Music Commons^™

Reassessing Haydn’S Orfeo In The Theatre, Dorian Bandy, Caryl Clark

HAYDN: Online Journal of the Haydn Society of North America

Haydn’s last opera, L’anima del filosofo (The Soul of the Philosopher), is a highly unusual retelling of the Orpheus myth. Written for London in 1791 to a libretto by C. F. Badini, the opera was never staged during the composer’s lifetime. Shut down in rehearsal and banned from performance, the opera never reached the stage because many of its themes—including the apocalyptic storm at the end—piqued British anxieties towards events unfolding in revolutionary France. The opera finally premiered in 1951, with Maria Callas singing the role of Euridice. Universal Edition prepared the performing material from sources photographed behind …

Required Related: Why Music And Audio Technology Courses Are Not Enough For Success In The Music Industry, Barry G. Atticks, Dain Estes

Journal of the Association for Technology in Music Instruction

This pilot study evaluates the relevance of ancillary courses (required related) in music technology curricula, emphasizing the alignment of academic offerings with industry needs. While core subjects like studio recording and sound design are well-studied, this research focuses on related courses outside the primary sequence, including technology, business, industry-specific, core music, and education courses. Surveying 20 professionals across various music technology sectors, we assessed the importance of topics such as basic electronics, wireless systems, media studies, and industrial safety. Results indicate that basic electronics and wireless systems are crucial. Media studies and industrial safety courses are also valued highly, though …

Charles W. Bolen Faculty Recital: February 2nd, 2025, Mark Babbitt

School of Music Programs

Kemp Recital Hall

February 2nd, 2025

Sunday Evening

7:00 p.m.

Andrews University Wind Symphony - Winter Concert, Andrews University

Concerts and Event Programs 2024-2025

Andrews University Wind Symphony, under the direction of Dr. Denisse Santos, presents its Winter Concert Of Legends and Lore in Collaboration with Southwestern Michigan College Brass Band, Mark Hollandsworth, director.

Beyond The Song: Authorship And Production In Australian Independent Music, Matthew Giovannangelo

Staff Scholarship - Australia & Dubai

This thesis examines authorship and copyright complexities in the Australian independent music industry, focusing on the evolving roles of producers in music creation. As advancements in technology and shifts in industry practices reshape the music production landscape, traditional definitions of authorship, centred on melody and lyrics, increasingly fail to capture the scope of producers’ contributions. Through qualitative interviews with industry professionals, the study highlights the significant yet often unrecognised influence of producers, examining how their input shapes music and its implications for intellectual property and copyright frameworks. The findings reveal that current systems for allocating and managing remuneration fail to …

Orchestra Librarians’ Responses In The Time Of Covid-19: A Qualitative Study Of Symphony Orchestra Librarians Around The Globe, Patrick Lo, Hermina G.B. Anghelescu

School of Information Sciences Faculty Research Publications

The COVID-19 crisis has disrupted the performing arts ecosystem worldwide, with an even more severe impact on classical orchestras. This study examines how 19 seasoned, established orchestra librarians and their parent organizations worldwide experienced and responded to the COVID-19 pandemic. The study examines similarities and differences in their professional practices and experiences of coping with pandemic-related disruptions. The study sheds new light on how orchestra librarians' practices changed, along with their resilience, adaptability, sense of self-worth, and career fulfilment during COVID-19,in the context that none were furloughed or made redundant. The paper also discusses the impact of pandemic restrictions on …

Echoes Of Chinese Tradition: A Guide To Mandarin Diction Through Fixed-Ipa And Traditional Phonology, With Insights Into Intertwined Intonation Contours Of Chinese-American Art Songs, Xiaoming Tian

Dissertations, Theses, and Capstone Projects

This dissertation presents a comprehensive guide to Mandarin Chinese diction and articulation, rooted in traditional Chinese phonology and articulated through Fixed-International Phonetic Alphabet (Fixed-IPA). It unfolds in two primary segments, with the initial section delving into the historical underpinnings and phonetic nuances of traditional Chinese opera singing. This inquiry not only systematically introduces Chinese pronunciation rules but also illuminates the influence of traditional Chinese opera elements on contemporary Chinese art songs and operas. This part also reflects upon the significant strides made in Chinese language Romanization since the Wade-Giles system's introduction in the 19th century, discussing how it facilitated literacy …

Cueing Motions In A String Quartet, An Exploratory Study Of Motion Trajectories, Maren Rothfritz

Dissertations, Theses, and Capstone Projects

A string quartet performance involves an array of different body movements which serve many functions, including sound production, expression, and communication. This dissertation examines the ways string quartet players execute specific communicative body motions called cues, which are anticipatory gestures meant to communicate tempo and timing as well as the musical intentions such as dynamics, articulation, and character to the co-performers. Some scholarly research exists on cueing, but a formalized description of the cueing motions involved has not yet been developed. This dissertation serves as an exploratory study examining the motion trajectories of cueing motions employed by the Argus Quartet, …

2024-2025 Master Of Music Recital - Nataniel Farrar (Clarinet & Bass Clarinet), Nataniel Farrar, Mabel Lecrone, Manuela Wanumen, Nia Morgan, Roey Dushi

Master of Music Recitals

No abstract provided.

Heartdj - Music Recommendation And Generation Through Biofeedback From Heart Rate Variability, Egemen Şahin

Dartmouth College Master’s Theses

This study investigates the integration of real-time physiological data with AI-generated music to enhance emotional well-being, stress regulation, and focus, using Heart Rate Variability (HRV) as a biomarker of autonomic function. Conducted in two phases—Stable Audio Open (SAO) and Suno (SUNO)—the research evaluates biofeedback-driven music interventions across varying daily music-listening habits.

In the SAO phase, short AI-generated instrumental tracks were compared with Spotify recommendations and guided meditation. Modest HRV improvements were observed in biofeedback conditions, but participants noted emotional limitations, citing short track lengths and abrupt transitions.

The SUNO phase addressed these limitations with longer, more complex AI-generated compositions combined …

Woodwind/Percussion Seminar, January 31, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2024-2025 Performance Forum - January 31, 2025, Caroline Dratnal, Jenna Salliman

Performance Forum

No abstract provided.

2024-2025 Lisa Leonard In Recital: Una Corde Sempre, Lisa Leonard

Faculty Recitals

No abstract provided.

Isu Orchestra Concerto Finals: January 29, 2025, School Of Music,

School of Music Programs

Center for the Performing Arts

January 29th, 2025

Wednesday Evening

7:00 p.m.

2024-2025 Master Class - Andrew Kozar (Trumpet), Andrew Kozar, Juan Diaz Quijano, Ingryd Herrera, Daniel Meneses Leal, Matthew Montelione, Santiago Moreno

Master Classes

No abstract provided.

2024-2025 Master Class - Tom Sherwood, Tom Sherwood, Christian Bartholomew, Jose Ignacio Diaz, Anna Dunford, Jeremiah Grace, Steven Halpner

Master Classes

No abstract provided.

2024-2025 Master Class - Joshua Smith (Flute), Joshua Smith, Youbeen Cho, Ay Kawasaki, Yian Liu, Aj Meyer

Master Classes

No abstract provided.

Trombone Studio Recital, January 28, 2025, Mark Babbitt

School of Music Programs

3rd Annual Bordogni Project

Kemp Recital Hall

January 28, 2025

Tuesday Evening

7:30 p.m.

2024-2025 Senior Recital - Shuqi Yang (Piano), Shuqi Yang

Junior and Senior Recitals

No abstract provided.

2024-2025 Senior Recital - Anttuan Rios Pelaez (Cello), Anttuan Rios Pelaez, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2024-2025 Scholarship Fund Concert At The Club At Quail Ridge, Jon Cruz, Yilian Concepcion, Aneliya Novikova, Keegan Neely, Paola Garcia, Caroline Dratnal

Friends of the Conservatory Events

No abstract provided.

Jury Recognition Recital: January 27, 2025, School Of Music,

School of Music Programs

Kemp Recital Hall

January 27, 2025

Monday Evening

7:30 p.m.

Wind Symphony: January 26, 2025, Mark Iwinski, Anthony C. Marinello Iii, Darius Botley, Isabella Greene, Deshawn Mckinney, Nia Scott

School of Music Programs

Center for Performing Arts

January 26, 2025

Sunday Afternoon

3:00 p.m.

2024-2025 Performance Forum - January 24, 2025, Caroline Dratnal, Jenna Salliman, Dj Combs, Pablo Camacho

Performance Forum

No abstract provided.

2024-2025 Master Class - Bob Koenig (Piano), Robert Koenig, Caroline Dratnal, Zion Montebon, Reagan Nguyen, Hanting Peng, Aidan Quintana, Jenna Salliman, Gabrielle Siena, Elisabeth Thomashoff, Ana-Maria Uzunova, Shuqi Yang, Yu-Hsuan Feng, Nabil Hetman, Brenda Lorenzo, Aneliya Novikova

Master Classes

No abstract provided.

Guest Artist Recital: January 21, 2025, Shaoai A. Zhang

School of Music Programs

Kemp Recital Hall

January 21, 2025

Tuesday Evening

7:30 p.m.

“K-Pop In Public”: Vietnamese Youth Using Dance To Queer The Public Space, Ha Bich Dong, Thuy Bich Dong

Peace and Conflict Studies Journal Conference

In Vietnam, where public protests are criminalized (Kerkvliet, 2022), young people continue finding creative ways to advocate for their rights through different venues, particularly the arts. This research combines digital ethnography and duoethnography to examine K-pop dance covers in Vietnamese public spaces as a platform for youth to explore their gender identities, connect, and visibilize queerness.

K-pop is a music genre, pop culture, and cultural phenomenon that emerged in South Korea and has gained significant popularity and influence around the world (Aini, 2020). We, two researchers (one is a K-pop dancer), began the research by using digital ethnography (Zorn, & …

2024-2025 Master Class - Scott Hostetler (English Horn), Scott Hostetler, Hoon Chang, Daniel Cruz, Juan Fernandez Villegas, Olivia Oakland, Amanda Rearden

Master Classes

No abstract provided.

2024-2025 Performance Forum - January 17, 2025, Jenna Salliman, Ana-Maria Uzunova, Miriam Smith, Amanda Rearden, Noah Suarez, Kyle Mechmet, Nataniel Farrar, Jacob Lomboy, Ingryd Herrera, Santiago Moreno, Devin Salazar, Miguelangel Garcia Marquez, Dj Combs

Performance Forum

No abstract provided.

2024-2025 Master Class - Stephen Williamson (Clarinet), Stephen Williamson, Nataniel Farrar, Chase Hogan, Noah Suarez, Rishi Gurnani

Master Classes

No abstract provided.