Music Commons^™

Love Lies Under The Old Oak Tree | 20-96380, Susan Brumfield

Music Faculty Scores

Love Lies Under The Old Oak Tree

Part Number:
20-96380

Price:
$1.90

Voicing:
SSAA

Arranged By:
Susan Brumfield

Featured at:
2013 Oklahoma Circle the State with Song
2014 NyACDA Summer Conference
2015 National ACDA Convention

One Man Shall Mow My Meadow | 20-96390, Susan Brumfield

Music Faculty Scores

One Man Shall Mow My Meadow

Part Number:
20-96390

Price:
$1.90

Voicing:
SA

Arranged By:
Susan Brumfield

Featured at:
2014 NyACDA Summer Conference

This Little Light Of Mine | 20-96460, Ken Berg

Music Faculty Scores

This Little Light Of Mine
from "Three Spirituals"

Part Number:
20-96460

Price:
$1.90

Voicing:
Unison

Arranged By:
Ken Berg with'Cello (Part Included)

Featured at:
2013 IA-MEA Fall Conference Reading Session
2013 NEMWA Elementary Reading Session
2013 NJACDA Reading Session
2014 CA-MEA Annual Workshop
2014 Green Lakes Summer Conference

Ton Thé - Sa | 20-96350, Susan Brumfield

Music Faculty Scores

Ton Thé

Part Number:
20-96350

Price:
$1.90

Voicing:
SA

Music By:
J. & R. Gilmore

Arranged By:
Susan Brumfield with opt. Xylophone and Drum Set Parts

Featured at:
2013 KyACDA Fall Convocation
2013 ILMEA District 1 Reading Session

Ton Thé - Inst. Parts | 20-96351, Susan Brumfield

Music Faculty Scores

Ton Thé Instrumental Parts

Part Number:
20-96351

Price:
$11.00

Music By:
J. & R. Gilmore

Arranged By:
Susan Brumfield xylo;drum set

Ton Thé - Satb | 20-96355, Susan Brumfield

Music Faculty Scores

Ton Thé

Part Number:
20-96355

Price:
$1.95

Voicing:
SATB

Music By:
J. & R. Gilmore

Arranged By:
Susan Brumfield

Featured at:
2014 WA ACDA Summer Institute

The Working Hour: A Rhetorical Analysis Of The Lyrics Of Tears For Fears, Jennifer Anne Gross-Mejía

Theses Digitization Project

Childhood friends Curt Smith and Roland Orzabal founded the band Tears for Fears, and were the two primary members from 1982-1990. Their songs describe the struggle of coping with childhood abuse. This thesis analyzes the rhetorical aspects of their lyrics, emphasizing how the words of their songs express the fundamental human response to abuse, and the painful process of recovery. It explores how the songwriters use the psychological theories of Arthur Janov and Carl Jung to scaffold their experience of working through emotional trauma; and how they combine those theories with astrological symbolism to explore the idea of destiny. This …

Faith And Music In The Christian Liberal Arts College, Thomas R. Holm

Faculty Tenure Papers

No abstract provided.

Ron Mcfarland Music Catalog Biography, Ron Mcfarland

The Ron McFarland Collection

Biographical description of Ron McFarland's music career and notable works.

Windows Baritone, Ron Mcfarland

The Ron McFarland Collection

Music composition written for baritone singer accompany poems written by C.P. Cavafy.

Windows Lower Soprano, Ron Mcfarland

The Ron McFarland Collection

Music composition written for lower soprano singer accompanying poems written by C.P. Cavafy.

Windows Piano, Mezzo Soprano, Baritone (Full Score), Ron Mcfarland

The Ron McFarland Collection

Music composition written for piano, and mezzo soprano and baratone singers accompanying poems written by C.P. Cavafy.

Windows Soprano, Piano, Ron Mcfarland

The Ron McFarland Collection

Music composition written for piano and soprano singer accompanying poems written by C.P. Cavafy.

Windows Tenor, Ron Mcfarland

The Ron McFarland Collection

Music composition written for tenor singer accompanying poems written by C.P. Cavafy.

Gedankenfabrik, Bruno Ruviaro

Music

“Zwar ist’s mit der Gedankenfabrik Wie mit einem Weber-Meisterstück Wo ein tritt tausend Fäden regt Die Schifflein herüber hinüber schiessen Die Fäden ungesehen fliessen Ein Schlag tausend Verbindungen schlägt.” [excerpt of Urfaust, by Goethe] “A verdade é que a fábrica de pensamentos É tal qual o ofício do tecelão, Em que um passo move milhares de fios, As navetas cruzam de um lado a outro, Os fios deslizam sem serem vistos E mil nós se formam de uma só vez.” [excerto de Fausto Zero, de Goethe. Tradução de Christine Röhrig]

Rhythmic Parsing Of Sonified Dna And Rna Sequences, Charlie Cullen, Eugene Coyle

Conference papers

Sonification allows existing mathematical data to be used as the model for audio output, notably that the audio produced is related to or representative of that data in some way. Existing work in the field has been largely focused on the aesthetic tailoring of the output audio for compositional benefit rather than as a framework for audio representation and analysis. It is the goal of this research to apply existing techniques for pitch substitution to an analytical method that seeks to define and represent patterns within existing data sets (primarily DNA and RNA sequences). It is often the case that …

Inéz | 20-96420, Carolyn Smith

Music Faculty Scores

Inéz
Puerto Rican Folk Song

Part Number:
20-96420

Price:
$1.90

Voicing:
SA

Arranged By:
Carolyn Smith

Mein Freund Ist Mein | 20-96370, David White, Peter Robb

Music Faculty Scores

Mein Freund Ist Mein
From Cantata BWV 140

Part Number:
20-96370

Price:
$1.85

Voicing:
SA

Music By:
J.S. Bach

Arranged By:
David White, Peter Robb

with opt. Chamber Orchestra Orchestra

Featured at:
2014 FMEA Reading Session
2016 KCDA Summer Conference

Tripoe:Try, Bruno Ruviaro

Music

The piece treats texts by Poe, cummings and Mallarmé as “musical fragments” — specifically, Poe’s The Tell-Tale Heart serves, in a more modest setting, a similar function as that of Mahler in Berio’s Sinfonia: some sort of ongoing, complete background quotation of an entire work, onto which various other elements are grafted. (*) Clear quotations appear once more: Nono and Stockhausen being the most prominent, so to speak. From Berio’s A-Ronne, I borrowed a vocal process of splitting vowels and consonants of a same word among different singers. When these borrowings appear, they are usually connected to some portion of …

Four Hands(-On), Bruno Ruviaro

Music

Four Hands-on experiments with algorithmic processes to control rhythm and harmony. It is a piece of medium difficulty.

K, Bruno Ruviaro

Music

Three percussionists and electroacoustic sounds.

The American Community Band: History And Development, Jason Michael Hartz

Theses, Dissertations and Capstones

Contemporary band scholars believe that the American community band experienced a revival at the end of the twentieth century. Examining the community band’s unique history from its earliest forms during the Revolutionary period through the Golden Age of Bands identifies the traditions that supported this revival. The twentieth century, however, is ripe with developments largely independent from previous eras, including the vast expansion of the music education system in the United States and the education of amateur musicians, the Great Depression, and the gradual acceptance of the band as an artistic medium. Through this study, the current revival of the …

Teaching Instrumental Music To Deaf And Hard Of Hearing Students, Phillip M. Hash

Research & Issues in Music Education

Many Deaf/Hard of Hearing (D/HH) individuals have successfully participated in instrumental music programs for over 100 years. In spite of proven success, however, many directors are reluctant to involve students with hearing loss in school bands and orchestras. Reasons may include a lack of knowledge regarding the needs and capabilities of these learners, or the fear that D/HH musicians will negatively impact the performance quality of the ensemble. By becoming familiar with the characteristics and abilities of D/HH students, as well as methods for instructing these individuals, music educators will be better prepared to serve this population. This article provides …

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

History: Faculty Publications and Other Works

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.

Review Of Gareth Curtis, Ed. Fifteenth-Century Liturgical Music, Iv: Early Masses And Mass-Pairs, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

The volume under review is the latest entry in a slowly unfolding series, entitled Fifteenth-Century Liturgical Music, within the larger Early English Church Music (EECM) enterprise. It follows three previous volumes, namely I: Antiphons and Music for Holy Week and Easter (EECM 8, 1969, ed. Andrew Hughes), II: Four Anonymous Masses (EECM 22, 1979, ed. Margaret Bent) and III: The Brussels Masses (EECM 34, 1989, ed. Gareth Curtis). However, in his Foreword to the present volume, John Caldwell, General Editor of the Early English Church Music Committee of the British Academy, announces that this book heralds a new initiative, inaugurating …

Historical Research In Music Education And The Historiography Of Kant, Spengler And Foucault, George N. Heller

Research & Issues in Music Education

This essay examines historical research in music education in connection with historiography and the writing of history, using the works of three exemplary writers recently reviewed in book-length studies. Immanuel Kant (1724-1804) representing classic, enlightenment philosophy as it pertains to historiography was primarily a philosopher who wrote tangentially on history. Oswald Spengler (1880-1936), a modernist German historian and philosopher famous for his pessimistic tome, The Decline of the West (1924-26), was primarily a historian with an interest in philosophy. Michel Foucault (1926-1984), who stated the case for post-modern historiography from a French perspective, seems to have been interested in history …

Effects Of Sequenced Kodaly Literacy-Based Music Instruction On The Spatial Reasoning Skills Of Kindergarten Students, Marlene Hanson

Research & Issues in Music Education

This study was an investigation of the effects of sequenced Kodály literacy-based music instruction on the spatial reasoning skills of kindergarten students. Subjects in the pretest-posttest control group design were 54 kindergarten students who were enrolled in three kindergarten classes in a rural elementary community school. Experimental group one (n = 18) received Kodály music instruction and experimental group two (n = 18) received computer instruction (with no classroom music training) for 30 minutes twice a week. The control group (n = 18) received no classroom music instruction or computer instruction. The instructional-treatment period spanned seven months from October, 2000 …

Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

RIME marks another step in the grand experiment of on-line research publishing—an idea that is gaining stature in academic circles with the advent of quality journals. While on-line research reporting formats will probably never subsume print journals (I can detect a future music education historian quoting me here), RIME was founded with the premise that there is indeed room for a quality web-based music education research journal.

Cultural Contexts Of Exclusion: Women College Band Directors, Elizabeth S. Gould

Research & Issues in Music Education

Despite gender affirmative employment practices, women constitute little more than 5% of all U.S. college band directors. Researchers have investigated this situation in terms of historical precedent, traditional socialization, discrimination, segregation, professional identity, and lack of role models. They have not, however, addressed the culture of conducting college bands. Cultural analysis is essential because the percentage of women conducting college bands in the U.S. has remained virtually static during the past thirty years. It is appropriate because it provides a multi-layered, broader view of the problem which make possible explanations that may be more appropriately generalized and less subject to …

Starlata, Princess Of Mars: A Space Operetta In One Act, Randall Snyder

Randall Snyder Compositions

Starlata, Princess of Mars: a space operetta in one actStarlata, Princess of Mars a space operetta in one act Randall Snyder (2003)Randall Snyder (2003)

synopsis

Two Americans attempt the first landing on Mars. After escaping a meteor shower, they crash on the Red Planet and are captured by a hostile band of Children led by Ergo, the Grand Vizier. They are brought to the palace of Starlata, Princess of Mars, the last female of her dying species. After an intensive and humiliating interrogation, Starlata, in order to ensure the survival of her race, eventually decides to mate with …