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Articles 26611 - 26640 of 45965
Full-Text Articles in Music
Lara Wagner, Vocals, Lara Wagner
Lara Wagner, Vocals, Lara Wagner
School of Music Graduate Recitals
- LARA WAGNER, Vocals
- assisted by Martez L. Rucker, Piano Jordan Richards, Bass Jay Sawyer, Drums Terrence Massey, Trumpet Zach Lange, Trumpet and Flugelhorn Randy Gist, Tenor Saxophone Pat Laslie, Tenor Saxophone and Vocals Eric Bowman, Trombone Gordon van Gent, Guitar Andy Van Allsburg and Taylor O’Donnell, Vocals
Lara Wagner is a candidate for the Master of Music degree majoring in performance–jazz. She received her bachelor’s degree from the University of Wyoming.
Thomas, Patricia (Fa 400), Manuscripts & Folklife Archives
Thomas, Patricia (Fa 400), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and full-text paper (click on "Additional Files" below) for Folklife Archives Project 400. Paper: "Murder Ballads of Kentucky" written by Patricia Thomas for a Western Kentucky University folk studies class.
Highlights In Jazz Concert 296- Voices Of Jazz, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 296- Voices Of Jazz, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, May 14th, 2009 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Kevin Mahogany, James Weidman, Melissa Slocum, JT Lewis, Bill Easley, Daryl Sherman, James Chirillo, Boots Maleson, Marion Felder, and surprise guest Carol Fredette.
Armstrong, Louis; Basie, Count; Caruso, Enrico; Cleveland, James; Cooke, Sam; Cotton, James; Gaye, Marvin; Gillespie, Dizzy; Guthrie, Woody; Hunter, Alberta; James, Elmore; Johnson, Robert; King, Albert; And Navarro, Fats., Howard Bromberg
Book Chapters
Contributions by Howard J. Bromberg to Musicians and Composers of the 20th Century.
Marshall University Music Department Presents A Senior Recital, Matthew Kelly, Matthew Kelly
Marshall University Music Department Presents A Senior Recital, Matthew Kelly, Matthew Kelly
All Performances
No abstract provided.
A Senior Recital, Maureen Seymour, Valerie Ore
A Senior Recital, Maureen Seymour, Valerie Ore
Senior Recitals
Program listing performers and works performed
Voices Only Concert (May 6, 2009), Lindenwood University
Voices Only Concert (May 6, 2009), Lindenwood University
Student Music Performance Programs
Program for Voices Only Concert (May 6, 2009).
A Senior Recital, Stephen Ferradino
A Senior Recital, Stephen Ferradino
Senior Recitals
Program listing performers and works performed
"Departed Days" For Satb Choir And Piano, Dominic Dousa
"Departed Days" For Satb Choir And Piano, Dominic Dousa
Selected Works Temporary Series
A performance of my original composition by the UTEP University Chorale, conducted by William McMillan.
2008-2009 Roberta Rust In Recital: Honoring Haydn, Roberta Rust, Marina Stojanovska, Natasa Stojanovska, Maryna Yermolenko, Christine Echezabal, Molin Wang, Chien-I Yang
2008-2009 Roberta Rust In Recital: Honoring Haydn, Roberta Rust, Marina Stojanovska, Natasa Stojanovska, Maryna Yermolenko, Christine Echezabal, Molin Wang, Chien-I Yang
Faculty Recitals
A concert commemorating the bicentennial of the death of Franz Joseph Haydn in May 1809.
2008-2009 Class Of 2009 In Concert, Nikola Nikolovski, Dongfang Zhang, Aziz Sapaev, Yunyue Liu, Oderlyn Gutiez, Kaitlin Richardson, Stojo Miselioski, Natasa Stojanovska, Jeff Adkins, Gentry Barolet, Douglas Ferreira, Anthony Pastore, Moises Silva
2008-2009 Class Of 2009 In Concert, Nikola Nikolovski, Dongfang Zhang, Aziz Sapaev, Yunyue Liu, Oderlyn Gutiez, Kaitlin Richardson, Stojo Miselioski, Natasa Stojanovska, Jeff Adkins, Gentry Barolet, Douglas Ferreira, Anthony Pastore, Moises Silva
Other Student Recitals
No abstract provided.
Senior Piano Recital, Miwa Sugiyama
Senior Piano Recital, Miwa Sugiyama
Printed Performance Programs (PDF Format)
No abstract provided.
Marshall University Music Department Presents A Senior Recital, Jason Rose, Euphonium, Jason Rose
Marshall University Music Department Presents A Senior Recital, Jason Rose, Euphonium, Jason Rose
All Performances
No abstract provided.
The Melody Lingers On: The Songs Of Irving Berlin (May1-2, 2009), Irving Berlin
The Melody Lingers On: The Songs Of Irving Berlin (May1-2, 2009), Irving Berlin
Student Music Performance Programs
Program for The Melody Lingers On: The Songs of Irving Berlin (May1-2, 2009).
A “Man’S Woman”? Contradictory Messages In The Songs Of Female Rappers, 1992-2000, Matthew Oware
A “Man’S Woman”? Contradictory Messages In The Songs Of Female Rappers, 1992-2000, Matthew Oware
Sociology and Anthropology Faculty Publications
Employing content analysis of 44 songs taken from the Billboard charts between 1992 and 2000, the authors find that all female rap artists in the sample included the cornerstones of rap in their songs: braggadocio, consumption of alcohol and drugs, and “dissin” of female and male rap competitors. More important, the majority of the artists had themes of female agency and empowerment present in their music. However, the artists also had songs that were antithetical to Patricia Hill Collins’ Black feminism. Indeed, a majority of the songs examined had women who self-objectified, self-exploited, and used derogatory lyrics when referring to …
Music Therapy And The Families Of Nicu Infants : A Proposed Program For Development And Implementation, Angela Ferraiuolo-Thompson
Music Therapy And The Families Of Nicu Infants : A Proposed Program For Development And Implementation, Angela Ferraiuolo-Thompson
Theses, Dissertations and Culminating Projects
This thesis proposes a music therapy program for families whose infants are hospitalized in the neonatal intensive care unit (NICU). The goals of the program include the following: reduction of stress, anxiety and depression; working through trauma responses via the promotion of relaxation and the facilitation of coping skills. A review of the literature leads to the conclusion that families of NICU infants are under-served in terms of populations receiving music therapy as a supportive service. It is important to note that this population is often suffering from the same debilitating symptoms addressed in music therapy treatment of adults with …
The Use Of The Music Therapist’S Principal Instrument In Clinical Practice, Angela Voyajolu
The Use Of The Music Therapist’S Principal Instrument In Clinical Practice, Angela Voyajolu
Theses, Dissertations and Culminating Projects
The purpose of this study is to determine the use of the music therapist’s primary instrument in clinical practice. Specifically, the interest lies in whether there is a relationship between the type of primary instrument reported and the degree to which it is used with clients. In the current study two-hundred and twenty-two therapists completed a survey concerning the use of their principal instrument in clinical practice. The use of the principal instrument was limited to the timeframe of one year so as to obtain results on current practices. Results suggest that many music therapists do use their principal instrument …
Adaptive Piano Pedagogy For The Student With Autistic Spectrum Disorder, Nava Zeevi
Adaptive Piano Pedagogy For The Student With Autistic Spectrum Disorder, Nava Zeevi
Theses, Dissertations and Culminating Projects
Music therapy is a well known means of creating emotional, academic and social advances in the life of children with autism. However, private instrumental instructions, a form of music therapy for this population, are not easily accessible. Not many piano teachers have the experience, background or understanding needed to teach students with varying degrees of challenges in sensory integration, information processing, aural and visual discrimination, motor problems and low muscle tone.
The literature review in this thesis includes an overview of autistic spectrum disorder, the special learning needs of the child with autism, and general piano pedagogy theories, strategies and …
Jane, The Quene, Kathleen Wrinn
Jane, The Quene, Kathleen Wrinn
Renée Crown University Honors Thesis Projects - All
I wrote and performed a one-woman show entitled Jane, the Quene, about the life, reign, and death of Lady Jane Grey, the 9-day Queen of England in 1553. With the help of my advisor, Lauren Unbekant, I created my piece in a physical storytelling style in which I played all of the characters, adopting different voices, physicalities, and slight costume modifications to distinguish between them. I collaborated with film, costume, set, lighting, and sound designers to create my final product, and the whole project took about a year to complete. I had begun my research in London the previous …
Crossing Borders In Leonard Bernstein’S Mass, Theresa Hubbard
Crossing Borders In Leonard Bernstein’S Mass, Theresa Hubbard
Renée Crown University Honors Thesis Projects - All
On September 8, 1971, Mass by Leonard Bernstein premiered at the inauguration performance at the John F. Kennedy Center for the Arts in Washington, D.C. Subtitled “A Theatre Piece for Singers, Players, and Dancers,” Mass possess examples of several different types of music, making the piece very eclectic in nature. It is a huge work which requires close to 200 performers who are well-versed in several musical genres.
Bernstein composed Mass using the form of the Roman Catholic Mass celebration, as many composers have done in the past. Bernstein was a bit more daring, however, and instead of composing music …
Natural Horn Performance In The 19th Century, Paula Kinev
Natural Horn Performance In The 19th Century, Paula Kinev
Renée Crown University Honors Thesis Projects - All
The natural horn developed from an instrument of the hunt into an orchestral instrument in the 18th century. The switch from outdoors to concert hall was helped along by the development of hand horn technique, which allowed for all chromatic notes to be played on the instrument. This led to an extremely fruitful time of virtuoso hand horn soloists through outEurope. The instrument evoked a very particular aesthetic: light, nimble, virtuosic, “natural”, voice-like, etc. Then when the invention of the valves was applied to the natural horn it was met with a fair amount of resistance. The natural horn …
The Music Of Jerry Sieg: A Descriptive Catalogue Of His Piano Music And An Analysis Of The Five Miniatures For Piano, Nuria Mariela Royas
The Music Of Jerry Sieg: A Descriptive Catalogue Of His Piano Music And An Analysis Of The Five Miniatures For Piano, Nuria Mariela Royas
Dissertations
The purpose of this study is to present the solo piano music of the American composer Jerry Sieg, whose output includes works for orchestra, voice, opera, chorus, and numerous compositions for solo instruments.
It opens with the biography of the composer, including information concerning bis musical training, followed by a brief survey of his solo piano works. A discussion of his compositional style in his Five Miniatures for Piano, written in 1994 for the American pianist Marian Lee, is also included in this work. The analysis of the Five Miniatures for Piano in Chapter IV presents a detailed analysis of …
The City Of Jacksonville Presents Make A Scene Downtown Jacksonville Jazz Festival, Jacksonville Jazz Festival
The City Of Jacksonville Presents Make A Scene Downtown Jacksonville Jazz Festival, Jacksonville Jazz Festival
Jacksonville Jazz Festival Collection Materials
Schedule of events happening in Downtown Jacksonville May 21-24 during the 2009 Jacksonville Jazz Festival.
The City Of Jacksonville Presents Make A Scene Downtown Jacksonville Jazz Festival, Jacksonville Jazz Festival
The City Of Jacksonville Presents Make A Scene Downtown Jacksonville Jazz Festival, Jacksonville Jazz Festival
Jacksonville Jazz Festival Collection Materials
Promotional card for Jacksonville Jazz Festival events May 21-24, 2009 in Downtown Jacksonville.
The Romantic Heritage: Dohnanyi's Compositional Language In His Six Concert Etudes, Op. 28, Michael A. Yenny
The Romantic Heritage: Dohnanyi's Compositional Language In His Six Concert Etudes, Op. 28, Michael A. Yenny
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
Even though Ernst von Dohnányi (1877-1960) straddles the nineteenth and twentieth centuries, his Romantic compositional language remains unaffected by his twentieth century contemporaries. The present study will establish Dohnányi’s Romantic heritage by examining his Six Concert Etudes, Op. 28 according to Romantic Style musical parameter characteristics. This study is relevant because these characteristics in conjunction with these etudes have yet to be examined. This demonstration of the Romantic Style musical parameter characteristics in conjunction with these etudes offers a new contribution to the body of scholarly writing.
The document is divided into three chapters and a bibliography. Chapter 1 consists …
Now Is Your Time To Step Into The Spotlight 25th Annual Jacksonville Jazz Piano Competition, "City Of Jacksonville, Office Of Special Events"
Now Is Your Time To Step Into The Spotlight 25th Annual Jacksonville Jazz Piano Competition, "City Of Jacksonville, Office Of Special Events"
Jacksonville Jazz Festival Collection Materials
Entry form and instructions for 25th Annual Jacksonville Jazz Piano Competition held May 21, 2009 at the Florida Theatre during the 2009 Jacksonville Jazz Festival.
The City Of Jacksonville Presents Jacksonville Jazz Festival 2009, Jacksonville Jazz Festival
The City Of Jacksonville Presents Jacksonville Jazz Festival 2009, Jacksonville Jazz Festival
Jacksonville Jazz Festival Collection Materials
Music event Downtown Jacksonville May 21-24, 2009 with concert/event locations at Metropolitan Park, The Florida Theatre, Hemming Plaza, MOCA Jacksonville, Riverwatch at City Centre, Times-Union Center for the Performing Arts Terry Theater, The Jacksonville Landing, and the Omni Jacksonville Hotel.
Interdisciplinary Teaching And Learning, Adonna Clark
Interdisciplinary Teaching And Learning, Adonna Clark
Theses and Dissertations
In the early 1600's, the Pilgrims and the Puritans brought their musical traditions with them to establish a new life. The survival of their families depended upon their ability to provide food, shelter and clothing. Despite the challenges they faced, the colonists recognized the importance of educating their children. In 1642, the Massachusetts School Law was passed. It required town leaders to require parents to provide their children with an elementary education. Music training was not part of this newly required education. Due to the demands of life, the colonists were unable to nurture their musical abilities. Those who had …
Leo Brouwer's Estudios Sencillos For Guitar: Afro-Cuban Elements And Pedagogical Devices, Carlos Isaac Castilla Penaranda
Leo Brouwer's Estudios Sencillos For Guitar: Afro-Cuban Elements And Pedagogical Devices, Carlos Isaac Castilla Penaranda
Dissertations
This document presents a detailed performance and pedagogical analysis of the Estudios Sencillos by the Cuban composer, Leo Brouwer. Such pertinent musical aspects as biographical data of the composer, Afro-Cuban traditions, Cuban composers, and philosophical and artistic trends that impacted Brouwer's aesthetic world are studied and discussed.
Virtually any of Brouwer's works can serve to convey this information, but it is particularly this group of pieces that better suits the study of Afro-Cuban elements within a pedagogical focus since no other of Brouwer's compositions is set with this particular target in mind: etudes for the development and/or implementation of a …
A Comparative Analysis Of Roman Palester's Concertino Pour Saxophone Alto Et Orchestre A Cordes, Brian Donald Kauth
A Comparative Analysis Of Roman Palester's Concertino Pour Saxophone Alto Et Orchestre A Cordes, Brian Donald Kauth
Dissertations
The music of Roman Palester (1907-1989) is little known outside his native Poland. Before World War II, he experienced a great deal of musical success, with many of his compositions being performed at prestigious music festivals throughout Europe. Palester completed his one solo work for the saxophone, the Concertino pour Saxophone Alto et Orchestre a Cordes, in 1938, but its scheduled premiere in 1939 never took place due to political tensions on the eve of World War II.
In 1978, Palester revised the work for saxophonist David Pituch, who premiered and recorded this version. A comparison of the original and …