Music Commons^™

Aribo, De Musica And Sententiae, T. J. H. Mccarthy

TEAMS Varia

Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. …

Wind Symphony And Symphonic Band, October 2, 2015 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Student Ensemble: Wind Symphony, October 2, 2015, Martin H. Seggelke Conductor

School of Music Programs

Center for the Performing Arts
October 2, 2015
Friday Evening
8:00 p.m.

Who Can Afford To Improvise? James Baldwin And Black Music, The Lyric And The Listeners [Table Of Contents], Ed Pavlic

Literature

More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life.

The route …

The Inspired Shes Podcast: The Stories Of The Female Voice In Hip Hop, Liz Butler

Independent Study Project (ISP) Collection

This alternative ISP seeks to tell stories of women involved in the Senegalese hip-hop movement through the podcast medium. This paper describes briefly the history of hip-hop in Senegal, women’s increasing role in the genre and what it means to be a woman engaged in Senegalese hip-hop today. Six women with varying roles in the hip-hop community share their stories and thoughts about hip-hop as a whole and more specifically what it means to be a woman in the industry. These stories include: why it is important to have females in hip-hop, that hip-hop is more than just rapping, why …

Alexander Cannon, Carol Barber

International Faculty Researchers

A chance introduction to a largely unknown genre of Vietnamese royal court music that Dr. Alexander Cannon experienced while majoring in economics and music as an undergraduate forged an interest that changed the trajectory of his intended career path from analyzing economic trends to becoming an ethnomusicologist and an expert on don ca tai tu.

Ed Roth, Margaret Von Steinen

International Faculty Researchers

Can listening to and making music be effectively used in the treatment of people diagnosed with neurologic and psychiatric disorders? This is the primary question Professor Ed Roth, director of WMU’s music therapy program, is attempting to answer in collaboration with colleagues from around the world to improve treatment for people experiencing post-traumatic stress and other acute anxiety disorders. He is a co-founder and director of WMU’s Laboratory for Brain Research and Interdisciplinary Neurosciences (BRAIN) (article) and a Fellow in the Academy of Neurologic Music Therapists, who specializes in the application of music in the treatment of neurologic disorders and …

Appalink, Appalachian Studies Association

Appalink

No abstract provided.

Holy Cross Choirs Newsletter (October 2015), Choir, College Of The Holy Cross

Holy Cross Choirs Newsletter

No abstract provided.

Martha Councell-Vargas, Christine Lena

International Faculty Researchers

Travelling to Central America in college is all it took to inspire Martha Councell-Vargas to begin a career of teaching, researching, and performing flute music of the Americas.

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, Larry Snyder, Interim Dean, Kelly Scott, Managing Editor

PCAL Publications

No abstract provided.

Audio Recording Of New Clarinet And Saxophone Music, Christopher H. Kirkpatrick, Johan Eriksson

University Grant Program Reports

The ORSP grant is able to cover the entirety of costs associated with the recording, mixing, digital and mechanical rights, and release of an album with Duo Nyans (Dr. Christopher Kirkpatrick, clarinet, and Dr. Johan Eriksson, saxophone). The focus of the album is new music for clarinet and saxophone, with a historical range of repertoire from 1993 to 2014. The recorded music includes Mischief (2011) by Perry Goldstein, PitBand (1993) by William Albright, Sa Vada (2010) by Charles Nichols, Ragamuffins (2013) by James Grant, Cose Virtuose (2001) by Bernadine Beggio, 16 September (2014) by Simon Hutchinson, Flea Circus (2010) by …

Understanding Music: Past And Present, N. Alan Clark, Thomas Heflin, Jeffrey Kluball, Elizabeth Kramer

Fine Arts Open Textbooks

Understanding Music: Past and Present is an open Music Appreciation textbook co-authored by music faculty across Georgia. The text covers the fundamentals of music and the physics of sound, an exploration of music from the Middle Ages to the present day, and a final chapter on popular music in the United States.

Accessible files with optical character recognition (OCR) and auto-tagging provided by the Center for Inclusive Design and Innovation.

B-Boy And Buuz: A Study Of Mongolian Hip-Hop Culture, Quinn Graham Wallace

Independent Study Project (ISP) Collection

When walking down the streets of Ulaanbaatar, Mongolia, passersby will find countless material traits of hip-hop culture surrounding them, including snapback hats, skateboards, and tattoos. A powerful combination of urban growth, democracy, and a booming market economy has invited and stimulated contemporary forms of hip-hop, creating an active but unorganized Mongolian hip-hop sub-culture and community. In this explorative and analytical paper, I examine what Mongolian hiphop artists express about present-day Mongolia through hip-hop mediums and why they are a unique critical voice. While there are several facets of hip-hop, I focus on three modes of traditional hip-hop culture: oral (rapping), …

School Of Music Faculty/Staff Newsletter, October 2015, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Dissecting Dialogue: The Value Of Music Education In Esl/Ell Programs, Kyle R. Furlong

Student Publications

Among educators and philosophers alike, critical dialogue is widely regarded as one of the most effective ways to communicate and educate in the classroom. In his quintessential work, Pedagogy of the Oppressed, Paulo Freire reflects upon the importance of dialogue stating, “Only dialogue, which requires critical thinking, is also capable of generating critical thinking. Without dialogue, there is no communication, and without communication there can be no true education.” This point is reinforced in other notable texts such as Teaching as a Subversive Activity, which describes the “new education” as not only student and question centered, but “language-centered” as well. …

Leon Fleischer: Baker Guest Artist Chamber Music Master Class, Leon Fleischer

Setnor School of Music - Performance Programs

No abstract provided.

Rhythms: Music At The University Of Northern Iowa, V34, Fall 2015, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

Concert Chorale Tour to Estonia --- 5
Panther Marching Band in London --- 3
UNI Opera's "Merry Wives of Windsor" --- 6
From the Director --- 2
Autism and Arts Symposium --- 4
Hearst Visiting Artist Series --- 7
Hall of Fame and Honorary Doctorate --- 9
Scholarship Benefit Concert --- 11
Community Outreach --- 12
Jazz Division News --- 13
Student Awards and Honors --- 14
Alumni Spotlight --- 16
Donor Spotlight --- 17
Guest Artists 2014-14 --- 18
Faculty News and Activities --- 21
Faculty Spotlight --- 24
Alumni News and Updates --- 25
Emeritus Faculty News …

Making A Great Performance: A Step-By-Step Guide, Diego A. Rocha

Student Publications

This project is meant to synthesize the body of knowledge I gained from my First-Year Seminar and my own research into a practical guide for excellence in performance. In it I address a number of stages and steps necessary for successful performance and various ways of going about those. While it focuses more heavily on the performance of music, due to my background and my intention to become a music educator, much of the text can be used in any field.

The Trials Of A New Teacher, Diego A. Rocha

Student Publications

Tim, a new teacher, faces challenges as he works towards changing the environment in a high school music program.

Letters To Mr. Carter, Jasmin S. Eddy

Student Publications

This final project synthesized discussion and learning from four different books: "To Teach: The Journey in Comics" by W. Ayers and R. Alexander-Tanner, "Musician and Teacher: An Orientation to Music Education" by P. S. Campbell, "Teaching as a Subversive Activity" by N. Postman and C. Weingartner, and "Pedagogy of the Oppressed" by P. Freire. Through a series of letters to a teacher, Mr. Carter, the letter writers demonstrate the important ideas presented in each of the books.

Notes From Mrs. Hadgu's Class: Conceptualizing Music Education Curriculum For A Changing World, Logan B. Santiago

Student Publications

How can we conceptualize curriculum and school knowledge to better address important questions of social change, contingency of knowledge, life in mediated worlds, and inequalities? To answer this question I wrote fictional stories from students about their favorite moments from their 8th grade music class. Each account deals with a specific activity or instance in which the teacher included social change and/or student centered knowledge in the curriculum. The explanation at the end of the accounts details the reasons for creating each activity and the relation of the stories to texts utilized in class.

Equity In The Classroom, Robert L. Napoli

Student Publications

When discussing how teachers should pursue equity among, in, and through education in their current educational system, many go straight to discussing the lessons. These are very important, and the planning of these lessons can very much influence students to think more openly about equity, but there is something that must be established first before even thinking about executing a lesson plan, and that is the classroom itself. After all, “a large part of the work of teaching is constructing the laboratory for learning.” (Campbell & Demorest, 2008, p. 87). Postman & Weingartner also say that “the most important impressions …

Czech Bluegrass In Play, Lee Bidgood

ETSU Faculty Works

Drawing from scholarship on play, ritual, and performance, I propose that Czech bluegrass thrives – as does my fieldwork – in a state of in-betweenness, in a territory that is between work, play, here and there, self and other. Being comfortable with this kind of in-between state is important for fieldwork, and for music-making – play, I find, is both a central activity and metaphor in both. The bluegrass play I discuss in this essay can become a response to the encroachment of Americanization in economic and cultural globalization, but also a way of being “Americanist” – and entirely Czech.

Review Of The Original Carolina Chocolate Drops: Giddons, Rhiannon. 2015. Tomorrow Is My Turn; Flemons, Dom. 2015. Prospect Hill; And Robinson, Justin. 2012. Bones For Tinder, Lee Bidgood

ETSU Faculty Works

Excerpt: Dom Flemons, Rhiannon Giddens, and Justin Robinson met at the Black Banjo Gathering at Appalachian State University in 2005. Inspired by this meeting in Appalachia, the trio worked to connect the legacy of Cumberland Plateau fiddler Howard Armstrong (of the 1920s band the Tennessee Chocolate Drops) with musical material they learned from their mentor, North Carolina Piedmont fiddler Joe Thompson. As the Carolina Chocolate Drops (CCD), these musicians explored a variety of black string band traditions.

2015-2016 Eric Van Der Veer Varner Bassoon Recital, Eric Van Der Veer Varner, Lisa Leonard

Faculty Recitals

No abstract provided.

Institutions Of Higher Education And Cultural Heritage Tourism: A Case Study Of The Crooked Road, Virginia's Heritage Music Trail, Terence Michael Gilley

Educational Leadership & Workforce Development Theses & Dissertations

The southwest region of Virginia has an unstable economy, which cycles through periods of growth and decline. The strategic plans for southwest Virginia propose cultural heritage tourism as a sustainable industry for economic development of this rural region. Institutions of higher education provide education and training for a qualified workforce and community service. This qualitative, single case study on The Crooked Road, Virginia’s Heritage Music Trail examines the roles of institutions of higher education with regard to cultural heritage tourism for sustainable community and economic development in rural areas. The data sources for this study are the administrators of …

Creation-Inspired Research, Melodie Roschman

Lake Union Herald

No abstract provided.

Jazz And Puerto Rican Traditional Music: A New Generation Of Musical Exploration, Pedro Lavezzari

Masters Theses

Many musical styles around the world have been born from struggle and search for cultural identity. The same idea applies to Jazz and the Afro-Caribbean music created within the African diaspora and influenced by Latin and European styles in the United States. More recently, the meaning of diaspora has been used to refer to a group of people and some aspects of their culture (Rivera 2010, 104). For older and newer generations of Puerto Rican musicians two traditions have intersected to create a modern form of expression that reaffirms Puerto Rico’s musical creativity and contemporary tendency. In 1989 Warren Pinckney …

The Subject Librarian Newsletter, Music, Fall 2015, Richard Harrison

Libraries' Newsletters

No abstract provided.