Music Commons^™

Zac Goodall, Saxophone, With Dr. Mariko Morita, Piano, October 4, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2024-2025 Performance Forum - October 4, 2024, Gabrielle Siena, Aneliya Novikova, Jenna Salliman, Hanting Peng, Ana-Maria Uzunova, Brenda Lorenzo, Zion Montebon, Nabil Hetman, Amanda Rearden, Noah Suarez, Kyle Mechmet, Nataniel Farrar, Jacob Lomboy, Paola Garcia

Performance Forum

No abstract provided.

Symphonic Winds, October 3rd, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Wind Ensemble, October 3rd, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Symphonic Band And Symphonic Winds: October 3, 2024, Tj Mack, Colby Powers, Dr. Mack Wood, Dr. Useon Choi

School of Music Programs

Center for the Performing Arts

Thursday Evening

8:00 p.m.

U2: Lyrical Messages Beyond Sex, Drugs, And Rock And Roll In America During The 1980s, Kaleigh Kropidlowski

The Exposition

No abstract provided.

Fake Drake? Ai Music Generation Implicates Copyright And The Right Of Publicity, Hope Juzon

Washington Law Review

Artificial intelligence has contributed to music composition since the 1950s. Its contributions evolved from machines that produced simple melodies to programs that generate accurate vocal imitations of singers. Modern artificial intelligence relies on pre-existing—and often copyrighted—songs to create new music, the most common of which include vocal imitations of popular singers. Copyright law in the United States has yet to address how copyright holders’ rights are implicated when artificial intelligence programs are trained on protected works. As a result, these rights holders across disciplines and sectors have filed complaints alleging infringement of their works. While copyright holders await their fate, …

Female Representation In Jazz, Melonee Gray

Fall Showcase for Research and Creative Inquiry

Louis Armstrong, Charlie Parker, Thelonius Monk, Dizzy Gillespie, the list of jazz greats goes on and on. These are the people who developed the culture, style, and rules of jazz we know and love today. The question lingers, where are the women? In most other genres, styles, and even in pop culture, most people can list one or two women who had an impact on the development. However, in jazz, there are seemingly no women who made a lasting impact on the genre. Women were incredibly prevalent in the development of jazz, but they are not remembered by history. Although …

Songs For Dead Sailors, Toby Wren

Staff Scholarship - Australia & Dubai

Songs for Dead Sailors is a psychological exploration of love and loss in the era of tall ships; a song cycle about leaving a home and loved ones, to journey with no promise of a return. The work was scored for a sextet of improvising musicians and reflects my interest in the creative process and my experiences teaching creative practice research. I consider my personal musical language to be a kind of novel amalgam of my influences, and so from the start I conducted a kind of archeology of influences, documenting my own musical choices in relation to the works …

V.1 Fall 2024, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2024 issue contains articles on RISD Alumni Graciela Batista's Commencement speech on friendship and community, Britain's Royal Festival Hall, birds crashing into glass buildings, an Ojibwe student's reflecting on his native identity, RISD student interviews, an abandoned Bed Bath and Beyond store, Ai Weiwei's Kui Hua Zi, life in Banaras, a student's Yankee Swap experience, the 2024 RISD Grad Show, and indentations, along with student creative writing and a feature on images students saw out …

Written History And Lived Legacy Of Cape Town Jazz, Grace E. Runner

South Africa: Multiculturalism and Human Rights

This paper examines the historical and current implications of Cape Town Jazz in juxtaposition with the genre's written history and lived experiences of four key members of the jazz community. Drawing from the interviews with a musician, promoter, educator, and enthusiast, this study explores the influence of Cape Jazz as a subgenre rooted in the Coloured community's cultural heritage and the apartheid struggle. While Cape Jazz remains practiced through its legacy, the current jazz scene in Cape Town reflects a broader global influence that is evolving through younger musicians' interpretations of local and global musics. Key areas of issue as …

“Christ For The World We Sing”: What Twentieth-Century Churches Of Christ Sang About Missions, Monty L. Lynn, Derran Reese, Kelly Cross Elliott, D. J. Bulls

Management Sciences

What twentieth-century members of acapella Churches of Christ sang to one another about missions informed, reinforced, and reflected congregational perspectives and practices. Fifty-four missions hymns from hymnals used within Churches of Christ suggest thirty-nine themes that encourage urgent and empathetic responses to spiritual distress, near and far. Hymns resonate with the trajectories of missions among Churches of Christ and provide insight into the ethos of congregations.

Rhythms: Music At The University Of Northern Iowa, V43, Fall 2024, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

From the Director --- 3
Amplify: Engagement --- 7
Guest Artists --- 10
Opera Notes --- 11
Jazz Notes --- 12
Community Outreach --- 14
Scholarship Benefit Concert --- 16
Student Awards and Honors --- 18
Student Spotlight --- 20
Faculty Spotlight --- 21
Faculty News and Activities --- 22
New Faculty and Retirements --- 24
Emeritus Faculty News --- 28
Alumni News and Updates --- 29
Recent Graduates: Plans and Honors --- 32
Alumni Spotlight --- 33
Spotlight Series 2024-2535 --- 35
Opportunities to Give --- 36
Snapshots --- 39

Hyo-Shin Na's Chamber Works, 'From Korea To America- 120 Years And Beyond' And 'Song Of The Fog': A Stylistic Analysis And Performance Guide, Jiyeon Lee

Theses and Dissertations

This study analyzes two chamber music works by Korean composer Hyo-shin Na, Song of the Fog and From Korea to America, focusing on how the fusion of Eastern and Western instruments contributes to musical expression and timbral characteristics. It includes an examination of the role of instrumental arrangement and reveals the composer's narrative and emotional intentions. The aim is to present an insight into Hyo-shin Na’s ensemble style.

Song of the Fog uses the Japanese koto with Western chamber instruments to depict the imagery of the accompanying poetry through changes in timbre, dynamic contrasts, and various performance techniques. Despite …

Jazz Ensembles, October 1st, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

"Musical Metamorphosis" Dr. Stephanie Hoeckley Faculty Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Uni Jazz Combos Fall Concert, October 1, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

From Classical To Contemporary: Popular Music's Role In Shaping Opera And Vocal Training, Craig Allen

Theses and Dissertations

This dissertation advocates for the integration of contemporary popular music into classical voice education, addressing the evolving landscape of the performing arts. As the boundary between classical and popular music fades, incorporating popular elements into traditional opera training equips performers for modern industry demands.

The first chapter offers a historical analysis, tracing opera’s origins from the late 16th century and showing how popular music influenced its development. Composers incorporated folk melodies and dance rhythms into early opera, setting a precedent for blending styles. Contemporary operas, such as Nkeiru Okoye’s Harriet Tubman and Nmon Ford’s House of Orfeus, continue this tradition, …

Charles. W Bolen Faculty Recital: October 1, 2024, Jillian Kouzel, Angelo Favis, Lu Witzig

School of Music Programs

Kemp Recital Hall

October 1, 2024

Tuesday Evening

7:30 p.m.

Inducing And Interpreting Physical Transformation In Electroacoustic Chamber Music Via Experimental Applications Of Modular Synthesizers, Joseph Samuel Lyons

Theses and Dissertations

One of the most rapidly evolving musical genres of the 21st century is interactive electroacoustic chamber music. This is primarily due to the ongoing developments in creative technology that have increased both the idiom's technical accessibility and its potential for artistic expression. In particular, modern modular synthesizers enable electroacoustic musicians to transform the physical characteristics of sound with an extremely fine level of control. This research project has three major goals. The first goal is to explore the relationship between the many disciplines involved in this genre of music through a review of the scholarship of Aleister Crowley, Edgard Varèse, …

Practicing Strategy And Performance Preparation Of György Ligeti’S Musica Ricercata., Xiyao Wang

Theses and Dissertations

ABSTRACT Hungarian composer György Ligeti (1923–2006) is renowned as one of the most significant composers of the twentieth century. Musicians around the world have admired his innovative musical language. “Through the 1950s and 1960s, he went from composing in the style of his countryman Béla Bartók to working at the cutting edge of the Western European avant-garde.” His folk elements and avant-garde compositional techniques expanded through various genres, including orchestral, chamber, and keyboard compositions. This study's primary purpose is to explore Ligeti's piano work Musica Ricercata and ultimately provide a resource to other musicians that will assist in preparing and …

Securing Memorization In Piano Performance With Continuous Audiation, Jie He

Theses and Dissertations

The study explores how incorporating continuous audiation, a concept introduced by pianist and educator Sarah Croom-Hatch, can be used as a strategy to improve pianists’ music memorization abilities and relief performance-related stress. The study presents a four-stage memorization process that emphasizes preparation, early, middle, and late stages. By integrating aural, kinesthetic, analytical, and visual memory with continuous audiation during the four-stage memorization process, pianists can develop a cohesive and secure “sound stream” that significantly enhances their memory system. The study provides practical guidance for systematically developing continuous audiation within daily practice routines to enhance memorization skills and achieve successful piano …

Wind Symphony: September 29, 2024, Anthony C. Marinello Iii, Christopher Bulding

School of Music Programs

Center for Performing Arts

September 29, 2024

Sunday Afternoon

3:00 p.m.

Jazz Ensembles I And Ii: September 27, 2024, Dr. Tom Marko

School of Music Programs

Center for the Performing Arts

September 27, 2024

Friday Evening

8:00 p.m.

Woodwind/Percussion Seminar, September 27, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2024-2025 Performance Forum - September 27, 2024, Caroline Dratnal, Sheng Yuan Kuan, Devin Salazar, Yu-Hsuan Feng, Yilian Concepcion, Jon Cruz, Juan Diaz Quijano, Paula Mora Alfaro

Performance Forum

No abstract provided.

Nairam Simoes Faculty Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Convocation Recital, September 24, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall

September 24, 2024

Tuesday Morning

11:00 a.m.

Charles W. Bolen Faculty Recital: Angelo L. Favis, Guitar; Jillian Kouzel, Oboe; Rachel Hockenberry, Horn; Igor Kalnin, Violin; Septemebr 24, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital hall

September 24, 2024

Tuesday Evening

7:30 p.m.

Hispanic Heritage Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.