Music Commons^™

Chronology And Itinerary Of The Career Of J. Tim Brymn Materials For A Biography, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

James Timothy Brymn (1873-1945), a composer, conductor, and arranger, was one of the cohort of top African American dance band and theatre orchestra leaders active in Chicago and New York who became Army bandleaders in WWI. In the first decade of the 20th century, he was acknowledged as a pre-eminent master of ragtime and one of the premiere song writers of America. Brymn was the author of one of the first published blues (1912), the author of some of the first published tangos (in 1913 and 1914), the author of one of the first published jazz numbers (1917), and the …

Modeling Compositional Grammars In Leonard Bernstein's West Side Story (1957), Thomas William Posen

Music ETDs

As a result of Leonard Bernstein's numerous didactic lectures, he is generally recognized as a tonal composer who misrepresented or even misunderstood other compositional grammars. But, while scholars criticize Bernstein for these reasons, close analysis of his own music reveals a different story. Using post-tonal theory and semiotics, I examine Bernstein's music from the perspective of compositional grammars—some not tonal—through analysis of three pieces from West Side Story (1957), 'The Rumble,' the 'Tonight' ensemble, and the 'Cool Fugue. I demonstrate that although Bernstein passionately defended tonality as the means to unite composers and audiences—especially Broadway audiences—analysis of West Side Story …

Chant And Transformation: The Benedictine Monks Of Christ In The Desert Monastery, Amy Suzanne Gillespie

Music ETDs

Music scholars have devoted significant attention to the vast repertoire of chant, the cults from which it is said to have sprung, semiology, or its place in Western Christian worship, but a limited number of studies address the chanter and how chant renders affective and cognitive processes. The monks of Christ in the Desert Monastery are engaged four hours a day, every day, in the antiphonal rhythm of psalmody, constructing its expressivity and sculpting, from forty members, one voice. Here, the Divine Office, as prescribed by St. Benedict, is strictly followed. The monks repetitive and synchronized practice, suffused with chanting, …

Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide, Elisa Braga Galeano

LSU Doctoral Dissertations

This document and the accompanying lecture/recital performance aim to call more attention to this intense and deeply emotional work. Focus will be placed on the technical challenges in the piano part while making recommendations for the performer when appropriate. As background, an overview of Rachmaninoff’s early life and work is presented in order to provide a clearer understanding of what led him to compose this trio. Of particular importance in the writing of this piece was the direct influence of Peter Tchaikovsky’s Trio, Op 50, which will also figure prominently in the background discussion.

"Clavichord For Beginners" By Joan Benson, Bernard Brauchli

Performance Practice Review

Bernard Brauchli reviews and discusses Joan Benson's 2014 work.

Benson, Joan. Clavichord for Beginners. Bloomington: Indiana University Press, 2014.

ISBN: 978-0253011589

Red Painted Roses, Jordan Keller, Hana Oshima

The Case of Charity Lamb (2016)

This poster is an artistic representation of the lyrics for the original song Red Painted Roses. Lyrically, Red Painted Roses is meant to follow the murder ballad tradition with the repeated chorus and twists. However, the keening style of the piece accentuates the haunting tone of Charity Lamb’s story and her relationship with Nathaniel Lamb.

Pathways To Kindergarten Readiness., Ashley T. Forrest, Stephanie Nutter, Deborah Rivera

College of Education & Human Development Capstone Projects

The purpose of this capstone was to explore pathways for increased kindergarten readiness by examining the relationship between kindergarten readiness as measured by the Brigance Kindergarten Screener (BKS) domains of cognitive/general knowledge and language/communication and each of the following variables: school funding, school location, school classification, teacher credentials, teacher years of experiences, music inclusion, and time allotted to music instruction. Participants included 174 preschool students from 17 classrooms in an urban school district. This capstone used preexisting data from the school district including demographic variables of race, socioeconomic status (SES), prior setting, attendance, and the school-level variable of climate. A …

Perceptions Of Music Therapy Among Hospice Health Care Clinicians : Implications For Effective Interdisciplinary Collaboration, Crystal Antoine

Theses, Dissertations and Culminating Projects

One reported strategy towards effective interdisciplinary collaboration for optimal patient care is through understanding the purpose and roles of the other disciplines on the health care team. In comparison to disciplines such as nursing, music therapy is a more recent discipline that has been added to hospice interdisciplinary teams. The purpose of this study was to discover how hospice clinicians perceive the role of music therapy in end of life care. A multiple-select choice survey was conducted asking 15 hospice clinicians their feedback on the following music therapy topics: reasons for referrals, benefits of music therapy, music therapy interventions, and …

The Role Of Performance Anxiety Within The Music Therapist, Emma Jane Walker

Theses, Dissertations and Culminating Projects

The purpose of this study was to examine the manifestation of anxiety, the role it plays in the life and practice of the music therapist, as well as exploring the techniques and exercises utilized by the therapist for this or her own care. This explorative research study used a survey approach to gather qualitative data based on both practicing music therapists and music therapy students’ perceptions and experiences related to performance anxiety within their training and clinical work. A total of 100 surveys were completed online by music therapy students, interns, novice clinicians, as well as seasoned music therapists and …

Around Campus

DePaul Magazine

The Compassionate Cosmopolitan: National Humanities Medal award-winner Kwame Anthony Appiah suggests a way to achieve peace; Beautiful sounds: School of Music supporters celebrate as new facilities take shape; Humanity Examined: India band Typhoon wrestles with life's fragility; Deja Vu All Over Again:Women's basketball returns to the NCAA tournament; Podkowa, January Earn Academic All-American Honors; Event Center Rising; Strong Career Finishes for Mitrea, Maize and Gorden; Blue Demons Reign at BIG EAST Indoor and Outdoor Track Meets; Must Islam Change?: Nathan Lean lectures on Islamophobia and the prejudices of liberalism; Alumni U Offers a "Touch of Class"

Pansori, Bomi Kang

UNLV Theses, Dissertations, Professional Papers, and Capstones

The Korean Cultural Preservation Law of 1962 designated Pansori an important intangible cultural artifact and a symbol of the national culture of the Korean people. The fundamental objective of Korea government’s policy was to promote and to preserve Pansori. However, the pervasiveness of western-style performing arts in Korea undermined the achievement of this objective, especially for the younger generation. The purpose of this study is to explore Pansori, to understand its history, its importance, the reasons underlying its declining popularity, and the reasons behind the need for preserving and promoting its use in modern Korean society. The methodology of this …

Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism, Andre Oliveira Campos-Neto

Master's Theses

Heitor Villa-Lobos (b. March 5, 1887 - d. November 17, 1959) can be considered the most important composer in Brazilian music history. Although the composer is listed as one of the most influential composers in the history of the guitar, he reached his peak in his works for piano and symphonic groups. Works such as A Prole do Bebê (1 and 2), and the series of Chôros, came out during an extremely convoluted time, where Brazilian artists engaged in seeking an artistic representation of a unique Brazilian identity. Those works not only satisfied the hunger, but pushed the movement …

El Son De "El Cuervo": The Transformation Of Armonía Practice In The Mariachi Tradition, Adolfo Estrada Jr.

Theses and Dissertations

In mariachi scholarship to date, armonía practices are often overlooked. The armonía instruments provide essential rhythmic and harmonic support, yet their specific practices are assumed to be invariable. Close analysis suggests a more complex story. This work provides an analysis of the armonía within the son jalisciense song form in particular, by comparing several performances of the popular son jalisciense song “El Cuervo ” (The Crow). Analysis reveals that the armonía underwent a homogenization process before arriving at present-day practices, and I argue that the 1965 Mariachi Vargas de Tecalitlán recording is the point of homogenization on which future …

Exploring Three Colombian-Andean Folk Style (Danza, Pasillo, And Bambuco): An Analysis And Arrangement Of Three Colombian Pieces For Flute And Piano, Jesus Castro Turriago

Dissertations

This dissertation contains an analysis, comparison, and transcription of three Colombian pieces for flute and piano, written by composers of three different styles of folk music: pasillo, bambuco, and danza. An understanding of the historical context of these Colombian musical genres, and comparison of these instrumental pieces for flute and piano to those of other Colombian composers, informed my subsequent transcription and edition. The selected musical material comprises Bandolita, a pasillo composed by Luis Uribe Bueno, Bambuquísimo, a bambuco by Leon Cardona, and Adiós a Bogotá, a danza by Luis Antonio Calvo.

The Creation Of Meaning And Identity In The Dublin Jazz Scene, Past And Present., Damian Evans

Doctoral

The narrative of jazz performance in Ireland is unique due to the political changes that coincided with the arrival of jazz and the influence these changes had on the nation. Over the last one hundred years, jazz performance in Dublin has represented contrasting values for different people. What has remained consistent is the notion of participation within a network of musicians, audience members, promotors and institutions that make up a scene. To participate in a scene is to be actively involved in contestation and negotiation as individuals and groups seek to create meaning and identity through jazz performance. In this …

A Chronology And Itinerary Of The Career Of N. Clark Smith: Materials For A Biography, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

Great recent correction and clarification to the biography of N. Clark Smith has been made in four publications by Marian M. Ohman---three detailed and resourcefully-researched articles and an encyclopedia entry: Ohman (2003), Ohman (2004), Ohman (2008), and Ohman (2009). This document does not attempt to reproduce all of the information she has published. The primary contribution here is in new details that can be pulled from on-line, searchable newspapers and genealogy databases, with an emphasis on the early years and on the chronology of his compositions.

N. CLARK SMITH (1866-1935) Musician: violinist, cornettist, tenor singer, pianist; band master, choral conductor, …

A Chronology And Itinerary Of The Career Of Eugene Mikell: Materials For A Biography, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

Francis Eugene ("Gene") Mikell (1880-1932) Instrumentalist and recitalist (violinist, cornettist, saxophonist), conductor, composer, educator (including instruction in voice, piano, violin, guitar, mandolin, banjo, cornet, saxophone, clarinet; school and community bands and chorusses). Compositions for band, orchestra, voice. Arrangements of popular songs and tunes for band. And a photograph exists of Mikell with a curious string instrument he invented---a kind of soap box cello.

Mikell attended Avery, Tuskegee, the New York Conservatory, and Orangeburg, so he probably came from a relatively educated and successful family background. This supposition is only reinforced by his subsequent career in education. He taught at: Tuskegee …

Review Of Bug Music: How Insects Gave Us Rhythm And Noise, Jonathan L. Friedmann

Between the Species

Review of Bug Music: How Insects Gave Us Rhythm and Noise, by David Rothenberg. This book proposes that the human sense of rhythm derived in part from insect sounds.

Chronology And Itinerary Of The Career Of Ernest Hogan: Materials For A Biography, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

Hogan, "The Unbleached American" in the moniker he adopted, was a comedian, singer, dancer, actor, composer, lyricist, and author. Hogan is right up at the top among the greatest figures in African American musical theater of his generation, including Billy Johnson (1858-1916), Billy McClain (1866-1950), Bob Cole (1868-1911), George Walker (1872-1911), and Bert Williams (1874-1922).

In his lifetime, he was called "the father of ragtime" or "the father of ragtime music," and recognized as the originator of this kind of music. He was "the 'king' of negro comedians" (Indianapolis Freeman, August 31, 1901, p. 5). He was "the greatest comedy …

Program; 2016-07-29, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Advertisements; 2016-07-29, The Royal Serenaders Male Chorus

Advertisements for Events

No abstract provided.

Black Us Army Bands And Their Bandmasters In World War I (Version Of 07/29/2016), Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This essay sketches the story of the bands and bandmasters of the twenty seven new black army regiments which served in the U.S. Army in World War I. The new bands underwent rapid mobilization and demobilization over 1917-1919. They were for the most part unconnected by personnel or traditions to the long-established bands of the four black regular U.S. Army regiments that preceded them and that continued to serve outside Europe during and after the Great War. Pressed to find sufficient numbers of willing and able black band leaders for the new regiments, the army turned to schools and the …

"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin

Performance Practice Review

Aron Edidin reviews and discusses Nicholas Cook's 2013 work. Cook, Nicholas. Beyond the Score: Music as Performance. Oxford: Oxford University Press, 2013. ISBN: 978-0-19-935740-6.

Adding Music Therapy To The Care Plan, Amy Clements-Cortés

Music Faculty Publications

I have chosen to write a short editorial on a topic not often included at the forefront of palliative care; music therapy. At the launch of an important journal that encourages articles addressing quality of life, while offering an educational forum for healthcare professionals to maintain relevance, it seems fitting to raise a topic that does not receive adequate attention in many palliative care settings.

I Am An Artist! What Do I Know About Business?, Angela Wright

Dept. of Organisation & Professional Development Publications

What has business to do with art? Should artists understand business? This research is concerned with the world of the artist who must operate in a business world. In the words of the late singer, Luciano Pavarotti (2003), artists must „be heard and be seen‟ to be successful. Commercial entities expose their products and services to clients to survive, and for the artist, this is no different. The paper examines if there is a need to ensure that our artistic graduates are „market ready‟, and specifically examines this concept in the context of an Irish Institute of Technology (IT). Artists …

Witnessing The Power Of El Sistema In Urban Communities: Sister Cities Girlchoir, Erika M. Kitzmiller

Occasional Paper Series

Explores the powerful role of an after-school girls’ choir in the lives of urban youth.

Marimba Four Hands, Daniel Desimone, Ayami Okamura, Tyler Tsunekawa, Christina Cheon

Printed Performance Programs (PDF Format)

No abstract provided.

Transcendental Souls Sextet, Anthony Elia

Bridwell Library Research

The Transcendental Souls Sextet is a wandering through the spiritual realm, where the sounds of each instrument are meant to embody the migratory nature of the soul (as reflected in different kinds of mysticism), searching and experiencing the world and that which may be beyond. It is meant to convey a sense of both restlessness and the experience of contentedness set in tension with one another. To be played at a somewhat faster pace, but not too fast, as well as with power and conviction. App. 12:42 (no repeats) or 14:35 (with repeats).

A Case Study Of The Integration Of Smartmusic Into Three Middle School Band Classrooms Found In Upstate South Carolina, Carla Fowler Tucker

Education Dissertations and Projects

Technology is at the forefront of education as teachers expand their instructional strategies to incorporate technology in the hope of educating students to be 21st century learners. As more and more districts encourage educators to use technology in all classrooms, teachers search to find programs that will help their students in their particular subjects. The band classroom is not immune to this push in education; therefore, we find band directors searching for a tool to use in their band rooms.

This study looked at a web-based music program designed for performance-based groups. The purpose of the study was to examine …

Gustav Mahler's Kindertotenlieder: Connecting The Movements Of The Song Cycle Through Schenkerian Analysis, Gabriel Quinton Fleetwood

Graduate Theses/Dissertations

Gustav Mahler composed the song cycle Kindertotenlieder at the beginning of the 1900s. Depicting a mournful subject based on the poems of Friedrich Rü;ckert, the Lieder explore the different emotions and perspectives of a grieving parent who has lost his children to death. This discussion connects the movements of Mahler's Kindertotenlieder through a discussion of discoveries unveiled through Schenkerian analysis; harmonic, melodic, and motivic connections are highlighted throughout the composition. The tonal centers of the movements are discussed in an effort to illustrate the work as a whole, and not just as individual Lieder.