Chinese Studies Commons^™

王鏊及其《震澤先生集》研究, Yick Tan Ching

Lingnan Theses (MPhil & PhD)

王鏊（1450-1524），字濟之，南直隸蘇州府吳縣人，明代成化、弘治、正德三朝名臣及文學家。正德初，宦官劉瑾擅權，王鏊持節周旋，不得已去位，退隱林泉。其古文典雅，以制義名家，因道德文章兼而有之，為世推重。本論文以王鏊及其《震澤先生集》為研究對象，論文計有以下數端：（一）考察王鏊生平、交遊、著述，辨明其於吳中文人中之地位。（二）考察《震澤先生集》成書、刊刻之過程及版本源流，並嘗試復原該書部分殘缺之篇章。（三）自明清以降編纂之總集、別集、方志、譜牒、手稿中輯錄王鏊本集未收入之詩文，彙為一編，以備研究者取用之資。（四）考辨輯佚過程中所見署名王鏊所撰篇章之真偽。（五）根據所輯本集以外新見材料，補正今人所編王鏊年譜之訛漏。

Ethnobotany And Dai Medicine: Herbal Roots, Jasper Tsai

Independent Study Project (ISP) Collection

Xishuangbanna is home to one of the most biologically and culturally diverse regions in China. Dai medicine from the Dai people has been recognized by China as one of the four major ethnic minority medicines. With over 2,500 years of practice, Dai medicine utilizes the herbs found in the diverse region mixed with principles and theories from Buddhism. There have been over 500 unique herbs used in Dai medicine, each with different properties and functions. As Xishuangbanna continues to develop as a city and expand its rubber and banana plantations, it has large impacts on the environment, living standard, education, …

Integrative Pharmacotherapeutic Approaches To Treating Depression, Charlotte Tse

Independent Study Project (ISP) Collection

Traditional Chinese Medicine (TCM), based in the philosophy-religions of Buddhism, Confucianism, and Daoism, is more than a purely prescriptive medical system; it is a way of life focused primarily on the principles of prevention rather than the more reactionary direction that pharmacotherapy in the US has taken. Mental illness is expected to account for a quarter of China’s overall health burden by 2020, with depression affecting around 100 million people and nearly 30 percent of young Chinese adults. Conventional antidepressants have a delayed onset and unpredictable therapeutic efficacy in this condition, especially in mild to moderate cases of depression. In …

Herbal Medicine And Pediatric Massage: Interning At A Tcm Pediatric Clinic, Yvette Way

Independent Study Project (ISP) Collection

Before entering this program my knowledge of TCM was practically nonexistent. However even from a young age, I had an interest in learning about the healing properties of plants and herbs but, I had no way of exploring this interest of mine. After entering this program, I have learned more about TCM and herbal medicine. Because of the lessons that we have taken in class, it made me want to have a deeper understanding of TCM because of this, I decided to do an internship that would involve TCM. My time at Yang Zhen Er Kang clinic has taught me …

The Image Consciousness In Literary Criticism Of Fu In Ancient China, Jie Xu

Theoretical Studies in Literature and Art

Image consciousness in literary criticism in ancient China is most prominent in the criticism of Fu (Rhapsody), which can be seen from Liu Xie's "describing objects as they appear" in "Interpreting the Genre Rhapsody" (501-2 A.D.) to Zhu Guangqian's comment that "Rhapsody is akin to pictures" in On Poetry (1943). The imagist representation in the criticism tradition involves a way of "picturely" thinking developed from the fusion of verbal and pictorial horizons, with theoretical basis in rhapsody's linguistic characteristic of graphic description and the aesthetic configuration on objects and images. The image-representing way of thinking and the graphic criticism of …

"If There Is No God, Nothing Is Permitted At All": Žižek On Cyberspace, Yuchen Dai

Theoretical Studies in Literature and Art

Cyberspace and virtual reality are two topical concepts in new media studies. Among diverse discourses, Slavoj Žižek's critique of cyberspace is highly prominent. In constrast to the mainstream technological determinism, Žižek argues that the rise of cyberspace initiates an era characterized by "the retreat of big Other," and without the Other that functions as the Master to safeguard the norm for individual's actions. This ressesion of Master's function means, as Žižek claims in light of Lacanian psychoanalysis, that the subject will not be informed of what should be desired, and the subject is thus deprived of the access to effective …

Herder On Sculpture: Touching, Tactility And Body, Yanping Gao

Theoretical Studies in Literature and Art

This article aims to elucidate Herder's main theory on sculpture that sculpture is a tactile art, and also tries to construct Herder's implicit theory on "tactility". It argues that Herder's haptic quality is much embodied, and could be divides into two categories, the emphatic and the abstract, the thickly embodied and the thinly embodied. Towards the end this article will demonstrate that the domination of the former nevertheless leads to Herder's partial blindness on the tactility of different sculptures.

Intersemiotic Intertextuality, Verbal-Independent Visual Transcendence, And Visual Criticism: A Study Of Intertextuality In The Drawing Of Seven Sages Of The Bamboo Grove, Yuqin Zhang

Theoretical Studies in Literature and Art

Taking intersemiotic intertextual play in the drawing of Seven Sages of the Bamboo Grove as an example, this article investigates the intertwinement between language and image, a research topic worth a theoretical discussion, too, in the area of contemporary literary theory. This drawing generated with reference to the anecdotes of "Seven Sages" in ancient China is more a cultural marker of literature and art developed during the dynasties of Wei and Jin and thereafter than the epitome of unruly and indulged refined scholars. Apart from the verbal-dependent visual intertextuality, found within the drawing is the verbal-independent transcendence of the visual, …

The Aesthetics Of Parody In The Late Ming Dynasty, Jianqing Tuo

Theoretical Studies in Literature and Art

The late Ming parodic literature manifests itself as an innovated style based on the tradition of Chinese humorous literature. By means of vulgar imitation in the absurd senses of "crowning" and "de-crowning," it creates a comedic effect disagreeing with the original text and actualizes a restrained mockery of the social norm. The aim, however, is to appeal to the rationalization of human desire and the legitimatization of physical lust. The rise of aesthetic parody, on the internal level, stems from late Ming literature's conceptual shift from morality to entertainment and its narrative departure from traditional storytelling; on the external level, …

"Ecological Justice": Two Kinds Of Metaphysical Defense, Qing Zhao

Theoretical Studies in Literature and Art

This article aims to undertake an epistemological discussion of ecological justice with de-subjectivity as its core theme from both the perspectives of Adorno's ecological theology and Shi Tao's proposition of "spokesman for shan-shui". The former argues that the negative dialectics holds the possibility of approaching nature itself, and the latter advocates the harmony of heaven and human. Specifically, Adorno elevated the status of nature in the realm of human beings created by God, whereby nature acquires divinity and subjectivity is suppressed. In a different yet compatible way, by conceptualizing the harmony between heaven and human for the exclusivity of subjectivity, …

"The Dark-Houred Clock": Embodiment And Abstraction In Celan's Poetry, Lemberger Dorit

Theoretical Studies in Literature and Art

Celan's poetry is replete with metaphors that function in various ways. This article looks at two opposed functions of metaphor there: embodiment and abstraction. They rest on the fact that most cognitive processes occur unconsciously, leaving us with only a limited ability to understand their connections to metaphors. This makes it difficult to understand how a metaphor bridges between faraway and even opposed semantic fields. The dual metaphorical functions will be studied as used in three themes of Celan's language: (1) language as expression and as concealment, (2) interaction with the Other as a key to self-constitution, and (3) the …

An Access To Europe's "Límpensé": François Jullien's Conceptualization Of Classical Chinese Aesthetics, Zhenhua Han

Theoretical Studies in Literature and Art

The classical Chinese aesthetics that French sinologist François Jullien tries to construct is centered on such notions as plain (la fadeur), non-objet, désontologie, and l'immanence. In so doing, Jullien aims to give Europe an access to "l'impensé" via Chinese aesthetics. However, his endeavour presents itself to be more like a derivative of post-structuralist theories of Foucault and Deleuze and an invention than a reliable representation of China. On the fundamental level, Jullien's views of Chinese thought follows those of Hegel and Max Weber. Although he tries to reexamine Hegel's negative comments on China, his seemingly exquisite discussions fail to rectify …

Chinese Medicine, Western Medicine, And Patients: Writings On Infectious Disease During The Debate Between Chinese And Western Medicine, Xiaoyan Deng

Theoretical Studies in Literature and Art

Modern epidemiology led to a comprehensive change in social concepts. As a result, the fear of bacteria became a psychological basis of social mobilization in modern countries. In China, the fear of bacteria and the fear of Western forces were ingeniously combined, thus becoming the emotional motivation for New Culture intellectuals who fervently criticized traditional Chinese medicine under the slogan of scientism. In the context of the debate between Chinese and Western medicine, this article focuses on the writings of infectious diseases in modern Chinese literature. By analyzing the texts and events related to Chen Dabei, Sun Fuyuan, Lu Xun, …

Cunning Apparatus And The Pain Of Modern Literature: A Parallactic Reading Of Kojin Karatani's Literary Theory, Shangrong Han

Theoretical Studies in Literature and Art

Since Kojin Karatani's Origins of Modern Japanese Literature was published, it has been regarded as an example of modern criticism based on rationalism. Considering Karatani's theoretical constructions at that time and his entire academic career, a hidden concept of parallax can be found, and the apparatus that exists in modern Japanese literature, as Karatani sees it, results from the lack of this parallax. In contrast to modern literature's emphasis on self-consciousness, the apparatus excludes self-consciousness and engenders a closed field by means of this exclusion. Therefore, arguments on modern literature, such as depth and plot, remain inside the apparatus; not …

Essential Differences Between The Late Qing And The May Fourth Written Vernacular Chinese, Yu Gao

Theoretical Studies in Literature and Art

Dedicated to enlightenment, the late Qing movement of written vernacular Chinese spread both old and new ideas, whereas the May Fourth movement of written vernacular Chinese was an intellectual revolution. Not only did they refuse old ideas, May Fourth literati radically criticized traditional Chinese culture and initiated the modernization of China on both intellectual and social levels. Essentially, the written vernacular Chinese of the late Qing dynasty is a language of instrumentality, whereas that of the May Fourth is a language of thought. The former, mainly including colloquialism and slangs, was an auxiliary language of classical Chinese and unable to …

Function Words Through The Critical Lens Of Traditional Stylistics And Its Later Interpretations In The Early Modern Era, Fangzhou Chang

Theoretical Studies in Literature and Art

Essayists of the Tang and Song dynasties consciously celebrated the rhetorical effect of function words, which made function words an important subject in traditional stylistics. During the Qing dynasty, discussions on function words had two voices. In contrast to the school of philology's linguistic approach, the school of rhetoric focused on the style of writing to illuminate the rhetorical significance of function words. In the early modern era, Chinese scholars familiarized themselves with the categorization of Western learning and made attempts to reveal the characteristics of classical prose from a holistic perspective. By looking at function words' rhetorical effect in …

Humanistic Discourse And Knowledge Production Of Literary Theory In The Early Years Of The New Era, Yaming Lu

Theoretical Studies in Literature and Art

Humanistic discourse is not inherently associated with the production of literary theory at its inception, but has become part of the production of literary theory knowledge and participated in the construction of the literary theory knowledge system in a specific way at a particular moment, humanistic discourse as a literary theory should be examined not only in relation to specific international and domestic historical contexts and actual social factors but also from the perspective of the formative process of the literary theory field in the new era. Humanistic literary theory was of great significance in the initial stage of the …

On Rancière's Concept Of Modern Fiction, Danhong Cao

Theoretical Studies in Literature and Art

Jacques Rancière has a long-standing interest in fictional issues. In recent years, he has published several monographs, in which he ponders the nature of modern fiction and presented unique insights. Rancière's concept of modern fiction is based on the critique of the traditional fictional rationality pioneered by Aristotle and the inheritance of scholars and writers such as Schiller, Keats, Flaubert, Woolf, Auerbach. It points out that the core of modern fiction is no longer the imitation of an organic whole action, but rather the manifestation of juxtaposed sensible micro-events. Changes in content lead to changes in the form of modern …

On The Theoretical Construction Of The Characteristics Of Tongguang Style Poetry By Tongguang Style Poets, Xiaowei Zhang

Theoretical Studies in Literature and Art

The Tongguang Style poetry, which had its origins in the Song School poetry during the reigns of Emperor Daoguang and Xianfeng (1821-1861), represented a profound innovative force within traditional poetry in both theory and creation. Tongguang Style poets also had systematically theoretical construction of the characteristics of their creation. They rebelled against the "orthodox form" in previous poetry and opposed Zhang Zhidong's theory of "qingqie" (explicit), by raising a set of binaries such as "qingqie" and "pise" (recondite), as well as "guangyi" (transparent) and "jianshen" (difficult). Zheng Xiaoxu also said that in modern society, "everything changes with disturbance outside and …

The Decline Of Dualism And The Rise Of Soma-Esthetics In Western Aesthetics, Xiaohua Wang

Theoretical Studies in Literature and Art

Dualism has long been dominant in the history of Western aesthetics, and it has established a hierarchical schema from the day it was born. The mind is imagined as a subjective role, while the body is regarded as a passive object that needs to be driven, enriched and guided. From the point of logic, a paradox is inherent to the schema: if the body and the mind are essentially different, they cannot interact with each other; if their nature is the same in essence, it is equally illogical to distinguish them. In the process of solving this paradox, the significance …

The Dissolution Of Dualism And The Reflective Nature Of The "Contestation Between The Tang And The Song Poetry" In The Qing Dynasty, Yunyun Tang

Theoretical Studies in Literature and Art

The "contestation between the Tang and the Song poetry" in the Qing dynasty is commonly viewed dualistically as a rivalry between the pro-Tang poetry group and the pro-Song poetry group. However, the said contestation was not an dispute over learning from the Tang poetry or the Song poetry in poetry writing practice, because their theoretical footings of the two groups do not cover the same ground to form a dualist opposition. At the core of the contestation are the dispute over the value of the Song poetry, and the discussions of traditional poetical concepts such as "poetry expressing ideals," temperament …

The Idea About Writing To "Convery The Truth" Of The Aixuan School In The Southern Song Period And Its Cultural Significance, Tianxi Zheng

Theoretical Studies in Literature and Art

The four generations of the epigones of the Aixuan School in the Southern Song dynasty laid equal emphases on wen and dao, the artistic and ideological aspects of literature. The importance of human nature rose to prominence in this process, and finally obtained the same position as the ideological requirement for writing to "convey the truth". The increasing focus on the nature of literature was a projection of the secularization of Neo-Confucianism from the Southern Song period. Despite the Neo-Confucian repression of literature, it was a special phenomenon that the Aixuan School insisted on its belief in literature and continued …

The Significance Of "Sense Of Beauty" In Eighteenth-Century British Aesthetics, Jialian Li, Yunfeng Lei

Theoretical Studies in Literature and Art

Centering on "sense of beauty," the inner sense theory developed by Shaftesbury and Hutcheson is highly significant to eighteenth-century British aesthetics. However, due to linguistic and cultural differences, these two concepts have not been well received by the Chinese intelligentsia. By focusing on "sense of beauty," this paper aims to delineate the concept's development in eighteenth-century British aesthetics and evaluate its academic significance in the history of Western aesthetics, with the purpose of supporting the theoretical construction of contemporary Chinese aesthetics.

The Soma Dimension Of Kant's Aesthetics And Its Significance For Ecoaesthetics, Xiangzhan Cheng

Theoretical Studies in Literature and Art

Kant's aesthetics is typical for its "mind-representation". Mind uses all kinds of cognitive faculties to represent the object as a representation through synthesis, and then the object is given subjectivity through representation. Thus the taste in mind makes aesthetic judgments by connecting the representation with the subject's feeling. Kant, however, has not elaborated on and clarified the relationship between feeling and taste, thus making his aesthetics mainly "a science of judgment" that is rational rather than "a science of feeling" that is perceptual. However, Kant also proposes "taste of the senses" against "taste of reflection" and occasionally mentions such sense …

Why Is K. A Land Surveyor?, Yanbing Zeng

Theoretical Studies in Literature and Art

In Franz Kafka's novel The Castle, the protagonist K. claims that he is a land surveyor by profession. However, K. has no land to survey, which undermines the certainty of K.'s profession. Why, then, did Kafka choose this ancient profession for his protagonist? The uncertainty of K.'s identity, the paper claims, implies that K. is in essence an explorer of existence. Thus, Kafka was a pioneer of existentialist writers. Giorgio Agamben argues that the protagonist K. gets the name from kardo, an old instrument for land surveying. The land surveyor's work is to establish and to break boundaries — not …

A Study Of The American Boxer Indemnity Scholarship Program And Its Influence On Chinese Education: Taking Shandong Students As An Example, Pengxiu Sun

Seton Hall University Dissertations and Theses (ETDs)

The American Boxer Indemnity Scholarship Program (ABISP) was one of the most important events in the modern Chinese history of overseas education. This thesis focuses on the group of Shandong students which has representative characteristics of the whole American Boxer Indemnity Scholarship Program (ABISP) students to provide descriptive data for the influence on Chinese higher education through the achievements of Shandong students in the American Boxer Indemnity Scholarship Program (ABISP) in higher education. Through tracking the forty-two Shandong ABISP students, the thesis shows the establishment of Tsinghua University and ABISP students’ study and life in Tsinghua and the United States. …

Effective Strategies For Integrating Stem Education Into Chinese Language Classroom, Sophie Wang, Christine Zhang

Faculty Publications & Research

1. What is STEM?

-How can it be integrated into the current language curriculum?

2. Why STEM?

-Trend of offering the Mandarin course at K-12 schools

3. Chinese Curriculum & STEM-focused topics

-The STEM-focused topics incorporated at IMSA

4. Teaching strategies

-Lesson design, use of authentic materials, activities

禮莫大於聖王 : 論《荀子》對「禮」概念的擴充與轉化, Wai Yi Yau

Lingnan Theses (MPhil & PhD)

春秋戰國是社會大變革時期，諸子各派皆圍繞國家治亂問題展開論述，尤其是主張政治倫理化的儒家，其內在「倫理體系」與外在治國規範的「禮」有著密切關係。在整本《荀子》中，「禮」字出現342 次，涉及修身、資源分配、人事等多方面的意涵。相比《論語》、《孟子》主要以「仁」等倫理情感解釋「禮」，視「禮」為內在道德情感的外化表現，《荀子》則提倡「禮生於聖人之偽」，強調「心」能自主思慮抉擇，「禮」為外在理性產物，呈現有別於《論》、《孟》的一塘禮學思想。

本文將以《荀子》「禮」論為研究重心，並與《論語》、《孟子》有關「禮」的論述進行比對，探討《荀子》「禮」論與傳統儒家 (主要針對《孟子》) 的既定立場或看法有否差異之處？如有，會是何樣的差異？而這些差異的產生有否特定意義？本文將對此等疑問作一解答。

底層的自我表述 : 以余秀華和范雨素為例, Mengying Zhang

Lingnan Theses (MPhil & PhD)

從新文化運動的「平民文學」到近年廣受討論的「底層文學」，關懷底層群體的作家對如何更好地描寫不同境遇中的底層群體提出各自的見解。而在當下時代新媒體的推動下，底層作者也發表文學作品表現自己的生活和情感世界。

余秀華和范雨素即是近年來廣受關注的兩位底層作者，她們的作品因呈現了和普遍的對底層群體的苦難描寫不同的個人主體性而得到大量的關注和討論。本文將分別從文學生產和文本分析兩個層面對這一現象進行分析梳理。本文首先將對不同時期底層書寫的文學生產過程進行梳理，強調新媒體的加入對當下底層書寫的影響；其次本文將對余秀華和范雨素兩位作者的文本進行分析，試圖探究其文本的特性。

以往的研究或是關注專業作家對底層群體的描寫，或是將底層作者的作品進行單獨研究，本文借這兩位作者做整體分析探究，希望由此獲得關於底層書寫的更多理解。

明代王鏊佚札輯考, Yick Tan Ching

嶺南學報 Lingnan Journal of Chinese Studies

明代王鏊佚作散見各種文集、筆記、書畫題跋、書法尺牘、存世手稿中，今於點校本《王鏊集》“補遺”外，另輯得其佚札十八封，匯成一編，略爲校注，各附考釋。所輯諸札，或有資於王鏊行跡、交游之研究。