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Full-Text Articles in Music

The Correlates Of Neurobiology And Lived Experiences Of Music-Induced Bonding, Empathy, And Shared Flow, Ashley Marie Sherwood Apr 2024

The Correlates Of Neurobiology And Lived Experiences Of Music-Induced Bonding, Empathy, And Shared Flow, Ashley Marie Sherwood

Masters Theses

An alarming decline in mental health and increase in addiction and substance use disorders over the last few decades have generated increased interest in exploring how improved social health in the community could be a protective factor against mental health crises. Interventions which increase perceived emotional synchrony and shared flow may positively impact the social fabric of society. This paper examines the relationship between self-reported perceptions of emotional synchrony and shared flow and changes in measures of cortisol, dopamine, oxytocin, and vasopressin in blood samples following musical improvisation, with a review of relevant literature also presented. Vasopressin was found to …


All Is Flux For Solo Vibraphone And Fixed Media, Ethan Stearley Apr 2024

All Is Flux For Solo Vibraphone And Fixed Media, Ethan Stearley

Masters Theses

“All is Flux” is a composition for solo amplified vibraphone and fixed media. The title is derived from a quote by the Greek philosopher Heraclitus- “All is flux, nothing remains still.” While a traditional score will be provided to the performer for the purposes of preparation and analysis, a video score that is synchronized to the fixed media audio elements will be used in the final performance. This moving score should be visible only to the performer, not the audience. The composition serves as a practical demonstration of experimentation on structure in tandem with elements drawn from narrative theory. Additionally, …


Bibliography For "Keeping The Rhythm Of Creativity: Celebrating The Performing Arts And Intellectual Property", Isabella Piechota, Arianna Tillman, Kalea Brown, Katherine Roth Apr 2024

Bibliography For "Keeping The Rhythm Of Creativity: Celebrating The Performing Arts And Intellectual Property", Isabella Piechota, Arianna Tillman, Kalea Brown, Katherine Roth

Library Displays and Bibliographies

A bibliography created to support a display about the performing arts and intellectual property at the Leatherby Libraries during April 2024 at the Leatherby Libraries at Chapman University.


Exploring The Spanish Pianistic Landscape: A Study On Salvador Brotons's Solo Piano Works, Angela P. Gonzalez Gimenez Apr 2024

Exploring The Spanish Pianistic Landscape: A Study On Salvador Brotons's Solo Piano Works, Angela P. Gonzalez Gimenez

LSU Doctoral Dissertations

This dissertation delves into the figure of Spanish composer Salvador Brotons, focusing on his solo piano works, particularly his Piano Sonata, Op. 124. Through performative and music theory analyses, it aims to deepen musicians' understanding of Brotons's compositional style, providing insights into his musical language and influences. Key questions addressed include Brotons's compositional style, influences in his music, and the necessary insights for effective performance. Brotons, a multifaceted musician, excels not only as a composer but also as an instrumentalist, conductor, and educator, enriching each role with his diverse expertise. The study concentrates on his piano compositions while acknowledging …


Ang Mapanglasong Dagta Ng Homophobia: Pagsusuri Ng Kasarian At Pagnanasa Sa "Nagmahal Ako [Ng Bakla]" Ng Dagtang Lason (The Toxic Sap Of Homophobia: An Analysis Of Kabaklaan, Masculinity, And Desire In Dagtang Lason’S "Nagmahal Ako [Ng Bakla]"), Johann Vladimir Espiritu Apr 2024

Ang Mapanglasong Dagta Ng Homophobia: Pagsusuri Ng Kasarian At Pagnanasa Sa "Nagmahal Ako [Ng Bakla]" Ng Dagtang Lason (The Toxic Sap Of Homophobia: An Analysis Of Kabaklaan, Masculinity, And Desire In Dagtang Lason’S "Nagmahal Ako [Ng Bakla]"), Johann Vladimir Espiritu

Akda: The Asian Journal of Literature, Culture, Performance

Gamit ang malapitang pagbabasa, sinusuri ng artikulong ito ang kantang “Nagmahal Ako [ng Bakla]” ng Dagtang Lason (2009) upang tunghayan ang pagkakahulugan nito sa kabaklaan. Isang seksyon ito ng higit na malawakang pag-aaral sa kabaklaan bilang karakter na nilalaman ng kantang bakla—o mga awit na nagmumula sa [personang] bakla, patungo sa [hantungang] bakla, o may pinatutungkulang [kuwento ng] bakla—nitong huling apat na dekada. Ang pagbasa/panunuri ay nakaangkla sa teoryang queer na kombinasyon ng samutsaring kritikang kapwa kanluranin at lokal, at nakatutok sa tatlong pangunahing salik: ang titik [o teksto, lyrics ng kanta], ang tinig [na kinakatawan ng literal na …


Distortion And Subversion: Punk Rock Music And The Protests For Free Public Transportation In Brazil [Book Review], Mariel Acosta Apr 2024

Distortion And Subversion: Punk Rock Music And The Protests For Free Public Transportation In Brazil [Book Review], Mariel Acosta

Publications and Research

Around the year 2003 some friends and I from “el way,” the self-referential youth slang the alternative music scene and subculture members used in the Dominican Republic, started attending meetings for the youth political group Juventud Rebelde at the borrowed backyard of the left-wing political party Fuerza de la Revolución. The yard had a gazebo-like structure with a cemented floor and a zinc roof under which foldable chairs were arranged in a circle. There we participated in multigenerational study groups to discuss radical communist and anarchist texts in relation to current political issues, we heard talks and report backs …


“Where Have All The Women Gone?” Circulating Rhetoric In Country Music Playlists, Rachel Van Hofwegen Willis Apr 2024

“Where Have All The Women Gone?” Circulating Rhetoric In Country Music Playlists, Rachel Van Hofwegen Willis

English Theses & Dissertations

Mainstream country music has a gender problem—female artists have gone missing from the industry. Industry insiders like radio programmer Keith Hill have alternately blamed female stars for not producing good music or pointed the finger at audiences who they say rate songs by female artists poorly. These explanations are, however, insufficient to explain country’s missing women, and scholars like Jada Watson have shown that country music discriminates against female artists by squeezing them from music circulation. Her studies examine representation in radio airplay to show how women have lost ground in the industry through their elimination from radio. My research …


Senior Recital: Aneesah Phillips, Soprano; Aerim Kim, Piano; March 30, 2024, Aneesah Phillips, Aerim Kim Mar 2024

Senior Recital: Aneesah Phillips, Soprano; Aerim Kim, Piano; March 30, 2024, Aneesah Phillips, Aerim Kim

School of Music Programs

Kemp Recital Hall
March 30, 2024
Saturday
Noon


Graduate Recital: Sara Eckert, Percussion; Erin Brown, Clarinet; Aidan Perrault, Vibraphone; Matt Mcadams, Marimba; Hannah Fedorchak, Marimba; Wyatt Matson, Marimba; March 30, 2024, Sara Eckert, Erin Brown, Aidan Perrault, Matt Mcadams, Hannah Fedorchak Mar 2024

Graduate Recital: Sara Eckert, Percussion; Erin Brown, Clarinet; Aidan Perrault, Vibraphone; Matt Mcadams, Marimba; Hannah Fedorchak, Marimba; Wyatt Matson, Marimba; March 30, 2024, Sara Eckert, Erin Brown, Aidan Perrault, Matt Mcadams, Hannah Fedorchak

School of Music Programs

Kemp Recital Hall
March 30, 2024
Saturday Afternoon
2:00 p.m.


2023-2024 Senior Recital - Peter Pao (Cello), Peter Pao, Sheng Yuan Kuan Mar 2024

2023-2024 Senior Recital - Peter Pao (Cello), Peter Pao, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.


2023-2024 Junior Recital - Steven Halpner (Percussion), Steven Halpner, Jeremiah Grace Mar 2024

2023-2024 Junior Recital - Steven Halpner (Percussion), Steven Halpner, Jeremiah Grace

Junior and Senior Recitals

No abstract provided.


Chapman University Choir And University Singers, Chapman University Choir, Chapman University Singers Mar 2024

Chapman University Choir And University Singers, Chapman University Choir, Chapman University Singers

Printed Performance Programs (PDF Format)

No abstract provided.


Uni Violin Studio Recital, March 29, 2024 [Program], University Of Northern Iowa. School Of Music. Mar 2024

Uni Violin Studio Recital, March 29, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


Uni Saxophone Studio Recital, March 29, 2024 [Program], University Of Northern Iowa. School Of Music. Mar 2024

Uni Saxophone Studio Recital, March 29, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


Sophomore Recital: Ryan Daimid, Clarinet; Momoko Gresham, Piano; March 29, 2024, Ryan Daimid, Momoko Gresham Mar 2024

Sophomore Recital: Ryan Daimid, Clarinet; Momoko Gresham, Piano; March 29, 2024, Ryan Daimid, Momoko Gresham

School of Music Programs

Kemp Recital Hall
March 29, 2024
Friday Evening
8:00 p.m.


2023-2024 Performance Forum - March 29, 2024, Fabiola Parra, Sheng Yuan Kuan, Jafet Diaz, Matthew Montelione, Devin Salazar, Ryan Barrett, Patrick Hengstler Mar 2024

2023-2024 Performance Forum - March 29, 2024, Fabiola Parra, Sheng Yuan Kuan, Jafet Diaz, Matthew Montelione, Devin Salazar, Ryan Barrett, Patrick Hengstler

Performance Forum

No abstract provided.


Holy! Beat Triptych, Part 3, March 28, 2024 [Program], University Of Northern Iowa. School Of Music. Mar 2024

Holy! Beat Triptych, Part 3, March 28, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


Italian Instrumental Music As Fascist Propaganda In The United States During The Interwar Period, Davide Ceriani Mar 2024

Italian Instrumental Music As Fascist Propaganda In The United States During The Interwar Period, Davide Ceriani

College of Performing Arts Departmental Research

No abstract provided.


2023-2024 Celebration Of The Classics: Friends Of The Conservatory Concert And Friendship Tea, Miriam Smith, Lillian Platte, Megan Hagel, Elisabeth Thomashoff, Ana-Maria Uzunova, Paola Garcia, Reagan Nguyen, Aidan Quintana, Yilian Concepcion, Aneliya Novikova, Angela Fiedler, Adriana Fernandez, Lauren Swartz, Jon Cruz, Jenna Salliman, Shuqi Yang Mar 2024

2023-2024 Celebration Of The Classics: Friends Of The Conservatory Concert And Friendship Tea, Miriam Smith, Lillian Platte, Megan Hagel, Elisabeth Thomashoff, Ana-Maria Uzunova, Paola Garcia, Reagan Nguyen, Aidan Quintana, Yilian Concepcion, Aneliya Novikova, Angela Fiedler, Adriana Fernandez, Lauren Swartz, Jon Cruz, Jenna Salliman, Shuqi Yang

Friends of the Conservatory Events

No abstract provided.


Logan Neifert, Saxophone, March 27, 2024 [Program], University Of Northern Iowa. School Of Music. Mar 2024

Logan Neifert, Saxophone, March 27, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


The Breakbeat Poets: Translocal Placemaking In The Contemporary Midwestern Lyric, Andy Oler Mar 2024

The Breakbeat Poets: Translocal Placemaking In The Contemporary Midwestern Lyric, Andy Oler

Publications

In the introduction to the Haymarket Books collection The BreakBeat Poets: New American Poetry in the Age of Hip-Hop (2015), co-editor Kevin Coval asserts that the anthologized poems are not simply influenced by hip-hop; “these poems are hip-hop.”1 The anthology’s focus on a genre, a cultural phenomenon, might seem like an odd fit for a special issue on placemaking. Its national frame might seem too expansive for the study of regionalism (though there is a history, established by James Shortridge, of conflating the Midwest with the nation).2 But The BreakBeat Poets is also attentive to more precise versions …


Daniel Adam Maltz, Fortepiano, March 27, 2024 [Program], University Of Northern Iowa. School Of Music. Mar 2024

Daniel Adam Maltz, Fortepiano, March 27, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


2023-2024 Master Class - Neal Gripp (Viola), Neal Gripp, Gabrielle Malaniak, Rachel Miner, Jeremy Jefferson Mar 2024

2023-2024 Master Class - Neal Gripp (Viola), Neal Gripp, Gabrielle Malaniak, Rachel Miner, Jeremy Jefferson

Master Classes

No abstract provided.


Faculty Recital: Deanne Mohr, Deanne Mohr Mar 2024

Faculty Recital: Deanne Mohr, Deanne Mohr

Music Programs

This recital was performed in the WSU Recital Hall on March 26, 2024, by Deanne Mohr (piano), featuring Eric Brisson as narrator for the final piece of the program. Mohr’s performance featured music from the Baroque, Classical, Neoclassical, and Romantic Eras. This performance portrayed how the music from various periods differ in form, style, and subject matter.


2023-2024 Master Class - Guillermo Figueroa (Violin), Guillermo Figueroa, Emin Huseynov, Sheng Yuan Kuan, Dina Bikzhanova, Yilian Concepcion, Nathan Clifford Mar 2024

2023-2024 Master Class - Guillermo Figueroa (Violin), Guillermo Figueroa, Emin Huseynov, Sheng Yuan Kuan, Dina Bikzhanova, Yilian Concepcion, Nathan Clifford

Master Classes

No abstract provided.


Faculty Recital: Deanne Mohr, Deanne Mohr Mar 2024

Faculty Recital: Deanne Mohr, Deanne Mohr

Music Posters

This is a poster for the faculty recital, which was performed in the WSU Recital Hall on March 26, 2024, by Daniel Sheridan (clarinet), and supported by Eric Brisson (piano), Kristi Krause (oboe), and Harry Hindson (bassoon). This performance included music from the Romantic Era and the early 20th century.


New Third Stream Quartet, March 26, 2024 [Program], University Of Northern Iowa. School Of Music. Mar 2024

New Third Stream Quartet, March 26, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


2023-2024 Master Class & Piano Recital - Kara Huber (Piano), Kara Huber, Ana-Maria Uzunova, Jenna Salliman Mar 2024

2023-2024 Master Class & Piano Recital - Kara Huber (Piano), Kara Huber, Ana-Maria Uzunova, Jenna Salliman

Master Classes

No abstract provided.


Matthew Andreini, Percussion, March 25, 2024 [Program], University Of Northern Iowa. School Of Music. Mar 2024

Matthew Andreini, Percussion, March 25, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


Simon White, Saxophone In A Graduate Recital, March 25, 2024 [Program], University Of Northern Iowa. School Of Music. Mar 2024

Simon White, Saxophone In A Graduate Recital, March 25, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.