Music Commons^™

Concert Recording 2015-03-11, Emily Johnson, Kristine Mezines, Emily Burris, Taylor Wilson, Yulia Orlova

Concert Recordings & Programs

Sonata in E-flat major, BWV 1031. Allegro moderato ; Siciliano / J.S. Bach -- Nachtviolen, D.752 / Franz Schubert -- Die Krahe from Winterreise, D.911 no.15 / Franz Schubert

Concert Recording 2015-04-29, Sydnee Pedigo, Kristine Mezines, Emily Johnson, Brena Lackey, Matthew Hildebrand, Henry Bowen, Vordie Mathis, Schumann Robert, Aaron Bloodworth

Concert Recordings & Programs

Sonate pour flute et piano. Cantilena / Francis Poulenc -- Flute duet no.5. Allegretto vivace / Wolfgang Amadeus Mozart -- Caprice / Joseph Turrin -- Aria et polonaise / Joseph Jongen -- Ave Maria / Franz Schubert -- Sonata in B minor, op.40 no.2. Molto adagio e sostenuto / Muzio Clementi -- Gute Nacht / Franz Schubert

Concert Recording 2015-04-15, Ashlyn Berry, David Malis, Helena Aung, Molly Magouyrk, Kristine Mezines, Rosabelle Zhou, Tina Dodson, Miranda Baker, Laura Hart, Sydney Hanna, Brena Lackey, Caleb Evans

Concert Recordings & Programs

Panis Angelicus / Ceasar Frank -- Adelaide's lament from Guys and dolls / Frank Loesser -- Sonata for two clarients. Andante / Francis Poulenc -- Partita three. Prelude / J.S. Bach -- Sonata no.4 in c minor / Georg Phillip Telemann -- Dancing day / Sean Sweeden

Honors Project, Bethany R. Sims

A with Honors Projects

In this presentation the student summarizes and reflects upon her experiences teaching, performing, and conducting two pieces of music with two choral groups from Parkland College's Chamber Music Choir.

The Decibel Scoreplayer - A Digital Tool For Reading Graphic Notation, Cat Hope, Lindsay R. Vickery Dr

Research outputs 2014 to 2021

In 2009, the Decibel new music ensemble based in Perth, Western Australia was formed with an associated manifesto that stated “Decibel seek to dissolve any division between sound art, installation and music by focusing on the combination of acoustic and electronic instruments” [1]. The journey provided by this focus led to a range of investigations into different score types, resulting in a re-writing of the groups statement to “pioneering electronic score formats, incorporating mobile score formats and networked coordination performance environments” [2]. This paper outlines the development of Decibel’s work with the ‘screen score’, including the different stages of the …

Concert Recording 2015-09-23, Chase Chamberlain

Concert Recordings & Programs

Tap D major / Chase Chamberlain

Suggestions For Transgender Inclusion In Classical Music: A Mini-Cycle, Xavia A. Publius

Dissertations and Theses @ UNI

This interdisciplinary text examines the lack of transgender inclusion in Western classical music, especially through the lens of opera. By looking at the dearth of transgender characters, singers, and composers, as well as the author’s personal experiences as a transgender singer in classical spaces, this project develops a strong position on ways that Western classical music should work to incorporate transgender voices, both literally and figuratively.

Some of these methods are modeled in this thesis, such as consultations with other transgender artists, transgeneric devising, and trans-centric composing. The author worked with local transgender singers to understand their views on opera, …

Similar But Different: An Analysis Of Differences In Clarinet And Saxophone Pedagogy And Doubler’S Misconceptions, Nicholas Jeremy Carlo

Honors Program Theses

Doubling, or the ability to play one or more secondary instruments, is an extremely important skill for the professional woodwind player to have. For a saxophonist, the ability to play clarinet can sometimes make the difference between winning an audition or not. On a more basic level, many clarinetists learn to play saxophone so they can participate in the school jazz band, while many saxophonists learn to play clarinet both as a double in jazz band or as a new challenge in the concert band setting. Many times a student will pick up an instrument and attempt to figure it …

Work Made For Hire – Analyzing The Multifactor Balancing Test, Ryan G. Vacca

Akron Law Faculty Publications

Authorship, and hence, initial ownership of copyrighted works is oftentimes controlled by the 1976 Copyright Act’s work made for hire doctrine. This doctrine states that works created by employees within the scope of their employment result in the employer owning the copyright. One key determination in this analysis is whether the hired party is an employee or independent contractor. In 1989, the U.S. Supreme Court, in CCNV v. Reid, answered the question of how employees are distinguished from independent contractors by setting forth a list of factors courts should consider. Unfortunately, the Supreme Court did not give further guidance on …

Concert Recording 2015-02-19, Stephen Caldwell, University Of Arkansas, Fayetteville. Schola Cantorum

Concert Recordings & Programs

[00:00]. Praise the Lord / Florence Price ; Hallelujah / Ludwig van Beethoven -- [06:40]. Gloria à 12 / Giovanni Gabrieli ; O vos omnes / Tomás Luis de Victoria -- [15:12]. Miserere mei, Deus / Gregorio Allegri -- [26:21]. Trois chansons / Claude Debussy -- [32:29]. There is no rose / Kevin Memley -- [36:27]. You have ravished my heart / Stephen Chatman -- [Track 07]. Since we loved / Stephen Caldwell -- [43:14]. A boy and a girl / Eric Whitacre -- [47:36]. Steal away / arranged by Roland Carter -- [51:53]. The battle of Jericho / arranged …

Numuzart: An Original, Multi-Sensory, Creative Experience, Tori Christine Ovel

Honors Program Theses

NuMuzArt grew from a small seed planted in my brain over the summer of 2014, when I attended a few summer composition programs to experience and learn more about my compositional craft. While at the Charlotte Music Festival, I participated in a conversation about the sterile nature of music recitals in the academic and concert music world. This conversation stuck with me and became a no-brainer subject for my honors thesis. I would research the concert music world and construct an alternative which would solve a few of my personal vendettas against the standard recital format, while retaining a “serious …

The American Symphony Orchestra: Factors Affecting Concert Attendance And Predictions For The Millennial Ticketholder, Hayley Graham

Honors Program Theses

This research investigates the perception of live orchestral music performances among members of the American millennial generation, born between 1985 and 1997. Specifically, it describes the most common factors and trends affecting attendance decisions, looking at aspects such as past musical experience, marketing strategies used, and accessibility of performances. Current programming, marketing, and educational trends in several orchestras are also considered. Information for this study was gathered from a survey of University of Northern Iowa students, as well as from case studies of orchestras. This thesis provides predictions and recommendations for how to best reach this demographic as orchestras move …

Self-Expression Through The String Quartet: An Analysis Of Shostakovich's String Quartets No. 1, No. 8, And No. 15, Ariane C. Gushue

Scripps Senior Theses

As a little boy, Dmitriĭ Dmitrievich Shostakovich pressed his ear against the wall to hear his neighbors play chamber music. He matured into one of the most prominent Soviet era composers. While the majority of academic interest Shostakovich centers on his symphonic works, his string quartets provide a window into a more intimate facet of Shostakovich’s life. This thesis explores first, why Shostakovich turned to the string quartet after some of the most fearful years of his life: his demise and rise after the scathing Pravda letter that all but threatened his life. Second, this thesis analyzes three of Shostakovich’s …

Volume 29, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.

Forums V1.1 (Free And Open Resources For Undergraduate Music Study), Jane Palmquist, Brooklyn College Library And Academic It

Open Educational Resources

Increasingly, music performance organizations, museums, and archives are making rich materials freely available online. Free Online Resources for Undergraduate Study (FORUMS) is an aggregated, evaluated resource collection of these materials appropriate for undergraduate music study. FORUMS comprises authentic, scholarly and academic resources contributed and curated by experts in music, music education or pedagogy, undergraduate teaching, and digital media.

The guide is available at http://libguides.brooklyn.cuny.edu/forums/.

The XML file is available for download above.

Music: Its Language, History, And Culture, Douglas Cohen, Brooklyn College Library And Academic It

Open Educational Resources

From Cohen’s proposal:

In 2006 faculty of the Conservatory of Music wrote and published their own textbook for Core Curriculum 1.3 (CC 1.3), Music: Its Language, History, and Culture. Published by Kendall-Hunt, the reader was bundled with a subscription to the Rhapsody music streaming service. The reader and music service were to give a skeletal structure for all instructors of CC 1.3 for the development of course content focusing on the individual musical strengths and interests of each instructor. We also wanted to keep the costs to students as low as possible by not taking any royalties. The result was …

Bratya, A Symphonic Poem, Tamyka Rochelle Jordon

LSU Master's Theses

Bratya, ‘brothers’ in Russian, is a tone poem inspired by characters in Dostoevsky’s The Brothers Karamazov. The novel is long, complex, and largely considered the author’s magnum opus. I focus on each brother: Dmitri, Ivan, Smerdyakov, and Alexei. Each movement attempts to capture the essence and personality of each brother. The first movement “Mitya”, a nickname for the eldest brother Dmitri, attempts to personify the character’s stormy, passionate nature. His strained relationship with his father, obsession with the siren-like Grushenka, and his general inability to control his emotions are largely to blame for Dmitri’s imprisonment. Specific traits and episodes that …

Concert Recording 2015-04-04, Curtis Simmons, Miroslava Panayotova, Robert Wiser

Concert Recordings & Programs

Horn concerto in Bb major / Reinhold Glière -- Concerto for horn and orchestra no.4 KV 495. Allegro moderato ; Romanza ; Rondo / Wolfgang Amadeus Mozart -- Dreams, yearning / Jonathan Craft -- En forêt op.40 / Eugène Bozza

Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile

Verdi Forum

No abstract provided.

The Adventurous Monk: A Discussion Of Eric Reed’S Improvisational Techniques And The Influence Of Thelonious Monk, Vaughn Beaver

Theses : Honours

This dissertation examines the improvisational style of notable jazz pianist Eric Reed, focusing on select performances from the album The Adventurous Monk. As is common for contemporary artists, Reed has not yet been the focus of academic study, despite the fact that his vast experience – particularly with jazz luminaries such as Wynton Marsalis – warranted such investigation. The endeavour of this research was to discuss the observable influence of Thelonious Monk on Reed’s improvisational style through musical transcription and comparative analysis of the two pianists’ solos on the Monk compositions ‘Work’ and ‘Nutty’. Complete Monk transcriptions were initially analysed …

A Stylistic Analysis Of Recess Performed By Charlie Hunter From The Dvd Right Now Live, Joshua De Silva

Theses : Honours

Charlie Hunter is a guitarist who has gained international recognition for his ability to perform guitar parts and bass lines simultaneously on his hybrid guitar. His ability to construct solos within the context of simultaneous bass line and chordal accompaniment, along with methods he employed to create percussive textures, were the central points of discussion for this dissertation. Hunter’s original composition Recess was selected from the Hunter DVD Right Now Live1, which was transcribed and analysed.

This research is significant due to the lack of detailed analysis of Hunter's techniques in an unaccompanied setting, and to the researcher’s knowledge, …

The Stylistic Variance And Underlying Unity In Selected Organ Works By Clarence Mader, Jacob Richard Benda

LSU Doctoral Dissertations

Clarence Mader (1904-1971) is not a commonplace name heard within most academic institutions or concert halls at this point in music history. During his lifetime, however, he was regarded as a musician of the highest caliber. His expertise was not limited to a singular musical facet but included several. Mader spent the majority of his professional career in California as organist, composer, teacher and organ consultant. Chapter Two will outline the various influences that shaped Mader as a composer during the 20th century in America, as well as identify the common threads that permeate his music. A former pupil of …

A Conductor’S Analysis Of Almeida Prado’S Passion Of Our Lord Jesus Christ According To Saint Mark, Cléusia Carreira Gonçalves

LSU Doctoral Dissertations

This study is based on the analysis and performance considerations of the Passion of our Lord Jesus Christ According to Saint Mark by the Brazilian composer Almeida Prado (1943-2010). This passion setting, which comprises mixed choir, actors, organ, harpsichord and timpani, was composed in 1967. The setting of the passion story strictly follows the gospel account, and no other poetic text, reflective chorales or arias were added. Among other factors, this work is unique in that the choir is used to carry the narrative throughout the work. Also, the composer masterfully uses text-painting in the choral and instrumental parts in …

For The Sake Of St. Cecilia: Analysis And Re-Orchestration Of Gerald Finzi's For St. Cecilia, Op. 30, Christopher Brent Rosborough

LSU Doctoral Dissertations

Gerald Finzi contributed few pieces to the field of choral music, however the works that have been made available are filled with charm and finesse. Similar to the manner of Duparc, his small output encompasses great depth, beauty, and ingenuity. One such work is For St. Cecilia, Op. 30. Hidden behind the veil of the tradition of English musical festivals, Finzi’s St. Cecilia along with other great works became otherwise lost or discarded in the milieu of nineteenth and twentieth century British composition. Uncovering Finzi’s ode, one might find the size of orchestra and chorus a bit daunting. However, in …

Alexander Moyzes And His Piano Sonata In The Context Of Slovak Music Between The Wars, Ivan Koska

LSU Doctoral Dissertations

The purpose of this monograph is to introduce to the English-speaking public the Slovak twentieth-century composer Alexander Moyzes and his Piano Sonata in E Minor, Op. 2 (1942), virtually unknown outside Slovakia. The style of the Sonata represents a retreat from earlier, more experimental positions of its author; this shift can be explained by a closer look at historical and aesthetic circumstances surrounding its composition. The first chapter provides an essential biography of the composer with an emphasis on his life and works between 1925 and 1940. The second chapter compares single movements of the Sonata with earlier manuscripts and …

A Model Of The Tonal-Chromatic System And Its Application To Selected Works Of Gustav Mahler, Andrew David Nicolette

LSU Doctoral Dissertations

During the latter half of the twentieth century there was a marked shift in the way that many scholars approached analysis of late-nineteenth-century tonality. This shift in approach was motivated by the behavior and interaction of harmonic and melodic entities encountered in the music of the great composers of the nineteenth century, such as Schubert, Schumann, Brahms, Mahler, Wagner, and Strauss. The question arose: did the diatonic system remain at the heart of tonality during the late nineteenth century, or—as some propose—did a new chromatic-based tonality emerge? The acceptance of this new chromatic-based tonality is at the heart of this …

Olivier Messiaen's Influence In The Violoncello Works Of Toru Takemitsu, Susannah Violet Montandon

LSU Doctoral Dissertations

This monograph is an examination of Oliver Messiaen’s influence in the violoncello solo and chamber compositions of Tōru Takemitsu. A total of sixteen pieces: Le Son Calligraphie I (1958), Le Son Calligraphie III (1960), Scene (1959), Landscape (1960), Corona II (1962), Valeria (1969), Quatrain (1975), Quatrain II (1977), Waterways (1978), A Way Alone (1981), Orion for Violoncello and Piano (1984), Orion and Pleiades: Concerto for Violoncello and Orchestra (1984), Entre-Temps (1986), A Solitary Road (1988), Herbstlied (1993), and Between Tides (1993), are studied to determine the degree of Messiaen’s influence. The research is through a cellistic and musicological analysis including …

The Saxophone In Puerto Rico: History And Annotated Bibliography Of Selected Works, Marcos David Colón-Martín

LSU Doctoral Dissertations

The tradition of classical saxophone performance in Puerto Rico officially began quite recently in 1994. Musicians performing regularly in the style are few and local composition of new music for the instrument is rare. This research provides a historical overview of the saxophone in the musical culture of Puerto Rico and explores reasons for the delay on saxophone classical performance to develop. In an attempt to help promote the local performance and composition of new works, the author provides an annotated bibliography of music for saxophone by selected Puerto Rican composers.

Evidence Of Pedagogical Content Knowledge Among High School Band Directors And University Applied Music Teachers In The Context Of Student Self-Evaluation, Danielle Jeanette Emerich

LSU Master's Theses

The purpose of this study was threefold: (a) to seek evidence of pedagogical content knowledge (PCK) in high school band directors’ (generalists) and applied music teachers’ (specialists) evaluations of musical performance; (b) explore the similarities and differences between generalists’ and specialists’ perspectives on PCK; and (c) compare the evidences of PCK to student musicians’ self-evaluations of same performances. A basic interpretive qualitative approach with data collected through a think-aloud procedure applied to evaluation of solo music performance videos revealed four themes indicative of PCK—Aural Concept, Conveying Information, Effecting Change, and Uncertainty—and attendant sub-themes. Generalists and specialists provided a rich trove …

A Performer's Guide To Sergei Lyapunov's Concerto For Piano And Orchestra No.1, Op.4, Irina Cunev

LSU Doctoral Dissertations

This document is intended to contribute to the ongoing study of Sergei Lyapunov’s work by focusing on his First Piano Concerto, a brilliant work that was once highly esteemed, but which has been unjustly neglected over the years. The main purposes of this study and the accompanying public lecture-recital are threefold: 1) to provide a historical background and to discuss major music trends that shaped Lyapunov’s style, along with biographical information about the composer’s life, 2) to provide a specific descriptive analysis of key stylistic elements utilized in the concerto and 3) to provide a detailed discussion of pianistic techniques …