Music Commons^™

Instrument Selection In Geriatric Residential Facilities, Lexi Fowler

Merge

No abstract provided.

A Performer’S Guide To The Unaccompanied Horn, Solo Horn And Fixed Media, And Horn And Piano Works Of James Naigus, Jordan Redd

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The horn music of James Naigus is widely known in the horn community. Naigus’ ties to prolific horn composers Paul Basler and Jeff Agrell has placed him next in line to etch his name in horn history. James’ idiomatic melody and harmony has gained popularity at a rapid pace over the past ten years. The accessibility of his music for players of all ages has led to many commissions and performances of his work all over the world.

This writing summarizes the unaccompanied horn, solo horn and fixed media, and horn and piano works of James Naigus. Inside, the reader …

A Rhythmic Analysis Of Michael Torke: Three Colors And Primary, Secondary, Tertiary: An Original Work For Symphonic Band, Aaron Fast

Electronic Theses and Dissertations

This thesis analyzes three early Michael Torke “color” pieces, Ecstatic Orange, Bright Blue Music, and The Yellow Pages. This analysis provides insight into the compositional process of his early works, which continues to define his style today. Torke’s techniques include rhythmic motives and their variations, rhythmic canon, sectioning as the basis of form, and stratification. This thesis also provides an analytical notational device when defining a Rhythmic Canon Sequence or a Rhythmic Entrance Series. Through this analysis I demonstrate that all three pieces share these compositional techniques but are displayed in three very different pieces. I also explore …

Graduate Conducting Recital, Amelia R. Markley

Electronic Theses & Dissertations

The purpose of this thesis is to provide an understanding of, and present historical information regarding the selections performed on a graduate conducting recital at Pittsburg State University. Selections performed were written by the following composers: Jacques Offenbach, Antonio Vivaldi, Joseph Haydn, and Wolfgang Amadeus Mozart. Biographical information of the composer and program notes will be included for each piece conducted.

Graduate Recital: Rachel Hong, Piano; April 19, 2021, Rachel Hong

School of Music Programs

Kemp Recital Hall
April 19, 2021
Monday Evening
8:00 p.m.

Graduate Recital: Nickolai Podvin, Bassoon; April 18, 2021, Nickolai Podvin

School of Music Programs

Kemp Recital Hall
April 18, 2021
Sunday Afternoon
4:00 p.m.

Caroline Fernandez, Piano And Harp, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Genghong Cai Junior Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Graduate Recital: Elliott Godinez, Percussion; April 18, 2021, Elliott Godinez

School of Music Programs

Center for Performing Arts
April 18, 2021
Sunday Afternoon
1:00 p.m.

Graduate Recital: Xingchen Liu, Piano; April 18, 2021, Xingchen Liu

School of Music Programs

Kemp Recital Hall
April 18, 2021
Sunday Evening
6:00 p.m.

Senior Recital: Eric Caldwell, Trumpet; Momoko Gresham, Piano; April 18, 2021, Eric Caldwell, Momoko Gresham

School of Music Programs

Center for the Performing Arts
April 18, 2021
Sunday Evening
6:00 pm

Senior Recital: Brianne Steif, Flute; Valen Pao, Piano; April 18, 2021, Brianne Steif, Valen Pao

School of Music Programs

Center for Performing Arts
April 18, 2021
Sunday Afternoon
3:30 p.m.

Junior Recital: Cassidy Fairchild, Horn; Nathaniel Parson, Horn; Grace Eom, Piano; Jean Lee, Piano; April 18, 2021, Cassidy Fairchild, Nathaniel Parson, Grace Eom, Jean Lee

School of Music Programs

Kemp Recital Hall
April 18, 2021
Sunday Afternoon
2:00 p.m.

Violin Studio Recital, Andrews University

Concerts and Event Programs 2020-2021

Violin studio recital performed by students of Carla Trynchuk.

Tyler Helms Graduate Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Freshman Recital: Christian Rucinski, Clarinet; Momoko Gresham, Piano; April 17, 2021, Christian Rucinski, Momoko Gresham

School of Music Programs

Kemp Recital Hall
April 17, 2021
Saturday Afternoon
12:30 p.m.

Taylor Watkins Junior Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Junior Recital: Jessica Pytel, Violin; Miguel Yu, Piano; April 17, 2021, Jessica Pytel, Miguel Yu

School of Music Programs

Kemp Recital Hall
April 17, 2021
Saturday Afternoon
2:00 p.m.

Joint Recital: Joshua Gumina, Trombone; Alice Kabira, Trumpet; Ye Eun Eom, Piano; April 17, 2021, Joshua Gumina, Alice Kabira, Ye Eun Eom

School of Music Programs

Center for Performing Arts
April 17,2021
Saturday Afternoon
3:00 p.m.

Senior Recital: Joe Mehalek, Percussion; April 17, 2021, Joe Mehalek

School of Music Programs

Center for Performing Arts
April 17, 2021
Saturday Afternoon
1:00 p.m.

Joint Recital: Morgan Jasien, Clarinet; Kara Kirkus, Clarinet; Momoko Gresham, Piano; April 17, 2021, Morgan Jasien, Kara Kirkus, Momoko Gresham

School of Music Programs

Kemp Recital Hall
April 17, 2021
Saturday Afternoon
3:30 p.m.

Graduate Recital: Jacob Okrzesik, Percussion; April 17, 2021, Jacob Okrzesik

School of Music Programs

Center for the Performing Arts
April 17, 2021
Saturday Evening
7:30 p.m.

Senior Recital: Grace Bang, Violin; Grace Zimmerman, Piano; Wenqing Zhang, Piano; April 17, 2021, Grace Bang, Grace Zimmerman, Wenqing Zhang

School of Music Programs

Kemp Recital Hall
April 17, 2021
Saturday Afternoon
5:30 p.m.

Junior Recital: Christopher Bulding, Flute; Valen Pao, Piano; April 17, 2021, Christopher Bulding, Valen Pao

School of Music Programs

Center for the Performing Arts
April 17, 2021
Saturday Afternoon
5:00 p.m.

Contemporary Monacan Nation Identity Expression: A Music And Cultural Arts Study, Gretchen Cline, Katherine Morehouse

Liberty University Research Week

Graduate

Three Minute Thesis

Women Composers: A Historical Survey Of Their Music And Its Validity For Use In The Vocal Studio, Amanda Anderson

Recital Papers

Though the accepted canon of vocal literature for classical singers is extensive, repertoire by female composers is largely overlooked or omitted when considering what comprises this canon. The lack of the female presence “does not mean that women have been silent as composers, performers, and participants in other facets of music” (Citron 2000, 41). The history of vocal music is peppered with female composers, many of whom were singers themselves, but the majority of these composers have been hidden in obscurity, overshadowed by their male counterparts, or dismissed due to their lack of public recognition. Though the limitations of social …

India Henderson, Mezzo Soprano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Madison Betz Sophomore Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

African Ensemble, April 16, 2021, Ama Oforiwaa Aduonum, Ivy Buenaventura, Nina Bussard, Delaney Jablonski, Nick Lanz

School of Music Programs

Kemp Recital Hall
April 16, 2021
Friday Evening
8:00 p.m.

A Middle School Choral Methodology And Curriculum Pairing: An Introduction, Eunice Nogueras-Negron, Rebecca Watson

Liberty University Research Week

Graduate

Theoretical Proposal