Music Commons^™

New Mexico Musician Vol 56 No 1 (Fall 2008)

New Mexico Musician

No abstract provided.

Jury Recognition Recital: August 29, 2008, School Of Music

School of Music Programs

This is the third program of the 2008-2009 season.

Kemp Recital Hall

August 29, 2008

Monday Evening

8:00 p.m.

Faculty Recital: August 28, 2008, Adriana La Rosa Ransom, Eric Ransom, Momoko Gresham, Tuyen Tonnu, Angelo Favis

School of Music Programs

This is the third program of the 2008-2009 season.

Kemp Recital Hall

August 28, 2008

Thursday Evening

7:30 p.m.

Michelle Colton & Greg Samek, Percussion, August 28, 2008 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

No abstract provided.

Blue Moon Coffeehouse Returns For 17th Season, Jessica Block ‘09

News and Events (Discontinued Series)

No abstract provided.

Bolen Faculty Recital Series: August 21, 2008, Sarah Gentry, Paul Borg, Tuyen Tonnu

School of Music Programs

This is the first program of the 2008-2009 season.

Kemp Recital Hall

August 21, 2008

Thursday Evening

7:30 p.m.

The Art Of Healthy Belting: A Guide For Teaching, Elisa Fraser Wilson

Selected Works Temporary Series

The proper techniques to produce a healthy belt in the high school/college singer are often misunderstood and as a resulty, this skill is often overlooked. This presentation discusses several exercises to use to develop a healthy belt along with demonstrations of each exercise.

The Art Of Healthy Belting: A Guide For Teaching, Elisa Fraser Wilson

Departmental Papers (Music)

The proper techniques to produce a healthy belt in the high school/college singer are often misunderstood and as a resulty, this skill is often overlooked. This presentation discusses several exercises to use to develop a healthy belt along with demonstrations of each exercise.

The Effects Of Ownership Consolidation On Diversity In Contemporary Hit Radio Music Programming, Russell L. Maloney

All-Inclusive List of Electronic Theses and Dissertations

The radio industry faces numerous challenges from newer forms of media. Specifically, devices such as the iPod threaten radio's role as the primary source of music for young listeners. This thesis addresses the effect of ownership consolidation as a result of the 1996 Telecommunications Act on radio music programming diversity. Instead of using the number of formats per market as a measure of programming diversity, this study used a content analysis of Contemporary Hit Radio (CHR) station play lists to measure diversity within a specific radio format. Overall, the study showed a significant increase in the number of plays per …

International Teacher Perspectives On Using Computers To Teach Music, Jun-Ting Sun

All-Inclusive List of Electronic Theses and Dissertations

This study investigated how four expert teachers from Australia, Japan, Taiwan and the United States integrated computers into their music classrooms. Through the use of qualitative interviewing methodology (Kvale, 1996), in-depth interviews were conducted between the participants and the researcher. The questions focused on the decision making process behind how these expert teachers chose to integrate technology in their music classes as well as the impact of various cultural, societal, and political influences (parents, teachers, students, school administrators, government officials and policy, and the community) on the development and implementation of their curriculum. Findings from this study suggest that music …

The Role Of Music Therapy In Increasing Motivation For Change In Individuals With Dual Diagnosis : Alcohol Abuse And Depression In An Inpatient Short-Term Psychiatric Setting, Ann C. Charoonsathvathana

Theses, Dissertations and Culminating Projects

The role of music therapy in increasing motivation for change in individuals with dual diagnosis with regard to alcohol abuse and depression in an inpatient short-term psychiatric setting is explored in this pilot study. This study involves a total of ten participants attending five music therapy sessions which consist of music improvisation, drumming, sing along, lyrics discussion, song writing, and music relaxation. A Readiness to Change Questionnaire (RCQ), Music Therapy Questionnaire and Music Therapy Survey form are administered at different times of the sessions. The ¿-tests (within-subject design) are used to analyze the data. The study also includes descriptive data …

A Stylistic Analysis Of Six Pieces For Solo Piano By Rodion Shchedrin And A Stylistic Analysis Of Trespreludiosa Modo De Toccata, Dos Danzas Cubanas, And Estudio De Contrastes By Harold Gramatges, Amanda Virelles Del Valle

Dissertations

This document compiles stylistic analysis for performance of selected works by the Russian composer Rodion Shchedrin and the Cuban composer Harold Gramatges. The piano music of these composers has been gaining international acclaim since the 1950's. The unique harmonic language, the elements of folklore, and the virtuosity found in these pieces make them very attractive for performance and research.

The document unites two papers, each supplementing lecture recitals offered on April 16 and 28, 2008. In each paper, after a brief biographical summary and an account of the piano repertoire of the respective composer, the pieces are examined, and matters …

Jack Stamp: A Biographical Sketch And Analysis Of Symphony No. 1 - "In Memoriam David Diamond", Dawn Anna Perry

Dissertations

The purpose of this research was to provide information about Jack Stamp as a prominent composer of wind band literature, with a focus on his compositional techniques. An analysis of Symphony No. 1 - "In Memoriam David Diamond" illustrated Stamp's varying compositional styles from lyrical to highly contrapuntal with syncopation, changing meters, modal and extended harmonies, and colorful use of percussion - characteristics found in his works at all ability levels. An interview with the composer documented his compositional influences, his thoughts on wind band literature, conducting, and specific techniques employed in Symphony No. 1. To date Stamp has published …

Four Twentieth-Century Mass Ordinary Settings Surveyed Using The Dictates Of The Motu Proprio Of 1903 As A Stylistic Guide, Jonathan Candler Kilgore

Dissertations

In the first half of the twentieth century, major attempts at reform were occurring in music written for the Catholic Church. At the heart of this reform was the 1903 Motu Proprio of Pope St. Pius X. This document sought to bring clarity and focus to sacred music through limitation, as well as causing sacred music composers to make changes in their compositional methods. While still being modern, music had to conform to certain rules and regulations in order to be functional within the Catholic liturgy. The document also provided a great deal of detailed information regarding day-to-day occurrences within …

Performance Practices In Four Puccini Arias: Tempo Choices And Choosers, Joshua O. Neumann

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

PERFORMANCE PRACTICES IN FOUR PUCCINI ARIAS TEMPO CHOICES AND CHOOSERS

Joshua O. Neumann, M.M. University of Nebraska, 2008 Advisor: Peter M. Lefferts

Opera is notorious for having a wide spectrum of performance practices. Among the most notable opportunities for performer liberty is that granted by the heightened emotionalism of the late nineteenth and early twentieth century Italian operas. Giacomo Puccini is the most prominent Italian composer of the turn of the twentieth century. His operas are among the most popular and most often performed in the genre. Puccini’s best-known operas (La Bohéme, Tosca, Madama Butterfly, and Gianni Schicchi) have been …

Confluence Of Cultures, Kelly Anderson, Tom Buckner, Stacey Fraser, Chinary Ung, Susan Ung, Lynn Vartan

Printed Performance Programs (PDF Format)

No abstract provided.

Pro Musica Newsletter, Summer 2008, Bowling Green State University. College Of Musical Arts

Pro Musica Newsletters

No abstract provided.

Ua68/9/1 Western Minstrel, Wku Department Of Music

WKU Administration Documents

The Western Minstrel is the official alumni newsletter of the WKU Department of Music.

[Review Of] Rock's Backpages, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Victor Herbert: A Theatrical Life, Neil Gould

Biography

Victor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater.

Now, Victor Herbert has the biography he deserves. Neil Gould draws on his own experience as a director, producer, and scholar to craft the first comprehensive portrait in fifty years of the Irish immigrant whose extraordinary talents …

Program; 2008-06-22, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Strahm, Franz Joseph (Mss 213), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 213. Musical scores (22) composed by Strahm, a talented composer and pianist, who served as the head of Western Kentucky University's Music Department from 1910 to 1941. Some of the pieces are quite short, while others contain full orchestration.

Hogan, Ernest, 1865-1909 (Sc 1673), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 1673. Application to secure a Kentucky historical marker for Bowling Green, Kentucky native Ernest Hogan (Reuben Crowdus), considered to be the father of ragtime music. Includes 28 supporting letters and a photo of Hogan.

Theoretical And Formal Continuity In James Tenney's Music, Brian Belet

Faculty Publications

James Tenney created much of his music and theoretical writing as an objective experimenter, observer and codifier. This article examines Tenney's traits of curiosity, experimentation and honest self-evaluation through a subset of his compositions from the 1960s, 1970s and 1980s. Although quite diverse in many ways, these compositions share his mark of intense individuality, integrity and compositional rigor, which creates a macro-unity and formal continuity between works. Perhaps this is his ultimate ‘clang’ and conceptual ‘temporal gestalt-unit’. Each composition grows out of the need to address one or more specific formal questions: each work is indeed an experiment designed to …

Illinois Chamber Music Festival Summer Concert Series, Sherry Wallace

News and Events (Discontinued Series)

No abstract provided.

Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies

WKU Administration Documents

Booklet reviewing events at Women & Kids Learning Together Summer Camp.

Tributes To Leonard B. Meyer: He Was The Very Model Of A Modern Musicologist, Alexander Rozin

Music Theory, History & Composition Faculty Publications & Performances

No abstract provided.

"Two Pieces For Flute And Piano" (Paris, France), Dominic Dousa

Selected Works Temporary Series

A performance of my original composition by Melissa Colgin-Abeln (flute) and Dominic Dousa (piano) at a recital that was part of the Atelier Concert Series.

Marshall University Music Department Presents A Senior Recital Program, Andrew Pinnick, Percussion, Asssisted By, Mr. Steve Hall, Marimba, And The, Marshall University African Drum And Dance Ensemble, Andrew Pinnick

All Performances

No abstract provided.

The Guacamole Fund Presents...

Native American Forum on Nuclear Issues

Special Bonnie Raitt Benefit Tickets