Chinese Studies Commons^™

論顧城《鬼進城》的異托邦詩歌空間——以「鬼」與「城」為例, Yu Ka Chan

Dissertations from all years

顧城是中國當代朦朧詩派的代表人物之一，年少便被冠以「童話詩人」之名，在詩壇中佔一席位。「童話詩人」之稱固然彰顯了顧城早期的莫大成就，卻也局限了外界對他後期詩作的評價。現存顧城相關研究，多有沿用「童話」框架、而論其崩塌者，可惜，這些童話崩塌的結論，更多著墨於顧城弑妻自殺的生平，而忽略其後期詩作。

顧城後期詩作意象跳躍、視點變幻不定，向來以晦澀難讀著稱。本文認為這種拒絕解讀的傾向早已超越了朦朧詩的向度，進而呈現了顧城身為詩人的另種面向。故而本文試圖撇除顧城「童話詩人」的面向，借助傅柯的「異托邦」空間移動論述，對顧城後期代表作《鬼進城》中的兩大核心意象——「鬼」和「城」進行空間意象的場所分析，嘗試將「空間」概念整合到詩歌文本分析中，從而為解讀顧城晚期詩發掘出以「文學本體論」為向度的可能。

科幻．時空．後九七：以「時空」角度論譚劍《人形軟件》的本土回應, Ka Chun Siu

Dissertations from all years

譚劍是香港中最重要的科幻作家之一，尤其在倪匡封筆後的科幻邊緣中，他以富有時代意識的科幻寫作，展現後倪匡科幻的獨特面貌。本文分析的《人形軟件》寫就於後九七，除通俗娛樂之外，藉由「空間」與「時間」的切入點，也可見其書寫涉及對香港當時「本土／全球」處境的各種未來想像，當中「本土」並非固定不變，而是能與「全球」的外來文化結合，有著再生成的可能。譚劍就以此賽博龐克科幻，作為未來的預言回應著後九七。

本文可分為四個部分，首個部分先介紹作家，並從香港科幻的邊緣處境開始論述，定位譚劍於香港科幻的位置以及研究意義；第二部分探討在後九七語境下，《人形軟件》以賽博朋克科幻回應香港的方法，以及貼合賽博朋克類型的切入點；第三部分承接上章，以「時空」角度切入文本，從「虛擬香港」、「銅鑼灣911」、「村上病毒」和「來記麵家」四點，看其中對後九七「本土／全球」的想像與預言；第四章為結論，總結全文重點。

香港網絡文學淺探——以藍橘子《阿公講鬼》系列為例, Hon Wun So

Dissertations from all years

隨著網絡發達，網絡文學大行其道，成為文學發展的一大重心。網絡文學作為一種新興的文學類型，於現在的通俗文學界具十分大的影響力。在內地，網絡文學除了為市場帶來龐大經濟收益，也是研究的一大方向。相較之下，香港網絡文學不單研究不多，甚至連香港人也未必知道香港有自己的網絡文學。

本文嘗試整理香港網絡文學的形成及現況，以及探討其營運模式，梳理歷史，展現目前生態。本文也以藍橘子《阿公講鬼》為例子，以敘事風格和本土特色兩大角度探討作品特色，望能提供一較貼近香港網絡文學現況的研究，完善此方面之論述。

創傷・敘事・語言：論電影《Drive My Car》的創傷敘事, Qi Xiang Soo

Dissertations from all years

濱口龍介近年在國際間嶄露頭角。例如為《間諜之妻》（2020）編寫劇本並獲銀獅獎、執導《偶然與想像》（2021）並獲銀熊獎、《Drive My Car》（2021）獲奧斯卡最佳國際影片及康城影展最佳劇本等。

「創傷」常出現在他的電影。近年全球籠罩在疫情的創傷中，加上日本的特殊創傷語境，兩者的對話是觀看濱口電影的切入點。創傷在日本、亞洲及世界，有不同的意義。而《Drive My Car》的「亞洲性」開拓了個新的空間去詮釋創傷。

本文將以齊澤克的「後創傷主體」及創傷敘事理論為基，配上文本細讀，解構《Drive My Car》中創傷與治癒的關係。最後將視覺拉回現實，討論電影中創傷與日本、亞洲、以至世界的關係。

讀者的療癒——《醫院》三部曲作為敍事治療, Yee Man Tang

Dissertations from all years

韓松作為一個本職為記者的中國當代科幻作家，作品主要以現實問題為出發點，呈現出一個惡托邦式的未來世界，以此喚起讀者對於科技發展對人類未來影響的關注。而韓松的《醫院》三部曲：《醫院》、《驅魔》、《亡靈》講述了一個醫療科技發達的未來中人類的處境，當中病人的創傷以及痛苦，亦是當下人所面對的問題。故本文以醫療人文為切入點，研究《醫院》三部曲的文本本身如何以敘事治療的方式，令讀者得到療愈。

本文的第一章為緒論，簡要介紹韓松及《醫院》三部曲，以及研究背景。第二章分析《醫院》三部曲當中的疾病書寫以及惡托邦世界。第三章將探討作品當中針對疾病所提出的治療手段如何成為醫院鞏固自身的工具，從而令醫院成為一個絕望的世界，引起讀者的恐懼。第四章將承接上章有關恐懼的討論，分析《醫院》三部曲如何作為敘事治療，結合Nöel Carroll提出的「恐怖的哲學」，令讀者在閱讀過程中得到療愈。

張愛玲小説的音樂性與音樂元素研究, Yuk Sum Tsoi

Dissertations from all years

音樂結構隨著歷史的流變複雜化，由單聲到中世紀歐洲的多聲對位結構，衍生出諸多音樂理論。20世紀巴赫金（Mikhail Bakhtin）的《陀思妥耶夫斯基詩學問題》進一步跨界延伸，討論了音樂與小說之間的媒介間性（Intermediality），開拓了新的研究空間。

本文以張愛玲小說作品為研究對象，分析其在結構與肌理上和中西方音樂的互通。結構層面是研究這一維度的重心，於小說和音樂而言是骨架，深藏於表面之下，是作品內在組織的基礎。宏觀來看，張愛玲的小說受到了西方的音樂技巧和結構影響，〈第一爐香〉和〈金鎖記〉有機地契合了古典音樂的卡農式結構，而短節奏與長節奏的運用形成〈封鎖〉的瞬間和〈傾城之戀〉的皺褶式敘述節奏。

肌理與結構相互依存，是小說表面的紋理與質地，供讀者去觸摸感受。張愛玲小說的文字間浮現了各種中國民族調性樂聲，不乏吹、彈、拉、打的例子：〈傾城之戀〉的胡琴、《半生緣》的琵琶、《怨女》的嗩吶和鑼鼓等等，行文間以這些符號來塑造蒼涼基調。

異化母系社會下的女性悲劇——論莫言《豐乳肥臀》之生殖崇拜, Lee Chun Wong

Dissertations from all years

生殖崇拜是《豐乳肥臀》的核心文化觀念。作者莫言以充滿生命力的身體描寫和複雜的多重人物塑造，表達了對母親的歌頌和女性身體的尊崇。最原始的生殖崇拜對象為女性，直接建構了原始母系社會。因此，書中背景雖設於新中國父系社會時期，但貫穿全文的女性生殖崇拜流露了母系社會的蹤影，並與父權社會造成衝突，導致不同的女性困境。

本文將以人物分析角度，探討小說中的女性生殖崇拜和母系社會現象，並論述當父系社會取而代之，女性悲劇是如何發生的。文章分為四部分：首先，導言部分將簡略介紹作者莫言，並闡述研究背景和研究概況；其次，筆者將簡述生殖崇拜的起源和形式和其與母系社會的關聯性；然後，分別分析四個代表性人物：上官魯氏、上官想弟、上官領弟和上官金童，分析母系和父系社會碰撞之下的女性悲劇；最後總結全文作結。

論《1984》中的語言控制, Kei Yau Yeung

Dissertations from all years

《1984》作為反極權的代表作品，以多方面的禁制塑造了一個惡托邦，警醒世人身處極權之中的可怖。其中，語言這方面常被忽略，但是實際上有著顯著的影響。一些標誌性的詞語例如新語、雙重思想、老大哥等也是廣為人知，正反映了掌權者從語言著手，步步進逼地收窄人們的自由空間，使他們的語言處處受限，而出現人們理智盡失、無反抗之力的情況。因此，本文會透過分析小說中為控制而設的語言特質和措施，及所達到的具體效果，並扣連作者對於現實中的語言環境與極權社會的反思，提出跟現代社會的關聯性。

「荒誕」背後的焦慮表達——韓少功小説中的「悖論」元素研究, Yue Zhang

Dissertations from all years

「荒誕」似乎已經成為了形容韓少功1985年以後尋根文學作品的一個重要詞彙。不同於1985年前所呈現的作品，如《西望茅草地》、《飛向藍天》等充滿現實主義的創傷後感悟以及為民請命的「不平之鳴」，韓少功1985年以後的尋根文學創作，在內容、形式上都得到了全新而詭異的展現。不論是《爸爸爸》中畸形而恐怖的肉體與文明，還是《女女女》中無法捉摸的矛盾情感，其小說荒誕不經的情節和人物形象多年來被文壇視為作者對中國封建文明的諷刺與鞭撻，如劉劍梅所言，是一種類似「阿Q式的國民性批判話語的隱喻」1。然而，正如韓少功所言：「我從不把揭露醜惡看成唯一目標」2。在韓少功打造的荒誕可笑的元素背後，作者的本意是否僅停留在「揭露與歸咎」層面？亦或有其更深刻的基於歷史與個人經歷的情感寄託？本文試圖從韓少功文學作品中展現的荒誕元素——「悖謬」中入手，欲探究其在「揭露醜惡」背後更複雜的情感依託。筆者發現，韓少功在表現荒誕的背後，實則是一種基於歷史和個人因素的焦慮表達，而非單純的「揭露與歸咎」。

Unification And Division: A Theory Of Institutional Choices In Imperial China, Haiwen Zhou

Economics Faculty Publications

Ancient China experienced various rounds of division and unification. Unification was maintained through economic and political institutions such as low tax rates to reduce peasant rebellions and the division of authority among government officials to reduce usurpation of power. A ruler’s choice of institutions to maintain unification is studied in a theoretical model. Interactions among external threats, internal rebellions by peasants, and usurpation of power by government officials are established. A higher level of external threats induces the ruler to choose a higher level of autonomy for government officials and a higher tax rate. That is, equilibrium probability of internal …

Li Zhichang’S Propaganda Of The Conversion Of The Barbarians): The Cause Of Decline Of Quanzhen Daoism In The Yuan Period, Jian Liang

Dartmouth College Master’s Theses

In 1281, under the order of Kublai Khan, the Daoist Canon and some other Daoist texts compiled by the Quanzhen Daoist sect were burned. Since Qiu Chuji’s meeting with Genghis Khan in 1221, the Quanzhen Sect enjoyed sixty-years of prosperity and its leaders been appointed as leaders of all Daoist and Buddhist sects under the Yuan Mongol dynasty. During this period, Quanzhen Sect experienced a turning point from prosperity to decline. Li Zhichang, the seventh-generation leader of the Quanzhen Sect, spread the huahu (Conversion of the Barbarians) discourse in order to suppress Buddhism. This directly affected the Mongols’ attitude towards …

A New Art For A New China: Modern Chinese Prints From The Ihrman Collection, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: "A New Art for a New China: Modern Chinese Prints from the Ihrman Collection". Exhibition dates: September 1-December 16, 2023. Charles Mason, author. Andie Near, photographer, designer.

Kruizenga Art Museum Online Collection - Exhibition Gallery

รูปแบบภาษาแสดงอัตลักษณ์: กรณีภาษากะเทยที่ปรากฏในสื่อหนังสือการ์ตูนญี่ปุ่น, ทศวรรษ ตันชัยสวัสดิ์

Chulalongkorn University Theses and Dissertations (Chula ETD)

สารนิพนธ์ฉบับนี้มีวัตถุประสงค์เพื่อศึกษาภาษากะเทย (おネエことば) ที่ปรากฏในสื่อหนังสือการ์ตูนญี่ปุ่นหรือ “มังงะ” และรวบรวมทำเป็นฐานข้อมูล ผู้วิจัยศึกษาภาษากะเทยจากมังงะที่มีตัวละครกะเทยปรากฏและพูดด้วยภาษากะเทยจำนวน 48 ตัวละคร รวมจำนวนประโยคตัวอย่างทั้งหมด 886 ตัวอย่าง มาทำการวิเคราะห์การแสดงอัตลักษณ์โดยวิเคราะห์ใน 4 ประเด็นดังนี้ 1) การใช้สรรพนามของตัวละคร 2) ส่วนลงท้ายประโยค 3) คำไพเราะ (美化語) 4) คำศัพท์ที่แสดงความเป็นภาษากะเทย และเสริมประเด็นการวิเคราะห์อื่นที่ตัวผู้วิจัยสนใจอีก 2 ประเด็นได้แก่ 1) การใช้สัญลักษณ์ เครื่องหมายวรรคตอน และอีโมจิ 2) รูปเขียนฮิรางานะ คาตากานะ และคันจิ นอกจากนี้ก็ยังสอดแทรกการเปรียบเทียบความแตกต่างของการแสดงอัตลักษณ์โดยแยกประเภทมังงะตามกลุ่มผู้อ่านของเรื่องผลการวิจัยพบว่า โดยภาพรวมภาษากะเทยในภาษาญี่ปุ่นเป็นภาษาที่ใช้ภาษาผู้หญิงเป็นพื้นฐานแล้วเพิ่มเติมลักษณะพิเศษบางอย่างลงไปทำให้เกิดความแตกต่างจากภาษาผู้หญิงทั่วไป การแสดงอัตลักษณ์มีความโน้มเอียงไปทางภาษาผู้หญิงเป็นส่วนใหญ่ จึงนำเสนอความเป็นผู้หญิงผ่านสรรพนาม ส่วนลงท้ายประโยค คำไพเราะ คำศัพท์ การใช้สัญลักษณ์ เครื่องหมายวรรคตอนและอีโมจิ อย่างไรก็ตามก็มีการแฝงความแข็งกร้าวโน้มเอียงไปทางผู้ชายในรูปแบบภาษาเหล่านี้ด้วย ทั้งนี้ ในกรณีรูปเขียนค้นพบว่ามีความโน้มเอียงไปทางผู้ชายผ่านการใช้คาตากานะและคันจิ ทำให้ภาษากะเทยมีลักษณะการแสดงอัตลักษณ์ที่อยู่กึ่งกลางระหว่างสองเพศ สำหรับการศึกษาความแตกต่างแยกตามกลุ่มผู้อ่านของเรื่องพบว่าภาษากะเทยในมังงะเด็กผู้ชายและมังงะเด็กผู้หญิงไม่ค่อยมีความแตกต่างกัน ซึ่งแสดงให้เห็นถึงการแสดงอัตลักษณ์ของภาษากะเทยที่มีแบบแผนที่ชัดเจน ไม่เปลี่ยนแปลงไปตามเพศของผู้อ่าน

A Study On The Order Of Multiple Attributives In Chinese Noun Phrases, Weiwei Wu

Chulalongkorn University Theses and Dissertations (Chula ETD)

This research aims to analyze the order and factors influencing the sequence of multiple attributives in Chinese noun phrases, to aid Thai learners of Chinese in understanding and accurately using multiple attributives. Five types of words can modify the head noun: nouns, pronouns, number + quantifier combinations, adjectives and classifiers, and verbs. The frequency of multiple attributives is inversely proportional to the number of attributive items, meaning that two-item attributives are used most frequently, while five-item attributives are the least common. The most frequently used words are adjectives and number + quantifier combinations and the most frequently used semantic attributive …

La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez

The Coastal Review

Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …

Short Song Lyrics (Xiaoling) In The Song Dynasty : "I Ask You, How Much Sorrow Can There Be?” : Later Literati Song Lyrics, Maija Samei

How to Read Chinese Poetry Podcast

This episode discusses how the genre begins to broaden thematically in the work of somewhat later literati poets who continued to write in the short xiaoling form. Poems by the Last Emperor of the Southern Tang, Li Yu, and by Northern Song statesman Yan Shu demonstrate how the genre begins to take on themes like nostalgia and friendship.

Short Song Lyrics (Xiaoling) In The Song Dynasty : Feeling And Scene : Early Literati Song Lyrics, Maija Samei

How to Read Chinese Poetry Podcast

This episode discusses early efforts of literati poets in the song lyric, showing how their works reflect the genre’s origins in the entertainment quarters and remained largely tied to feminine themes, while they bore evidence of poetic craft. Examples show how Wei Zhuang’s more direct and lyrical expression contrasts with Wen Tingyun’s more implicit presentation.

Short Song Lyrics (Xiaoling) In The Song Dynasty : “I’Ve No Heart To Love Another” : A Pair Of Anonymous Poems In Dialog, Maija Samei

How to Read Chinese Poetry Podcast

This episode introduces us to the genre of the song lyric using two anonymous poems that present a male and female speaker in dialog. The episode discusses the origins of the genre during the Tang dynasty, its formal characteristics, and its connection to female voice and feminine themes.

Chinese Undergraduate Student Teaching Assistants In A U.S. Collegiate Chinese Language Program, Donglin Chai

Chinese Language Teaching Methodology and Technology

Given present limited opportunities to study in China, how can U.S. collegiate Chinese language programs take advantage of the presence of Chinese international students on campus to improve their Chinese language students’ intercultural communication skills? This article first reviews the background of “peer tutoring” in European and American collegiate institutes and describes some exemplary models in the field of Chinese as a Foreign Language in the U.S. Then, the article reports on a study of a tutor and grader system at a U.S. liberal arts college employing Chinese undergraduate students. Through both quantitative and qualitative data, the author analyzes the …

Intertextual Discourse Research On Ip Film Language From The Perspective Of Chinese Teaching, Xiao Jiang

Chinese Language Teaching Methodology and Technology

Based on the theory of intertextual discourse, this paper makes a comparative analysis of the IP source texts, Chinese subtitles and English subtitles of IP films from the perspective of Chinese teaching. The research found that Chinese subtitles of IP films which compared with the source texts reconstructed the descending language of the characters, implanted popular contemporary language and culture, strengthened the language escalation of dramatic conflicts, and increased the sense of humor and entertainment of characters' language, so as to be suitable for Chinese teaching and cultural communication. The English subtitles of IP films deleted the cultural elements of …

On Forms And Regulations Of Han Poetry, Shang-Ju Chiang

Chinese Language Teaching Methodology and Technology

Traditional poetics is gradually disappearing under the impact of modernization. Aiming to provide Chinese with specific ways to understand the poetics of Chinese characters, this article articulates and analyzes most of the Han Poetry forms and regulations illustrated with the author-created poems, such as the traditional quatrains and regulated poems and many more. It is the author’s hope that more people will appreciate and inherit classic poetry but also be innovative.

Using Online Resources To Foster Autonomous Learning In A Clil Context: A Case Study Of An Advanced Chinese Class, Xiao Zeng

Chinese Language Teaching Methodology and Technology

The role of online resources has become increasingly significant in content and language integrated Chinese courses in terms of material preparation and autonomous learning task design. The study examines a case of integrating online visual resources into an advanced Chinese newspaper and journalism class and discusses how online resources can be utilized to foster student autonomy and promote self-regulated learning. Specifically, the study demonstrates the key features of a video platform (Pear Video) and editing tool (Interphoto), and shows how the task arrangement takes advantage of the resources in enhancing students’ language and content skills. The analysis of the learning …

A Study On Strategies For Improving Students’ Oral Skills In Online Chinese Language Teaching In Burundi, Mfitiye Ferdinand, Bankuwiha Etienne

Chinese Language Teaching Methodology and Technology

Abstract

During the period of covid-19 pandemic, educational activities in several countries around the world have experienced changes in their implementation. Face-to-face Chinese teaching in several Confucius Institutes around the world has been moved to online teaching to reduce the spread of the Covid-19 virus. In Burundi, online Chinese teaching is provided through the social network “whatsapp”. However, students have some difficulty in improving their speaking skills while learning online. This study therefore examined the strategies that can be used by the students and the teachers to ensure the improvement of students' speaking skills while learning Chinese online. It proceeded …

Cooperative Language Learning In Teaching Proficiency Through Reading And Storytelling, Jing Gao

Chinese Language Teaching Methodology and Technology

TPRS (Teaching Proficiency through Reading and Storytelling) is becoming widely recognized and implemented in K-12 language classrooms across the nation. Cooperative language learning structures interactive group work for learners’ language development. In communicative language classrooms, cooperative learning can be implemented in TPRS to encourage students’ interaction and communication in collaborative tasks. This article explores the application of cooperative language learning in the TPRS Chinese classroom. Specific teaching methods are discussed in each step of TPRS, including establishing meaning, story asking, and story reading. Cooperative language learning in TPRS increases students’ engagement and motivation in language learning and promotes their language …

Table Of Contents

Chinese Language Teaching Methodology and Technology

Table of Contents

Bing Xin As The Most Renowned Chinese Translator Of Rabindranath Tagore: A Sociological Perspective, Xiaoqing Liu

Scholarship and Professional Work - LAS

Bing Xin 冰心is the most recognized and renowned Chinese translator of Rabindranath Tagore. Translation researchers together with critics and readers have attributed Bing Xin’s popularity as Tagore’s Chinese translator mainly to her literary achievements. In other words, Bing Xin’s fame as a top modern Chinese writer is transferred onto her role as a translator. The trust and readership she earned as a writer create an illusion among Chinese readers that Bing Xin’s translation is the same as Tagore’s “original” writing. Consequently, Bing Xin creates a Chinese image of Tagore with her writing and translation style. In this essay, I employ …

庾信的生平創作及其意義 : 《中國中古文學史》的一個片段, Nong Gu

嶺南學報 Lingnan Journal of Chinese Studies

庾信（513—581）前半生在南朝梁爲宫廷文人，所作詩賦皆爲“宫體”；後半生不得已而在北，儘管北周的高層人士對他非常尊重客氣，但他内心深處總是有些矛盾和痛苦，並融化而進入其詩賦和文章之中。作爲使節他在被扣留之初，曾遭軟禁三年，其時的作品《傷心賦》《小園賦》《枯樹賦》飽含痛苦的心情，也流露了行將轉身的意向。後來作於天和四年（569）的《哀江南賦》，則深刻地總結了蕭梁王朝由盛而衰以至於滅亡的歷史教訓，文辭曲折典雅，歷來得到很高的評價。他詩和文也都達到很高的水準，其中同樣隱含了他對自己轉身的解釋和哀歎。當年的時代主潮在於民族融合，庾信認同鮮卑族主導的北周政權，肯同他們合作，是正常的；而不斷抒發其鄉關故國之思，則表現了對華夏文化大流的熱愛與眷念，深刻地符合中古歷史發展的大方向。要瞭解其時歷史發展過程中的波瀾與漩渦，庾信的作品包括那些諛墓諸文都具有很高的價值。

Yu Xin 庾信 (513 - 581 CE) had been a court official in the Southern Liang dynasty and wrote palace style poetry before he was confined to the non-Sinitic Norther Zhou dynasty. Despite the respect he received from its officials and nobles, he wrote his internal conflict, distress, and forthcoming resign into his poetry and prose, including “Shangxin fu” 傷心賦 (Rhapsody on a Broken Heart), “Xiaoyuan fu” 小園賦 (Rhapsody on a Small Garden) , and “Kushu fu” 枯樹賦 (Rhapsody on a Withered Tree) which he wrote during the first three years of his confinement as a diplomatic envoy. Yu’s …

湖湘派與同光體之離合, Yu Zhang

嶺南學報 Lingnan Journal of Chinese Studies

本文試圖展示湖湘派與同光體作爲晚清政治立場接近的最大的兩個古典詩派，在詩學與交往方面的種種離合。湖湘派可以追溯到明末清初王夫之論詩重緣情綺靡。嘉道間湖湘詩人鄧顯鶴與宋詩派多有交往，但並無意稱雄詩壇。以王闓運爲代表的湖湘派，是界於宋詩派與同光體之間的最大的一個詩派。同光體詩人中，如陳三立等，與湖湘派詩人多有交往。湖湘派詩人中，較早如鄧繹，晚學如陳銳、程頌萬等，作詩亦多受宋詩派影響。在新文化運動的洪流面前，這兩個古典詩派由於文化命運的相似，共鳴多於異見。

This article shows the various divergence in poetics and the interaction between the Huxiang School 湖湘派 and the Tongguang School 同光體, the two largest schools of classical poetry in the late Qing dynasty that took similar political stances. The Huxiang School can be traced back to Wang Fuzhi's 王夫之 poetics of emotion in the late Ming and early Qing dynasties. Despite his frequent associations with the Song Poetry School 宋詩派，Deng Xianhe 鄧顯鶴, a Huxiang School poet during the Jiaqing and Daoguang periods of Qing had no intention to dominate the circle. The Huxiang School, of which Wang Kaiyun 王闓運 …

吳廷華《儀禮》筆法研究探論, Lok Man Lee

嶺南學報 Lingnan Journal of Chinese Studies

《儀禮》嚮稱難讀。傳統以分節、繪圖、釋例爲治禮之法。三法之外，歷代禮家對《儀禮》筆法每有關注，卻未成系統。清代禮學大家吳廷華（1682—1725）著《儀禮章句》，其書於分節繪圖釋例三途，用力均篤，被譽爲“學禮者階梯”。吳書關注《儀禮》筆法，作經者的行文舖排、遣辭用字，每加析説，見解獨到。本文舉吳氏《章句》對《儀禮》筆法之意見凡十類，包括《儀禮》中的變文、行文語序、提示語、預陳其書、書有見無、省文、互文、相兼乃備、特定的虚詞等，各據例證。由於筆法每與禮例及禮意往往相須而成，吳氏對《儀禮》筆法的意見，與鄭、賈注疏互有異同，詮解出與注疏不同的禮經文本。藉此説明《儀禮》筆法應立爲專門之學，爲研治禮經之重要方法。

Yili 儀禮 (Book of Etiquette and Ceremonial) is considered a Confucians classic difficult to read. Scholars have adopted three basic methods of interpretation: (1) to break the texts into paragraphs; (2) to illustrate the ceremonies; (3) to explain the etiquette rules. In addition, scholars of different historical periods have also researched unsystematically on the writing style of This article examines Qing-dynasty scholar Wu Tinghua’s 吳廷華 (1682 -1755) annotations to the writing techniques of Yili in his Yili zhang ju 儀禮章句 (Analysis of the Book of Etiquette and Rites), including textual variation, words’ sequence, hint, pre-narration, indicating the hidden, omission, …

葉清臣行年攷 (下), Caizhi Chen

嶺南學報 Lingnan Journal of Chinese Studies

葉清臣既是北宋文學家，也是高節莫屈的一代名臣，然其生卒年與籍貫説法不一，行年亦有待詳攷。經梳理原始史料，比對有關記載，攷得葉清臣卒於宋仁宗皇祐元年（1049）四、五月之際，享年五十歲，逆推當生於宋真宗咸平三年（1000）。其郡望爲南陽，籍貫當爲湖州烏程，後徙寓蘇州長洲。其他行年及撰述等亦多有詳攷。

Ye Qingchen was a man of letters and court official of esteemed integrity in the Northern Song dynasty. This article compares the various biographical records of Ye’s birth and death years and his birth place and concludes that Ye was born in 1000 CE (the third year of the Xianping era during the reign of Emperor Zhenzong of Song) and died at the age of fifty, between April and May 1049 CE (the first year of the Huangyou era during the reign of Emperor Renzong of Song). Nanyang was the chroronym of Ye’s family clan. Wucheng, Huzhou was his …