Chinese Studies Commons^™

Disney's American Mulan, Sofia Diascro

CAFE Symposium 2026

In America, we are taught that we should live for ourselves. We are told we have personal freedom to be an individual and do what we want. Ancient China prioritized collectivism, an idea deeply rooted in Confucianism. Collectivism is about hierarchy, family, duty, and obligation. Disney’s Mulan movies differ from the Chinese legend of Mulan by emphasizing American values of individuality and self-discovery.

From Mountains To Cities: East Asian Landscapes, Catherine Haley, Conrad Martens, Cyndy Basil, Emma Wylam, Isobel Debenham, Katherine M. Tyson, Lenna Kouzoujian, Miriam Glatfelter, Molly Griffith, Noelle Muni, Yan Sun

Schmucker Art Catalogs

Under the direction of Prof. Yan Sun, student curators examine diverse depictions of landscapes from China and Japan. The selected works, including paintings on silk, ornate carvings in lapis lazuli, and prints, among others, offer meditations on nature and industrialization. Students consider the historical, material, aesthetic, and environmental significance of the works on display.

The Personality And Psychology Of Chen Zi-Ang, A Fiery, Noble Warrior And Martyr (陳子昂烈士之人格心理), Xiao-Yu Chen

Student Publications

From the perspective of psychology, personality refers to the long-term, significant pattern in which a person perceives themselves while responding to others and the world. In the vast majority of situations, a person’s experiences at and before age twenty-five, in addition to their reactions to these situations, have a significant impact over their personality and psychology. In the vast majority of cases, the significant sources of these experiences are the substantial impacts of familial circumstances and early professional interactions, in addition to their broader social-historical worlds. Chen Zi-Ang the martyr was in the human realm for forty or forty-one years …

Imprints Of Life: Rubbings From Carved Stones Of The Han Dynasty, Elinor G. Gass, Yan Sun

Schmucker Art Catalogs

Imprints of Life: Rubbings from Carved Stones of the Han Dynasty explores the connectivity between an individual’s character and the historical narratives celebrated in Han society; on display in Schmucker Art Gallery are rubbings taken from carvings on architectural components of burial chambers and above ground shrines in the western Shandong Province. These rubbings, selected from Gettysburg College’s Special Collections and College Archives, date from approximately the 1st to 2nd century and illustrate the values of Confucianism and Daoism, the two prevalent philosophies embraced at the time. Confucianism establishes rules of morality and piety, while Daoism focuses on the balance …

"Rhapsody Of Agonizing Contemplations On An Autumn Night" And "​​The Torment Of Lady Daffodil"（〈秋夕怨思賦〉與〈水仙怨〉）, Xiao-Yu Chen

Student Publications

“A spirit of extreme magnitude and fortitude that spreads passionately and boldly.” — Dr. Pu Yi-Nan, poet, scholar, and Professor at the Department of Chinese Literature of Tamkang University in Taiwan on the publications by Rivolia Chen Xiao-Yu’s that he has read 「浩氣慷慨。」 ——臺灣淡江大學中文系教師、詩人、學者普公義南，評其所閱陳瀟玉已刊之作

Traditional Chinese Poems, “The White Blossom” And “Agony Unfurls,” As Well As The Finished Parts In The Martyrdom Of Chen Zi-Ang, A Film Screenplay, And “Shadows Of Phoenixes” In Scarlet Tears On A Golden Branch, A Novel (華夏傳統詩〈素華〉與〈抽怨〉、電影劇本《陳子昂殉道記》已成之部、小說《金枝紅淚》中〈凰影〉已成之部), Xiao-Yu Chen

Student Publications

Book Description

Chen Zi-Ang (courtesy name Bo-Yu, 659–700 CE) was a medieval Chinese author, poet, scholar, twice-prisoner, and a martyr. It has been a devotion of the Daoist and the Chinese folk religions to venerate him as the Holy Land Patron of the Shu Area (Sichuan) and his hometown, Shehong. During his brief life, Chen reverently practiced the cultural-spiritual lineage of Confucianism and was a devout follower of the Daoist religion. He was also a long-term manifester of the Chinese cultural-spiritual archetype of the warrior. Earning his doctorate in 684 CE, he served in a number of minor official roles, …

The Constructing Of “Chinese-Ness”: The Culinary Identity Of Chinese Restaurants In Gettysburg, Pa., Lureann A. Semple

Student Publications

General Tso’s Chicken. Egg Rolls. Fried Rice. Fortune Cookies. Since the creation of Chop Suey in 1849, Chinese restaurants have not only displayed one of the most fascinating ethnic cuisines in the US but also become a commonly recognizable cultural symbol for Chinese-ness in the American “melting pot." Then what kind of “Chinese-ness” is presented and how is it constructed by these restaurants? Does its Otherness prevent it from fitting into mainstream American society or does its Americanization make this identity less ‘authentic’? By taking the Chinese restaurants in Gettysburg, PA, as a case study, this research studies the construction …

Adapting: A Chinese Philosophy Of Action, Mercedes Valmisa

Gettysburg College Faculty Books

If you are from the West, it is likely that you normally assume that you are a subject who relates to objects and other subjects through actions that spring purely from your own intentions and will. Chinese philosophers, however, show how mistaken this conception of action is. Philosophy of action in Classical China is radically different from its counterpart in the Western philosophical narrative. While the latter usually assumes we are discrete individual subjects with the ability to act or to effect change, Classical Chinese philosophers theorize that human life is embedded in endless networks of relationships with other entities, …

From The Yellow Springs To The Land Of Immortality, Sam Arkin, Georgia E. Benz, Allie N. Beronilla, Hailey L. Dedrick, Sophia Gravenstein, Alyssa G. Gubernick, Elizabeth C. Hobbs, Jennifer R. Johnson, Emily Lashendock, Georgia P. Morgan, Amanda J. Oross, Deirdre Sullivan, Margaret G. Sullivan, Hannah C. Turner, Lyndsey J. Winick, Yan Sun

Schmucker Art Catalogs

The Yellow Springs is a vivid metaphorical reference to the final destination of a mortal being and the dwelling place of a departed one in ancient China. In the writings of philosophers, historians, and poets during the long period of Chinese history, the Yellow Springs is not only considered as an underground physical locus where a grave is situated, but also an emotionally charged space invoke grieving, longing, and memory for the departed loved ones. The subterranean dwelling at the Yellow Springs is both a destination for a departed mortal being and an intermediary place to an ideal and imaginative …

Huang Li-Zhou (Zongxi, 1610-1695) The Venerable Warrior's "On The Monarchs," "On The Officials," And "On Laws" In English Translations, Xiao-Yu Chen

Student Publications

Huang Zongxi (September 24, 1610 - August 12, 1695), literary name: Li-Zhou, was an early modern Chinese Confucianist warrior, who advocated for a political system that divides power into regions and resembles a Euro-American federacy or confederacy. He had around fourteen years of experience, in which he militarily struggled against the Manchurian Ching government, and has "tens of millions of characters" of preserved works, such as his Waiting For the Dawn and more than five hundred poems. [excerpt from "About the Author"]

Coming Soon To A Chinese Theater Near You: Why China Matters Even To Hollywood, James N. Udden

Friday Forum

In recent years, China has engaged in infrastructure projects on a scale and scope without historical precedent. Cinema in China is no exception. For roughly a century Hollywood has managed to dominate the world largely through the control of the largest exhibition market in the developed world, meaning the USA and Canada. Just a couple years ago, however, the Chinese exhibition sector surpassed North America as the world’s largest linguistically unified and developed film exhibition market. Find out why screenwriting classes in the USA now include courses on how to write for the Chinese market. Find out why even you …

Friend Or Foe: Perceptions Of China In Africa, Shahn M. Savino

Student Publications

China's rush to Africa for resources and a sphere of influence has inspired much debate in the academic world. Many western scholars generalize China's Africa strategy or African perceptions of that strategy. These are both grave mistakes. While China's objectives in Africa are the same all over, the way it achieves that strategy varies from nation to nation. In addition, African perceptions of China vary from nation to nation. Using Algeria and Niger as main case studies, this paper will show that the wealth of a nation changes the way that the Chinese government and Chinese nationals interact with that …

Factors Influencing The Evolution Of Chinese Disaster Relief Efforts, Lucas W. Gaylor

Student Publications

Disasters are life-altering events for any country. Every country around the world suffers from various kinds of disasters, whether produced by natural or human forces. The impact that these disasters have on people’s lives makes the topic of disaster relief and management a critical one for all governments around the globe; China is certainly no exception to the importance of disaster relief policy. As a country that has fallen victim to many disasters in recent memory, its disaster relief policy is one that has been analyzed at length by scholars around the world. In this piece, I seek to analyze …

Jing Li, Associate Professor Of Chinese Language And Culture, Musselman Library, Jing Li

Next Page

In this first Next Page column of the 2017-18 academic year, Jing Li, Associate Professor of Chinese Language and Culture, shares recommendations for Chinese folktales that will help readers “see China in plural forms,” her favorite book to give as a gift, how she got her hands on magazines and comic books to read for fun during her childhood in China, and much more.

Friends Of Musselman Library Newsletter Fall 2016, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library Exhibits

GettDigital: Sports Reels

Research Reflections: The Gettysburg Superstar (Devin McKinney)

Remembering 9/12

Will Power: 400 Years After the Bard

Treasure Island (Robin Wagner)

Margin of Error

A Call to Activism in the Summer of '65 (Richard Hutch '67)

Digital Scholarship: The New Frontier (Julia Wall '19, Lauren White '18, Keira Koch '19)

Scrapbooks and Photo Albums: Snapshots of History (Clara A. Baker '30)

Soldiers' Scrapbooks (Laura Bergin '17)

A Book of Dreams (Alexa Schreier)

Who Do You Think You Are? (Timothy Shannon)

From Professor-Student to Collaborators (Jesse Siegel '16)

The Mysterious Easel Monument …

The Construction Of Touristic Modernity In Xizhou, Katherine E. Benton

Student Publications

Tim Oakes’ (1998) concept of touristic modernity accurately describes how the Chinese national discourse surrounding tourism, as both a tool for economic growth and nation-building, has shaped what the local reality has become for many towns and villages in the peripheral regions of China, especially those with large populations of ethnic minorities. Specifically in the Dali Bai Autonomous Region, foreign tourism followed by nostalgia-fueled domestic tourism has transformed Dali into a commercialized tourist destination, which has begun to spill out to other towns around the lake such as Xizhou. Touristic modernity is not, however, a singular homogenous force that culturally …

Globalization Of Taste And Modernity: Tracing The Development Of Western Fast Food Corporations In Urban China, Anastasia Gonchar

Student Publications

Food globalization has become an important topic in the discourse on globalization. There has been a rapidly rising trend of multinational food corporations integrating and dominating foreign agro-food markets. A clear example of this trend is present in China, whose economy and food industry experienced an influx of foreign direct investment and multinational retail and restaurant branches during the country’s economic opening in the 1980s. The aim of this research is to analyze the development of food globalization through the lens of Western fast food corporations and their successful integration into the Chinese market. The research also assesses the companies’ …

Theravada Buddhism, Identity, And Cultural Continuity In Jinghong, Xishuangbanna, James H. Granderson

Student Publications

This ethnographic field study focuses upon the relationship between the urban Jinghong and surrounding rural Dai population of lay people, as well as a few individuals from other ethnic groups, and Theravada Buddhism. Specifically, I observed how Theravada Buddhism and Dai ethnic culture are continued through the monastic system and the lay community that supports that system. I also observed how individuals balance living modern and urban lifestyles while also incorporating Theravada Buddhism into their daily lives. Both of these involved observing the relationship between Theravada monastics in city and rural temples and common people in daily life, as well …

批评是理性对话——艾布拉姆斯与他的文学批评观 (Literary Criticism As A Rational Dialogue: M.H. Abrams And His Theoretical Orientations), Junjie Luo (罗俊杰)

East Asian Studies Faculty Publications

M.H. Abrams is known to Chinese readers as an influential literary critic of the Romantic Movement. This article, commissioned by Literature, a Chinese-language literary newspaper, introduces the theoretical orientations of M. H. Abrams, who passed away in April 2015 at the age of 102.

The Tokugawa Samurai: Values & Lifestyle Transition, Kathleen A. Mcgurty

Student Publications

The Tokugawa period of Japan was a time of great prosperity but also great strife among the social classes. Of the most affected peoples of the Japanese feudal system was the samurai, who had so long been at the center of military and even political power. For hundreds of years, these highly revered peoples had lived a consistent life based off of virtues passed on through a code, and have also lived comfortable lives due to special powers that were reserved for them.

However, with a lack of warfare and increasing Western influence on the political, social, and military system …

Dust In The Wind: A Definitive Hou/New Cinema Work, James N. Udden

Interdisciplinary Studies Faculty Publications

Book Summary: For younger critics and audiences, Taiwanese cinema enjoys a special status, comparable with that of Italian Neorealism and the French New Wave for earlier generations, a cinema that was and is in the midst of introducing an innovative sensibility and a fresh perspective. Hou Hsiao-hsien is the most important Taiwanese filmmaker working today, and his sensuous, richly nuanced films reflect everything that is vigorous and genuine in contemporary film culture. By combining multiple forms of tradition with a uniquely cinematic approach to space and time, Hou has created a body of work that, through its stylistic originality and …

Field And Factory: Chinese Revolutionary Posters, Molly E. Reynolds

Schmucker Art Catalogs

The images on display for Field and Factory, political propaganda used by the Communist Party of China during the 1950s, 60s, and 70s, construct a fictitious world. In perceiving these kinds of illustrations, the audience is asked either to visualize the society in its ideal form or unify in opposition to a national enemy. In the first half of the twentieth century, before the possibilities of the television advertisement were fully realized, posters were one of the most popular forms of propaganda: cheap to produce in mass quantities and simple enough to hang in any public building. The art form’s …

A Tale Of Two Needles, Chengyi Liu

SURGE

Looking back, I guess the name should have been my first clue. “Alternative” medicine? “Complementary” medicine? What is it about these medical practices, which to me are completely traditional, that places them in a secondary position to other medicinal options in the United States? [excerpt]

Fearless: Bruce Larson And Alice Carter, Bruce A. Larson, Alice Carter

SURGE

This Monday, Professor of political science and public policy, Bruce Larson, Assistant Director of Development, Alumni, and Parent Relations, and Technology, Alice Carter, and daughter Lily Larson will be leaving for a semester in Beijing, China. Professor Larson will be joining the ranks of Gettysburg College’s Fulbright recipients, teaching two courses at the China Foreign Affairs University while conducting his research.

《庄子》中关于身体的诸概念" (Concepts Of The Body In The Zhuangzi), Deborah A. Sommer (司馬黛蘭)

Religious Studies Faculty Publications

In this essay Sommer explores how the Zhuangzi uses such terms for the body as gong 躬, a sanctimonious ritualized body; shen 身, a site of familial and social personhood; xing 形, an elemental form that experiences mutations and mutilations; and ti 體, a complex, multilayered corpus whose center can be anywhere but whose boundaries are nowhere. The Zhuangzi is one of the richest early Chinese sources for exploring conceptualizations of the visceral human form. Zhuangzi presents the human frame as a corpus of flesh, organs, limbs, and bone; he dissects it before the reader's eyes, turning it inside out …

早期 '地' 和 '土'之观 (Concepts Of Earth And Land In Early Chinese Texts), Deborah A. Sommer (司馬黛蘭)

Religious Studies Faculty Publications

Many studies have explored conceptualizations of heaven (tian 天) in early Chinese thought, but few if any have explored understandings of heaven's later cosmological counterpart, earth (di 地). This article examines Chinese understandings of earth and land (tu 土) in pre-Qin 先秦sources. In ancient texts such as the Book of Odes (Shi jing詩經) and Book of Documents (Shang shu尚書), the earth is not yet the paired counterpart to heaven that it will become in later Warring States (fifth-third centuries BCE) texts. Older works often depict earth and land as passive recipients of heaven's …

The Ji Self In Early Chinese Texts, Deborah A. Sommer (司馬黛蘭)

Religious Studies Faculty Publications

In much recent scholarship on notions of self in Chinese studies, the term "self" is usually used in a general sense. In this essay, however, Sommer focuses specifically on unraveling the fields of meaning of one Chinese character: ji 己, which may often be rendered as "self." She compares this ji self with other terms for body and person current in classical times. This ji self is strongly individuated, but it exists primarily in relation to other human beings (ren 人 ). These "others" are almost never one's own kind and are usually people who fall outside one's ascribed …

Human Capital, Education, And Entrepreneurs: Evidence From The Yangtze River Delta, Zhining Hu, Jianghuai Zheng, Jialing Wang

Economics Faculty Publications

This paper seeks to examine the relationship between education demand and entrepreneurs in the process of enhancing the growth of human capital in China. We develop a theoretical model that incorporates the important roles played by human capital, education and entrepreneurs. Then, we derive an immigration condition under which the demand for education depends on the existence of entrepreneurs. Finally, we test whether this condition holds true in China, using a panel data set from the Yangtze River Delta which is considered a key barometer of Chinese economy. The empirical results reveal a significant positive relationship between entrepreneurs and education …

Concepts Of The Body In The Zhuangzi, Deborah A. Sommer (司馬黛蘭)

Religious Studies Faculty Publications

In this essay Sommer explores how the Zhuangzi, a Chinese philosophical text that dates to the third or fourth centuries BCE, uses different terms for the human body. She explores each term's different fields of meaning: the body might appear as gong 躬, a sanctimonious ritualized body; shen 身, a site of familial and social personhood; xing 形, an elemental form that experiences mutations and mutilations; or ti 體, a complex, multilayered corpus whose center can be anywhere but whose boundaries are nowhere. The Zhuangzi is one of the richest early Chinese sources for exploring conceptualizations of the visceral …

No Man An Island: The Cinema Of Hou Hsiao-Hsien, James N. Udden

Gettysburg College Faculty Books

Hou Hsiao-hsien is arguably the most celebrated Chinese-language film director in the international film festival realm. However, this is not due to an inert cultural tradition so much as to numerous historical/contextual factors – most of all his being from Taiwan -- which together explain the accomplishments of Hou.