Music Commons^™

Concert Recording 2021-12-05b, Garrett Vogel, Hyun Kim

Concert Recordings & Programs

[00:00]. Vagal una / Vincenzo Bellini -- [03:38]. L’ultima canzone / Paolo Tosti -- [07:53]. Ich grolle nicht / Robert Schumann -- [09:31]. Verborgenheit / Hugo Wolf -- [12:13]. Chanson Triste / Henri Duparc -- [15:01]. Fleur jetée / Gabriel Fauré -- [16:48]. Come away death / Roger Quilter -- [19:54]. The lordy Hudson / Ned Rorem -- [22:13]. Der Vogelfänger bin ich ja, from Die Zauberflöte / Wolfgang Amadeus Mozart.

Concert Recording 2021-12-08, Emily Lannutti, Mickel Gordon

Concert Recordings & Programs

[00:00]. Oh! Had I Jubal’s lyre / George Frideric Handel -- [02:58]. Ophelia Lieder. Wie Erkenn’ Ich Dien Treulieb ; Sein Leichenhemd Weiss ; Auf Morgen ist Sankt Valentins Tag ; Sie Trugen ihn auf der Bahre bloss ; Und konnt er nicht mehr zuruck? / Johannes Brahms -- [07:57]. Le oiseaux dan la charmille / Jacques Offenbach -- [13:22]. La vie en rose / Edith Piaf -- [18:19]. 3 Shakespeare songs. O mistress mine ; Take o take those lips away ; Fairy lullaby / Amy Beach -- [25:03]. Le rossignol et la rose / Camille Saint-Saens -- [28:36]. …

John Wesley Work Iii: Arranger, Preserver, And Historian Of African American Traditional Music, Kaylina Madison Crawley

Theses and Dissertations--Music

This study focuses on John Wesley Work III’s life and career in response to the scarcity of existing research and publication devoted to him. To expand the scholarship focused on Work and to deepen the history of African American artistry, this dissertation analyzes his additions to concert repertoire through his arrangements of spirituals, investigates his scholarship, and performance— including his activities as Director of the Fisk Jubilee Singers — and provides a foundation for further analytical study of African- American sacred music. Methodology utilized in this thesis includes construction of a biographical narrative based on primary sources and analysis of …

Circuition: Concerto For Jazz Guitar And Orchestra, Richard Alan Robinson

Theses and Dissertations--Music

Circuition: Concerto for Jazz Guitar and Orchestra is a programmatic musical composition which tells the story of the life cycle. Each part is designed to represent a particular time in life through age or set of events that relate to all people regardless of the specifics in one’s life. Although I disclose how the program of relates to specifics within my own life, the goal is that a listener will find resonance with their own. In this document I examine how the elements of form, harmony, melody, and rhythm shape the composition and inform its programmatic nature.

Topics are divided …

Crouching Tiger Cello Concerto - A Melding Of Form And Content For The Concert Stage, Xiaohang Yu

Theses and Dissertations--Music

Tan Dun’s Crouching Tiger Concerto for Amplified Cello and Orchestra is not only one of the most frequently performed cello concerto of the recent past; it also demonstrates Tan’s masterful synthesis of artistic forms from the Chinese and the Western art music traditions with visual media that extends beyond the concert-hall. The music for this concerto was initially composed as part of the score for Ang Lee’s film Crouching Tiger, Hidden Dragon, itself a landmark blend of Chinese cinema with Western technique. The score broke boundaries, combining Western orchestral music with traditional Chinese instruments and thematic material. This melding …

The Clarinet And Piano Works Of Ernst Mahle: A Collaborative Pianist’S Perspective, Edgar Augusto Gonsales

Theses and Dissertations--Music

Ernst Mahle is a German-Brazilian composer who not only became a Brazilian citizen but also a reference for Brazilian classical music. His vast list of compositions includes works for all major genres, as well as containing instrument combinations that are not mainstream. In addition to being a composer, Mahle dedicated a big part of his life as a pedagogue, as a teacher and as the director of the Escola de Música de Piracicaba (Piracicaba Music School).

Through research on Mahle’s biography, compositional styles, and an interview with the composer, the purpose of this paper is to study his four clarinet …

A Study Of Language And Its Uses In Flute Performance And Pedagogy, Sarah Tuley

Theses and Dissertations--Music

Various tone colors can be produced on the flute in part by altering the shape of the lips, jaw and tongue movement, and air speed. As these actions are similar to those in the production of speech, flutists and flute teachers often associate aspects of playing with consonants and vowels. However, the shape of the oral cavity can vary depending on the spoken language of the flute-player. By becoming familiar with the pronunciations of different sounds from various languages, the flutist may discover a wider variety of tone colors at his/her disposal. This document will investigate the use of vowels …

A Pilot Study Evaluating A Training For Music Therapy Students On Considerations For Lgbtq Clients, Cecilia Blair Wright

Theses and Dissertations--Music

Music therapists are expected to understand the influence of gender identity, gender expression, and sexual orientation on the therapeutic process, yet may not be receiving education that adequately prepares them to support LGBTQ clients. The purpose of this pilot study was to evaluate the impact of a one-hour educational training for music therapy students on considerations for working with LGBTQ clients. The presentation included information about terminology, discrimination, healthcare discrimination, music therapy research, musical considerations, and additional resources provided as a handout. The minority stress theory and queer theory informed the development of the presentation. Exploratory analysis revealed that participants …

Teacher Perspectives On The Influence Of Participation In Dalcroze Training In The K–12 Music Classroom: A Mixed Methods Study, Holly Smith

Theses and Dissertations--Music

The purpose of this mixed methods study was to examine the teacher perspectives on the influence of participation in Dalcroze training in the K–12 music classroom. A primary goal was to investigate how Dalcroze training influenced music teachers’ classroom instructional practices. An explanatory sequential mixed methods design was use for this study. Participants (N = 91) completed a cross-sectional survey, the Dalcroze Training Experience Questionnaire (DTEQ). Interview participants (N = 6) were selected using stratified sampling based on their years of Dalcroze experience and not demographic characteristics. Each participated in one semi-structured interview.

Quantitative data was analyzed using a …

A New Model Of Interpreting Modified Strophic Design: Brahms’S Late Viennese Solo Lieder, Yung-Ching Yu

Theses and Dissertations--Music

The study of the interaction between musical and text-based elements in songs has received a great amount of attention in recent years. Although numerous previous researchers have contributed to the study of Brahms’s Lieder, more work remains to explore Brahms’s various compositional techniques of modification to reveal the music-text relationship and performance implications in his strophic songs. Since the majority of Brahms’s modified strophic songs were composed during his later Viennese period (1875–97), this dissertation offers a thorough analysis of Brahms’s late twenty-eight strophic solo Lieder and develops a new formal model to categorize them as one of four types …

Chimurenga Chepfungwa: A Liberated Cultural Curriculum For The Madzimbabwe Singer, Tanyaradzwa Tawengwa

Theses and Dissertations--Music

Chimurenga ChePfungwa is the self-liberation of the mind. Education can either be an instrument for liberation or a tool for colonial indoctrination, brainwashing, and enslavement — the European colonization of Africa in the late-nineteenth century and the continent's epic efforts at self-liberation have amply taught us this.

Chimurenga ChePfungwa calls for the centering of ChiVanhu knowledge systems such as Ngano, Tsumo neNziyo. ChiVanhu encapsulates Madzimbabwe indigenous knowledge systems, cosmologies, and ways of being, and this paper insists on the primacy of these ChiVanhu epistemologies for the construction of knowledge and knowing.

Amagama ayadala. Words create. So much of the language …

Songs For High Voice: An Annotated Guide To African Romances, Op. 17 By Samuel Coleridge-Taylor, Makeda Danielle Hampton

Theses and Dissertations--Music

African Romances, Op. 17, composed in 1897 by African-British composer Samuel Coleridge-Taylor (1875-1912), is a collection of seven songs for high voice that is uniquely both African and American. The lyrics of this song cycle were first published in the book Majors and Minors, a collection of poems published in 1895 by Paul Laurence Dunbar (1872-1906).

An analysis of resources supports that academic discourse in Black vocal music has been underrepresented due to the absence of centralized information, such as published scores, recorded materials, catalogs, and guides for study and performance. While in depth research focusing on the art …

Shining A Spotlight On Female African American Composer Evelyn Simpson-Curenton, Iris E. Fordjour-Hankins

Theses and Dissertations--Music

Those who are interested in learning more about Evelyn Simpson-Curenton (b. 1953) will find it challenging to find scholarly material on her life and music. She is best known for her arrangements of spirituals that were sang and recorded by Kathleen Battle and Jessye Norman (whose concert recording Spirituals in Concert was released in 1991). Simpson-Curenton is also known for her choral work, “Psalm 91,” made famous by Oakwood University’s Aeolians. Though she is self-published, her absence from compilations, volumes, and anthologies for solo voice and piano is regrettable. This dissertation provides well researched scholarly information about her musical life …

Symphony No. 3 For Chamber Orchestra, Derrik Nelson

Theses and Dissertations--Music

Symphonic works provide the composer an opportunity to create and explore an entire world, establishing the rules and laws by which the music operates, subject only to the whims and wishes of the composer. I view large-scale symphonic works as one of the highest achievements of musical expression and craft a composer can accomplish. I chose to compose for the chamber orchestra due to its intimate arrangement, narrowing down the orchestra to its most essential components: strings, woodwinds, and brass, along with the inclusion of the piano. Though the piano is technically not an “essential” component of the orchestra, I …

A Glimpse Into Chinese Piano Education And Performance Through An Influential Professor, Xin Zhang

Theses and Dissertations--Music

Although China traditionally did not have keyboard instruments of its own origin, the country has taken to the modern piano exceedingly well. In the past decades, piano performance and education have progressed at an impressive rate, its popularity reaching unprecedented heights. The virtuosity of Chinese pianists has earned them prizes at renowned international competitions. These developments have sparked the interest of scholars as well as the general public.

First introduced to China around 1840, the piano was slow to be accepted, but interest grew steadily in the twentieth century. Missionaries and foreigners were the first piano teachers, with figures like …

Orchestral Excerpts For Trombone From Villa-Lobos’S “Chôros”– Performance Considerations And Collected Edition, Hugo Eustáquio De Faria Pinheiro Sr.

Theses and Dissertations--Music

The daily routine of playing in a professional orchestra can be very challenging. An important and useful tool for students, professors and professional players in the preparation process of playing is the focused study of orchestral excerpts, where one can consciously practice ahead of time the most technically demanding passages, in order to be ready for rehearsals and performances.

The orchestral output of the Brazilian composer Heitor Villa-Lobos is vast, with many technical and musical challenges for low brass musicians. This research will cover Villa-Lobos’s Chôros series, with a special focus on the works that present at least one trombone …

Beyond The Notation: Developing Tools To Guide Artistic Decisions Of Performers In The Wind Ensemble, Brent Johnson

Theses and Dissertations--Music

Music is a subjective art form that is enhanced by emotional connection and understanding of the relationship of line and phrasing to both the performer and the audience. Performers and conductors are charged with making artistic decisions about the expressive qualities of a phrase within moments of seeing the notation for the first time. In the development of wind ensembles, there is often a disconnect between the technique and accuracy of a musician’s performance and the emotional connection and understanding required to perform a lyrical melody or phrase within a piece of music. As musicians progress, often the attention is …

Developing A Music Composition Practice: Exploring The Choreography Of Cymatics, Joshua Jervis

Theses : Honours

Cymatics is an area of physics popularised by Hans Jenny that observes the influence of sound but more simply vibration on physical matter. When sound is directly applied to a substance, for example, water, the vibrations create kaleidoscopic movement within the medium. Specific variables primarily of pitch, container size, and water volume contribute to creating a variety of geometric shapes. Without sound cymatics does not exist and is, therefore, a visual characteristic of sound itself.

With an investigation into the behaviour and application of cymatics, this research uses the findings of an investigation to develop a ‘choreographical’ language that can …

Exploring And Reapplying Wayne Krantz’S Method Of Constructing The Album Greenwich Mean, Christian A. Meares

Theses : Honours

Praised for his non-traditional approach to improvised music, his idiosyncratic chordal voicings and strong sense of time, Wayne Krantz has become a touchstone in modern jazz and a unique voice on the guitar. In 1999, Krantz self-released Greenwich Mean, an album comprising of small vignettes spliced together from a year’s worth of recorded live improvisation from his weekly residency gig at the esteemed 55 Bar in New York’s Greenwich Village. This album marks a fundamental shift in Krantz’s approach to composition from through-composed works to smaller, novel arrangements with a strong emphasis on group improvisation.

Using a practice-led research …

Adapting Barbershop Harmony For The Saxophone Quartet, Jonathon Astbury

Theses : Honours

Barbershop harmony refers to a unique style of arrangement and performance for voice that is strictly in four parts and acapella. There is much untapped potential in this close harmonic genre that could be explored in instruments other than the human voice. This paper set out to explore and establish a method of arranging and performing music of the barbershop style for the saxophone quartet. To achieve this transference of the style from voices to saxophones, the harmonic conventions and arranging rules of barbershop from the existing literature were established, along with a review of the literature pertaining to effective …

The Matusiflute: A Bi-Timbral Flute Modification And The Cultural Influences That Inform Its Performance Practice And Repertoire, Joshua Gabriel Mcmahon

Theses : Honours

A product of flute modification and experimentation, the Matusiflute is a headjoint that allows the performer to alter the timbre of the western concert flute. This thesis examines this bi-timbral instrument, invented by Swiss flautist Professor Matthias Ziegler, and explores its capabilities to shift to a buzzing timbral colour which is similar to that of the dizi (Chinese end-blown flute). Composers may use the instrument for its unique textural timbral colour or to imitate the culturally-informed performance style of the dízi. Though reflective performance practice, music analysis and an interview with the inventor, the thesis examines the Matusiflute to …

The Improvisational Art Of Shenzo Gregorio: Exploring His Transition From Classical Violinist To Cross-Genre Improviser, Judith A. Iddison

Theses : Honours

This dissertation examines the musical craft and artistry of innovative Australian violinist/violist Shenzo Gregorio (Shenton Gregory) and his transition from classical violinist to cross-genre improvisor. My research explores mental and practice strategies employed by Gregorio in making this transition, and how he has developed his authentic improvising style. This style draws on an eclectic range of musical genres and incorporates a variety of idiosyncratic extended techniques. Semi-structured interviews and demonstrations were conducted to gain insight into unique aspects of Gregorio’s improvisatory practice. In addition, transcription analyses of five of his recorded performances highlight his improvisational diversity and musical idiolect. Furthermore, …

Hymnals As Historical Documents: A Contextualisation Of The Church Hymnal And Its Representation Of The Church Of Ireland And Its People 1864–1919, Nicole Robinson

Doctoral

Congregational hymn-singing has played a central role in the worship of the Church of Ireland for centuries. This dissertation takes into account the first three editions of the Church Hymnal, published between 1864 and 1919, and discusses the reasons behind their publication before analysing their content with regard to main themes, sources, and contributors. The information acquired through this analysis is then looked at within the wider context of the times in which they were published. This contextualisation unlocks broader themes within the hymnals relating to the Church of Ireland, not just as a religious denomination, but as a …

Concert Recording 2021-04-08, Bailey Ross

Concert Recordings & Programs

[00:00]. Jackdaw ; [10:35]. Jackdaw, sax, perf, 2004 / Wayne Siegel -- [21:01]. I will not be sad in this world / Eve Beglarian -- [27:33]. Fragmented spirit / Stacy Garrop -- [35:55]. Pequenña Czarda / Pedro Iturralde.

The Pedal Harp Tradition In Ireland (C.1790-1900): Practitioners, Pedagogy, Trade And Repertoire, Clare Mccague

Doctoral

This study examines the European pedal harp tradition in Ireland in the period c.1790-1900. Steered by collections of nineteenth-century pedal harp repertoire, and hinged on data extracted from newspaper archives, it addresses a lacuna in harp-focused scholarship, by illuminating the significance of the pedal harp tradition in nineteenth-century Irish musical life and reviving nineteenth-century pedal harp repertoire of Irish interest.

The evolution of the pedal harp tradition in Ireland was influenced by multiple personalities. Foreign pedal harpists, including Nicholas Charles Bochsa (1789-1856), Charles Oberthür (1819-1895) and Aptommas (1829-1913), had a significant impact on the tradition and travelled regularly to Ireland …

Lining-Out And Performance Practice Of The Dr. Watts Hymn- Lining Tradition In Three Selected African American Missionary Baptist Churches In The Northern Mississippi Delta Region, Kelvin K. Towers

Electronic Theses and Dissertations

The purpose of this descriptive study is to analyze the performance practice of lined-hymns that are sung in three selected African American Missionary Baptist churches located in the Northern Mississippi Delta region. ‘Dr. Watts’ lined-hymn singing has survived in some African American church denominations for approximately 150 years without the availability of a standardized printed musical notation source. Focus of the investigation is guided by five questions exploring the historical context, liturgical function, musical characteristics, performance practice, and method of learning of this musical tradition. Further examined are the role of the song leader, and cultural beliefs and philosophical differences …

Real Rap, Does Authenticity Even Matter In Hip Hop?, Amin Allam

Capstone Showcase

Rap and Hip hop has evolved tremendously since its inception. The collective genre has been catapulted to global influence, where in the United States it represents the largest genre based on market share. After reviewing the history of rap music there is a perceived relationship between hip hop and authenticity. To which the question arose of whether hip hop could maintain authenticity in a commercial sphere. To explore this relationship, after reviewing the literature on authenticity, a model of analysis created by Newman and Smith was used to explore 5years worth of data dealing with the Billboard top 100 list. …

Johan Sebastian Bach And His Cello Suites Ii And V: An Audio And Visual Analysis Of Cello Suites Ii And V, Samuel Konkol

Honors Program Theses

Johan Sebastian Bach and his Cello Suites II and V: An Audio and Visual Analysis of Cello Suites II and V. Through research and practice, I have taken an in-depth analysis of Bach's cello suites. I have broken down each suite into individual movements and explored their inner workings.

Llegó La Futura: La Cuirificación Del Género Urbano, Isabel Streiffer, Isabel S. Streiffer

Scripps Senior Theses

Hoy en día, artistas cuir de reggaeton y trap están desestabilizando el género urbano, tal como las estructuras y suposiciones sociales que se manifiestan dentro del género. Prestando atención al proceso de desidentificación, a través de mi tesis analizo (1) cómo artistas cuir trabajan dentro del reggaeton para romper el binario entre la respetabilidad y la autonomía erótica; (2) cómo desafían el binario del género, la heteronormatividad, y la manifestación de ambos en el género urbano; y (3) cómo abordan los problemas políticos y sociales mediante su música. Además, al comparar lo que están haciendo les artistas cuir y los …

Jay Chou’S Kuso Music: Cultural Fusion In The Age Of The Internet, Stz-Tsung (Stone) Han

Scripps Senior Theses

Jay Chou is one of the most significant singers in Chinese popular music history. One of Chou’s greatest achievements is his implementation of the Chinese “Egao” culture in his music, which originated from Japanese Kuso culture. Such an approach not only created his unique style but also allowed him to adopt various musical techniques together seamlessly. By doing so, Chou created a style that references multiple traditional musical conventions without being bound by any of them. This study aims to examine the evolution of the Kuso culture as well as Chou’s implementation of it. The development of Kuso is fostered …