Music Commons^™

University Singers And Vocal Accord, John J. Cali School Of Music

2022-2023

The University Singers and Vocal Accord will present choral octavos from their fall repertory. Alumni guest artists will also be featured. The concert concludes with the University Singers' collaboration with the Wind Symphony in the second of two performances of Rollo Dilworth's Weather, a new social justice piece based on a text by Claudi Rankine.

Schola Cantorum [And] Women's Chorale, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Emily Rausch, Trombone; Cole Richey, Trombone; Lu Witzig, Piano; October 30, 2022, Emily Rausch, Cole Richey, Lu Witzig

School of Music Programs

Kemp Recital Hall
October 30, 2022
Sunday
Noon

Ensemble Concerts: Symphony Orchestra, Civic Chorale, And Concert Choir; October 30, 2022, Glenn Block, Cora Swenson Lee, Michelle Vought, Elizabeth Thompson, Justin Vickers

School of Music Programs

Center for the Performing Arts
October 30, 2022
Sunday Afternoon
3:00 p.m.

Faculty Recital Series: Faulty Brass Quintet: Anne Mcnamara, Trumpet; Joshua Mobley, Trumpet; Rachel Hockenberry, Horn; Mark Babbitt, Trombone; Andy Rummel, Tuba; October 30, 2022, Anne Mcnamara, Joshua Mobley, Rachel Hockenberry, Mark Babbitt, Andy Rummel

School of Music Programs

Kemp Recital Hall
October 30, 2022
Sunday Evening
6:00 p.m.

University Symphony Orchestra, John J. Cali School Of Music

2022-2023

Join conductor Kyle Ritenauer and the Symphony Orchestra as they present works from classical and contemporary repertoire.

University Jazz Ensemble, John J. Cali School Of Music

2022-2023

The Jazz Ensemble will perform a concert of classic and contemporary jazz.

Chapman University Singers, Chapman University Singers

Printed Performance Programs (PDF Format)

No abstract provided.

Senior Recital: Trent Nolin, Clarinet; Momoko Gresham, Piano; October 29, 2022, Trent Nolin, Momoko Gresham

School of Music Programs

Kemp Recital Hall
October 29, 2022
Saturday Afternoon
3:30 p.m.

2022-2023 Philharmonia No. 2, Lynn University Philharmonia, Jon Robertson, Lisa Leonard

Philharmonia

Philharmonia No. 2

• October 29, 2022 at 7:30 p.m. | October 30, 2022 at 3:00 p.m.
• Dr. Jon Robertson, conductor ; Lisa Leonard, piano
• Piano Concerto No. 1 in D minor, op. 15 / Johannes Brahms -- Symphony No. 5 in E minor, op. 64 / Pyotr Ilyich Tchaikovsky

Fall Choir Concert, Andrews University

Concerts and Event Programs 2022-2023

Sing A New Song

Andrews University Singers & Chorale Fall Concert

Critical And Culturally Sustaining Music Pedagogy, Jason D. Vodicka

Visions of Research in Music Education

Whether by mandate or by personal aspiration, teachers across the United States are compelled to teach in a manner that is culturally relevant to their students. Culturally relevant pedagogy, and its recent iteration, culturally sustaining pedagogy, call for high levels of student achievement, the development of multiple cultural competencies, and the raising of sociopolitical consciousness. Culturally sustaining ped- agogy and critical pedagogy share a focus on connecting to students’ lived experience, empowering students in the classroom and in the world, and developing students’ critical consciousness. As asset-based peda- gogies, both approaches focus on what students know first. This essay defines …

Critical Pedagogy: Commitment, Connection, And Communication, Anthony Bernarducci

Visions of Research in Music Education

Commitment, Connection, and Communication: These words summarize a triangle of opportunity and are the foundations of a Critical Pedagogy. In practice, commitment, connection, and communication are key words for music educators in their daily work with students. This article explores the eight steps of applying Critical Pedagogy—as outlined in Abrahams’s (2005a) model of Critical Pedagogy for Music Education—in relation to communication with administrators, and the ways in which it may aid in connecting within a community.

Critical Pedagogy And Disability: Considerations For Music Education, Ellary A. Draper

Visions of Research in Music Education

Developed by Brazilian Paulo Freire to teach economically disadvantaged adults to read, critical peda- gogy has since inspired others to adapt the model to other subject areas. In the area of music education, Frank Abrahams created the Critical Pedagogy for Music Education (CPME) model and has written about the use of CPME in teacher preparation programs. Scholars in disability studies have also been inspired by critical pedagogy, writing about disability pedagogy. Notably, people with disabilities have historically been omitted from models of critical pedagogy. This article discusses the intersections of critical pedagogy, music education, and disability, and makes recommendations to …

“O Captain, My Captain”: A Pedagogy Of Transformation In The Teaching Of Frank Abrahams, Nicholas Ryan Mcbride

Visions of Research in Music Education

Countless scholars have utilized Critical Pedagogy as a philosophical frame to reorient teaching and learning as, among other things, a conversation between teacher and student. As an educator and theorist, Frank Abrahams has championed a Critical Pedagogy for Music Education that aims for the “acquisition of a critical consciousness, the ability to create meaningful teaching and learning experiences, and the attainment of agency” (Abrahams, 2017, p. 25). For nearly 25 years, I have been in conversation with Frank. He has been my teacher, my colleague, and a dear friend. In these roles, he has lived the pedagogy he teaches, embracing …

Critical Pedagogy As A Pedagogy Of “Love”, Marissa Silverman

Visions of Research in Music Education

Thanks in part to the research and scholarship of Frank Abrahams (e.g., 2005, 2006, 2007, 2019), his welcoming of scholars into the field, as well as his dedication to the development and growth of the music education profession, music teaching and learning maintains particular positions connected to critical pedagogy and the work of Paulo Freire. The purpose of this paper is to extend Abrahams’ work by examining critical pedagogy as a pedagogy of “love” (e.g., Darder, 2000, 2011, 2017, hooks, 2004, Martin, 2004). Additionally, this paper examines personal and political natures of critical pedagogy as love for music teaching and …

Mentorship In Music Education: Youth Chorale As An Incubator For Young Conductors, Ming Luke

Visions of Research in Music Education

Straddling the role of conductor-teacher can be a daunting task for young artists. Providing space to hone both musical and pedagogical skills can lead to transformative moments for young conductor- teachers. As someone who experienced this complementary space first-hand, I can attest to the sustainable effects on one’s teaching and artistry. Moreover, coupled with the potential for merging the development of musical and pedagogical skills is the need for mentorship and modeling. In this article, I outline the ways in which a community youth chorale, the Westminster Conservatory Chorale, served as an incubator for young artists to practice balancing conducting …

Learning To Drive, Daniel Abrahams

Visions of Research in Music Education

Parents serve in many roles, one of which is a mentor. At an early age, I accompanied my father to school and helped sort paperwork, observed choir rehearsals, attended concerts, and watched him mentor undergraduate and graduate students. Unbeknownst to me, I entered into an apprenticeship in the music education community. The present text reflects on how Frank Abrahams transformed my identity as a music educator through mentorship and our collaborative nature outside our father-son relationship. His actions personify not only those of a dad but those of a critical pedagogue. Furthermore, his actions created transformative spaces for me to …

Honor Their World: Advocacy In The Work Of Frank Abrahams, Ryan John

Visions of Research in Music Education

Frank Abrahams’s career in music education has been marked by a theme of advocacy for others. This article examines three areas of advocacy apparent in his work and publications: advocacy for students, advocacy for teachers, and advocacy for people historically marginalized in American society. Through books, articles, research, book chapters, music series, and his actions, Frank Abrahams has advocated for stakeholders in education and in society through music education for decades in his roles as a teacher, administrator, and author.

Quite Frankly: Learning From The Pedagogical Art Of Joyful Disgruntlement, Gareth Dylan Smith

Visions of Research in Music Education

In this article, I describe professional encounters with Frank Abrahams, personally and through Abrahams’ writing. The paper includes reflection on Abrahams’ tireless work in testing and pressing the boundaries of normative, small-c conservative music teaching and learning traditions, in Abrahams’ beloved Westminster Choir College and beyond. I recall watching Abrahams teach, both in formal classroom contexts and in other areas of working with students and peers, such as co-authored publications and conference presentations. I recount my role as an unwitting mentee in Abrahams’ careful modeling of critical pedagogical approaches within and without the classroom. Drawing on personal anecdotes and several …

Editorial Volume 40: Frankly Speaking, Cara Faith Bernard

Visions of Research in Music Education

No abstract provided.

On Becoming Pedagogical: Encounters, Challenges And Freirean Criticalities In The Key Of F, Patrick Schmidt

Visions of Research in Music Education

What does it mean to be a pedagogue? To become part and contributor to pedagogical processes? In this article I look back at the work Frank Abrahams developed around the legacy of Brazilian educator Paulo Freire and its efforts fomenting conditions for critical pedagogies to flourish. Following Freire’s interest in connecting reality and theory, I construct a narrative from the word (Freire’s, Abrahams’ and mine) onto the world, highlighting in particular, the impact conceptual framing can have on programmatic development. As I see it, and experienced first-hand, the focus and nature of Abrahams’ work has always been pedagogical, highly conscious …

University Wind Symphony, John J. Cali School Of Music

2022-2023

Join the Wind Symphony, with special guests, the University Singers, as they present the first of two performances of composer Rollo Dilworth's Weather, based on a text by Claudia Rankine. In addition, the Wind Symphony will perform works by composers Nicole Piunno and Carolyn Bremer.

Atdheu ("Homeland"), Anthony Elia

Bridwell Library Research

Work written for musical friends Etleva Shemai and Will Kanute. Text written by composer in Albanian.

Sophia Patchin, Bassoon And Contrabassoon, Friday, October 28th, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2022-2023 Performance Forum - October 28, 2022, Shuqi Yang, Sheng Yuan Kuan, Yance Zheng, Manuel Mendes Escobar, Vincent Cart-Sanders, Lauren Schwartz, Peter Pao, Jr Medina, Juan Fernandez Villegas, Andres Borja, Marina Machado

Performance Forum

No abstract provided.

Dr. Michael Dugan Guest Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Iowa City West Virtuosa, Uni Cecilians, October 27, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

*Mostly* Trumpet & Electronics: Ashley Killam, Trumpet And Flugelhorn In A Lecture Recital With Computer Fixed Media, October 27, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Octubafest 2022, October 27, 2022 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.