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Studies in Cross-Cultural Literary Theories

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Existentialism In Hong Kong: Reading From The Perspective Of Mass Culture, Lei Zheng May 2012

Existentialism In Hong Kong: Reading From The Perspective Of Mass Culture, Lei Zheng

Theoretical Studies in Literature and Art

During the late 1950s and the early 1960s, the popularity of existentialism in Hong Kong played a significant role in the local modernism movement, which was represented in both criticism and literary works. The introduction and dissemination of existentialism in Hong Kong was much affected by the local environment of newspapers and the magazines. Representative figures became popular cultural icons, and their changing views brought about the changes in important concepts, which in turn changes the existentialism in Hong Kong. While holding their elite position, the intellects who advocated modernism were deeply involved into the current change through their contest …


From The Sacred World Of Rituals To The Imaginary World Of Literature And Arts, Dakang Ma May 2012

From The Sacred World Of Rituals To The Imaginary World Of Literature And Arts, Dakang Ma

Theoretical Studies in Literature and Art

Primitive ritualistic activity is the matrix in which literature and art are produced. In these ritualistic activities, the concept of deities formed, and the spiritual space of the human world was then constructed, and provided the decisive condition for the primitive symbolic imagery activities to evolve into literature and art activity. In the primitive ritualistic activities, the distinction between the performers and the audience, together with the centralization, intensification and generalization of ritualistic activities, help to establish literature and art as a separate activity from those ritualistic sacred world. Devoid of the existence of the deities, the theme of literature …


Phenomenological Interpretation Of Chinese Creation Myth Of Pangu, Qian Wang May 2012

Phenomenological Interpretation Of Chinese Creation Myth Of Pangu, Qian Wang

Theoretical Studies in Literature and Art

This paper is a phenomenological interpretation of Chinese myth of creation centered around the mythical figure Pangu. It takes Pangu myth as an imaginary representation of of the primitive relation between body experience and the world. Mankind constructs a meaningful and inhabitable world from an alien space through his body experience. On the one hand, the world is constructed by body experience; on the other hand, the world is transcendental and preexistent as a basis to accommodate man's life. The contemporary implications of Pangu myth may include that people should trust body intuition while understanding the world, respect the transcendental …


Translated Literature In The Narrative Of Modern Chinese Literary History, Binghui Song May 2012

Translated Literature In The Narrative Of Modern Chinese Literary History, Binghui Song

Theoretical Studies in Literature and Art

Since around the turn of 19th century, China has seen a large corpus of translated literature, and its great influence on Chinese literature has led to the intensive discussion of its classification, its relationship to local literature and its entrance into Chinese literature from the perspective of comparative studies, translation and cultural studies, and Chinese literary history studies. The paper starts from literary "categorical concepts," "mediation", and "indeterminacy" to clarify some literary conceptual premises to prepare for the literary historical narration of translated literature.


Jacques Ranciere's Regimes Of Art And Contemporary Political Art, Hongsheng Jiang Mar 2012

Jacques Ranciere's Regimes Of Art And Contemporary Political Art, Hongsheng Jiang

Theoretical Studies in Literature and Art

This paper examines the three regimes of art proposed by Jacques Ranciere: the ethical regime of images, the representative/poetic regime of art, and the aesthetic regime of art which implies a politics of equality and democracy. For Ranciere, "dissensus" is the articulating point between art and politics. This paper focus on Ranciere's criticism on contemporary political art: how the "critical art" takes the wrong track toward the "testimony art" and "relational art"; how the "critical art" was polluted by the logic of global consumerism; and how the ethical turn of contemporary art constitutes a deconstruction of both the autonomy and …


The Futures Of Comparative Literature, Lezra Jacques Mar 2012

The Futures Of Comparative Literature, Lezra Jacques

Theoretical Studies in Literature and Art

Comparativism, this essay argues, should respond to the phenomenon of globalization by producing a critique of the concepts of literary value and universality. A polemical genealogy of the discipline of Comparative Literature shows "literary theory" in the post-war period to have emerged as a threat to disciplinary boundaries in the university, and for this reason to have always been regulated by a Cold-War humanism grounded in an Arnoldian belief in concepts like "the world." Comparativism should militate against such concepts rather than adopt them; it should take up the tasks of producing difference, of guarding untranslatability, of recapturing the discipline’s …


Paul Ricoeur's Narrative Explanation Concerning The Issue Of Time, Feixiong Fu Mar 2012

Paul Ricoeur's Narrative Explanation Concerning The Issue Of Time, Feixiong Fu

Theoretical Studies in Literature and Art

Paul Ricoeur not only sees the signs of language as linguistic grammatical system but also reduces them into the discourse communication of "speech act" and into the signification of human existence. They function both as a mediator and as a truth-deliverer. Ricoeur's phenomenological hermeneutics is based on general narrative semiotics, implements the inadequacy of formalistic theories such as structuralism, and effectively enunciates "narrative practice." "Narrative practice," as the basic human cultural phenomenon, is a kind of "mimetic activity" centered round "emplotment," the probable condition of which is the time structure of human action. As the nature of time is aporetic, …


Discourse Of Art Criticism And Visual Metaphor, Chenguang Ling Mar 2012

Discourse Of Art Criticism And Visual Metaphor, Chenguang Ling

Theoretical Studies in Literature and Art

Visual art criticism is the center of art criticism, whose discourse often develops around visual themes, as is manifested in the two respects, namely, the relationship between seeing and interpretation regarding the transformation from "seeing" to "speaking out", and that between seeing and being seen revealing the contribution of visual activities to shaping the subject' self-consciousness and showing intersubjectivity. The conversion of visual objects into verbal expressions is an inevitable issue in discourse of art criticism, and it appears in two connected patterns, namely, the visualization of ideas and the verbalization of visual image. The result is that ideas, when …


Nietzsche's Idea Of "The Death Of Tragedy" And The Poetics Of Nostalgia, Chaoyong Wei Mar 2012

Nietzsche's Idea Of "The Death Of Tragedy" And The Poetics Of Nostalgia, Chaoyong Wei

Theoretical Studies in Literature and Art

The most remarkable assertion Nietzsche made in his Birth of Tragedy concerns "the death of tragedy." The reason for the death of the Greek tragedy is, for Nietzsche, the change of chorus, spectator and prologue in Euripides' tragedies, which are contrary to the authentic Greek tragedies that represented the Dionysian spirit. Nietzsche attributed this situation to Socratism, claiming that Socratism not only resulted in a Euripidean "Greek cheerfulness" but also related closely to the western modern enlightenment. Thereupon, the Dionysian spirit becomes Nietzsche's nostalgia against the western ancient and modern enlightening rationality. In this sense, The Birth of Tragedy is …


On The Difference Over Literary Ideas Between China And The West, Qingbing Tong Jan 2012

On The Difference Over Literary Ideas Between China And The West, Qingbing Tong

Theoretical Studies in Literature and Art

The paper reiterates the necessity of reflecting on the differences of literary ideas between China and the West. In classical Chinese literary theory, literature prioritizes lyricalism, and the essence of this literary idea is to express the ethos of individual and the society. Literary ideas in the West centering round Europe chooses to prioritize mimesis, and a literature developed along this idea sees itself as a vehicle for knowledge. The paper attributes the differences over literary ideas, themes and literary spirit between China and the West to the differences between Chinese humanistic sprit and Western humanism, between Chinese agricultural civilization …


A Study Of F. R Leavis's Cultural Criticism, Xiangchun Meng Jan 2012

A Study Of F. R Leavis's Cultural Criticism, Xiangchun Meng

Theoretical Studies in Literature and Art

F. R. Leavis was the most influential and controversial critic and one of the forerunners of cultural criticism in the 20th century Britain. His cultural criticism is the point of departure for his literary criticism, which in turn aims for cultural and social health. Leavis's cultural criticism comprises mainly of the conception of the "organic community", the theorization of "minority culture" and the promotion of "literary culture" and the criticism of the "Technologico-Benthamite" culture, the first three of which form the core of his cultural ideals. A better understanding of Leavis's cultural criticism may illuminate our reflections on the cultural …


From The Subaltern To The Precariat, During Simon Jan 2012

From The Subaltern To The Precariat, During Simon

Theoretical Studies in Literature and Art

This essay argues that, given the global dominance of neo-liberal capitalism, the concept of the subaltern now needs to be replaced by that of the precariat, a term first used by Pierre Bourdieu. It further argues that the category of the subaltern emerged in key post-disciplines of cultural studies, postcolonialism and subaltern studies, all of which themselves belong to the aftermath of the West's 1968 revolutions. In our era of global capitalism, their usefulness is in decline. Indeed the precariat is a broader category than the subaltern since it covers not just those who live on the margins of the …