The Fig Tree, Christopher Guevara

Graduate Theses and Dissertations

THE FIG TREE is a sonic representation of Sylvia Plath’s 1963 novel The Bell Jar. Within the story, the character of Ether Greenwood describes a vision of a fig tree, a representation of all that was and can be. Within THE FIG TREE are the representations of Plath’s text. The piece is broken into three distinct parts, held together by the soloist bass clarinet line. The first section is a slow buildup, an arrival to the fig tree. The ostinato in the low brass and reeds represents a steep incline to the tree itself. The middle section is within the …

Gustav Mahler’S Naturlaut In The Anthropocene: A Musical Landscape Of Early Environmentalism, Alexis Rose

Arts & Sciences Graduate Student Theses and Dissertations

This thesis is an exploration of the perceived roles and potential functions of music and art in environmental movements. I focus on Gustav Mahler, a composer historically associated with nature, as a case study of the relationship between nature and art in Austro-German Romanticism and early environmentalism. In the first chapter, I connect Mahler’s idea of nature as influenced by Friedrich Nietzsche, Richard Wagner, and Arthur Schopenhauer to the ideas and rhetoric of nineteenth-century environmentalists in Austria and Germany. This context serves as the background for my second chapter, in which I analyze Mahler’s Seventh Symphony through an ecocritical lens. …

Cultural And Political Perspective On Beethoven's "Ode To Joy" As The European Union's Anthem, Teodore Ignatius Minaroy, Henny Saptatia Drajati Nugrahani

Journal of Strategic and Global Studies

ABSTRACT. The aim of this research is to explore the cultural and political significance of the Ode to Joy, a tune included in Beethoven's Ninth Symphony, so that tune can become an anthem for the European Union. Following the MEPs from Nigel Farage's Brexit party turning their backs on the playing of the European anthem, a discussion on this subject started. The method used in this research is descriptive qualitative approach and literature review. The research's conclusions demonstrate that both musically and politically, Ode to Joy has its significance. Ode to Joy had already come to represent Germany in …

Composition Portfolio, Axel Norman Velazquez Retif Altmann

Music ETDs

This composition portfolio consists of a series of works written during my master’s program at the University of New Mexico. Each chapter in this collection includes a brief description of its corresponding piece. The compositions featured in this portfolio are: 5 de mayo: La Batalla de Puebla (2023), Alir (2023), Taos (2022), and Atok (2023). Each composition in this portfolio not only represents a unique artistic vision but also illustrates the evolution of my compositional voice throughout my graduate studies. Through these works, I aim to contribute to the ongoing dialogue between tradition and modernity in contemporary music.

The Spatio-Temporality Of J Dilla’S Sound Aesthetic, Masahide T. Kato

Journal of Hip Hop Studies

Book review

DILLA TIME: Life and After Life of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm by Dan Charnas (New York: Farrar, Straus and Giroux, 2022).

Australian/Japanese Electropunk S.F.D.U. 11 Singles & Album, Guy A. Cooper, Jake A. Morton

Staff Scholarship - Australia & Dubai

This creative work is a self-produced Electropunk album by Guy Cooper and bandmate Jake Morton, created for the band Super Fun Down Under (S.F.D.U.). Written, performed (vocals, guitar, drums, bass, synth), produced, mixed, and mastered independently, the 11-track release is an exploration of genre fusion—melding the raw, political aggression of punk with the synthetic textures and structures of electronic music. The project examines how these two sonic worlds can be merged to create a high-energy, confrontational, and culturally resonant sound that retains the DIY ethos of punk while embracing modern production tools.

A core focus of the album is the …

A Friendship Of Two Prima Donnas: The Letters Of Adelina Patti To Giulia Valda, Jacquelyn Ancelet

LSU Master's Theses

Of the many prima donnas of the nineteenth century, Adelina Patti (1843–1919) stands out as one of the most successful, with a fifty-year international concertizing career. Biographers across multiple languages have covered her career in great depth, but devote little attention to her close friendships. Herman Klein (in The Reign of Patti [1920]) and John Cone (in Adelina Patti: Queen of Hearts [1993]), for instance, claim that Patti was known by many, but understood by few. One who does seem to have understood her and developed a close relationship with her was Giulia Valda (1850–1925), herself a professional singer, if …

Chinese Calligraphic Dance (Ccd) And Generative Arts: Phantom Of Utopia, Ka Hei Cheng

LSU Doctoral Dissertations

The intricate elements embedded in the pictorial, ideological, and semantic facets of Chinese characters find their origin in simple calligraphic gestures. This generative arts research and creative work elevates traditional two-dimensional Chinese calligraphy into a multidimensional realm in extended reality (XR) by translating it into a three-dimensional dance movement, integrating music and visual media. This transformation is achieved by decomposing the words into gestures and somaesthetic
movement/interaction, encoding the collective bodily expressions into a manifestation termed Chinese Calligraphic Dance (CCD). Within this dance form, the fusion of categorized and uncategorized gestures/movements is sonified through a motion tracking system, giving rise …

Luther’S Musical Legacy In The Preaching Of His Students, Robert Kolb

Consensus

No abstract provided.

The Cålåpitå Past The “Dull Edge” Of Extinction: A Shaggy Dog Story Of Repatriation And Refusal In Bali, Tyler Yamin

Faculty Contributions to Books

No abstract provided.

A Practical Theology Of The Role Of Emotion In Corporate Musical Worship: A Case Study, Kevin Haglund

Faculty Dissertations

Evangelical worship has undergone significant changes since the mid-20th century, culminating in the 1990s with the merger of two theological streams: “Praise and Worship” and “Contemporary Worship.” This research project examines the role of emotion in corporate musical worship, exploring the potential for emotionalism and the suppression of emotional expression. The study analyzes Scripture, the emotional effects of music and religious practices, and cultural influences on emotional expression in worship. Qualitative case study research involving interviews with individuals from three distinct worship environments was conducted. The goal is to develop a practical theology of the role of emotion in corporate …

Harmony In Collaboration: Curating Sustainability In Post-Pandemic Arts, Natalie M. Stepaniak

LSU Doctoral Dissertations

In an interconnected world, collaboration in the arts is rising, challenging the traditional notion of the solitary artist. Interdisciplinary collaboration is crucial for advancing performing and visual arts, especially amidst declining audience attendance. Despite the COVID-19 pandemic exacerbating challenges for the arts sector, recent data suggests a gradual recovery, with collaborative efforts fostering resilience.

This dissertation investigates the transformative potential of interdisciplinary collaboration from the perspective of musicians and their organizations. Through three case studies—collaborations between the Rapides Symphony Orchestra and Play On Theater Company, The Next Festival for Emerging Artists, and violist-composer Leilehua Lanzilotti and her collaborative relationship with …

Mental Practice: Practical Application In Violin And Viola Private Lessons, Natasha Sieczkowska

LSU Doctoral Dissertations

This dissertation aimed to better understand how violin and viola private instructors teach Mental Practice in their studios, investigating different approaches on how to apply and teach auditory, motor, and visual imagery, score study, and auditory modeling, as well as its benefits. This research was divided into two different stages. In the first stage, the researcher conducted interviews (n = 19) and collected questionnaire responses (n = 14) from 33 upper-string instructors teaching at the pre-college and collegiate levels in the US. This research stage was based on the grounded theory approach since there was not much research …

Quiet No More: An Analysis Of Women's Protest Music, Jillian Vogel

LSU Doctoral Dissertations

This dissertation explores the multifaceted role of music in women’s protests, emphasizing how it serves as a unifying and rallying tool in the fight against inequality. By delving into the interdisciplinary realms of music theory, sound studies, and women’s and gender studies, this work highlights how women’s protest composers utilize musical texts and content to turn their music into a tool to inspire change. This dissertation investigates the musical structures and harmonic innovations in suffrage movement music, examining how suffragettes with varying musical knowledge engaged with music to further their cause. The suffragette music analyses combine text analysis, harmonic analysis, …

Hymns Of Babel: A Song Cycle Fmus Composition Project, Reed Spencer, Steven Day

Lux et Fides: A Journal for Undergraduate Christian Scholars

Hymns of Babel Research Brief

Over the course of the eight-week faculty mentorship undergraduate scholarship period, Dr. Reed Spencer and senior Steven Day composed a twelve-song cycle on the theme of Generation Z’s interaction with social media. This piece sought to articulate the thoughts, emotions, responses, and impulses that accompany the virtual world. Many of the songs explored where we find God in our social media age, as well as how we create gods, try to act as a god, and pretend there is no God. The collaborative process began by creating a rough lyrical structure and purpose, followed by …

A Qualitative Study And Comparative Analysis Of Japanese And American Music Education Methodologies And Philosophies, Mallory Elaine Flory

Masters Theses

This qualitative hermeneutic phenomenological study investigated the differences that studies have yet to explore between Japanese and American music education methodologies in terms of teaching music literacy through foundational keyboard skills, world music incorporation, repertoire, and life enrichment philosophies. This study utilized a qualitative hermeneutic phenomenological research design and examined the effects of Japanese music education methodologies and philosophies through data collection and qualitative interviews conducted with nine students whose music education consisted of these elements. The researcher interviewed two Japanese music educators, two American music educators, two Japanese music students, and three American music students. This study helped to …

Servant Leader Choral Conductor: The Effect Of Servant Leadership In Community Choirs And Community Partnerships, Zachary Debois Cooke

Doctoral Dissertations and Projects

Despite servant leadership primarily establishing itself as an appropriate leadership style, there is little research on how servant leadership affects community choirs in music education. Community choirs are prevalent in music education due to the number of individuals seeking choral experiences and community gatherings to sing and express their musicality. This hermeneutic qualitative phenomenological study explores the leadership styles of community choir choral conductors and their perspectives on servant leadership. By surveying current choral conductors of community choirs and community partnerships, this qualitative study identifies the overarching leadership styles and servant leadership qualities that are consciously considered or not implemented …

Asmrtistry In Immersive Sound: Investigating The Effectiveness Of Immersive Sound Technologies In Eliciting Autonomous Sensory Meridian Response, Scott D. Nelson

LSU Doctoral Dissertations

Despite a wide array of immersive sound technologies available to digital media creators who specialize in making audio-visual content that aims to elicit Autonomous Sensory Meridian Response (ASMR), only a few sound reproduction modalities are widely used: mono/stereo and binaural recording. To date, nearly all research studying ASMR, a bio-sensory phenomenon wherein people feel brain tingles triggered by calming audio-visual cues, has been content to carry out ASMR studies entirely with stereo and binaural sound reproduction methods. Therefore, it stands to reason that more understanding about how diverse immersive sound modalities like wave field synthesis, or three-dimensional spatial audio for …

Compassionate Care In Elementary General Music Teaching And Learning As A Way To Respond To The World: A Narrative Inquiry, Julia K. Church Hoffman

Teacher Education, Educational Leadership & Policy ETDs

In this narrative inquiry, where stories were the data, three experienced music teachers from one public school district in the southwestern United States shared stories about their experiences as elementary general music teachers. The stories were told through the lens of compassionate care, a perspective that implies a shared experience between teacher and learners (Hendricks, 2018, 2023). The stories, and my interpretation of them, revealed an understanding of elementary general music, a multimodal, fun, school subject, as a vehicle for teaching children how to be kind and respectful humans. Threads that emerged from the stories linked connections between compassionate care, …

Frontera De Valldemosa’S Equinotación And The Nineteenth-Century Textbook Controversies It Sparked, Antoni Pizà

Publications and Research

Abstract:

Francisco Frontera de Valldemosa (1807-1891) published the first edition of his treatise, generally known as Equinotación, in 1837. The book purported to simplify musical notation by reducing the complex system of clefs to only three. From the moment it became public his clef method became controversial. First, it sparked a long controversy in the Revue et gazette musicale de Paris regarding the system’s originality, usefulness, and possible plagiarism. Subsequent editions decades later also sparked debates and even a couple of lawsuits, as reflected in several articles in the Gaceta musical barcelonesa. At the bottom of these polemics …

Justin Holland's Guitar Music Collection, Robert Coldwell

Soundboard Scholar

Although much information is available about Holland's biography and compositions, little research has been done on how he acquired his deep knowledge of the guitar and how he may have interacted with other guitarists of his day.

Some years after Justin Holland's death in 1887, his son, Justin Minor Holland, claimed to have "one of the most elaborate libraries of guitar music, mostly of old masters." This collection could give more insight into the activities of guitar music collectors and guitarists in the United States of the 19th century. After much research, seven bound volumes of guitar music have been …

The Essential Guide To Playing And Creating Music Online Together, Rebekah Wilson

Journal of Network Music and Arts

No abstract provided.

Telematic Performance In Electronic Dance Music (Edm), Yongsi Wang

Journal of Network Music and Arts

This paper aims to discuss to what extent telematic performances within the framework of the “Beyond Time and Space - London Tokyo Online 2023” initiative serve as a comparative paradigm to physical live performances, particularly in the domains of technical exigencies, artistic expression, and audience engagement.

Central to this study is the “Beyond Time and Space - London Tokyo Online 2023” event, a simultaneous, interactive electronic live music performance connecting physical venues in London and Tokyo. Through JackTrip and Open Broadcaster Software (OBS), this event aspired to explore the applicability and limitations of telematic technology in live electronic music performance …

Kompost*Klang*Küche*: Telematic Worlding With Glitch, Hannah Vyborg Walter, Robert Torche, Cedric Spindler, Eric Larrieux, Patrick Muller

Journal of Network Music and Arts

This paper explores concepts and practices of telematic performances, particularly through the lens of the project kompost*klang*küche*. It emphasizes spatial discontinuity within networked artistic collaborations, as opposed to immersive continuity.

Telematic performance formats utilize network technologies to facilitate low latency artistic endeavors across geographical divides, creating a complex interplay between local, remote, and intermediary spaces. In this context, we interpret spatial configurations from a phenomenological point of view as telematic SPACE in which technical components are in place in three spaces (local, remote and intermediary space) while practiced, embodied and inhabited in an anthropological space, where the overlay and dynamics …

How To Be In Two Places At Once: A Search For The Immersive Experience In Renaissance Music And Visual Arts., Andrew Hallock

Journal of Network Music and Arts

Immersion is a hot topic, but it is often invoked in a vague or shallow way. This essay aims to arrive at a more nuanced consideration of the immersive experience by presenting some perhaps surprising arguments from the past—from Renaissance music and visual arts—drawing parallels with our own time, and positing that the Network Arts can take inspiration from this history to enhance its own immersive endeavours. Four interrelated topics serve as the basis for this investigation: miniature devotionalia, polyphonic canons, anamorphic puzzles, and early cosmology. By using perspective to disclose hidden meanings, ideas, and realities, these varied practices draw …

Connectivity, Presence, And Time: A Pedagogical Experience With Telematic Music, Cássia Carrascoza Bomfim, Alexandre Ficarelli, Danilo Rossetti

Journal of Network Music and Arts

This article aims to discuss the notions of connectivity, presence, and time in the specific context of telematic music. To do so, we describe the work of the Telematic Ensemble LaFlauta, formed by students and professors from the University of São Paulo, Ribeirão Preto campus, for performance at the NowNet Arts Conference 2023.4 This work involved rehearsals and performances of three compositions dedicated to the group: Virtual Studies (2023) by Paulo C. Chagas, Modules 2 - My Words (2023) by Cássia Carrascoza, and Textural Studies (2023) by Danilo Rossetti. We conclude that the positive results of telematic music in a …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

The Benefits Of Singing And Audiation For Beginning Musicians, Elissa Harris

Graduate Research Showcase

This literature review explores the impact of audiation and singing on the aural sensitivity of novice musicians, shedding light on the fundamental role of these processes in music education. Audiation, the cognitive ability to internally hear and understand music, and singing, as an active manifestation of audiation, are integral components of musical development. However, their precise influence on the development of aural sensitivity in beginners remains understudied.

Through a comprehensive review of existing literature and empirical investigation, this review seeks to uncover the relationship between audiation, singing, and the enhancement of aural skills among novice musicians. Furthermore, the literature review …

“Systems Are Changeable”: Reading Moments Through Movements Available, Lei X. Ouyang

Music Faculty Works

This article considers how recent moments of racism and violence in the United States, ethnomusicology, and the Society for Ethnomusicology are linked to larger movements. I examine the work of Asian American and Asian Canadian artists and activists to engage with conversations about violence, racialization, and solidarity. I bring these conversations in concert with recent discussions of racism in music studies to connect moments to movements and examine models for change through processes of decolonization. I call upon readers to embrace discomfort, listening, and reflection to engage with work that is relational and intergenerational and that demonstrates hope, care, and …

The Blessed Assembly: Irreplaceable Physical Co-Presence In Worship And Healthy Hybridity Reimagined After The Pandemic In The Digital Age, Yvette, Ying Wai Lau

Doctor of Pastoral Music Projects and Theses

Because of the unprecedented and unexpected force of the pandemic since 2020, most churches around the world have experienced some online worship during the lockdown of their cities or the mandated closure of the church buildings. For many people, online worship seems to be an equivalent, if not better, alternative for gathering together—a physical co-presence in worship—even after the pandemic has ended. As necessary and vital as online worship experiences have been for Christians during the pandemic, the witness of the church from Pentecost throughout Christian history indicates that gathered worship in physical spaces is irreplaceable for faith formation and …