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Articles 22621 - 22650 of 45994

Full-Text Articles in Music

The Design Of P200: Mensural Quantity And Proportion In The Early Version Of The Art Of Fugue, Joel Thomas Runyan Jan 2013

The Design Of P200: Mensural Quantity And Proportion In The Early Version Of The Art Of Fugue, Joel Thomas Runyan

Theses and Dissertations--Music

The intended structure of Bach's ostensibly unfinished Die Kunst der Fuge has been debated since the work's publication in 1751. This study examines the proportional design of an early version of the work, subsisting in the autograph manuscript (P200) of the early 1740s. As the only complete source extant, P200 and its revisions provide substantial insight into Bach's intentions for the later version of the Art of Fugue.


“We Sang Alleluia, Praise The Lord!”: African-American Identity And The Use And Reception Of Music Within A Seventh-Day Adventist Church In New York City, 1970 – 2010, Jeryl Lee Cunningham-Fleming Jan 2013

“We Sang Alleluia, Praise The Lord!”: African-American Identity And The Use And Reception Of Music Within A Seventh-Day Adventist Church In New York City, 1970 – 2010, Jeryl Lee Cunningham-Fleming

Theses and Dissertations--Music

The Ephesus Seventh-day Church, one of the first Black SDA churches that were formed in the New York City area during the late 1920s and early 1930s, is one church that has been faced with the challenge of maintaining traditional repertoire and musical practices, while including more popular genres and styles that lay outside the SDA guidelines. Located in Central Harlem, Ephesus is surrounded by the cultural and historical influences within the Harlem community. The Ephesus Church, based on extant hymnals and the recollections of church members, continued in the Euro-centric musical traditions of early SDA churches until the 1960s, …


Little Eichmanns: A Composition For Chamber Octet, Benjamin D. Norton Jan 2013

Little Eichmanns: A Composition For Chamber Octet, Benjamin D. Norton

Theses and Dissertations--Music

An original composition in one movement for a chamber octet comprised of a string quartet and a jazz piano quartet with tenor saxophone. The work develops an idée fixe, introduced in the opening bars, through a wide variety of transformations, textures, and styles. The two quartets begin in antiphonal alteration, united in thematic material, yet separated by style. A modern art music style contrasts with an improvisational jazz style. Gradually, the two quartets, and their concomitant musics, bleed into one another, breaking down stylistic boundaries. In the conclusion of the work, the idée fixe, the supplementary themes, and …


Patterns In The Sacred Music Culture Of The American South And West (1700-1820), Nikos A. Pappas Jan 2013

Patterns In The Sacred Music Culture Of The American South And West (1700-1820), Nikos A. Pappas

Theses and Dissertations--Music

This narrative chronicles the dissemination of sacred music from the eastern seaboard to the West and South spanning a time frame from the colonial era to the latter part of the Early Nationalist Period (1700-1820). Musical culture in its migration away from the eastern seaboard also parallels the greater western and southern expansion of the United States from its initial configuration of localized regional subgroups to the beginnings of a larger national identity. From this conceptual base, sacred music becomes a vehicle for understanding not only religious and musical changes over time, but also the broader maturity of a nation. …


Reconsidering Brazilian Representations In Choros No. 5 And Bachianas Brasileiras No.4 For Piano By Heitor Villa-Lobos, Paula Maria Lima Galama Jan 2013

Reconsidering Brazilian Representations In Choros No. 5 And Bachianas Brasileiras No.4 For Piano By Heitor Villa-Lobos, Paula Maria Lima Galama

Theses and Dissertations--Music

This study offers a reconsideration of the music of Villa-Lobos and its relationship to diverse musical expressions and musical syntheses in Brazil. Its primary purpose is to present a line of interpretative thought for Heitor Villa-Lobos’s piano compositions, emphasizing significant elements reflective of the folk and popular culture of Brazil that the composer integrates with stylistic features influenced by European art music traditions. It highlights Villa-Lobos’s adaptation of characteristic Brazilian dances, dance rhythms, melodies, direct quotations, and fragments of folk and popular tunes in Choros no. 5 (Alma Brasileira) and Bachianas Brasileiras no. 4 (Brazilian Bachianas no. 4). In the …


Unlocking The Paradox Of Christian Metal Music, Eric S. Strother Jan 2013

Unlocking The Paradox Of Christian Metal Music, Eric S. Strother

Theses and Dissertations--Music

In 1984, Stryper released its first album The Yellow and Black Attack and introduced audiences to a different kind of heavy metal. Instead of lyrics about sex, alcohol, and Satan, Stryper sang about Jesus, salvation, and God. While there were a number of fans ready for this change more were not. Members of the Church as well as members of the metal subculture were in agreement that Christianity and heavy metal were incompatible. Despite these objections, however, more bands emerged, and Christian metal became a significant genre within the Christian music industry. These bands presented Christian-oriented lyrics within the full …


The Silence: Overture And Two Scenes From An Opera In Two Acts, Eric Jurgens Jan 2013

The Silence: Overture And Two Scenes From An Opera In Two Acts, Eric Jurgens

Theses and Dissertations--Music

The Silence is the story of William Rose, a man who, while searching the world for his missing wife and daughter, is kidnapped and held in a secret Iranian prison. After many years of torture, abuse and a slow descent into insanity, secrets about his family manifest as mysterious and magical occurrences, creating a dangerous tension between the prisoners and guards. Questions begin to arise: Who is actually in charge of this prison? Why haven’t the guards ever met the warden? Why is the prison haunted by mysterious voices? And what exactly would it take to crumble the walls of …


China’S Musical Revolution: From Beijing Opera To Yangbanxi, Yawen Ludden Jan 2013

China’S Musical Revolution: From Beijing Opera To Yangbanxi, Yawen Ludden

Theses and Dissertations--Music

This study seeks to investigate the modern derivative of Beijing opera, known as yangbanxi, through macro and micro approaches. The first part of the thesis surveys the development of Beijing opera under the historical context and in its social, political, and cultural perspectives. The second part, taking a microscopic perspective, undertakes an in-depth analysis of the compositions that were solely created by composer Yu Huiyong. First, it assays the application of Yu’s theory to his compositions of various Beijing opera arias. Second, it analyzes Yu’s instrumental music in compositional dimensions such as material, structure, and techniques, considering the larger implications …


The 10,000-Hour Threshold: Interviews With Successful Percussionists, Colin J. Hill Jan 2013

The 10,000-Hour Threshold: Interviews With Successful Percussionists, Colin J. Hill

Theses and Dissertations--Music

Musicians are universally reliant on practice to improve and perfect their craft and there is substantial evidence that suggests mastery can only be achieved after 10,000 hours of practice early in life. This dissertation explores the validity of this theory as it pertains to master percussionists and examines their discoveries and recommendations as to how those 10,000 hours should best be spent. Research sources include selected published literature and personal interviews with thirty-six percussionists, conducted between 2010- 2013. The research is summarized in the following six sections: the 10,000-hour threshold; planning a practice session; warming up; learning new music; problem …


An Investigation Of The Benefits Of Improvisation For Classical Musicians, Rebecca S. Kossen Jan 2013

An Investigation Of The Benefits Of Improvisation For Classical Musicians, Rebecca S. Kossen

Theses : Honours

For centuries improvisation has been an integral part of European classical music culture. Until the nineteenth century most musicians were composers, improvisers and performers. Today, improvisation is less common in the classical music scene with most classical musicians being either performers or composers and only a minority of them having the ability to improvise. Is improvisation relevant to the classical musician whose main concern is the performance of written repertoire?

Learning how to improvise and practicing improvisation requires a musician to develop particular skills which can be directly applied in the performance and interpretation of precomposed music. This make improvisation …


Concert Recording 2013-10-13a, Tommy Poole, Farren Mayfield Jan 2013

Concert Recording 2013-10-13a, Tommy Poole, Farren Mayfield

Concert Recordings & Programs

Sonata in e-flat minor / Johann Sebastian Bach -- Tableaux de provence / Paula Maurice -- Sonata for e-flat alto saxophone and piano / Paul Creston -- Concerto alto saxophone and wind ensemble / Ingolf Dahl


Concert Recording 2013-10-23, Oklahoma City University. Faculty Brass Quintet Jan 2013

Concert Recording 2013-10-23, Oklahoma City University. Faculty Brass Quintet

Concert Recordings & Programs

Solomon, HWV87. The arrival of the queen of Sheba (1748) / G.F. Handel ; arr. Howard Cable -- Ricochet (1993) / Kerry Turner -- Celestial suite (2011). Copemicus, earth vs. sun; Gallieo; Newton; Hubble; Hawking / James E. Stephenson -- Quintet no. 5 (1986) / Thom Ritter George -- Four outings for brass (1975). Moderato, with energy; Blues tempo; Slowly; Vivace / Andre Previn


A Historical Study Of Irvin Cooper: Choral Music Educator And Founder Of The Cambiata Concept, Phillip Holland Stockton Jan 2013

A Historical Study Of Irvin Cooper: Choral Music Educator And Founder Of The Cambiata Concept, Phillip Holland Stockton

Electronic Theses and Dissertations

Military officers and psychologists have argued that the human experience of killing in combat is directly related to physical proximity between combatants. With the advent of remote controlled weapons and advanced optics, that argument has proven untrue. This thesis, through analysis of contemporary war literature and film, proposes that a better paradigm for understanding and anticipating the human experience of killing in combat is the view the soldier maintains of him/herself and of the other as similarly human. The contemporary soldier may view both the enemy and him/herself as human, subhuman, or inhuman; this view is closely tied to constructed …


Harmony, Voice Leading, And Drama In Three Sondheim Musicals, Adam M. Hudlow Jan 2013

Harmony, Voice Leading, And Drama In Three Sondheim Musicals, Adam M. Hudlow

LSU Doctoral Dissertations

This study presents an analytical approach to three works by American musical theater composer-lyricist Stephen Sondheim: Sunday in the Park with George, Into the Woods, and Assassins—each of which Sondheim developed largely at the Playwrights Horizons theater in New York. Using an eclectic, neo-Schenkerian approach that draws upon recent work by pop-rock and stage music analysts, it examines the intersection of melodic and harmonic events with dramatic occurrences in the text to determine how Sondheim heightens dramatic narrative within each song analyzed. Sondheim’s work has been a fixture of the upper echelon of the Broadway musical for over half a …


Auditory Imagery And The Poor-Pitch Singer, Peter Q. Pfordresher, Andrea R. Halpern Jan 2013

Auditory Imagery And The Poor-Pitch Singer, Peter Q. Pfordresher, Andrea R. Halpern

Faculty Journal Articles

The vocal imitation of pitch by singing requires one to plan laryngeal movements on the basis of anticipated target pitch events. This process may rely on auditory imagery, which has been shown to activate motor planning areas. As such, we hypothesized that poor-pitch singing, although not typically associated with deficient pitch perception, may be associated with deficient auditory imagery. Participants vocally imitated simple pitch sequences by singing, discriminated pitch pairs on the basis of pitch height, and completed an auditory imagery self-report questionnaire (the Bucknell Auditory Imagery Scale). The percentage of trials participants sung in tune correlated significantly with self-reports …


'Can You Sing Or Play Old-Time Music?': The Johnson City Sessions, Ted Olson Jan 2013

'Can You Sing Or Play Old-Time Music?': The Johnson City Sessions, Ted Olson

ETSU Faculty Works

Excerpt: In a recent interview, musician Wynton Marsalis said, “I can’t tell you how many times I’ve suggested to musicians to get The Bristol Sessions—Anglo-American folk music.


In-Depth Analysis And Program Notes For A Selection Of Wind Band Music, Miles Wurster Jan 2013

In-Depth Analysis And Program Notes For A Selection Of Wind Band Music, Miles Wurster

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is an in-depth analysis of five selections for wind band: Do Not Go Gentle Into That Good Night, Elliot Del Borgo; Jericho, Jesse Ayers; Sunrise at Angel's Gate, Philip Sparke; Danza Sinfonica, James Barnes and The Engulfed Cathedral, Claude Debussy, transcribed for wind band by Merlin Patterson. These pages contain biographical information on each composer, program notes, formal analysis, musical considerations, and conducting and rehearsal considerations by the author. A detailed diagram of the formal and phrasal structure is included on each piece in the Appendix.


The Compositional Techniques Of Joseph Schwantner Through An Analysis Of From A Dark Millenium, Frank Gonzalez Jan 2013

The Compositional Techniques Of Joseph Schwantner Through An Analysis Of From A Dark Millenium, Frank Gonzalez

Open Access Theses & Dissertations

Being one of the prominent composers of our time, the contributions of Joseph Schwantner to the literature of the wind band are significant. Although primarily known as an orchestral composer, he has contributed four major works to the wind band repertoire, ...and the mountains rising nowhere (1977), From a Dark Millenium (1981), In evening's stillness (1996), and RecoilPercussion Concerto, transcribed by Andrew Boysen (composed 1992, transcribed 1994), and New Morning for the World "Daybreak of World," transcribed by Nikk Pilato (composed 1982, transcribed 2004).

The purpose of this document is to explore Schwantner's unique compositional style as it is …


A Conductor’S Guide To David Del Tredici’S In Wartime, Joe David Moore Jan 2013

A Conductor’S Guide To David Del Tredici’S In Wartime, Joe David Moore

Theses and Dissertations--Music

Pulitzer Prize-winning composer David Del Tredici (b. 1937) has gained recognition as a composer for both instrumental and vocal settings. Although his instrumental contributions include solo, chamber, and orchestral works, to date he has only written one composition for wind band. A conductor must devote himself / herself to score study and analysis in order to form an accurate interpretation and to conduct effective rehearsals. A vital part of score study and analysis is familiarity with the composer’s technique and style of writing.

A brief biographical sketch presents Del Tredici’s background, education, honors and awards, academic career, and influences, as …


A Progressive Guide To Commercial Trumpet Playing, Eric R. Murine Jan 2013

A Progressive Guide To Commercial Trumpet Playing, Eric R. Murine

Theses and Dissertations--Music

The commercial genre of trumpet playing has been overlooked by educators for years. The goal of this project is to author a book, A Progressive Guide to Commercial Trumpet Playing, to address this issue. Commercial music can be defined as music for the mass consumer audience with the intent to produce monetary profits.

This approach will take a student stylistically from blues through the popular music of the 21st century. The ultimate goal of this book is to fill the pedagogical void in trumpet performance study material, providing a more complete foundation for the trumpet performer. Each chapter will …


What Keeps Us Well? Professional Quality Of Life And Career Sustaining Behaviors Of Music Therapy Professionals, Shane C. Swezey Jan 2013

What Keeps Us Well? Professional Quality Of Life And Career Sustaining Behaviors Of Music Therapy Professionals, Shane C. Swezey

Theses and Dissertations--Music

Self-care can be seen as not only critical for individual professionals, but also for the growth of the helping professions and the quality of care which clients receive. The purpose of this study was to investigate use of career-sustaining behaviors and the levels of professional quality of life in music therapy professionals. This study investigated research questions regarding use of career sustaining behaviors and levels of professional quality of life, the relationship between these variables, the differences in the use of career sustaining behavior by demographics, and the use of music as a self-care strategy.

An online survey was sent …


0802: Kay Wildman Collection, 1900-2006, Marshall University Special Collections Jan 2013

0802: Kay Wildman Collection, 1900-2006, Marshall University Special Collections

Guides to Manuscript Collections

The Kay Wildman Collection explores the history of music in Huntington, WV. This collection consists of oral histories, photographs, newspaper clippings, and research materials. In most of the oral histories you will find a copy of the interview on a CD and a typed outline of the interview. A diary by Robert Grant, a member of numerous musical groups in Huntington, can also be found in this collection. This diary covers the period of time Grant was a student at Marshall University with some additional entries that go beyond that period of time.


A Survey Of Christian Cross-Over Songwriting: Core Principles And Potential For Impact, Paul Malhotra Jan 2013

A Survey Of Christian Cross-Over Songwriting: Core Principles And Potential For Impact, Paul Malhotra

Senior Honors Theses

A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness …


Music Cultures Of Mechanical Reproduction, Peter L. Manuel Jan 2013

Music Cultures Of Mechanical Reproduction, Peter L. Manuel

Publications and Research

Popular musics arc best understood as comprising those genres whose styles have evolved in an inextricable relation with their dissemination via the mass media and their marketing and sale on a mass-commodity basis. While much popular-music activity takes place independently of the mass media, other essential aspects of popular-music production and marketing arc inevitably inseparable from technologies of mechanical reproduction, which perforce condition aspects of music culture in general. Hence, just as one could speak of military cultures based around the stirrup, or later the firearm, or agrarian cultures based on the hoe, the ox, or the tractor, so do …


Popular Music Studies And The Problems Of Sound, Society And Method, Eliot Bates Jan 2013

Popular Music Studies And The Problems Of Sound, Society And Method, Eliot Bates

Publications and Research

Building on Philip Tagg’s timely intervention (2011), I investigate four things in relation to three dominant Anglophone popular music studies journals (Popular Music and Society, Popular Music, and the Journal of Popular Music Studies): 1) what interdisciplinarity or multidisciplinarity means within popular music studies, with a particular focus on the sites of research and the place of ethnographic and/or anthropological approaches; 2) the extent to which popular music studies has developed canonic scholarship, and the citation tendencies present within scholarship on both Western and non-Western popular musics; 3) the motivations for two scholarly groups, Dancecult and ASARP, to breakaway from …


Promoting Schema Formation Among Wind Musicians Of Varying Abilities, Laura A. Stambaugh Jan 2013

Promoting Schema Formation Among Wind Musicians Of Varying Abilities, Laura A. Stambaugh

School of Music: Faculty Publications

Cognitive load theory identifies three types of cognitive load present during learning: intrinsic, extrinsic, and germane. To optimize learning, cognitive load theory recommends optimizing germane load. The purpose of this study was to examine the interactions among intrinsic and germane cognitive loads when practicing a wind instrument. The study will determine which of two practice strategies is most effective for three levels of learners on a woodwind instrument. Forty-five participants were university music majors and minors with either (1) no experience playing a woodwind instrument, (2) limited experience, or (3) a woodwind major or minor. In a repeated-measures design, students …


Concert Recording 2013-11-22, Brielle Johnson, Denzel Rashard Washington, John James Forsyth, Jacob Louis Sklar, Pafoua N. Yang, Adam Richard Schoelz, Kyleen Marie Floyd, Nicole Johnson, Teana Delisa Herbert Rosales, Tomoko Kashiwagi, Joshua Brice Robertson Jan 2013

Concert Recording 2013-11-22, Brielle Johnson, Denzel Rashard Washington, John James Forsyth, Jacob Louis Sklar, Pafoua N. Yang, Adam Richard Schoelz, Kyleen Marie Floyd, Nicole Johnson, Teana Delisa Herbert Rosales, Tomoko Kashiwagi, Joshua Brice Robertson

Concert Recordings & Programs

Baby it's cold outside / Frank Loesser -- On my own / Claude Michel Schonberg -- Silent night / Franz Gruber -- The music of the night / Andrew Lloyd Wever -- Bridge over troubled water / Paul Simon -- Rinaldo. Lascia ch'io pianga / G. F. Handel -- An die Musik / F. Schubert -- Vaghissima sembianza / S. Donaudy -- Vaga luna che inargenti / V. Bellini -- Dein blaues auge / J. Brahms -- Sebben crudele / A. Caldara --Vergin tutto amor / F. Durante -- An den mond / F. Schubert


Dionysian Symbolism In The Music And Performance Practices Of Jimi Hendrix, Christian Botta Jan 2013

Dionysian Symbolism In The Music And Performance Practices Of Jimi Hendrix, Christian Botta

Dissertations and Theses

No abstract provided.


Nostalgia, Marcus Potts Jan 2013

Nostalgia, Marcus Potts

Dissertations and Theses

No abstract provided.


Fighting For The Home Team; Music And Stadium Violence, Avital Rosen Jan 2013

Fighting For The Home Team; Music And Stadium Violence, Avital Rosen

Dissertations and Theses

No abstract provided.