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Articles 24061 - 24090 of 45965
Full-Text Articles in Music
William Blayney - Clarinetist And Teacher, Contributions And Influences On Clarinet Playing In The Twenty-First Century, Branko Pavlovski
William Blayney - Clarinetist And Teacher, Contributions And Influences On Clarinet Playing In The Twenty-First Century, Branko Pavlovski
LSU Doctoral Dissertations
This study was undertaken to document the life and teaching of the American clarinetist William Blayney who was noted for the beauty of his tone and expressive playing. He is representative of the French clarinet school, and through his teaching he carries on this tradition of fine clarinet playing to another generation in the United States. Blayney’s wide range of experience extends from playing with the Atlanta and Seattle symphonies, to opera and ballet companies in New York, Atlanta, Baltimore and Seattle, to playing on Broadway and on movie soundtracks such as Die Hard III and Disney Studio re-scorings of …
Concert Recording 2012-11-10, Andrew Jones, Amber Lomolino, Kristine Mezines, Benjamin Pierce, Mike Roe, Jan Fox, Patrick Oliverio, Paige Quinn, Michael Burner, Ed Jones, Stephen Byars
Concert Recording 2012-11-10, Andrew Jones, Amber Lomolino, Kristine Mezines, Benjamin Pierce, Mike Roe, Jan Fox, Patrick Oliverio, Paige Quinn, Michael Burner, Ed Jones, Stephen Byars
Concert Recordings & Programs
Diversive elements (1996). Intrada ; Jazz Walk ; Euphony ; Caccia ; Fanfare-March / David R. Gillingham -- Duh suite. Duh odds ; Duh fool professors ; duh blooze ; Duh yaz / Jim Self -- Quintet for brass (2001) / Michael Kamen -- Tales of the cultural revolution (1980) / Brian Holmes -- Toccata and fugue in d minor / J. S. Bach [arr.] Fred Mills
Concert Recording 2012-11-04, Stephen Byars, Matthew Sharp, Kristine Mezines, Andrew Jones, S. Michael Shuman, Jennifer Fox, Jordan Wilhelm, Matthew Sharp, Amber Lomolino, Yudai Hironaka
Concert Recording 2012-11-04, Stephen Byars, Matthew Sharp, Kristine Mezines, Andrew Jones, S. Michael Shuman, Jennifer Fox, Jordan Wilhelm, Matthew Sharp, Amber Lomolino, Yudai Hironaka
Concert Recordings & Programs
La spiriata. Conzona per sonare no. 1 ; Conzona per sonare no. 3 / Giovanni Gabrieli ; arr. Mike Forbes -- Midsummer night's dream. Scherzo / Felix Mendelssohn ; arr. Mike Forbes -- Diversive elements. Intrada ; Jazz walk ; Euphony ; Caccia ; Fanfare-march / David Gillingham -- Arabesque / Joseph Turrin -- Duett-concertino / Rolf Wilhelm -- Dances / John Stevens -- Brink / Dan Kramer
Concert Recording 2012-10-17, Amber Lomolino, Matthew Sharp, Stephen Byars, Andrew Jones, Riley Shell, Olga Zelevinskaja, Andrew Baker, Tomoko Kashiwagi, Cody Walter, Jason Forte, Amanda Davis, Amy Frenzel, Sean Breast, Joseph Rulli, Crystal Skahan, Will Brani, Jeff Payne, Jordan Wilhelm, Jacob Hilton, Josh Matlock
Concert Recording 2012-10-17, Amber Lomolino, Matthew Sharp, Stephen Byars, Andrew Jones, Riley Shell, Olga Zelevinskaja, Andrew Baker, Tomoko Kashiwagi, Cody Walter, Jason Forte, Amanda Davis, Amy Frenzel, Sean Breast, Joseph Rulli, Crystal Skahan, Will Brani, Jeff Payne, Jordan Wilhelm, Jacob Hilton, Josh Matlock
Concert Recordings & Programs
Urban Suite. I Skyline ; II Street beat ; III Lilly my love ; IV Jungle rumble / Shawn Kelly -- O mio babbino caro / Giacomo Puccini -- Concertino for oboe, op. 110. II Romanze ; III Vivace / Johann Wenzel Kelliwoda -- Suite for tuba. Allegro maestoso ; Adagio espressivo ; Allegro con brio / Don Haddad -- The willow song / Douglas Moore -- The bride of the waves / Herbert L. Clarke -- Andante et scherzetto. II Scherzetto / Pierce Lantier -- Achieved is the glorious work / Franz Joseph Haydn
Concert Recording 2012-11-29a, Timothy Thompson, John Brilhart, Peter Hamby, Matt Land, Matthew Muncie, Matthew Plunkett, Paige Quinn, Curtis Simmons, Chelsea Trout, Hua Wang, Emily Willis, University Of Arkansas, Fayetteville. Horn Choir
Concert Recording 2012-11-29a, Timothy Thompson, John Brilhart, Peter Hamby, Matt Land, Matthew Muncie, Matthew Plunkett, Paige Quinn, Curtis Simmons, Chelsea Trout, Hua Wang, Emily Willis, University Of Arkansas, Fayetteville. Horn Choir
Concert Recordings & Programs
Festival fanfare / Nicholas J. Perrini ; Overture to la fulte en Egypte, op. 25 / Hector Berlioz -- Aus guitar, alter Zeit / Franz Lifti -- Divertimento no. 2 / W. A. Mozart -- Notturno / Nicholas Rimsky-Korsakov -- Three studies for four french horns / Alec Wilder -- Concertino for four horns. Maestoso / Alexandre Mitushin -- Horn players' retreat and pumping song / David Stanhope
Quantz And Frederick The Great: Masters And Monarchs Of The Flute, Betsy Anne Groat
Quantz And Frederick The Great: Masters And Monarchs Of The Flute, Betsy Anne Groat
Honors Program Theses
The purpose of this thesis is to investigate the significant contributions that Quantz made as a flutist, composer, and pedagogue to the music world and in particular, to research the impact that Quantz had in the development of Frederick the Great as a virtuoso musician. The hope is to also illustrate the resulting significance of Frederick the Great as an important composer and flutist. This thesis is also intended to establish a case for the enduring significance of Frederick the Great and Quantz as significant flutists and composers and to encourage the acceptance of their compositions in the generally performed …
Graduate Jazz Pedagogy Recital, Cory Healey
Graduate Jazz Pedagogy Recital, Cory Healey
Dissertations and Theses @ UNI
The author presented his graduate jazz pedagogy recital on February 29th 2012 at 6:00 pm in Bengtson Auditorium, Russell Hall, at The University of Northern Iowa. The recital was given in partial fulfillment of the requirements for the Masters of Music degree in jazz pedagogy and covered a wide range of repertoire that demonstrated the author's composition and arranging skills as well as his performance skills on drum set, piano, electric bass, and vibraphone. The musicians who assisted the author were New York City-based Tony Barba and Dave Miller and University of Northern Iowa musicians Jon Snell, Riley Scheetz, Sam …
A Master’S Recital In Voice, Kaethe Blue Henning
A Master’S Recital In Voice, Kaethe Blue Henning
Dissertations and Theses @ UNI
Kaethe Blue Henning, soprano, presented her graduate voice recital on Friday, March 2, 2012 at 8:00 in the evening in Davis Hall of the Gallagher-Bluedorn Performing Arts Center on the University of Northern Iowa campus. The program consisted of four sets of music including works by A. Scarlatti, Handel, Liszt, Sibelius, Stenhammar, and Grieg, in collaboration with Korey Barrett, harpsichord; Liudmila Lebedeva, cello; Randy Grabowski, trumpet; Abigail Coffer, flute;· Andrey Lopatin, viol.in; and Robin Guy, piano. This abstract presents musical and historical features of the recital pieces
John Holloway In Recital, John K. Holloway
John Holloway In Recital, John K. Holloway
Dissertations and Theses @ UNI
Schubert's Piano Sonata in C minor, D.958, is one of the last three sonatas by the Viennese composer. The last three sonatas are recognized by many music historians as autobiographical.1 They also represent a different style of composition than Schubert's earlier works. The mature style found in these sonatas differs from his earlier style as evidenced by the use of vivid expression, greater length, and prolonged development of thematic material. The last three sonatas include D.958 in C minor, D.959 in A major, and D.960 in B-flat major. While all three sonatas are performed often, D.960 is the most …
Master's Recital In Piano, Hsueh-Ling Huang
Master's Recital In Piano, Hsueh-Ling Huang
Dissertations and Theses @ UNI
Hsueh-Ling Huang presented a graduate piano recital at 8 p.m. on Tuesday, March 6, 2012 in Davis Hall of the Gallagher-Bluedorn Performing Arts Center at the University of Northern Iowa School of Music. This recital was presented in partial fulfillment of the Master of Music Degree requirements in Piano Performance. This recital program consisted of works by Ludwig van Beethoven, Alexander Scriabin, Claude Debussy, and Pyotr Ilyich Tchaikovsky.
Front Matter/Table Of Contents
Front Matter/Table Of Contents
Performance Practice Review
Includes the table of contents and journal information for this issue.
Contributors/End Matter
Performance Practice Review
Includes information about the authors features in this issue.
Performance Practice Bibliography (1987)
Performance Practice Bibliography (1987)
Performance Practice Review
A bibliography of important books and/or articles published up to 1987.
"Performing Haydn's The Creation: Reconstructing The Earliest Renditions." By A. Peter Brown, Frederick Hammond
"Performing Haydn's The Creation: Reconstructing The Earliest Renditions." By A. Peter Brown, Frederick Hammond
Performance Practice Review
Reviews and critiques Brown's 1986 book.
"Jean-Henry D'Anglebert And The Seventeenth-Century Clavecin School." By Beverly Scheibert., Erich Schwandt
"Jean-Henry D'Anglebert And The Seventeenth-Century Clavecin School." By Beverly Scheibert., Erich Schwandt
Performance Practice Review
Reviews and critiques Scheibert's 1986 book.
A Suggested Improvement For The Fisk Organ At Stanford, Mark Lindley
A Suggested Improvement For The Fisk Organ At Stanford, Mark Lindley
Performance Practice Review
The unequal temperaments of Stanford's Fisk organ should be modified to reflect more accurately the characteristics of Renaissance and Baroque keyboard tunings.
Interpretation Problems Of Ornament Symbols And Two Recent Case Histories: Hans Klotz On Bach, Faye Fergusonon Mozart, Frederick Neumann
Interpretation Problems Of Ornament Symbols And Two Recent Case Histories: Hans Klotz On Bach, Faye Fergusonon Mozart, Frederick Neumann
Performance Practice Review
The reliance on 17th- and 18th-c. ornament tables in 'authentic' performance often leads to rigid interpretations. A monograph by Hans Klotz (RILM 1984-05515-bm) and a review by Faye Ferguson perpetuate a rigid view of how 18th-c. ornaments should be interpreted.
Stravinsky, Tempo, And Le Sacre, Erica Heisler Buxbaum
Stravinsky, Tempo, And Le Sacre, Erica Heisler Buxbaum
Performance Practice Review
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his metronome markings and his own recorded performance tempos. His preferred tempos in the reviews encompass a range wider than the markings imply, yet more narrow than his own performance tempos suggest.
The "Not-So-Precisely Measured" Music Of The Middle Ages, Hendrik Van Der Werf
The "Not-So-Precisely Measured" Music Of The Middle Ages, Hendrik Van Der Werf
Performance Practice Review
Evidence from medieval writers, musical notation, and variant readings in the sources all suggest that troubadour and trouvere songs were performed in more or less equal note values and in a manner that presented the poetry clearly.
'Back To The Land': Performance Practice And The Classic Period, Malcom S. Cole
'Back To The Land': Performance Practice And The Classic Period, Malcom S. Cole
Performance Practice Review
Although much valuable work has been done on performance practice in the Classic period, many issues await detailed study.
The Performance Of French Baroque Music: A Report On The State Of Current Research, Albert Cohen
The Performance Of French Baroque Music: A Report On The State Of Current Research, Albert Cohen
Performance Practice Review
A survey, with a bibliography, of published research on French Baroque performance practice that appeared during the period 1978-88.
Performance Practice: Criticism, Summary, Discovery, Roland Jackson
Performance Practice: Criticism, Summary, Discovery, Roland Jackson
Performance Practice Review
Promising new directions for performance research include: (1) firsthand experience with historical instruments; (2) reexamining musical sources; (3) exploring archival and literary material; and (4) establishing links with ethnic research.
Continuing Abby Whiteside's Legacy--The Research Of Pianist Sophia Rosoff's Pedagogical Approach, Carol Ann Barry
Continuing Abby Whiteside's Legacy--The Research Of Pianist Sophia Rosoff's Pedagogical Approach, Carol Ann Barry
Dissertations, 2014-2019
Since 1956, Sophia Rosoff has dedicated herself to performing and teaching principles developed by piano pedagogue Abby Whiteside. Whiteside became internationally known between 1930 and 1956 for her pioneering work in the study of the use of the body in producing beautiful sound and freedom of technique. Her research was considered revolutionary and instrumental in raising physical awareness in pianists. Committed to ongoing research, Rosoff continues to teach in her apartment in the Upper East Side of New York City. The purpose of this document is to present Rosoff’s musical background, research, teaching philosophy, and the strategies she has developed …
A Performance Perspective: Un'aura Amorosa From Mozart's Cosi Fan Tutte, Laney Benson
A Performance Perspective: Un'aura Amorosa From Mozart's Cosi Fan Tutte, Laney Benson
Honors Theses
There are common themes that performers investigate in evaluating a character. They include: the history surrounding the opera, especially of the composer and librettist; devices employed in the opera; the relationship between its characters and, of course, examples of past performances. Each of these will be equally applicable to a performance of the aria "Un 'aura amorosa" from Mozart's opera Cosi fan tutte. All of these elements form a cohesive template for observation of how to give a performance of the piece.
2011 Holiday Concert: Old Dominion University Wind Ensemble, Old Dominion University Madrigal Singers, And Old Dominion University Symphony Orchestra, Old Dominion University Wind Ensemble, Dennis Zeisler (Director), Old Dominion University Madrigal Singers, Lee Teply (Director), Old Dominion University Symphony Orchestra, Lucy Manning (Director)
2011 Holiday Concert: Old Dominion University Wind Ensemble, Old Dominion University Madrigal Singers, And Old Dominion University Symphony Orchestra, Old Dominion University Wind Ensemble, Dennis Zeisler (Director), Old Dominion University Madrigal Singers, Lee Teply (Director), Old Dominion University Symphony Orchestra, Lucy Manning (Director)
Ensemble Performances
No abstract provided.
Clarinet Ensemble Recital, Brian Myer, Shane Jensen, Samantha Alterman, John Pollock, Amanda Gentile, David Warner
Clarinet Ensemble Recital, Brian Myer, Shane Jensen, Samantha Alterman, John Pollock, Amanda Gentile, David Warner
Chamber Music Programs
Program listing performers and works performed
2011-2012 Gingerbread Holiday Concert, Lynn University Philharmonia, Albert George Schram
2011-2012 Gingerbread Holiday Concert, Lynn University Philharmonia, Albert George Schram
Philharmonia
9th Annual Gingerbread Holiday Concert sponsored by Bank of America, presented by Friends of the Conservatory of Music
Piano And Strings Small Ensemble Concert, Lydia Dutcuic, Javier Chacun, Conner Bogenrief, Evan Roth, Ann Marie Kawai, Kevin Baker, Clara Cheng, Alayne Hsieh, Rachelle Schouten, Launa Kressin, Conrad Ho, Matt Owensby, Gabby Stetz, Jill Marriage, Lizzie Murtough, Macie Slick, Laura Schillbach, Nathaniel Cook, Emily Uematsu, Elizabeth Lee, Nickolas Kaynor, Jake Wiens, Marie Park, Maria Myrick, Will Kellogg, Eli Kaynor, Eileen Regullano
Piano And Strings Small Ensemble Concert, Lydia Dutcuic, Javier Chacun, Conner Bogenrief, Evan Roth, Ann Marie Kawai, Kevin Baker, Clara Cheng, Alayne Hsieh, Rachelle Schouten, Launa Kressin, Conrad Ho, Matt Owensby, Gabby Stetz, Jill Marriage, Lizzie Murtough, Macie Slick, Laura Schillbach, Nathaniel Cook, Emily Uematsu, Elizabeth Lee, Nickolas Kaynor, Jake Wiens, Marie Park, Maria Myrick, Will Kellogg, Eli Kaynor, Eileen Regullano
Printed Performance Programs (PDF Format)
No abstract provided.
Senior Project Recital, Kailee Ann Albitz, Nancy Porter
Senior Project Recital, Kailee Ann Albitz, Nancy Porter
Senior Recitals
Program listing performers and works performed