Music Commons^™

Pianote: A Sight-Reading Program That Algorithmically Generates Music Based On Human Performance, Drew Schulz

Master's Theses

Sight-reading is the act of performing a piece of music at first sight. This can be a difficult task to master, because it requires extensive knowledge of music theory, practice, quick thinking, and most importantly, a wide variety of musical material. A musician can only effectively sight-read with a new piece of music. This not only requires many resources, but also musical pieces that are challenging while also within a player's abilities.

This thesis presents PiaNote, a sight-reading web application for pianists that algorithmically generates music based on human performance. PiaNote's goal is to alleviate some of the hassles pianists …

The Ideology Of Commodification In The Music Industry, As Exemplified By Taylor Swift, Sydney Taylor Jordan

Communication Studies

No abstract provided.

Law Library Blog (June 2016): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

"A Medium For Meeting God": C.S. Lewis And Music (Especially Wagner), John Macinnis

Faculty Work Comprehensive List

This essay will survey Lewis’s writings and outline the development of his aesthetic ideas in relation to music, emphasizing his enjoyment of Wagner and explaining nuanced references to Wagner throughout Lewis’s works. Moreover, this essay will describe how Lewis’s ideas about God advanced in counterpoint to his ideas about music and how Lewis came to eventually conclude that music is a medium for meeting God. To conclude, I share ways in which Lewis’s ideas have influenced and strengthened my own teaching of Wagner in Music History and Literature classes.

Neomi: A New Environment For The Organization Of Musical Instruments, Carolien Hulshof, Xavier Siebert, Hadrien Melot

Papers

No abstract provided.

Formalising Cross-Cultural Vocal Production, Polina Proutskova, Christophe Rhodes, Tim Crawford, Geraint Wiggins

Papers

No abstract provided.

Publishing The James Goodman Irish Music Manuscript Collection: How Modern Technology Facilitated The Editors' Task, Lisa Shields

Papers

The paper gives a description of an important mid nineteenth-century manuscript Irish music collection. It outlines the history of the edition and the work involved. The use of modern technology in the editorial process is considered. Undoubtedly these technological advances have been very helpful. However, they have also enlarged the scope of the project, creating new kinds of work which are seen as adding value to the product.

Human Pattern Recognition In Data Sonification, Charlie Cullen, William Coleman

Papers

Computational music analysis investigates the relevant features required for the detection and classification of musical content, features which do not always directly overlap with musical composition concepts. Human perception of music is also an active area of research, with existing work considering the role of perceptual schema in musical pattern recognition. Data sonification investigates the use of non-speech audio to convey information, and it is in this context that some potential guidelines for human pattern recognition are presented for discussion in this paper. Previous research into the role of musical contour (shape) in data sonification shows that it has a …

After The Harmonie Universelle By Marin Mersenne (1636), What Fingering For The Chabrette In 2016?, Philippe Randonneix

Papers

No abstract provided.

The Georgian Musical System, Malkhaz Erkvanidze

Papers

No abstract provided.

A Search Through Time: Connecting Live Playing To Archive Recordings Of Traditional Music, Bryan Duggan, Jianghan Xu, Lise Denbrok, Breandan Knowlton

Papers

This poster describes new developments in the popular Tunepal project. Tunepal is a query-by-playing music score search engine used primarily by musicians on smartphones in traditional music sessions and classes. Using Tunepal, a musician can quickly identify the name of a melody being played and download the score for later study. Since 2009, there has also been a version of Tunepal that runs in a web browser that allows a musician to play a tune extract and find the name of the tune. Over the summer of 2015, we embarked on a project to redevelop the Tunepal website in HTML5. …

Detection Of Melodic Patterns In Automatic Transcriptions Of Flamenco Singing, Aggelos Pikrakis, Nadine Kroher, José-Miguel Díaz-Báñez

Papers

The spontaneous expressive interpretation of melodic templates is a fundamental concept in flamenco music. Consequently, the automatic detection of such patterns in music collections sets the basis for a number of challenging analysis and retrieval tasks. We present a novel algorithm for the automatic detection of manually defined melodies within a corpus of automatic transcriptions of flamenco recordings. We evaluate the performance on the example of five characteristic patterns from the fandango de Valverde style and demonstrate that the algorithm is capable of retrieving ornamented instances of query patterns. Furthermore, we discuss limitations, possible extensions and applications of the proposed …

Analysis Of Tahreer In Traditional Iranian Singing, Parham Bahadoran

Papers

Iranian tradition singing is based on a rich musical heritage and contains styles and techniques distinct to the region, which differentiate it from other styles of Middle Eastern singing. In this paper I aim to highlight the specific characteristics of a traditional Iranian vocal technique called Tahreer by analysing its features using computational tools and methods.

The W. Ormiston Roy Memorial Lecture: Who Wrote The Scots Musical Museum? Challenging Editorial Practice In The Presence Of Authorial Absence, Murray Pittock

Studies in Scottish Literature

James Johnson’s Scots Musical Museum, published in six parts in Edinburgh over the period 1787-1803, is now inextricably linked to its greatest contributor, the poet, song-writer and song-collector Robert Burns. This lecture builds from Murray Pittock’s recent editorial work on Johnson’s collection, forthcoming in the new multivolume Oxford Edition of Robert Burns, based at the University of Glasgow. The lecture shows that the apparently-innocent question “Who wrote the Scots Musical Museum?” is a complex one, raising very fundamental questions about the nature of authorship and editorship in the necessarily collaborative and social enterprise of song publication, and it …

Classical Vibe -The Viking Bassoon Ensemble, May 29, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Lawrence Horn Ensemble & Friends, Earth, Fire, And Water, May 29, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Lupé (Lawrence University Percussion Ensemble), May 29, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

String Chamber Music Recital, May 29, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Franck Symphony In D Minor, Lawrence University Symphony Orchestra, May 28, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Spring Shall Bloom! Lawrence University Choirs, May 27, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Lawrence University Jazz Ensemble, The Music Of Fred Strum, May 25, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Guest Recital, Drew Whiting, Saxophones, John Mayrose, Electric Guitar, May 24, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Nonlinear Harmonic Modes Of Steel Strings On An Electric Guitar, Joel Wenrich

Senior Theses

Steel strings used on electric and acoustic guitars are non-ideal oscillators that can produce imperfect intonation. According to theory, this intonation should be a function of the bending stiffness of the string, which is related to the dimensions of length and thickness of the string. To test this theory, solid steel strings of three different linear densities were analyzed using an oscilloscope and a Fast Fourier Transform function. We found that strings exhibited more drastic nonlinear harmonic behavior as their effective length was shortened and as linear density increased.

What Makes Music Christian?, John Macinnis

Faculty Work Comprehensive List

"Music, cultivated as it should be, awakens our senses and our understanding of what is possible in this good world."

Posting about defining Christian music from In All Things - an online hub committed to the claim that the life, death, and resurrection of Jesus Christ has implications for the entire world.

http://inallthings.org/what-makes-music-christian/

Soleriana, Lawrence University Wind Ensemble, May 21, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Brame, Lawrence R. (Fa 861), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 861. Collection consists of Negro spirituals collected from individuals in Kentucky. Song lyrics are provided along with the names of sources who provided each song. This project was conducted by Lawrence R. Brame for a folk studies class at Western Kentucky University.

Spring Term Keyboard Department Area Recital, May 25, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Composition Studio Recital, May 22, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall and Memorial Chapel

Guest Recital Ketil Haugsand, Harpsichord, May 20, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Flute Studio – Freshman Recital, May 20, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall