfectionism. This moral outlook hold s that everyday moral duties andchoices, unlike epistemological cases, ultimately r est on our personal assessment andjustification of an action. It is therefore possible (and likely) that disagreements point notto moral incompetence, but to a conflict of desires – crucially including a conflict of onesown desires. As a consequence, the demand of making oneself intelligible is a primary andconstant moral duty, without which we lose sight of the means of coming to an agreement.Perfectionism further assumes that, since people ar e …

Contextos E Pistas: Um Editorial De Pensamento Da América, Luiza Franco Moreira

Comparative Literature Faculty and Student Scholarship

No abstract provided.

Heartburn On A Map Called Home : Yau Ching And The (Im)Possibility Of Hong Kong Poetry As Chinese Poetry = 叫做家的版圖上心的抽搐 : 游靜與香港新詩作為中國詩之(不)可能, Jennifer Feeley

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

劉以鬯作品年表 = Liu Yichang's Bibliography

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Reading Hong Kong Literature From The Periphery Of Modern Chinese Literature : Liu Yichang Studies As An Example = 從現代中國文學的邊缘看香港文學研究 : 以劉以鬯研究為例, Yuk Kwan, Amanda Hsu

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Ambivalent Laughter : Comic Sketches In Cctv's "Spring Festival Eve Gala" = 曖昧的笑聲 : 中央電視台春節聯歡晚會的小品, Jin Liu

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Center And Periphery In Modern Chinese Literature And Culture : An Introduction = 現代中文文學與文化的「中心與邊緣」 : 前言, Christopher Lupke

Journal of Modern Literature in Chinese 現代中文文學學報

No abstract provided.

Bibliography For Work In Travel Studies, Carlo Salzani, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

What Is My Nation: Visions Of A New Global Order In Ngũgũ Wa Thiong'o'S Wizard Of The Crow, Gĩchîngirî Ndĩgĩrĩgĩ

Journal of Global Initiatives: Policy, Pedagogy, Perspective

Jonathan Ree describes an ideal nation where each national subject can proclaim, "the nation is mine" (1998, p. 89). Ngũgũ wa Thiong'o's Wizard of the Crow, depicts a state where the state and its ruler are co-extensive, the subjects exiles. In this paper, I argue that as an external exile, Ngũgũ has become a global citizen. That global citizenship still exhibits a rooted cosmopolitanism. Ngũgũ reclaims his nation vicariously through empowered women who resist the corruption of the nation by the excesses of patriarchal power and global capital. Internally exiled in their own country, the women lead the struggle to …

Hermeneutics Of The Crossroads, Jacqueline S. Farritor

Electronic Theses and Dissertations

The main question posed in my thesis is whether or not the crossroads is a paradigm that might open the event of reading and interpretation. I believe this profound place of possibility is a valid intellectual model for innovative and uninhabited modes of understanding. The hermeneutics of the crossroads is an imaginative approach that keeps us open to the transformative power of literature transpiring when we bring to the text our working scholarly knowledge, but also allow ourselves to receive what it has to offer us.

Using the crossroads theory of surrendering and receiving, I have interpreted Gayl Jones's novel, …

Modern Migration In Two Arabic Novels, Ikram Masmoudi

CLCWeb: Comparative Literature and Culture

In her article "Modern Migration in Two Arabic Novels" Ikram Masmoudi proposes that twentieth-century Arab fiction is marked by the theme of the journey in literal and figurative ways. This motif features the theme of departure and arrival through characters crossings borders from East to West and from the periphery to the center (i.e., the metropolis) in order to acquire knowledge, understanding, and empowerment and to get a sense of Western modernity. The departure and arrival of the main characters becomes the central aesthetic preoccupying with a focus on their arrival back home and their rediscovery of their own idea …

Introduction To New Modernities And The "Third World", Valerian Desousa, Jennifer E. Henton, Geetha Ramanathan

CLCWeb: Comparative Literature and Culture

No abstract provided.

Modernizing The Colonial Labor Subject In India, Valerian Desousa

CLCWeb: Comparative Literature and Culture

In his article "Modernizing the Colonial Labor Subject in India" Valerian DeSousa discusses how the colonial project in India sought to counter the labor movement's evolving anti-colonial consciousness through law, the primary signifier of British dominance. DeSousa argues that colonial labor law was an instrument of "governmentality," a way of deploying the authority of the state, both in India and in Africa where the law encoded meanings of property and subjectivity. In India, labor law was the means to "reconstruct" the "traditional" worker and to constitute a "modern" and "efficient" labor subject to fit into the new industrial vision taking …

Aesthetics, Nationalism, And The Image Of Woman In Modern Indian Art, Kedar Vishwanathan

CLCWeb: Comparative Literature and Culture

In his article "Aesthetics, Nationalism, and the Image of Woman in Modern Indian Art" Kedar Vishwanathan discusses how developments in visual culture impacted India's configuration as nation. Between 1880-1945 in Bombay (Mumbai) and Calcutta (Kolkata) a burgeoning visual culture developed in service of anti-colonial nationalism. Used as a method to imagine a nation free of colonial rule, in particular images of women proliferated in private and public spaces. Crucial to this development was the reformulations of modernity based on an ambivalent combination of British and Indian vernacular art. Vishwanathan focuses on how the female was appropriated for the cause of …

Robert Clive And Imperial Modernity, Nigel Joseph

CLCWeb: Comparative Literature and Culture

In his article "Robert Clive and Imperial Modernity" Nigel Joseph analyzes the work of Robert Clive by postulating the questions of why Clive would be emblematic of the bleak modernity of Tocqueville, Weber, and Foucault? Rapacious yet docile, personally ambitious yet capable of curbing ambition in others, Clive seems to be an anomalous figure. Joseph posits that Clive's career is a metaphor for both the trajectory of the imperial state and for the imperial subject. In order to retain his Indian-derived wealth, Clive is forced into a series of paradoxical postures: beginning as the archetypal private marauder, he transforms himself …

Nordestina Modernity In The Novels Of Freitas, Queiroz, And Lispector, Fernanda Patricia Fuentes Muñoz

CLCWeb: Comparative Literature and Culture

In her article "Nordestina Modernity in the Novels of Freitas, Queiroz, and Lispector" Fernanda Patricia Fuentes Muñoz discusses aspects of the Nordeste — the northeastern region of Brazil — in Emília de Freitas's A Rainha do Ignoto (1899), Rachel de Queiroz's O Quinze (1930), and Clarice Lispector's A Hora da Estrela (1977; The Hour of the Star, 1992, Trans. Giovanni Pontiero). The region has traditionally been seen as located on the margins of modernity and as a site of underdevelopment in the Brazilian imaginary in opposition to the affluent Southeastern region. The construction of this binary opposition suggests a model …

Modernity In Márquez And Feminism In Ousmane, Geetha Ramanathan

CLCWeb: Comparative Literature and Culture

In her article "Modernity in Márquez and Feminism in Ousmane" Geetha Ramanathan analyzes Gabriel García Márquez's One Hundred Years of Solitude and Sembène Ousmane's God's Bits of Wood. Ramanthan argues that if Márquez presents the semblance of the signs of modernity as fantasy and delusion, Ousmane's investment in the train as an instrument of the future in realist terms seems to challenge the modernist dictum that imperialism can be challenged only through modernist decenterings and through tricking and trumping. Yet, Ousmane's refusal to engage in the hallucination of the modern in his novel offers us a version of modernity that …

Danticat's The Dew Breaker, Haiti, And Symbolic Migration, Jennifer E. Henton

CLCWeb: Comparative Literature and Culture

In her article "Danticat's The Dew Breaker, Haiti, and Symbolic Migration" Jennifer E. Henton analyzes Edwidge Danticat's novel with Lacanian thought. It is assumed frequently that literatures of the non-West "arrive" when they move from political and didactic traditions to the "aesthetic" and experimental models that delve into the terrain of the psyche. In The Dew Breaker, the Haitian family's move to the U.S., executed self consciously, indicates loss in a different sense than lack. In the case of Denticat's novel, loss or lack represent not a source of anxiety that evokes matters read in a psychoanalytical framework; instead, Henton …

New Modernity, Transnational Women, And Spanish Cinema, Maria Van Liew

CLCWeb: Comparative Literature and Culture

In her article "New Modernity, Transnational Women, and Spanish Cinema" Maria Van Liew discusses aspects of migration to Spain in the context of histories of colonialism, racism, and sexism as represented in Spanish filmic narration. The flow of human traffic defies two aspects of European modernity: Non-linear time is reflected in the cycle of arrival/return/return as the nation relies on liminal subjects to determine its status as a progressive "First World" nation and in the effort to align representations of these cultural encounters accordingly, illusions of autochthonous national identity formations become dependent on practices of inclusion and, at times, cooptation …

Political Modernism, Jabrā, And The Baghdad Modern Art Group, Nathaniel Greenberg

CLCWeb: Comparative Literature and Culture

In his article "Political Modernism, Jabrā, and the Baghdad Art Group" Nathaniel Greenberg discusses how the art and literature of the late Palestinian novelist Jabrā Ibrahīm Jabrā challenged the normative perception of Arab modernism both within and outside the Middle East. Greenberg evaluates the influence of French existentialism on Jabrā's political vision of modernism and discusses the impact and nature of existentialism on Jabrā and on the Middle East. Educated in Europe, Jabrā returned to the Middle East in 1948 to live permanently in Baghdad where he was a member of the influential Baghdad Modern Art Group, established in 1951 …

Haitian Zombie, Myth, And Modern Identity, Kette Thomas

CLCWeb: Comparative Literature and Culture

In her article "Haitian Zombie, Myth, and Modern Identity" Kette Thomas analyzes texts by Zora Neale Hurston, Alfred Metraux, and Wade Davis. In these narratives we are re-introduced to the zombie not as a metaphor for lost consciousness, but, rather, as a common system that replaces personal subjectivity with an influence alien to our natural development. The discourse on subjectivity has become a central focus in the modern era but attention to fiction in "third world" cultures is neglected because they are studied almost exclusively through historical, political, sociological, or anthropological lenses or because their collective identities leads scholars to …

Bibliography Of Work In Modernity And "Third World" Studies, Valerian Desousa

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Anti-Colonial Revolutionary In Contemporary Bollywood Cinema, Vidhu Aggarwal

CLCWeb: Comparative Literature and Culture

In her article "The Anti-Colonial Revolutionary in Contemporary Bollywood Cinema" Vidhu Aggarwal discusses several contemporary films including Rakesh Omprakash Mehra's Rang de Basanti with focus on the figure of the revolutionary hero. The Bollywood film is a cultural form that combines several aesthetic styles, from within India and from the outside. With its formal heterogeneity and as a product of one of India's largest cities, Mumbai Bollywood has had an ongoing fascination with "arrival," that is, with India's status as a contemporary nation-state. While some Bollywood films seem to celebrate fantasy scenarios of India's arrival on the global scene, at …

Philosophy Of Modernity And Development In Jamaica, Novella Z. Keith, Nelson W. Keith

CLCWeb: Comparative Literature and Culture

In their article "Philosophy of Modernity and Development in Jamaica" Novella Z. Keith and Nelson W. Keith postulate that a combined philosophico-practical inquiry is necessary to reduce the systemic asymmetries found in the North-South divide and to promote global interdependence. Proceeding from a deconstruction of European-inflected modernity, Keith and Keith sketch an alternative epistemology of uncertainty and unknowability and illustrate aspects of these epistemologies in theories and practices of modernization and its counter movements, dependency, and underdevelopment while also using them to discuss current practices of an NGO they created, Edu-Tourism , to bridge global divides as experienced in Jamaica. …