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Full-Text Articles in Music

Musicianship In Beginning Level String Pedagogy: A Content Analysis Of Class Method Books, Laurie Rominger Jan 2016

Musicianship In Beginning Level String Pedagogy: A Content Analysis Of Class Method Books, Laurie Rominger

LSU Major Papers

Students who begin music studies with a thorough foundation in musicianship will be better equipped to tackle the challenges of performing at a high level. When actively applying new techniques, however basic, to the goal of musical and artistic expression, the focus will shift from increasing physical technique and skill development to growing as a musician. Therefore, the purpose of this study is to examine the prevalence of musicianship in a setting that seldom receives attention in the musicianship literature: beginning string instrument instruction. This monograph examines string method books, a major deliverer of instruction within the early years of …


A Performance Practice Guide For Select Baroque Transcriptions For Clarinet, Michael Brady Hough Jan 2016

A Performance Practice Guide For Select Baroque Transcriptions For Clarinet, Michael Brady Hough

Theses and Dissertations

The purpose of the study is to provide a performance practice guide of selected works from the Baroque period that are transcribed for clarinet.

The Baroque period has an important but often overlooked wealth of literature for clarinet players. Although there are few original works for the clarinet that were composed during this period due to the clarinet's later development, there is still much that clarinet players can learn from this important body of work.

Performance practice of Baroque transcriptions is particularly significant. For instance, taking music written for a string instrument and transcribing it for a wind instrument brings …


The Influence Of Real-Time Visual Feedback Training On Vocal Control, Justeena N. Zaki-Azat Jan 2016

The Influence Of Real-Time Visual Feedback Training On Vocal Control, Justeena N. Zaki-Azat

Theses and Dissertations (Comprehensive)

Trained singers have better vocal control when compared to singers without vocal training. The development of precise vocal control, like any motor skill, requires practice with some form of feedback, such as auditory feedback. In addition to auditory feedback, singing training programs use online visual feedback to improve performance accuracy. The purpose of this thesis is to investigate the recent body of literature concerning the cognitive processing of vocal control, and apply this knowledge practically to develop an effective real-time visual feedback training program that enhances vocal control. In the first of two studies, non-singers and singers were randomly assigned …


An Exploration Of Exposure To Music In High School Males In Appalachian Ohio, Cassandra Mcdonald Jan 2016

An Exploration Of Exposure To Music In High School Males In Appalachian Ohio, Cassandra Mcdonald

Walden Dissertations and Doctoral Studies

Even with increasing availability of alternative educational systems, individual learning plans, and vocational schools, the high school dropout rate among males is still rising. High school dropouts have a negative effect on a community because their chances of being employed and contributing to the community are reduced. The theoretical frameworks of multiple intelligences, self-efficacy, and developmental constructivism were used to conduct a hermeneutical phenomenological study of the lived experiences of a specific population of male youth in rural Ohio who decided to return to school and complete the requirements for a high school diploma or GED after being exposed to …


An Analysis Of Selected Rhythmic, Harmonic And Melodic Devices Used In The Arrangement And Improvisation By Gwilym Simcock On The Way You Look Tonight (2007), Brodie Stewart Jan 2016

An Analysis Of Selected Rhythmic, Harmonic And Melodic Devices Used In The Arrangement And Improvisation By Gwilym Simcock On The Way You Look Tonight (2007), Brodie Stewart

Theses : Honours

Gwilym Simcock, a seminal jazz pianist at the forefront of the European music scene, sees no boundaries between jazz and classical music. His debut album Perception (2007) received impressive critical acclaim, and has been considered a musical fingerprint of his various influences and composition style. This research pursues a deeper insight into the characteristics of his arranging and improvisational style by identifying notable devices used in the performance of The Way You Look Tonight, a well-known jazz standard that is featured on the album.

The tune itself is has been reimagined as a modern-sounding arrangement centred on a rhythmic …


Title Page Jan 2016

Title Page

Sound Scripts

No abstract provided.


Copyright Page Jan 2016

Copyright Page

Sound Scripts

No abstract provided.


Contents Page, Tos Mahoney Jan 2016

Contents Page, Tos Mahoney

Sound Scripts

No abstract provided.


Music And The Child, Natalie Sarrazin Jan 2016

Music And The Child, Natalie Sarrazin

Milne Open Textbooks

Children are inherently musical. They respond to music and learn through music. Music expresses children’s identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children’s natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I’m working with? How can music help inspire a well-rounded child? How do I reach and teach children …


Music Composition, Spencer Snyder Jan 2016

Music Composition, Spencer Snyder

Dissertations and Theses

No abstract provided.


Concert Recording 2016-11-27, Caleb Evans Jan 2016

Concert Recording 2016-11-27, Caleb Evans

Concert Recordings & Programs

[00:00]. Canaries / Elliott Carter -- [02:53]. Mono no aware / Henry Bowen -- [07:02]. Etude 6 from Douze etudes / Jacques Delecluse -- [08:36]. Prelude from Cello suite no. 1 / J.S. Bach -- [10:56]. Reflections on the nature of water. I. Crystalline ; IV. Gently swelling ; VI. Relentless / Jacob Druckman.


Concert Recording 2016-11-21, Chandler Reid Evans, Kristine Mezines Jan 2016

Concert Recording 2016-11-21, Chandler Reid Evans, Kristine Mezines

Concert Recordings & Programs

[00:00]. Semele. Where'er you walk / George Frederic Handel -- [02:30]. Lydia / Gabriel Faurè -- [07:14]. Drei Gesange, op. 83 / Ludwig van Beethoven -- [14:35]. Sepia life / John Bucchino.


Concert Recording 2016-11-19a, Melody Schmidt, Megan Dobbs, Chalon L. Ragsdale, Rob Edwards, Rosabelle Zhou Jan 2016

Concert Recording 2016-11-19a, Melody Schmidt, Megan Dobbs, Chalon L. Ragsdale, Rob Edwards, Rosabelle Zhou

Concert Recordings & Programs

[00:00]. Percussion music / Michael Colgrass -- [05:52]. Jesus loves me / Chad Floyd -- [12:02]. Evergreen / Ben Finley -- [19:11]. Eight pieces for four timpani. VIII. March / Elliott Carter -- [22:05]. Irish spirit / Bill Douglas -- [28:45]. Land / Takatsugu Muramatsu -- [33:02]. Over the rainbow / Harold Arlen ; arranged by Robert Oetomo -- [36:45]. Eight pieces for timpani. V. Improvisation / Elliott Carter -- [39:44]. Catching shadows / Ivan Trevino.


Fundamental Frequency Characteristics Of Modal And Vocal Fry Registers, Heidi Brubaker, Jason Albertson Whitfield Ph.D., Jane Schoonmaker Rodgers D.M.A. Jan 2016

Fundamental Frequency Characteristics Of Modal And Vocal Fry Registers, Heidi Brubaker, Jason Albertson Whitfield Ph.D., Jane Schoonmaker Rodgers D.M.A.

Honors Projects

This study examined the distribution of fundamental frequencies in the connected speech of 14 healthy young adults. Acoustic analysis of fundamental frequency was performed on previously collected speech samples of a phonetically balanced reading passage. For the first three sentences of the reading passage, fundamental frequency contours were extracted using PRAAT, a speech analysis software package. The accuracy of these contours were visually verified and manually corrected when needed. The distribution of the fundamental frequency histories for each sample were then analyzed using Gaussian Mixture Model analyses in MATLAB. For most speakers, four statistical modes were identified in the data …


Psalms On The Shannon: A Collection Of Choral Pieces In The Irish Celtic Style, Greta E. Hanks Jan 2016

Psalms On The Shannon: A Collection Of Choral Pieces In The Irish Celtic Style, Greta E. Hanks

Senior Honors Theses

The Irish music tradition has a rich heritage ranging from ancient ballads to nineteenth-century dances. One area of Irish music, a subset of Celtic music in general, that has been somewhat underrepresented in modern times is Irish choral music. Scripturally-based choral singing has been part of the Irish tradition ever since medieval monks began Christianizing the Celts. Today, several choral groups in Ireland are working to revive the art of Celtic choral singing. This collection, presenting psalms set to choral music in the Irish style, is one modern composer’s endeavor to join the Irish choral genre, incorporating traditional harmonic elements …


One Thousand North, Amber Beams Jan 2016

One Thousand North, Amber Beams

Graduate Thesis Collection

No abstract provided.


Concert Recording 2016-11-19b, Ashley Baty, Henry Runkles Jan 2016

Concert Recording 2016-11-19b, Ashley Baty, Henry Runkles

Concert Recordings & Programs

Sonata for clarinet and piano / Paul Hindemith -- Arabesque no. 2 for clarinet and piano / Claude Debussy -- The shepherd on the rock / Franz Schubert -- Black for two bass clarinets / Marc Mellits


Transferring Writing Skills To A 3rd Grade Music Classroom, Megan A. Wilson Jan 2016

Transferring Writing Skills To A 3rd Grade Music Classroom, Megan A. Wilson

Masters Theses

The purpose of this action research study was to examine the use of writing skills in a third grade general music classroom. Students wrote narratives based on music they heard, used an interactive notebook to reflect on musical experiences, conducted a short composer research project and wrote a biography about the composer. The study was designed to investigate the following research question: Will the use of writing in the music classroom help the students apply writing skills from their general education classes while learning music content? The duration of the study was for an entire semester and the students attended …


Don't Let The World Rot: Anarchism, Hardcore Music, And Counterculture, Pearson Bolt Jan 2016

Don't Let The World Rot: Anarchism, Hardcore Music, And Counterculture, Pearson Bolt

Electronic Theses and Dissertations

Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. In this study, I identified the ways music and lyrics craft attitudes and environments for revolt and rebellion, cultivating critical thinking and disobedience in equal measures. In order to understand the hardcore community, I …


V.1 2016-2017, Center For Arts & Language, Students Of Risd, Risd Archives Jan 2016

V.1 2016-2017, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The 2016-2017 issue contains articles on Kara Walker, Women's March, "Look at Art, Get Paid" program, #pizzagate, the Mutual Encounters exhibition, and smartphones.


Henry Worrall (1825–1902): Anglo-American Guitarist, Robert Ferguson Jan 2016

Henry Worrall (1825–1902): Anglo-American Guitarist, Robert Ferguson

Soundboard Scholar

Anglo-American guitarist Henry Worrall appeared on the American scene just as the guitar reached a plateau of popularity. As vital as the guitar itself, the prevailing social, philosophical, and aesthetic tenets of Worrall's era also wove a unifying thread through his life, career, and oeuvre. His immersion in both the graphic and musical arts; his straddling of vernacular and high culture; his connection to nature and especially agriculture; his nationalist and regionalist sympathies; and his fondness for folk, popular, and heroic musical themes all drew from and evinced a Romantic worldview. Here, Ferguson discusses Worrall's professional life.


Return With Us Now... Featured Facsimile: Henry Worrall’S Spanish Retreat, Robert Ferguson Jan 2016

Return With Us Now... Featured Facsimile: Henry Worrall’S Spanish Retreat, Robert Ferguson

Soundboard Scholar

Ferguson examines Henry Worrall's Spanish Retreat. Its origins go back to London, specifically to two guitar prints published there in the mid-1820s. Though the earliest of these (c.1826) states that the piece was "arranged for guitar" by Alexander Sosson, this does not necessarily indicate that it was originally written for a different instrument, such as piano. "Arranged" could mean the piece was already in circulation among guitarists, or another guitarist created or popularized it, and Sosson merely reworked it (and wrote it down). Moreover, imitating other instruments, at which the guitar proved particularly adroit, constituted the essence and charm of …


The Life And Times Of Josef Kaspar Mertz: New Biographical Insights, Andreas Stevens Jan 2016

The Life And Times Of Josef Kaspar Mertz: New Biographical Insights, Andreas Stevens

Soundboard Scholar

Stevens examines the biographical information about the German Romantic-era guitarist Josef Kaspar Mertz.The first one, authored in Russian by Nicolai Makaroff, became the best known because it has been available in English. By today's standards, Makaroff's recollections of the guitar's situation in the middle of the nineteenth century seem deeply subjective. Ever on the lookout for active exponents of the art of guitar playing, he met Mertz twice in Vienna and witnessed several private performances by Mertz. For better or for worse, his less-than-enthusiastic assessment of Mertz's playing has been taken at face value for perhaps too long, especially since …


The Guitar In Tudor England: A Social And Musical History, By Christopher Page, Richard Long Jan 2016

The Guitar In Tudor England: A Social And Musical History, By Christopher Page, Richard Long

Soundboard Scholar

Long reviews The Guitar in Tudor England: A Social and Musical History by Christopher Page.


Teaching Music History With Your Mouth Shut, Anne Stone Jan 2016

Teaching Music History With Your Mouth Shut, Anne Stone

Publications and Research

No abstract provided.


Aquell Estiu Del 66. L'Actuació De Merce Cunnigham A Sitges, Ara Fa 50 Anys, Antoni Pizà Jan 2016

Aquell Estiu Del 66. L'Actuació De Merce Cunnigham A Sitges, Ara Fa 50 Anys, Antoni Pizà

Publications and Research

El desembarcament a Sitges de la MCDC ara fa cinquanta anys exactes, es considera un punt crucial en la cultura catalana i espanyola tant en art com en música. Carles Santos ha titllat aquella actuació de «traumàtica» pel que va suposar per a la música espanyola. I a més a més, molts estudis erudits recents sobre l’art conceptual, la música electrònica i la dansa experimental consideren l’actuació a Sitges com un dels inicis de tots aquests moviments a l’estat espanyol. Al final, Clive Barnes va acabar per tenir raó: al Departament d’Estat l’havia subvencionat un pintor europeu, almenys la gira …


A Theory Of Form As Temporal Referentiality, Eron F. Smith Jan 2016

A Theory Of Form As Temporal Referentiality, Eron F. Smith

Pomona Senior Theses

This study proposes temporal referentiality—roughly defined as the orientation of substance in its temporal medium—as a theoretical and analytical framework for musical form. Operating on the principle of music as a temporally extended entity, this thesis explores the connections that occur between substance across its medium, suggests an additional interpretation of medium connections (temporality) in terms of language tense, and examines substance connections (referentiality) through different types of filtering.

I also propose a means for visual and literary interpretation of temporal referentiality, depicting a network of substance relationships established over a piece’s timespace. Analysis of this type assumes a listener’s …


Alternate Minimalisms: Repetition, Objectivity, And Process In The Age Of Recording, Zachary Schwartz Jan 2016

Alternate Minimalisms: Repetition, Objectivity, And Process In The Age Of Recording, Zachary Schwartz

Pomona Senior Theses

This thesis examines the core concepts of early minimalism and the ways that they were influenced by recording as a medium of musical creation. The first chapter considers early minimalism’s historical lineage as the narrative has been passed down by music scholars, noting over-arching trends and problems of exclusion and misunderstanding inherent within it. Having established the myriad of concepts at the core of the early minimalist movement, the second chapter examines the recording medium’s effect on art music performance, noting trends in repetition, objectivity, and process that are represented within minimalism itself. With these ideas in mind, the idea …


Concert Recording 2016-09-15, Ronda Mains, Miroslava Panayotova Jan 2016

Concert Recording 2016-09-15, Ronda Mains, Miroslava Panayotova

Concert Recordings & Programs

[00:00]. Spiral lament / Ian Clarke -- [07:16]. Sonate pour flûte et piano / Mel Bonis -- [23:16]. Sonata in D major, op.94 / Sergei Prokofieff.


Reflections On My Journey Using Visual Media In A Voice Recital, Claudia Salcedo Jan 2016

Reflections On My Journey Using Visual Media In A Voice Recital, Claudia Salcedo

Honors Theses

The following thesis is a reflection of one student's process and execution of her vocal recital in which she incorporated visual media (digital paintings, light graphics, and videos). The author documented the technical and collaborative steps she took to prepare and perform her recital on December 5th, 2015. Preceding the chapters, the author includes a compilation of graphics or stills from the videos used in her recital. First, the author discusses why she felt it was important to present a recital in this manner. Next, the author elaborates on how her undergraduate studies and personal experience lead her to the …