Chinese Studies Commons^™

A Description Of Zhao Zhang’S Nature No. 2 And Xiaoxuan Xu’S An Unusual Feast Of East, Sicheng He

Dissertations, 2020-current

This research presents a new path in the development of Chinese music by aiming to incorporate both modern Western and ancient Chinese influences in form, texture, tonality, topic, and other dimensions of style and structure. Two Chinese composers whose recent compositions for the piano share similar characteristics: Zhao Zhang (b. 1964; Nature no. 2, 2013) and Xiaoxuan Xu (b. 1990; An Unusual Feast of East, 2022). The research will discuss how Zhao Zhang and Xiaoxuan Xu accomplish this fusion of old and new in their recent piano works Nature no. 2, (2013) and An Unusual Feast of East, 2022. …

Icarus’S Fall: Villainization In Wicked, Star Wars, And The Untamed, Laura Renfroe

Honors Theses

When looking back on the most beloved, yet infamous, villains of popular culture, one can note an abundant rise of prequels and backstory-driven media exploring the paths that villain characters take that lead them to their tragic fall. Some of those stories include John M. Chu’s Wicked, George Lucas’s Star Wars: Episode III: Revenge of the Sith, and Chen Jialin and Zheng Weiwin’s The Untamed, each of which explores protagonists who are labeled as “wicked” and depicted as fallen to the “dark side.” While these characters are often studied in existing literary research, there have yet to be explicit ties …

The Construction And Reflection Of The Theoretical Knowledge System Of Chinese Literature And Art:Summary Of The 16th Annual Conference Of The Chinese Association For Theory Of Literature And Art, Qianpeng Gu

Theoretical Studies in Literature and Art

No abstract provided.

Différance, Transparency And Truth: Jean-Luc Nancy On Beauty, Zhizhong Zhang

Theoretical Studies in Literature and Art

In God, Justice, Love, Beauty, Jean-Luc Nancy thoroughly elucidates his perspectives on beauty, extending beyond the confines of conventional epistemological aesthetics by introducing deconstructionism to the discourses on aesthetic issues. Specifically, Nancy reinterprets the legend of Narcissus, positioning its theme as the movement of beauty's self differentialspacing, and unveiling the différance inherent in beauty. However, as a generalized spacing movement, différance cannot highlight the singularity of beauty. Consequently, through an analysis of douard Manet's painting Reading, Nancy contends that beauty, as a motion of meaning that transcends signification, can only be represented as being of near-nothingness, that is, as a …

Dufrenne's Genetic Phenomenological Explanation Of “Affective A Priori”, Ziming Huang

Theoretical Studies in Literature and Art

The discussion on the nature of the affective in phenomenology can be traced back to the debate on the universality of the aesthetic affective in modern epistemological aesthetics. Dufrenne interpreted it from the perspective of genetic phenomenology and identified it as a problem of “affective a priori.” The “affective” is an object of feeling triggered by the work and constituted by the subject; and “a priori” is a means of preforming the object within the subject. As the constituent structure of the object, the affective a priori indicates the unity of the objective cosmological a priori and …

Rita Felski's Critique Of Contextualism: Taking Rem Koolhaas And Bruno Latour As A Clue, Lijun Su

Theoretical Studies in Literature and Art

With a special nested structure, Rita Felski follows and finalizes Rem Koolhaas and Bruno Latour's manifesto of “Context Stinks!” The three theorists of different disciplines such as architecture, sociology and literature take context as a conservative proposition. In response to the contextualist paradigm that is threatened by self-limitation, self-exclusion and generalization, Koolhaas creates space for innovation through the strategy of “bigness”, while Latour questions the theory of social entities, introducing non-human actors into a new coordinate system. Based on them, Felski tries to remold the future of literature within the framework of actor-network theory, in order to forestall text from …

Derrida's Theory Of Sovereignty—And His Criticism Of Robinson Crusoe, Jinlong Xiao

Theoretical Studies in Literature and Art

The 20th century has witnessed an unprecedented exploration and development of the concept of human essence in the Western theoretical community. In the early 20th century, Heidegger proposed that human essence was existence. Later, Foucault argued that human essence was power. By the end of the 20th century, Derrida clearly pointed out that human essence was neither pure existence as advocated by the existentialists, nor pure power, as claimed by the power theorists. Instead, it is something between existence and power: the “powerization” of existence, which Derrida termed “sovereignty.” The operating rhythm of sovereignty involves the autonomy of automation, specifically …

Atmosphere And Artistic Appeal (Qi Yun): An Unfinished Reflection On The Modern Interpretation Of “Artistic Appeal And Rhythmic Vitality” From The Perspective Of Atmosphere Aesthetics, Lei Li

Theoretical Studies in Literature and Art

Drawing from the traditional binary thinking of subject-object division and confrontation, the modern interpretation of “artistic appeal and rhythmic vitality” since the twentieth century considers it either as an aesthetic feature or the overall spirit of the artwork, or as the painter's inner harmony and resonance, failing to fully realize that the ideal effect of “artistic appeal and rhythmic vitality” can only be generated by the two-way communication and resonance between the creator and the object. In the light of the aesthetics of atmosphere, “artistic appeal” is a special category or an advanced state of atmosphere that arises from the …

A Study Of The Historical Formation Of The “Fengyao” Pattern And The “Touchun” Pattern In Five-Character Metrical Poetry, Zhao Zhang

Theoretical Studies in Literature and Art

Since the Song dynasty, the touchun pattern has referred to the five-character metrical poetry in which the antithesis is used in the first couplet rather than the second; the fengyao pattern has referred to those in which the antithesis is only used in the third couplet. These two patterns began to flourish in the works of Shen Quanqi and Song Zhiwen. During the High Tang dynasty, they were equated in number with the standard format of metrical poetry. It was not until the Dali era that they were finally confirmed as variant formats of five-character metrical poetry. This trend of …

A New Explanation Of The Connotation And Poetic Significance Of “Poetry Springs From Emotions And Hence Reads Beautifully” In Rhapsody On Literature, Yanfeng Cai, Xiaoli Wei

Theoretical Studies in Literature and Art

Traditionally, “poetry springs from emotions and hence reads beautifully” in Rhapsody on Literature has been interpreted primarily within the poetic context of expressing emotions and aspirations, often overlooking the broader connotation of “emotion” and the logical relationship between “springing from emotions” (yuanqing) and “beautiful” (qimi). Two key concepts are essential in understanding of this sentence. The first is “emotions”, which has been widely used to denote an objective state, essence, and reality since the pre-Qin era. Recognizing the objective meaning of “emotion” is crucial for a correct understanding of the poetic connotation of “springing from emotions”. …

New Changes In The Theater Ecology In The Late-Qing Shanghai: A Study Based On Wang Guifen's Contract Payment Lawsuit, Chunning Zhao

Theoretical Studies in Literature and Art

Contract payment lawsuits discussed in this paper were disputes over rights and interests arising from the operation of modern xiqu (Chinese opera). During Wang Guifen's performances in Shanghai, he was involved in such lawsuits with quite a few theaters, including Xin Dangui, Tianxian, Liuchun, Tianfu, and Guixian. The practice of inviting and recruiting famous actors with high contract payments was a common form of commercial competition in Shanghai's theaters, and it was also the direct cause of job-hopping by well-known actors and their involvement in legal disputes. The high contract payments intensified malicious competition between theaters, hindered the healthy development …

A Semiotic Interpretation Of Landscape Painting And Its Limitations: A Focus On Duan Lian, Yiqing Liu, Zhijie Sun

Theoretical Studies in Literature and Art

Duan Lian has offered a semiotic interpretation of the history of landscape painting. He argues that the formation, development, divergence and decline of landscape painting are all conveyed through the form of images. This constitutes an interaction of image symbols from form to concept, providing new perspectives and paradigms for the study of landscape painting and semiotics. However, regarding the transcendence of landscape painting, we contend that Duan Lian's semiotic interpretation of landscape painting cannot fully capture its intrinsic aesthetics and spirit, as this approach may lead to an underestimation and weakening of the artistic essence of landscape painting. Semiotics, …

Education For The Average Person And The Celestial-Human Strategy In Ancient Poetry Education: Pedagogical Choices In The Context Of The Li-Du And Su-Huang Debates, Shugong Zhao

Theoretical Studies in Literature and Art

As early as the Wei and Jin dynasties, Chinese literary culture developed a marked adulation of genius. Yet, poetry education took a distinct approach, which favored models not solely based on genius. In discussions contrasting Li Bai and Du Fu, Li Bai was esteemed for his rare natural gift, while Du Fu was valued for his profound intellectual insight. Similarly, in the Su-Huang debates, Su Shi was praised for innate talent, while Huang Tingjian was noted for his disciplined scholarship. Despite these distinctions, poetry education consistently recommended emulating figures like Du Fu and Huang Tingjian. This choice reflects the ancient …

“The Poetics Of Graphite Stone Paintings” And The Quality Of Modern Scholars' Paintings: Wu Changshuo And Pan Tianshou As Examples, Zhongyi Xia

Theoretical Studies in Literature and Art

To identify why only “the poetics of graphite stone paintings” in Wu Changshuo and Pan Tianshou's works deserve to be referred to as representative of “modern scholars' paintings,” several issues need clarification. First, what is the boundary between “paintings by scholars” and “paintings by literati?” Second, how does one identify Wu's “stubborn stone” not only as a kind of “scholarly painting,” but also as “modern?” Third, how does one recognize Pan's “massive rock” as a “scholarly painting” worthy of being called “modern?” The response is as follows. Firstly, “scholarly painting” is rooted in tranquility and introverted in the self-sanctity of …

On “Posthumanism”, Martin Crowley

Theoretical Studies in Literature and Art

The label “posthumanism” identifies neither a doctrine, nor an intellectual or analytical approach with a defining set of protocols. Rather, we may take “posthumanism” as a term loosely applied to a range of contributions and approaches, on the basis of a generally under-specified collection of sympathies and commitments. Approximately stated, these sympathies and commitments would entail the claim that — with due allowance for historical variation — the category of “the human” has long played a key role at the centre of Western thought; that this role has included serving to justify the promotion of human beings above other forms …

The Invention Of Tradition: From Ancient “Articles” To May Fourth “Literature” — A Concurrent Explanation Of The Connotation Of “Chinese Literary Theory”, Xu Xu

Theoretical Studies in Literature and Art

This article focuses on the relationship between literary views and article studies of May Fourth scholars from the perspective of hermeneutics, in order to re-explain the connotation of “Chinese literary theory” and consider the construction of a Chinese literary theory discourse system. Rooted in interpretations of the interplay between literature and dao, May Fourth scholars reshaped the traditional framework, shifting the focus to the relationship between literature and humanity, through the integration of ideals and dao. Their commitment to broad, applied literary views led to a progression from a simple division between cultural traits and literary function to a more …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

Fan Art, Jacob Lay

Theses and Dissertations

This thesis examines the work of artists like Vincent van Gogh, Donald Baechelor, and Cezanne in their relationship to my work and contemporary painting. Drawing from personal letters, interviews, and essays on these artists, the paper places painting and drawing from the thesis exhibition in a history as well as relates them to current pop culture relics. The paper also includes a process-based analyses of how each painting is made and with what materials.

The Rescue Of Wahutedew’Á And The Epistemological Reforestation: An Analysis Of Time In A Terra Dos Mil Povos, By Kaká Werá Jecupé, Ivo Cruz

The Coastal Review

It is estimated that in 1500, the year the Portuguese arrived in America, there was a population of 2,431,000 inhabitants, according to historian John Hemming (1978), who occupied the lands that we now know as Brazil. These peoples had their own culture whose cosmology was destroyed and erased over time by a violent process of colonization. Even though entire groups were decimated, much of their influence is still alive in Brazilian culture. This influence can be found in vocabulary, cuisine, and even religious practices. With the aim of rescuing ancestral narratives and knowledge of various native peoples, Kaká Werá Jecupé …

Light And Darkness For Aesthetic Pleasure: An Exploration Of J.M.G. Le Clézio’S Early Writings And Jun’Ichiro Tanizaki’S In Praise Of Shadows, Kenichiro Otani

The Coastal Review

Building upon comparative principles, this semantic reading of Jun’ichirō Tanizaki’s essay In Praise of Shadows and J.M.G. Le Clézio’s early writings illustrates how both the Franco-Mauritian author and the Japanese writer problematize modern Western perception laden with concepts stifling flexible imagination through the mysterious worldview of light/darkness. They also simultaneously express the hope that another way of life leading to liberation is possible. Delving into the spiritual confinement of the subject, they demonstrate how keeping rich creativity within one’s heart can be an escape from a stagnant society. Albeit in very different mediums, Tanizaki and Le Clézio assert that the …

Timeless Teachings & Unbridled Possibilities, Ruijie Tai

Masters Theses

I am looking at is process of TRANSLATING AND BRIDGING.

Qi, traditionally understood as the vital force that flows through and animates living beings and the environment, lies at the edge of our perceptual capabilities.

The notion that what we cannot "see" holds significant influence over our world suggests that there are aspects of reality and forces at play beyond our direct sensory experience. AI, with its capacity for analyzing vast amounts of data and recognizing patterns beyond human capability, offers a unique tool for exploring these unseen forces.

The potential of AI to perceive and understand Qi could open …

Signifying And The Feeling Of Differences, Samuel Weber

Theoretical Studies in Literature and Art

What does Werner Hamacher's concept of archiphilology have in common with Saussure's view of intralinguistic， differential function in language? Perhaps the way in which the indefinite of language itself “slowly defines itself，” both in response to past acts of appropriations， and appealing for new signifieds the meaning of which can only be seized and unseized over time. Several of Kafka's short stories illustrate how literary works play out the same tension within what can be called a “progressive and digressive” narrative， warding off any internal principle of closure or conclusiveness while continuing to require endings and answers. Holderlin's “Remarks on …

Guest Editor's Overview, Yue Zhuo

Theoretical Studies in Literature and Art

No abstract provided.

Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang

The Coastal Review

This study used a survey to investigate self-study and university-enrolled Chinese learners’ habits in studying Chinese vocabulary in order to determine what study methods influence a.) learners’ confidence in learning Chinese vocabulary and b.) what aspects of Chinese vocabulary they consider easy or difficult. We were particularly interested in seeing what the data had to say about students’ attitudes towards characters and the written language, given that the field of Chinese language pedagogy is known for a stronger focus on the written language as opposed to the spoken language. We found that aspects of Chinese vocabulary associated with the spoken …

Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney

The Coastal Review

This article analyzes Luiz Roberto Salinas Fortes’ Retrato calado (Silent Portrait) published in 1988, considering the theoretical discussions on testimonio's epistemology—addressing the challenge of narrating trauma and the risk of stylization. It compares Fortes' memoir with Fernando Gabeira's O que é isso, companheiro? (What's This, Comrade?) from 1979, examining diverse approaches to capturing historical trauma through literature and its impact on collective memory about Brazilian Dictatorship (1964-1985).

Global Communities: The Potential Of Street Art And The Public Space, Elena Picech

The Coastal Review

This paper highlights the significance of physical proximity and the potentiality of socio-spatial situations as tools to enrich study abroad programs. Particular attention is given to street art and the public space. While, studying on-site can be somewhat uncomfortable, it can potentially prompt unique reflections, enhance student’s learning and encourage introspection. Being on-site provides the opportunity to come into contact and to connect with the physical objects and their environment. It enables a multisensory and immersive embodied experience. Leveraging art for communicative educational activities can facilitate a participatory experience, promote critical thinking and enhance cultural understanding.

Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane

The Coastal Review

This article explores the innovative language strategies employed by Senegalese writer Ken Bugul in her novel Aller et retour to construct a dynamic and interconnected linguistic landscape that challenges fixed language boundaries. Ken Bugul's "langue fabriquée" combines elements of French, Wolof, and English, reflecting a transglocal dimension that embodies the essence of afrophonics—a poetics of resistance that empowers local cultures in a globalized context. Through a detailed analysis of Ken Bugul's linguistic choices, including the use of quotation marks, footnotes, and arbitrary transcription, the study reveals how she creates a language that defies categorization and decolonizes French without resorting to …

De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review

In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …

La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez

The Coastal Review

Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …

On Forms And Regulations Of Han Poetry, Shang-Ju Chiang

Chinese Language Teaching Methodology and Technology

Traditional poetics is gradually disappearing under the impact of modernization. Aiming to provide Chinese with specific ways to understand the poetics of Chinese characters, this article articulates and analyzes most of the Han Poetry forms and regulations illustrated with the author-created poems, such as the traditional quatrains and regulated poems and many more. It is the author’s hope that more people will appreciate and inherit classic poetry but also be innovative.