Music Commons^™

Guest Artist Series: Stephanie Rea, Flute; Scott Locke, Clarinet; Richard Scott, Piano; October 16, 2005, Stephanie Rea, Scott Locke, Richard Scott

School of Music Programs

Kemp Recital Hall
Sunday Evening
October 16, 2005
7:00 p.m.

2005-2006 Piano Recital - Yoshikazu Nagai, Yoshikazu Nagai

Guest Recitals

Yoshikazu Nagai Master Class (October 16, 2005) - Program

2005-2006 Performance Forum - October 14, 2005, Stojo Miselioski, Aaron Mahnken, Veselin Bozhilov, Brad Tatum, Matthew Henderson, Drew Wood, Oliver Salonga

Performance Forum

No abstract provided.

Solo Composition Recital (October 13, 2005), Dominic Dousa

Selected Works Temporary Series

Faculty Compositon Recital, presented by Dena Kay Jones (piano, UTEP), John Siqueiros (guitar, UTEP), Christopher Meerdink (tenor, UTEP), Don Wilkinson (soprano saxophone, UTEP), Laurence Gibson (viola, UTEP), and Dominic Dousa (piano). Performances of the following original compositions: "High Vistas" "Suite for Solo Guitar" "Songs of Sea and Life" "Ludington Woods"

Marshall University Music Department Presents A Contemporary Music Ensemble, Dr. Mark Zanter, Director, With, Guest Performer, Kim Buetzow, Flute, Mark Zanter

All Performances

No abstract provided.

Charles W. Bolen Recital Series: Illinois State University Faculty Jazz Ensemble, October 11, 2005, School Of Music

School of Music Programs

Center for the Performing Arts
Tuesday Evening
October 11, 2005
8:00 p.m.

Guest Artist Series: Niel Corwell, Euphonium/Composer; October 10, 2005, Neal Corwell

School of Music Programs

Center for the Performing Arts
Monday Evening
October 10, 2005
8:00 p.m.

Student Recital: Molly Mccann, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Junior Recital: Jamie Szynal, Soprano; October 9, 2005, Jamie Szynal

School of Music Programs

Kemp Recital Hall
Sunday Afternoon
October 9, 2005
1:30 p.m.

Ensemble Concerts: Symphonic Band And Symphonic Winds, October 9, 2005, School Of Music

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
October 9, 2005
3:00 p.m.

Ensemble Concerts: Trombone Choir And Normal Euphonium Tuba Society, October 9, 2005, Stephen Parsons, Michael Forbes, Neal Corwell

School of Music Programs

Center for the Performing Arts
Sunday Evening
October 9, 2005
7:00 p.m.

Marshall University Music Department Presents The Fall 2005 Meeting Of The Allegheny Chapter, American Musicological Society, Showcase Concert, David Castleberry

All Performances

No abstract provided.

Prism, October 7, 2005, School Of Music

School of Music Programs

Center for the Performing Arts
Friday Evening
October 7, 2005
8:00 p.m.

2005-2006 Philharmonia Season Program Fall, Lynn University Philharmonia, Albert George Schram, Nelson Hsieh, Lisa Leonard, David Cole, Roberta Rust

Philharmonia

Philharmonia No. 1

• October 7, 2005 at 7:30 PM
• Albert-George Schram, conductor and music director ; Nelson Hsieh, violin
• Symphony No. 94 in G Major ("Surprise") / Joseph Haydn -- Violin Concerto No. 5 in A Minor, op. 37 / Henri Vieutemps -- Symphony No. 4 in D Minor, op. 120 / Robert Schumann

Philharmonia No. 2

• November 4, 2005 ay 7:30 PM
• Jon Robertson, guest conductor ; Lisa Leonard, piano ; David Cole, cello
• "Joy" from Awakening (Songs of the Earth) / Joseph Curiale -- Cello Concerto in B Minor, op. 104 / Antonín Dvořák -- Symphony No. 4 …

Marshall University Music Department Presents The Phi Mu Alpha Sinfonia, Founder’S Day Showcase Concert, Vicki Stroeher Dr., George Palton

All Performances

No abstract provided.

Highlights In Jazz Concert 265- Keely Smith In Concert, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, October 6th, 2005 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Keely Smith, Dennis Michaels, Frank Derek, Chip Jackson, Ken Levinsky, Jerry Vivino, Jack Bashkow, Ben Griffin, Jim O'Connor, and surprise guest Earl Gardner.

Faculty String Quartet: Sarah Gentry, Violin; Antony Verner, Violin; Kate Hamilton, Viola; Greg Hamilton, Cello; October 4, 2005, Sarah Gentry, Antony Verner, Kate Hamilton, Greg Hamilton

School of Music Programs

Kemp Recital Hall
Tuesday Evening
October 4, 2005
8:00 p.m.

Iwu Chapel To Host Faculty Concert Of African-American Songs, Meg Dubuque, Rebecca Welzenbach

News and Events (Discontinued Series)

No abstract provided.

Enemble Concerts: Chamber Winds, October 3, 2005, School Of Music

School of Music Programs

Kemp Recital Hall
Monday Evening
October 3, 2005
8:00 p.m.

Marshall University Music Department Presents A Senior Recital, Jessica Stewart Bethel, Flute, Jessica Stewart Bethel

All Performances

No abstract provided.

Ensemble Concerts: Wind Symphony, October 2, 2005, Stephen K. Steele

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
October 2, 2005
3:00 p.m.

Pro Musica Newsletter, Fall 2005, Bowling Green State University. College Of Musical Arts

Pro Musica Newsletters

No abstract provided.

All Recital Programs For Fall Semester 2005, Music Department

General and Sophomore Recitals

This document contains all recital programs for Fall Semester 2005.

Christian Creativity In A Post-Christian Ethos, Quentin Faulkner

Glenn Korff School of Music: Faculty Publications

The ideas I want to explore in this essay begin with the experience of some works of art that have recently been created for St. Mark’s-on-the-Campus Episcopal Church in Lincoln, Nebraska, the church of which I’m a member. All of the art you will experience has been created by active and faithful members of this church. Let me hasten to say that although I’ve been involved in various ways in fostering this art, I’m in no way responsible for it. That responsibility lies primarily with an insightful priest, Father Donald Hanway, who has vigorously championed the cause of the arts …

Haptic Communication And Musical Aesthesis: Feeling In Jazz, Jon Radwan

CHDCM Publications

No abstract provided.

Rhythms: Music At The University Of Northern Iowa, V24, Fall 2005, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

From The Director
-- Sununer life at lnterlochen Arts Camp
-- Buch Continues Internationally Recognized Research
-- News Flash!! Brothers Sing On Receives 77 Votes for Best Film
-- UNI Student Ensembles On the Move
-- UNI School of Music 2005-06 Spotlight Series
-- 24 It's Magical
-- Concierto de la Amistad (The Friendship Concert)
-- Hungarian Greetings
-- Changing Places
-- Outreach Programs
-- Student Awards
-- Dr. Lathon Jernigan Retires
-- School of Music welcomes Dr. Kui-lm Lee
-- The Year in Review
-- UNI Students in St. Petersburg
-- Faculty Activities
-- Alumni Update
-- UNI …

“Oh Uncle Pema!” The Role Of Musical Agency In The Creation Of A Modern Tibetan Identity, Tracy Ellwanger

Independent Study Project (ISP) Collection

“Aku Pema,” a widely popular song in both Tibet and exile, is a useful vehicle for camparing the agency of Tibetan musicians and audiences, as they interact with dominating cultures (Chinese, Hindi, and Western) and official paradigms (espoused by the Chinese government and the Tibetan government-in-exile). After examining the role and implications of “Aku Pema” as a “political” song in both locales, I will look at notions of modernity and tradition, especially in the context of the growing sinocization of Tibetan culture in Tibet and the resulting exile views of pure versus impure Tibetan music.

At the heart of this …

2005-2006 Performance Forum - September 30, 2005, Christina Burr, Jeffrey Van Demme, Girard Villanueva, Wellington Santos, Yang Shen

Performance Forum

No abstract provided.

Ensemble Concerts: Illinois State University Symphony Orchestra, September 29, 2005, Glenn Block

School of Music Programs

Center for the Performing Arts
Thursday Evening
September 29, 2005
8:00 p.m.

Muscular Forces And Joint Angles In Small-Handed Pianists: A Pilot Study On The 7/8 Size Keyboard Versus The Full Size Keyboard, Brenda Wristen, Alexis Kathleen Wismer, Myung-Chul Jung, M. Susan Hallbeck

Glenn Korff School of Music: Faculty Conference Presentations

This pilot study examined whether the use of a 7/8 keyboard contributed to the physical ease of small-handed pianists in comparison with the conventional piano keyboard. A secondary research question focused on the transition from one keyboard to the other. For the purposes of this study, we adopted David Steinbuhler’s postulated hand span of 8 inches or less as defining a “small-handed” pianist. The goal was to measure muscle loading and hand span during performance of the excerpt. Data collection included each participant being monitored using electromyography via surface electrodes, which were attached to the upper back/shoulder, parts of the …