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Articles 1 - 13 of 13
Full-Text Articles in Chinese Studies
Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You
Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You
CLCWeb: Comparative Literature and Culture
As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …
Ecopoetry As Method: Reading Gary Snyder As A Cultural Mediator Between China And The World, Winnie L M Yee
Ecopoetry As Method: Reading Gary Snyder As A Cultural Mediator Between China And The World, Winnie L M Yee
CLCWeb: Comparative Literature and Culture
Ecocriticism is a field that is inherently cross-cultural, and poetry is an art form that creates bonds across cultural communities. This paper focuses on Gary Snyder, a prominent poet in his own right, who is famous for his translation of the works by Chinese poet Han Shan. His attraction to Chinese classical poetry and Eastern civilization offers an alternative to the Western developmental paradigm, and the ecopoetry he espouses is pertinent to today’s environmental debates. His references to nature do not function merely as reminders that nature should be respected but as an impetus to reflect on the coexistence of …
Review Of The Journey To The West, Vol. 1, Translated And Edited By Anthony C. Yu, Radovan Škultéty
Review Of The Journey To The West, Vol. 1, Translated And Edited By Anthony C. Yu, Radovan Škultéty
CLCWeb: Comparative Literature and Culture
This is a critical review of volume 1 of the 2012 revised translation of the classical Chinese vernacular novel Xiyou ji (The Journey to the West) by the late Dr. Anthony Yu (1938 - 2015), former Professor Emeritus in Humanities and in the Divinity School at The University of Chicago. It represents the first of four volumes of a thorough overhaul of the first edition, published originally from 1977 to 1983; this complete edition in 4 volumes and almost 1,900 pages (including extensive introduction, endnotes and index) appeared simultaneously on December 17, 2012. It is a result of …
Problems With Perceptual And Cognitive Idiosyncrasies In Li Wenjun’S Translation Of The Benjy Section Of Faulkner's The Sound And The Fury, Aaron L. Moore
Problems With Perceptual And Cognitive Idiosyncrasies In Li Wenjun’S Translation Of The Benjy Section Of Faulkner's The Sound And The Fury, Aaron L. Moore
CLCWeb: Comparative Literature and Culture
In his article “Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner’s The Sound and the Fury,” Aaron Lee Moore conducts a close explication of a 2014 English-Chinese edition of part of The Sound and the Fury. Li Wenjun’s translation of the Benjy section of The Sound and the Fury is certainly admirable in its graceful rendering of Faulkner’s complex, idiosyncratic prose style into accessible Chinese—and particularly laudable in its meticulous tracking of the a-chronological sequence of Benjy’s stream of consciousness narrative. However, problems arise in the translation due to an …
Farmer, Priest, And Poet: Knowledge Transmission And Wisdom In Works And Days And Gelimu, Duoduo Xu
Farmer, Priest, And Poet: Knowledge Transmission And Wisdom In Works And Days And Gelimu, Duoduo Xu
CLCWeb: Comparative Literature and Culture
This paper aims at a comparison between a classic poem from ancient Greek literature, the Works and Days by Hesiod, and ancestral records of hemerology from Daba Culture, entitled Gelimu, collected during my fieldwork in South-West China. Both traditions use constellations to mark important dates throughout the year, providing similar instructions on how to deal with daily work in the fields. Moreover, their mnemonic strategies and formulaic verses reflect their origins from oral traditions passed down from generation to generation. Starting from these basic similarities, the author analyzed the roles of Daba priests, the calendars authors, and Hesiod, the …
Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim
Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim
CLCWeb: Comparative Literature and Culture
In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of the latter …
The Disenchantment Of History And The Tragic Consciousness Of Chinese Postmodernity, Alberto Castelli
The Disenchantment Of History And The Tragic Consciousness Of Chinese Postmodernity, Alberto Castelli
CLCWeb: Comparative Literature and Culture
Magic Realism brings fantastic events into the frame of the narration. Yet it cannot quite be defined. At the very start of the process of definition, there is a question: Magic Realism is a mode of narration, or rather a post-colonial movement rising sociological issues alternative to the logic of power? The paper parallels and juxtaposes Latin American Magic Realism and the literary experience of Chinese literary Avant-garde in the 80s, similar apocalyptic thematic, but different narrative structures. Relating to the fictional universe of Can Xue and Yu Hua, the aim is to illuminate an exclusive mode to narrate history: …
Traveling Theory: Fredric Jameson’S Interpretations Of The Cultural Revolution And Maoism, Xian Wang
Traveling Theory: Fredric Jameson’S Interpretations Of The Cultural Revolution And Maoism, Xian Wang
CLCWeb: Comparative Literature and Culture
In her article, "Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism," Xian Wang discusses how Fredric Jameson transformed or “transcoded” the Chinese Cultural Revolution into his notion of cultural revolution, regarding it as a radical means to achieve decolonization and national liberation. The Chinese Cultural Revolution therefore became a model for cultural revolution in different parts of the world, and an alternative vision of modernity. Jameson also associates Maoism and the Cultural Revolution with Antonio Gramsci’s concept of subalternity, and considers cultural revolution as an ideological revolution for the oppressed classes. Taking Maoism as a traveling theory, …
From The "Other" To The "Master Narrative": The Chinese Journey Of The Frankfurt School, Guohua Zhu, Xiangchun Meng
From The "Other" To The "Master Narrative": The Chinese Journey Of The Frankfurt School, Guohua Zhu, Xiangchun Meng
CLCWeb: Comparative Literature and Culture
In their article, "From the 'Other' to the 'Master Narrative': The Chinese Journey of the Frankfurt School," Guohua Zhu and Xiangchun Meng discuss the Chinese reception of Frankfurt School and the Maoist historical context. Chinese scholars take the narrow view of the Frankfurt School theories as a depoliticized instrument to explain Chinese practice, particularly in the realm of mass culture. Furthermore, the Frankfurt School has encountered the powerful political and ideological legacy of Maoism, which not only dictates instrumentalist view, but also predisposes to a nationalistic attitude that pits Chinese exceptionalism against universalism, including the Frankfurt School and other western …
Introduction: Rethinking Critical Theory And Maoism, Kang Liu
Introduction: Rethinking Critical Theory And Maoism, Kang Liu
CLCWeb: Comparative Literature and Culture
In his article, "Rethinking Critical Theory and Maoism," Kang Liu reviews the existing literature in English on the relationship of Critical Theory and Maoism and discusses the need to explore and reconstruct a genealogy of Critical Theory and Maoism within the global context of political, ideological, and intellectual currents and trends. The special issue will focus on three clusters of issues: first, the western invention of Maoism as a universal theory of revolution; second, the reception of Critical Theory in China and its relationship to Maoism; and third, the relevance of Maoism and Critical Theory today. Liu raises the question …
China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts
China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts
CLCWeb: Comparative Literature and Culture
In his article "China and the Politics of Cross–Cultural Representation in Interwar European Fiction" Carles Prado-Fonts analyzes Joan Crespi's La ciutat de la por (The City of Fear, 1930) to illustrate the varied representations of China in interwar Europe. In the 1920s and 1930s, a plurality of views on China and the Chinese people became widespread across different parts of Europe, mainly shaped by English, French, and German representations. Contradictory images of China coexisted in literature, thought, and popular culture. Crespi's work exemplifies these contradictions: China appears as both an attainable reality and an unreachable fantasy, two tropes that prevailed …
Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography, Weijie Song
Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography, Weijie Song
CLCWeb: Comparative Literature and Culture
In his article "Positions of Sinophone Representation in Jin's (金庸) Chivalric Topography" Weijie Song examines Yong Jin's post-1949 Hong Kong chivalric imagination of imperial Beijing and beyond during the Ming-Qing Dynastic transition and the dialects of inclusive exclusion and exclusive inclusion. In Cold War Hong Kong, Jin charted a wide range of chivalric activities: intruding into the political center embodied by the Forbidden City (the "Great Within") and fleeing to peripheral regions such as Xinjiang's Islamic community, the overseas kingdom in Brunei in Southeast Asia, and an unknown place somewhere inside Yangzhou. Song argues that Jin's literary topography suggests a …
Chinese Literature's Route To World Literature, Hongtao Liu
Chinese Literature's Route To World Literature, Hongtao Liu
CLCWeb: Comparative Literature and Culture
In his article "Chinese Literature's Route to World Literature" Hongtao Liu argues that Goethe's theory of world literature based on the conflicting and unifying values of cosmopolitanism and localism has fueled Chinese literature's desire to join world literatures. Proposed by Zhenduo Zheng with the notion of the "unification of literature" at the beginning of the twentieth century and developed in the 1980s, the "global elements of twentieth-century Chinese literature" in the twenty-first century, this notion remains a feature of Chinese literature's global trajectory. Liu argues that although the experience of a number of transitions, China's pursuit remains relevant and translation …