Music Commons^™

Ludwig Van Beethoven: Leonore. Harmonia Mundi 902414, 2019 [Review], Ralph P. Locke

Music & Musical Performance: An International Journal

No abstract provided.

A “Free Artist Of Color” In Late-Eighteenth-Century Saint-Domingue: The Life And Times Of Minette, Bernard Camier

Music & Musical Performance: An International Journal

This article sets forth, for the first time in detail, the life and career of Minette, who was the main female opera singer in Port-au-Prince at the end of the eighteenth century. The city was the capital of the thriving and wealthy French colony of Saint-Domingue (which, upon gaining independence in 1804, took the name Haïti). Theatrical activity in Port-au-Prince was comparable to what one could find in any large provincial city, and the success that Minette gained was all the more remarkable for her being categorized as colored (mestive). The details of Minette’s origins, life, and career …

Student Voice Practices In Kentucky Schools, Cassandra D. Adams

Morehead State Theses and Dissertations

A capstone submitted in partial fulfillment of the requirements for the degree of Doctor of Education in the Ernst and Sara Lane Volgenau College of Education at Morehead State University by Cassandra D. Adams on March 23, 2026.

The 2025-26 Neumann Lecture On Music: Gurminder Bhogal, Speaker, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Junior Recital: Sam Kapus, Flute; March 21, 2026, Sam Kapus, Lu Witzig

School of Music Programs

This is the one hundred and twenty-second program of the 2025-2026 season.

Kemp Recital Hall

March 21, 2026

Saturday Evening

6:00 p.m.

Senior Recital: Neil Alford, Voice; March 21, 2026, Neil Alford, Pepe Guillen Prados

School of Music Programs

This is the one hundred and twenty-third program of the 2025-2026 season.

Kemp Recital Hall

March 21, 2026

Saturday Evening

7:30 p.m.

Songs Of John Bucchino: The Dr. Justin Vickers Studio Recital; March 20, 2026, Illinois State University School Of Music

School of Music Programs

This is the one hundred and twentieth program of the 2025-2026 season.

Kemp Recital Hall

March 20, 2026

Friday Evening

7:30 p.m.

Chicago Brass Band And Symphonic Winds: March 20, 2026, Dr. Mark Taylor, Dr. F. Mack Wood, Dr. Damon S. Talley, Madison Mueller-Howell

School of Music Programs

This is the one hundred and twenty-first program of the 2025-2026 season.

Center for the performing Arts

March 20, 2026

Friday Evening

8:00 p.m.

Performance Forum - March 20, 2026, Mia Cotton, Sheng Yuan Kuan, Virgilio Vazquez, Dj Combs, Ay Kawasaki, Yilian Concepcion, Jon Cruz, Aidan Quintana

Performance Forum

No abstract provided.

2025-2026 Senior Recital - Caroline Dratnal (Piano), Caroline Dratnal

Junior and Senior Recitals

No abstract provided.

From Tab To Standard Notation, Abigail J. Ferrell

SPARK Symposium Presentations

This poster will be over my Ed TPA portfolio.

State Normal College Glee Club Christmas Concert, State Normal College

Documents

State Normal College Glee Club Christmas Concert Program--December 17, 1909

State Normal School Glee Club, State Normal School

Documents

State Normal School Glee Club Program for the 1913-1914 Season

Rollin Pease In "Elijah" By Mendelsshon, State Teachers College Choral Club

Documents

FSTC Choral Club Program-Performance of "Elijah" May 24, 1931

A Mother Is Not For Sale (Part 1): March 19, 2026, Nana Ama Oforiwaa Aduonum, Aisha Nelson, Kwesi Otuoba, Kountiala Some, Cynthia Nwakudu

School of Music Programs

This is the one hundred and nineteenth program pf the 2025-2026 season.

Kemp Recital Hall

March 19, 2026

Thursday Evening

7:30 p.m.

Let It Ring! And A Red, Red, Rose: Transcriptions Of Brian Nabors’ Orchestral And Chamber Works For Wind Band, Lawrence Williams

LSU Doctoral Dissertations

The goal of this project is to create a wind band transcription of the orchestral work “Let It Ring!” and chamber work “A Red, Red, Rose” by Brian Raphael Nabors. Nabors' music has been described as music that elicits joy and draws deeply from his roots in Birmingham, Alabama, and the rich cultural tapestry of Black musical traditions such as gospel, R&B/neo-soul, funk, and marching band culture. He describes himself as a “fuser of worlds” and “boundary destroyer,” intent on crafting a space where listeners can meet themselves, reflect on deeper questions of humanity, and feel grace.^[1] His compositional …

No Pulse, Only Breath: Understanding The Creative Rhythms Of Tyler Kline, Catherine Van Wey

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

The creative life and artistic philosophy of composer, audio engineer, and radio host Tyler Kline unfolds at the intersection of structure and surrender, sound and silence, motion and stillness. His work integrates composing, engineering, and curatorial listening into a unified practice shaped by patience, attention, and trust. Influenced in part by the concept of wabi-sabi, Kline embraces imperfection and impermanence, allowing breath, resonance, and performer agency to guide musical form rather than strict pulse or metrical control. This approach finds clear expression in his piano work TATTOO, which eliminates traditional pulse orientation and asks performers to measure time through listening …

Using Zines To Explore Oppression And Musical Gatekeeping In Music Therapy, Kendall Joplin

Expressive Therapies Dissertations

The purpose of this arts-based study was to investigate music therapists’ personal experiences and thoughts on whether the music therapy profession is engaging in oppressive practices and musical gatekeeping in education, training, and clinical practice. Seven participants engaged in either a focus group or individual interviews to discuss their experiences related to the topic, then created a zine article to artistically explore the topic. All participants’ articles were put together to form one full zine, which was sent to everyone for final comments and feedback. Transcripts from the focus group and interviews, the zine articles, and any comments provided about …

Expresiones Musicales Rurales, Ana Betina Morgante Combariza, Rosa Delia Acosta León, Manuel Fernando Merchán Bernal, Juan Manuel Urrego Laurin, Andrés Felipe Acuña Duarte

Ciencias Sociales, Humanidades y Ciencias Políticas

La riqueza musical de una región no solo reside en sus sonidos y melodías, sino en las historias, las tradiciones y los valores que estos transmiten de generación en generación. Este libro de partituras es el resultado de un proceso de investigación etnomusicológico que busca documentar, preservar y divulgar las expresiones musicales rurales de tradición oral en Cundinamarca. Las partituras contenidas en esta publicación no son solo transcripciones musicales, representan una ventana a la cosmovisión de las comunidades rurales cundinamarquesas, donde la música es un medio de comunicación, un canal para la memoria colectiva y una herramienta pedagógica de inestimable …

Full Issue

Newsletter of the Jussi Björling Societies of the USA & UK

No abstract provided.

Personal Memories Of Nicolai Gedda, Calle Friedner

Newsletter of the Jussi Björling Societies of the USA & UK

On 11 June, Nicolai Gedda, one of the foremost Swedish lyrical tenors after Jussi Björling, would have become 100 years old. Calle Friedner heard and met him several times and remembers him warmly.

During the 1950s, it was on the radio one generally heard a singer for the first time, particularly if you didn’t live in Stockholm, which I didn’t then. And that was the case for me concerning Nicolai Gedda.

What I heard was a radio broadcast of a performance at the Stockholm Opera of Adolph Adam’s opera comedy, Le postillon de Lonjumeau. If my memory isn’t wrong, the …

Three Gentlemen In Berlin, Briefly, Ray Harsant, Norm Krasne, Dan Shea

Newsletter of the Jussi Björling Societies of the USA & UK

Here’s a tale of three friends, longtime members of the USA’s Jussi Björling Society and each eager during late summer 2024 for some insight on the upcoming opera scene of winter 2024-25, especially in Berlin with its three world-class houses: the premier Deutsche Oper Berlin (“DOB” below), the Staatsoper Berlin, and the Komische Oper – (currently not in its usual hall and missed by us due to our time constraints).

Our main guide to the available musical choices was the UK’s Opera magazine, where the sheer volume of offerings available in Berlin week after week was impressive. Our personal schedules …

Swedish Summer Highlights:, Sue Flaster

Newsletter of the Jussi Björling Societies of the USA & UK

The force of traditions alone would not be enough to bring several hundred people together in a plain church far off every path, beaten or otherwise, but following those traditions is deeply satisfying. This year, as in previous years, Stefan Olmårs gathered up a group of performers intriguing enough so that the concert needed to be performed twice to filled pews. We attended the 5pm edition, along with members of the Scandinavian Society who had arrived by train.

As always, the musical part of the program was based on veteran singers as well as a relative newcomer, in this case …

Join Us This Fall, Janel E. Lundgren

Newsletter of the Jussi Björling Societies of the USA & UK

Join former Washington Post chief classical music critic Anne Midgette and Composer, Music Critic and Professor Greg Sandow for a lively conversation about the myth of “park and bark.” In the 21st century, audiences have been led to believe that we’ve seen a renaissance of acting in opera, and that singers of the past tended to stand still on stage and simply power out their music: the so-called “park and bark.” Nothing could be further from the truth. Midgette and Sandow offer a look at the true history of “singing actors,” acting singers, and how opera singers have long moved …

Roméo Et Juliette, Pristine Classical, Paco 222, Kristian Krogholm

Newsletter of the Jussi Björling Societies of the USA & UK

Pristine Classical released on Valentines Day, 2025, the Roméo et Juliette above all other performances, namely that from the Met on February 1, 1947 with Jussi Björling as Roméo, Bidú Sayão as Juliette and conducted by Emil Cooper.

The releases on cd of this memorable evening have been numerous. And I think it was crowned by Immortal Performances and Richard Caniell`s release some years ago which had access to a previously unknown source. Up to then, all the various editions on cd had been copied from LP sets by EJS and Met.

Good News:, Janel E. Lundgren

Newsletter of the Jussi Björling Societies of the USA & UK

In connection with our Webinar Guest Speaker Series (see facing page), WFMT’s Oliver Camacho will broadcast discussions with two of our guest speakers about Jussi’s legacy and the webinar topics. Anne Midgette will be interviewed on his Opera Box Score podcast, and Will Crutchfield will be featured on his WFMT hour-long radio show, Listening to Singers.

65 Years Ago, Janel E. Lundgren

Newsletter of the Jussi Björling Societies of the USA & UK

“When Jussi Björling was suddenly taken from us on 9 September 1960, there was intense dismay and great sorrow, for he was one of the greatest singers of our time, a fact to which an enormous and always enraptured public bore witness. His audiences were to be found not only in the opera houses and concert halls of the world’s great cities, but also in Swedish amusement parks and in front of hundreds of thousands of radio sets. He was humble before the art of music and, in the truth and meticulousness of his work, a true artist, something to …

Full Issue

Newsletter of the Jussi Björling Societies of the USA & UK

No abstract provided.

Jussifest In Strömsbruk 2024, Janel E. Lundgren

Newsletter of the Jussi Björling Societies of the USA & UK

Jussi Björlingsällskapet’s second summer event takes place in Strömsbruk in the province of Hälsingland on the Baltic coast. Members of JBS-USA have attended several of these happy occasions in this beautiful place, most recently in 2018, when Stefan Olmårs not only organized and hosted the event as he always does, but also made all the special arrangements for an extra contingent of 25 Americans. We wish we could be there this summer to enjoy the following program!

Voxna Festival, 2024 Edition, Sue Flaster

Newsletter of the Jussi Björling Societies of the USA & UK

For the last 21 years, Sällskapet secretary Stefan Olmårs has managed to produce both outstanding concerts and evenings of warmth and fellowship in the environs of Voxna Church and Herrgård (estate manor) up in the Hälsingland province of Sweden. Harald Henrysson has attended nearly all of them, usually assigned the task of overseeing and narrating the part of the evening dedicated to playing Jussi Björling recordings. This year, the 22nd, was no exception. What was – for me – exceptional this year was the powerful emotional impact of the afternoon of July 8.