Chinese Studies Commons^™

Disney's American Mulan, Sofia Diascro

CAFE Symposium 2026

In America, we are taught that we should live for ourselves. We are told we have personal freedom to be an individual and do what we want. Ancient China prioritized collectivism, an idea deeply rooted in Confucianism. Collectivism is about hierarchy, family, duty, and obligation. Disney’s Mulan movies differ from the Chinese legend of Mulan by emphasizing American values of individuality and self-discovery.

K(Now) W(Here), Yulin Yuan

Masters Theses, 2020-current

“How does one discover solace and belonging within these layered narratives?”

In mythology, narratives were once created to answer the incomprehensible questions of an era. These narratives unveil half-truths, customs, and convictions. K(now) W(here) is based on the experience of the artist who is Chinese and immigrated to South Africa at a young age; she elaborates the story about assimilation, authenticity, tales of her ancestral roots, and, most often, myths of identity.

The artist used narratives from Chinese mythology, collaged physically and metaphorically using tangible objects from other’s homes in combination with photography, digital media, and domestic items and assemblage …

Nourishing Connections: Chinese Immigrant Identity In Tokyo Through Commensality And Hospitality, Sarai Brown

BYU Asian Studies Student Journal

This paper explores how Chinese immigrants in Tokyo, Japan preserve their cultural identity through practices of commensality and hospitality in stark contrast to Japanese culture. In Chinese culture, hospitality – mainly acts of food sharing – is how kinship relations are built and maintained, eventually growing into an important hierarchy network that ultimately builds a fully realized identity created out of communal belonging. Japanese culture in this sense is not as hospitable, deeming food-sharing as an extremely private and high-risk affair that is considered low-risk in Chinese contexts.

Las Voces Desde La Liminalidad Sino-Peruana: –Una Lectura Comparativa De Mongolia Y La Vida No Es Una Tómbola–, Jing Tan

LSU Master's Theses

Chinese immigrants first arrived in Peru in the mid-19th Century. Since then, the Sino-Peruvian community has lived through myriad vicissitudes. Today, despite its indisputable influence in Peru’s history, it is still largely invisible in society, just as the concept of an Asian Latin American identity remains elusive in the national consciousness. In the literary and academic world, the scarcity of a voice highlighting Chinese legacies in Peruvian literature is echoed by the dearth of such a voice in the criticism regarding works by Sino-Peruvian writers about Sino-Peruvian experiences.

This comparative analysis engages with two novels that evince deep parallelism with …

Narrative Of Habitus Distinction: From Fantasy Of Identity To Competition Of Elegance——Centering On The Image Of People Subject To Identity Transformations In Modern Fictions, Daizong Yu

Theoretical Studies in Literature and Art

Sociological or anthropological list of the habitus of people are from different classes, focusing on the strategy and function of habitus distinction in social struggles from the perspectives of political culture, economic level, and intergenerational reproduction. In contrast, modern fictions depict different forms of struggles from the perspectives of perceptual experience, emotional change, and taste preference. The narrative of habitus distinction in modern fictions shows the obstinacy of old habitus, the fragility of new habitus, and the aggressiveness of habitus in the struggles of classification. Its insight and aesthetic interpretation provide not only a more precise way but also a …

多重他者 : 太平天國戰争時期的身份政治, Huan Jin

嶺南學報 Lingnan Journal of Chinese Studies

在太平天國戰争 (1851—1864) 期間及其結束後，“他者”這一概念被用來煽動與表述暴力，並且在這一過程中獲得了多種意義。本文集中於十九世紀與太平天國相關的話語與表述，來探討“他者”這一概念所藴藏的政治、道德以及文化内涵。首先，通過討論太平天國和清政府的政治宣傳，作者探究這兩個敵對政權如何各自構建其政治敵人。對於太平天國的身份建設而言，宗教與政治敵人的確立尤爲重要。其次，作者關注介於現實與想像之間的筆記小説中處於政治與社會邊緣的人物。這些人物穿越政治邊界，也因此在太平天國與清政府話語中所規定的“我們”與“他者”之外形成了“第三類别”。這些短篇故事中的作者對這些邊緣角色做出道德評價，因而將他們置於另一種與“他者”相關的敘事規範之中。最後，在奇幻與想像的疆域裏，企圖建構與調整政治與道德“他者”的努力被撤底質疑。總體而言，本文以在太平天國戰争之中及其結束後所産生的文學與文化爲對象，探討“他者”這一概念的多義性與有效性。

During and after the Taiping Civil War (1851 - 1864), the notion of the Other was implicated in the provocation and mediation of violence and, as a result, acquired a multitude of new meanings and manifestations. Focusing on the discourse surrounding the Taiping War, this article explores the multiple political, moral, and cultural implications embedded in the idea of otherness. Unpacking the propaganda discourse of both the Taiping rebels and the Qing government, the author investigates the making of the political enemy by opposing regimes. In particular, the construction of a religious and political enemy is vital …

A Global Hybridity: Snakehead Influence On Identity And Migration, Teeana Cotangco

CMC Senior Theses

Through introduction of Fujian Province as home to the largest migrant population in the world, this article aims to address the negotiation of intersections between local and global forces that form new spaces throughout the diaspora. The "third space," a term coined by Homi Bhabha, addresses the fluid identity of Chinese-Filipino individuals that both acknowledges the traditional notions of "Chinese" while being influenced by a history of colonization in the Spanish Philippines. I incorporate my own personal experience as an American-born Chinese-Filipino navigating new spaces, and also the experience of my family members through interviews.

Asia Pacific Perspectives Vol. 16 No. 1, Fall/Winter 2018-2019, University Of San Francisco

Asia Pacific Perspectives

Contents:

Editor's Introduction by Melissa S. Dale

Within this issue, we share three examples of the latest research on cultures of dress, clothing, fashion and the formation of identity in the Asia Pacific region. These articles reveal the innovative work that scholars are currently pursuing in this area of research, ranging from the history of the tattooing in Japan, to fashion exchange between China and Mozambique, to the phenomena known as cosplay.

Fashioning Tattooed Bodies: An Exploration of Japan's Tattoo Stigma by John M. Skutlin

This article uses a cultural anthropological approach to examine tattooing stigma in contemporary Japan, particularly …

Maneuvering Modernity: Family Law As A Battle Field In Colonial Taiwan (1895-1945), Yun-Ru Chen

2013 New England Association for Asian Studies Conference

Twenty five years after launching its own legal modernization in response to Western imperialism, Japan imposed a modern legal system upon its first colony, Taiwan. In accordance with the “respecting old custom” colonial policy, the Japanese created a system called Taiwanese customary law, a mixture of imperial Chinese laws, local customs and European legal concepts, and gradually implemented its newly adopted European-style Meiji Civil Code (1898). However, even since the late 1910s when the colonial policy changed into “full-flag assimilation,” family law remained an exception to the transplantation of Japanese laws. That did not, however, mean that family law was …

The Ji Self In Early Chinese Texts, Deborah A. Sommer (司馬黛蘭)

Religious Studies Faculty Publications

In much recent scholarship on notions of self in Chinese studies, the term "self" is usually used in a general sense. In this essay, however, Sommer focuses specifically on unraveling the fields of meaning of one Chinese character: ji 己, which may often be rendered as "self." She compares this ji self with other terms for body and person current in classical times. This ji self is strongly individuated, but it exists primarily in relation to other human beings (ren 人 ). These "others" are almost never one's own kind and are usually people who fall outside one's ascribed …

The Legacy Of Crossdressing In Tanci: A Histoire Of Heroic Women And Men, Li Guo

Languages, Philosophy, and Communication Studies Faculty Publications

This essay studies a tanci work, A Histoire of Heroic Women and Men (1905), as a case which reflects the intersecting themes of crossdressing, gender representation and the literary form of tanci. Written tanci, appropriated and redeveloped by educated women to tell stories of female crossdressers, scholars, and military leaders, offers a meaningful intervention in the dominant social and cultural discourses of womanhood in late imperial China. In the fictional realm, women’s acts of crossdressing transcend the Confucian ideological prescriptions of feminine identity, displaying their heroic efforts to pursue autonomy in a patriarchal culture. This essay will analyze how these …

Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng

Faculty Scholarship

Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …