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Articles 29791 - 29820 of 45995

Full-Text Articles in Music

Concert Recording 2006-00-00, Rossitza Jekova-Goza, Linda Beckman Jan 2006

Concert Recording 2006-00-00, Rossitza Jekova-Goza, Linda Beckman

Concert Recordings & Programs

Sonata in F major, op. 24 "Spring" / Ludwig van Beethoven -- Sonata in g minor "Devil's Trill" / Giuseppe Tartini, Fritz Kreisler -- Sonate / Claude Debussy -- Havanaise / Camille Saint-Saens -- Zigeunerweisen / Pable de Sarasate


Concert Recording 2006-09-18, Rossitza Jekova-Goza, Stephen Gates, Jura Margulis, Aquiles Figueroa, Luke Hubbard, University Of Arkansas, Fayetteville. Fulbright Trio Jan 2006

Concert Recording 2006-09-18, Rossitza Jekova-Goza, Stephen Gates, Jura Margulis, Aquiles Figueroa, Luke Hubbard, University Of Arkansas, Fayetteville. Fulbright Trio

Concert Recordings & Programs

Piano Quartet in g minor, K. 478 / Wolfgang Amadeus Mozart -- Piano Quintet in E♭ Major, op. 44 / Robert Schumann


Concert Recording 2006-11-08, Dennis Parker, Lyndon Meyer, Rossitza Jekova-Goza, Aquiles Figeroa, Jesse Collett, Luke Hubbard, Stephen Gates Jan 2006

Concert Recording 2006-11-08, Dennis Parker, Lyndon Meyer, Rossitza Jekova-Goza, Aquiles Figeroa, Jesse Collett, Luke Hubbard, Stephen Gates

Concert Recordings & Programs

Sonata for violin and piano (1917) / Claude Debussy -- Sonata (duo) for violin and cello (1920-22) / Maurice Ravel -- Verklarte Nacht (Transfigured night) (1899) / Arnold Schonberg;Recorded Nov. 8, 2006


Concert Recording 2006-01-21, Kevork Mardirossian, Lyndon Meyer, Rossitza Jekova-Goza, David Goza, University Of Arkansas, Fayetteville. Chamber Orchestra Jan 2006

Concert Recording 2006-01-21, Kevork Mardirossian, Lyndon Meyer, Rossitza Jekova-Goza, David Goza, University Of Arkansas, Fayetteville. Chamber Orchestra

Concert Recordings & Programs

Poeme, op.25 / Ernst Chausson -- Tzigane, rapsodie de concert pour violin et piano / Maurice Ravel -- Concerto grosso in A minor, op. 3, no. 8 / Antonio Vivaldi -- Concerto in D minor, BWV. 1043 / Johann Sebastian Bach


Concert Recording 2006-11-13, Richard Rulli, Brian Glass, Timothy Thompson, Gerald Sloan, Benjamin Pierce, University Of Arkansas, Fayetteville. Boston Mountain Brassworks Jan 2006

Concert Recording 2006-11-13, Richard Rulli, Brian Glass, Timothy Thompson, Gerald Sloan, Benjamin Pierce, University Of Arkansas, Fayetteville. Boston Mountain Brassworks

Concert Recordings & Programs

My spirit be joyful / J. S. Bach -- Trois chansons / Claude Debussy -- Laudes (1971) / Jan Bach -- Quintet / Michael Kamen -- Frost fire / Eric Ewazen -- The dog gone blues / Luther Henderson


Concert Recording 2006-02-07, Stan Morris, Josh Fugit, C. J. Weatherford, Billy Mere, Ronda Mains, Theresa Delaplain, Nophachai Cholthitchanta, Timothy Thompson, Richard Ramey, Chalon L. Ragsdale, David Goza, Richard Rulli, Ryan Cockerham, Jessica Middleton, Andrew Thompson, Stephen Gates, James Greeson Jan 2006

Concert Recording 2006-02-07, Stan Morris, Josh Fugit, C. J. Weatherford, Billy Mere, Ronda Mains, Theresa Delaplain, Nophachai Cholthitchanta, Timothy Thompson, Richard Ramey, Chalon L. Ragsdale, David Goza, Richard Rulli, Ryan Cockerham, Jessica Middleton, Andrew Thompson, Stephen Gates, James Greeson

Concert Recordings & Programs

Birthday music for Sigurd M. Rascher / Erland von Koch -- Quartetto per saxofoni. op. 93 / Emil Hlobil -- Printemps / Henri Tomasi -- Shadows of wood / Eckhard Kopetzki -- An interrupted serenade / William Penn -- Concertino da Camera / Jacques Ibert


Concert Recording 2006-02-22, Scott Corley, Jeannie Lee, Dustin Wallace, Ariel Anderson, Lyndon Meyer Jan 2006

Concert Recording 2006-02-22, Scott Corley, Jeannie Lee, Dustin Wallace, Ariel Anderson, Lyndon Meyer

Concert Recordings & Programs

Vocalise / Sergei Rachmaninoff -- Morceau Symphonique / Alexandre Guilmant -- Concertino, op. 45, no. 4 / Lars-Erik Larson


Concert Recording 2006-04-19, William Bauldwin, Jeannie Lee, Charles Spann, Claudia Burson, Scott Corley, Brian Sours, Henry Runkles, Patrick Powell, Michael Post, Michael Schneider, Candice Hicks Jan 2006

Concert Recording 2006-04-19, William Bauldwin, Jeannie Lee, Charles Spann, Claudia Burson, Scott Corley, Brian Sours, Henry Runkles, Patrick Powell, Michael Post, Michael Schneider, Candice Hicks

Concert Recordings & Programs

Concerto no. 3 / Wolfgang Amadeus Mozart -- Rondino / Cecil Effinger -- Rhapsody for euphonium / Jerry Brubaker -- Six studies in English Folk Song / Ralph Vaughan Williams -- Concertino, mvt. 2 / Ferdinand David -- Concert piece Rodger Vaughan -- Napoli / Herman Bollstedt


Concert Recording 2006-03-28, Christina Rios, Elizabeth Taylor, Henry Runkles, William Reyes, Michael Bollero, Lisa Hocking Jan 2006

Concert Recording 2006-03-28, Christina Rios, Elizabeth Taylor, Henry Runkles, William Reyes, Michael Bollero, Lisa Hocking

Concert Recordings & Programs

Histoire du tango / Astor Piazzolla -- Piece en forme de habanera / Maurice Ravel -- Sonata in g minor, HWV 360 / George Frideric Handel -- My little man / Kenneth D. Fredrich -- Mei / Kazuo Fukushima -- Roundabouts / Mike Forbes -- Duo for flute and piano / Aaron Copland


Concert Recording 2006-0000a, Calin Clark Jan 2006

Concert Recording 2006-0000a, Calin Clark

Concert Recordings & Programs

English Suite III / Bach -- Sonata A maj / Schubert -- Etude op. 25, no.11 / Chopin -- Mephisto waltz / Liszt


Symphonic Revelations, Carlo Vincetti Frizzo Jan 2006

Symphonic Revelations, Carlo Vincetti Frizzo

LSU Master's Theses

Symphonic Revelations is scored for 3-3-3-3, 4-3-3-1, 1 timpani, 3 percussionists, harp, piano, and strings and is approximately 20 minutes in length. It is a single movement symphonic work that consists of three major sections and is built from the pitch class set [0, 1, 3]. The first section’s overall form resembles both a large crescendo and an accelerando. The music begins softly and slowly and over time gradually builds becoming louder and faster. Eventually in bars 225 to 229, the section comes to an end with a tutti passage that marks one of the loudest and fastest moments in …


Concert Recording 2006-04-26a, Andrew Irvin, Ryan Cockerham, Luke Hubbard, Mercy Warris Jan 2006

Concert Recording 2006-04-26a, Andrew Irvin, Ryan Cockerham, Luke Hubbard, Mercy Warris

Concert Recordings & Programs

Caprice variations for unaccompanied violin / George Rochberg -- Etudes speciales, op. 36. No. 9, marche: Allegro moderato / Jacques-Fereol Mazas -- Graceful ghost rag / William Bolcom -- Die tote Stadt. Marietta's Lied / Erich Wolfgang Korngold -- Caprice, no. 9 / Niccolo Paganini -- Caprice, no. 1 / Delphin Alard -- String quartet no. 2 in D major / Alexander Borodin


Background Conglomerates In Alkan's Quasi-Faust, Op. 33, No. 2, Matthew James Steinbron Jan 2006

Background Conglomerates In Alkan's Quasi-Faust, Op. 33, No. 2, Matthew James Steinbron

LSU Master's Theses

Various approaches have been used over the past 50 years to describe and analyze works that exhibit tonality but have more than one tonic. This paper focuses solely on a subcategory of such works: those that begin in one key and end in another, the first key being permanently replaced by the second. The most prominent systems of terminology and analysis for such works include “progressive tonality,” “directional tonality,” “interlocking structures,” and “background conglomerates.” After examining these systems, “background conglomerates” is determined to best suit works that permanently change tonics. This approach, which was introduced by Harald Krebs, employs a …


Symphony No.1, Jessica Mahan Jan 2006

Symphony No.1, Jessica Mahan

LSU Master's Theses

Symphony No. 1 is a programmatic piece based on the sabbat holidays of the traditional Celtic calendar. The holidays of the Celtic year celebrate the human spirit in context with the changes of the earth during the course of a year. Beginning with autumn, Samhain celebrates death and the preparation for the darkness of the winter months. Yule is the longest night of the year, and the time the Goddess is crowned. Signs of spring come at Imbolg. Ostara is the Spring Equinox, and an equal relationship exists between the Goddess and the God. Beltane is celebrated by wrapping ribbons …


Concert Recording 2006-05-20, Farah Buck, Brad Williamson, Karri Altrogge, Emily Nelson, Sam Ross Jan 2006

Concert Recording 2006-05-20, Farah Buck, Brad Williamson, Karri Altrogge, Emily Nelson, Sam Ross

Concert Recordings & Programs

Nuit d'étoiles / Claude Debussy -- Invito alla danza / Ottorino Resphighi -- Lágrima / Francisco Tárrega -- Mit Myrten und Rosen / Robert Schumann -- Rastlose Liebe / Franz Schubert -- Suite no. 2 in D minor, BWV 1008. Prélude / J.S. Bach -- The mystery of Edwin Drood. Moonfall / Rupert Holmes -- Love's philosophy / Roger Quilter -- Il Barbiere di Siviglia. Il vecchiotto cerca moglie / Gioachino Rossini -- Carmen. Je dis que rien ne m'épouvante / Georges Bizet -- Le merle blanc / Eugene Damaré -- Gianni Schicchi. O mio babbino caro / Giacomo Puccini …


Oboe Recital, Dane C. Philipsen Jan 2006

Oboe Recital, Dane C. Philipsen

Honors Program Theses

During my years studying the performance of oboe at The University of Northern Iowa, I have played countless concerts. Some are more memorable than others are; the recital I played on 14 April :.zoo6 was a particularly meaningful performance. It was the result of months of planning, patient practice, and mentoring fostered by years of progressive development.


The Process To Perform, Nicole Suzanne Farley Jan 2006

The Process To Perform, Nicole Suzanne Farley

Honors Program Theses

A musical performance is much more than technical execution of notes on a page. A performance is a way to communicate the deepest part of the human soul across culture, language, or racial barriers. Music can bring one to tears or turn their mood sour in a matter of minutes. It is a powerful medium of emotional communication, communicating far beyond the confines provided by the written word. However, wonderful music-making does not just happen. Like any academic or artistic discipline, it takes intense study, time, thought, and practice to become a work of art. In preparing my senior recital, …


Senior Voice Recital, Sarah Jo Duvel Jan 2006

Senior Voice Recital, Sarah Jo Duvel

Honors Program Theses

The process of preparing and presenting this thesis recital has been a very educational and eyeopening. There were low points, such as stress over pronunciation and music memorization, frustration over rehearsal coordination, and fatigue from asking so much of myself so often. However, there were also many high points: advancement in my vocal lessons, growth in my vocal technique, further mastery of foreign languages, opportunities to make music with my colleagues, and improved proficiencies in the business aspects of singing (publicity, networking, etc.). Though this was not my first vocal recital, it was certainly the most rewarding; the knowledge and …


Volume 20, Various Authors Jan 2006

Volume 20, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.


Musical Time And Revealed Timelessness, Michael Vincent Blandino Jan 2006

Musical Time And Revealed Timelessness, Michael Vincent Blandino

LSU Master's Theses

Scholarship on musical time recognizes the depiction of timelessness in music as a possibility. However, many theories of musical timelessness center around total stasis as the ideal method for creation of the effect, tolerating relative motion only out of necessity and viewing such motion as a weakening force in this regard. There is little investigation of the interaction between other modes of musical time and the mode of timelessness. Hence, no theory offers a comprehensive expansion of scope to include more complex depictions of timelessness in relation to time. This paper addresses these points, offering a framework for understanding musical …


Concert Recording 2006-04-19a, Ashley Watkins, Henry Runkles Jan 2006

Concert Recording 2006-04-19a, Ashley Watkins, Henry Runkles

Concert Recordings & Programs

Di tacere e di schernirmi / George Frideric Handel -- Le nozze di Figaro. Voi che sapete / Wolfgang Amadeus Mozart -- Almen se non poss'io / Vincenzo Bellini -- O Kuuler Wald ; Meine Liebe ist frun / Johannes Brahms -- Bei dir ist es traut / Alma Mahler -- Cinq melodies populaires grecques / Maurice Ravel -- Emily Dickinson Songs / Vincent Persichetti -- The Mighty Casey. Kiss me not goodbye / William Schuman -- That's what love was made for / Ashley Watkins


Concert Recording 2006-11-19, Zandra Willoughby Jan 2006

Concert Recording 2006-11-19, Zandra Willoughby

Concert Recordings & Programs

O del mio dolce ardor / Christoph Williband von Gluck -- Sebben, crudele / Antonio Caldara -- La boheme. Donde lieta / Giacomo Puccini -- Beau soir ; Ariettes oubliees. Il pleure dans mon couer / Claude Debussy -- Ganymed ; Seligkeit / Franz Schubert -- Six poems by Emily Dickinson. Good morning, midnight ; Nobody knows this little rose / John Duke -- Exsultate jubilate. Alleluja / Wolfgang Amadeus Mozart


Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers Jan 2006

Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers

Theses : Honours

The music of Olivier Messiaen is a unique and interesting contribution to the canon of 20th Century art music, but one that has received little attention from the jazz world. Through a detailed study of his music, this dissertation aims to gain a deeper understanding of Messiaen's musical language and investigate the possibilities of applying that language within the jazz idiom. In addition to a discussion of Messiaen and his music, a detailed analysis of the author's own composition for pipe organ and jazz orchestra, Auguries of Innocence, will explore the results of this application. The complete scores and …


Application Of Binaural Recording In The Video Game Industry, Max Leong Jan 2006

Application Of Binaural Recording In The Video Game Industry, Max Leong

Theses : Honours

The video game industry is one of entertainment technologies' largest growing industries. There are thousands of games in the market covering a variety of different genres. There is also a high level technical sophistication in current games along with the game console that runs it. Games are realistic with astonishingly life like graphics. The backing audio and music tracks are performed by leading orchestras and written by renowned composers. Great technological strides have been made in the areas of graphic and audio design. The end user expects the very best and the video game industry is constantly improving software and …


The Solo Piano Music Of Andrzej Dutkiewicz, Christine Burczyk Allen Jan 2006

The Solo Piano Music Of Andrzej Dutkiewicz, Christine Burczyk Allen

LSU Doctoral Dissertations

This purpose of this study was to examine the solo piano compositions of Polish composer and pianist, Andrzej Dutkiewicz (1942- ). These works include Toccatina (1969), Suite for Piano (1970), Three Sketches in Retrospect (1985), and À-la (1986). Although his compositions have been performed in festivals and concerts, there has been little written about his works. This is the first academic research presented by an American scholar. This monograph is divided into three chapters as follows: Chapter One includes background and biographical information on Dutkiewicz; Chapter Two presents a comprehensive analysis of À-la from an analytical and stylistic perspective; Chapter …


The Transcription For Two Double Basses Of Selections From Pièces De Violes, Quatrème Livre, Deuxiême Partie: Suitte D'Un Goût Etranger By Marin Marais, Yong Hao Pan Jan 2006

The Transcription For Two Double Basses Of Selections From Pièces De Violes, Quatrème Livre, Deuxiême Partie: Suitte D'Un Goût Etranger By Marin Marais, Yong Hao Pan

LSU Doctoral Dissertations

Marin Marais (1656-1728) was one of the most celebrated bass viol composer-performers of the French school from the late seventeenth century to the early eighteenth century. The purpose of this project is to introduce some of his music to double bass players through transcriptions. The monograph starts with an overview on the importance of transcriptions in double bass literature. A historical background of the viol and its relation to the double bass are discussed in the second chapter. The third chapter reviews Marin Marais’s biographical sketch, and some of his most significant compositions. The transcription process of eight selected bass …


A Performer's And Conductor's Analysis Of Ingolf Dahl's For Alto Saxophone And Wind Orchestra, Christopher Scott Rettie Jan 2006

A Performer's And Conductor's Analysis Of Ingolf Dahl's For Alto Saxophone And Wind Orchestra, Christopher Scott Rettie

LSU Doctoral Dissertations

Ingolf Dahl’s Concerto for Alto Saxophone and Wind Orchestra was written in 1949 for the famous concert saxophonist, Sigurd Rascher and was then revised to its present state in 1953. The concerto, widely known by saxophonists and wind band conductors alike, is considered among the finest of repertoire for band as well as for saxophone. Although Dahl’s concerto is one of the most frequently performed saxophone concerti, there has been surprisingly little written about it. Available published sources deal directly with the concerto, but do not address harmonic implications, the saxophone solo part, or the published wind band score. This …


Formal Convention In Verdi's Falstaff, Joseph Salvatore La Rosa Jan 2006

Formal Convention In Verdi's Falstaff, Joseph Salvatore La Rosa

LSU Doctoral Dissertations

Falstaff (premiered in 1893) draws more explicitly on primo ottocento formal conventions for duets, arias, and central finales than scholars have previously argued. A description of those conventions (generally referred to as the solita forma) is followed by the analytical application of those conventions to selected passages from Falstaff. A general description of the solita forma for duets and arias is followed by a pertinent example from Rossini’s Semiramide. Three passages from Falstaff are then shown to have strong grounding in the solita forma. These passages include Falstaff’s “Honor” monologue in act I, part 1; the scene for Mrs. Quickly, …


The Effects Of Contextual Interference On The Acquisition, Retention, And Transfer Of A Music Motor Skill Among University Musicians, Leslie Paige Rose Jan 2006

The Effects Of Contextual Interference On The Acquisition, Retention, And Transfer Of A Music Motor Skill Among University Musicians, Leslie Paige Rose

LSU Doctoral Dissertations

The contextual interference hypothesis holds that simple motor skill tasks are best learned when practiced under blocked, or repetitive conditions, but that retention and transfer are best accomplished when the skill has been practiced in varied conditions. The purpose of this study was to measure the effects of contextual interference practice conditions on the acquisition, retention, and transfer of a complex task—right hand lead percussion sticking technique among university musicians. All participants (N = 120) demonstrated rhythmic competency for the task, and were necessarily unable to perform the sticking technique with accuracy at the start of treatment. Three treatment groups …


Summary Of Lecture Recital: Bright Sheng's Selected Chamber Music For Strings: Two Violin Solos, And Two String Quartets, Mei-Mei Wei Jan 2006

Summary Of Lecture Recital: Bright Sheng's Selected Chamber Music For Strings: Two Violin Solos, And Two String Quartets, Mei-Mei Wei

LSU Doctoral Dissertations

Bright Sheng was born in Shanghai, China, in 1955, and became one of America’s leading composers in the twentieth-century. Bright Sheng’s orchestral music, opera and chamber music is frequently performed throughout the world. His musical language combines Chinese folk music and Western techniques--the meeting of East and West. This essay will discuss Bright Sheng’s The Stream Flows for solo violin (1990), Three Fantasies for Violin and Piano (2006), String Quartet No.3 (1993), and String Quartet No.4 Silent Tempo (2000). These works represent Sheng’s chamber music for strings. This essay will be organized as follows: Chapter 1 will provide Bright Sheng’s …