Music Commons^™

Graduate Recital: April 6, 2025, Gina Russell, Lu Witzig

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday

Noon

Graduate Recital: April 6, 2025, Aerim Kim, Ender Loya, Sohee Kim, Nevah Bos

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday Afternoon

4:30 p.m.

Junior Joint Recital: April 6, 2025, Michael Hammon, Joanie Hitt, Lu Witzig

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday Evening

6:30 p.m.

Student Joint Recital: April 6, 2025delia, Delia Bonnet, Jay Cebrero, Zach Tarack, Grace Eom

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday Evening

9:00 p.m.

Senior Joint Recital: April 6, 2025, Tyler Belan, Kevin Riedl

School of Music Programs

Kemp Recital Hall

April 6, 2025

Sunday Afternoon

1:30 p.m.

Junior Recital: April 6, 2025, Sam Fortuna, Grace Eom

School of Music Programs

Kemp Recital House

April 6, 2025

Sunday Evening

8:00 p.m.

Andrews University Singers & Chorale - Spring Concert, Andrews University

Concerts and Event Programs 2024-2025

Andrews University Singers and Chorale presents their Spring Concert, Paradise Promised, under the direction of Professor Stephen Zork.

Senior Recital: Leah Li, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Junior Recital: April 5, 2025, Brandon Campos, Zeph Mussman

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday Evening

6:00 p.m.

Junior Recital: April 5, 2025, Kahauri Brown-Givens

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday Afternoon

3:00 p.m.

Junior Recital: April 5, 2025, Joe Brackmann, Lu Witzig

School of Music Programs

Kemp recital Hall

April 5, 2025

Saturday Afternoon

4:30 p.m.

Civic Chorale: April 5, 2025, Macauley Allen, Tracy Marie Koch, Matthew Mancillas, Sidney Megeff, Olivia Schickel, Julia Smitendorf, Kristyn Szwajka

School of Music Programs

Center for the Performing Arts

April 5, 2025

Saturday Evening

6:00 p.m.

Senior Recital: April 5, 2025, Jenny Komperda, Lu Witzig

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday Afternoon

1:30 p.m.

Junior Recital: April 5, 2025, Nadia Jenson

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday

Noon

Senior Recital: April 5, 2025, Iona Dillon, Grant Cermak

School of Music Programs

Kemp Recital Hall

April 5, 2025

Saturday Evening

7:30 p.m.

2024-2025 Master Of Music Recital - Joel Osinga (Cello), Joel Osinga, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

Idiosyncratic Approaches To Electronic Music-Making Through Mobile Technologies, Nick E. Wilson, Martin K. Koszolko

Staff Scholarship - Australia & Dubai

This paper examines the transformative impact of mobile technologies on electronic music-making, highlighting how portable apps and hardware enable idiosyncratic approaches beyond traditional live and studio setups. Drawing on the authors’ extensive experience within and beyond Clan Analogue—Australia’s longest-running electronic music collective—the research contrasts conventional configurations with innovative mobile instruments and apps. By analysing a range of tools, from budget-friendly synthesisers to advanced smartphone and tablet apps, the paper explores how mobile technologies foster new creative possibilities. Using qualitative methods, the authors integrate personal experiences and a broad examination of music equipment to investigate the setting-based mobile music creation model, …

Combined Seminar, April 4, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2024-2025 Performance Forum - April 4, 2025, Megan Hagel, Zion Montebon, Noah Suarez, Lillian Platte, Ana-Maria Uzunova, Ruvit Bracho, Joel Osinga

Performance Forum

No abstract provided.

Sophomore Recital: April 4, 2025, Elton Gund, Graham Miller

School of Music Programs

Kemp Recital Hall

April 4, 2025

Friday Evening

7:30 p.m.

Senior Recital: April 4, 2025, Lucy Harazin, Grant Cermak, Lydia Cermak

School of Music Programs

Kemp Recital Hall

April 4, 2025

Friday Evening

6:00 p.m.

Miranda Finn, Flute, In A Graduate Recital, April 3, 2025 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Saxophone Studio Recital: April 3, 2025, School Of Music,

School of Music Programs

Kemp Recital Hall

April 3, 2025

Thursday Evening

7:30 p.m.

Bootlegging For The Better: Livestreams And The Music Industry, Delta Pennington

Georgia Journal of Law & Technology

As online presence has continued to become a more important aspect of everyday, it has become a norm in American Culture to share every aspect of life, including concert attendance. While artists expressed distaste in the past for recording at concerts, there has been a shift by musicians to acceptance of recording at concerts, sometimes being an important form of cheap promotion. Artists that do continue to express distaste for concerts being shared on social media have turned to non-legal remedies to solve their problem. Although there is a remedy available to artists for the livestreaming of concerts through the …

The Fringe Musician, The 360 Deal, And A New Look At Copyright And Competition In Music, Michael L. Menna

Georgia Journal of Law & Technology

This article is guided by two questions: (1) How well does the law actually protect musicians from market exploitation? (2) What new perspectives and legal strategies can better secure their bargaining power and financial wellbeing? Copyright and antitrust are not mutually exclusive in music or in any other industry, yet there are important lessons to be learned from comparing how the musician’s prominence in each doctrine does and doesn’t correlate to what its laws can really do for different members of that creator class. Stakeholders frequently cast copyright as an essential necessity for “everyone in the music industry,” but this …

Can You See Nature?, Jalia M. Payne

LSU Master's Theses

Can You See Nature? is an 8-part song cycle designed for various voice types and flutes, accompanied by piano. This cycle explores themes of nature and emotion through vivid poetic imagery. It features poems by Victor Hugo, William Blake, Sara Teasdale, and Madison James Cawein, all of which are in the public domain. The cycle weaves together a narrative that reflects on humanity's relationship with the natural world. The cycle includes the following pieces: 1. Morning for Alto and Piano 2. Little Bird for Flute and Piano 3. Tyger for Soprano and Piano 4. Song of the Harbinger for Piccolo …

Theme And Variations On An African Chant, Kenneth Schafer

LSU Master's Theses

“When will I find my voice?” It is question that is sure to cross the mind of any young artist. While I personally believe there is no definite moment or piece that can mark the emergence of a personal voice, I do believe in breakthrough moments. We may listen to a new genre, come across a new ideology, hit on something by chance, visit a new country, or face some lifechanging event. Whatever the cause, the result is that a new facet of our identity has been illuminated and from this point onwards, it will affect our creation.

My latest …

What's Going On, Jesse Spadaccini

The Civil Rights Movement (HIS/BLS 347) Zine Project

No abstract provided.

Freedom Lyrics, Lily Allan

The Civil Rights Movement (HIS/BLS 347) Zine Project

No abstract provided.

Analyzing The Methods And Effects Of Implementing Multiple Service Styles In The Church, Chloe E. Dillman

Selected Honors Theses

This thesis explores the motivations and methodologies behind offering different styles of worship services in churches in Lakeland, Florida. The study is inspired by the ongoing debate over modern worship, which has intensified over the past fifty years. As contemporary worship grew in popularity, many churches adapted by incorporating various worship styles into their services. In response to the controversy surrounding these changes, some churches implemented multiple service options—one reflecting a contemporary/modern style and another adhering to a more traditional approach. As this practice became more widespread, it sparked further discussion among church leaders regarding its impact on congregational unity, …