Music Commons^™

Percussion Instruction In Beginning Band For Programs With A Single Teacher, Micah A. Martin

Electronic Theses & Dissertations

PERCUSSION INSTRUCTION IN BEGINNING BAND

FOR PROGRAMS WITH A SINGLE TEACHER

An Abstract of the Thesis by

Micah A. Martin

The primary purpose of this study was to find the best methods for developing students into total percussionists in beginning band programs with only one band director on staff. A total percussionist is defined as one who is capable of playing keyboard percussion, snare drum, timpani, and the accessory instruments. The study consists of a survey to assess individual approaches to percussion instruction in beginning band.

A questionnaire was developed using Google Forms and a link was emailed to band …

Graduate Piano Recital, Zhengyuan Tao

Electronic Theses & Dissertations

GRADUATE PIANO RECITAL

An Abstract of the Thesis by

Zhengyuan Tao

This thesis will include program notes for advanced piano repertoire representative of the Baroque, Classical, and Romantic music style periods. For each work, there will be biographical information about the composer, a thorough analysis and a presentation of performance suggestions. The works to be discussed include the French Suite No. 5 in G Major, BWV 816 by Johann Sebastian Bach; the Sonata in C Major, Hob. XVI: 50; Vier Klavierstücke, Op.119 by Johannes Brahms; and Berceuse Op. 57 in D Flat Major by Frederic Chopin.

2016-2017 Performance Forum - May 11, 2017, Bailey Michelle Collins, Nicole Marie P. Cortero, John Weisberg, Cameron Hewes, Robert Williams, Erika Andersen, Suhao Bai, Sohyun Park, Trevor Mansell, Greg Perrin, Teresa Villalobos, Scott Davis, Yvonne Lee, Yue Yang, Shanshan Wei, Niki Khabbazvahed

Performance Forum

No abstract provided.

Guest Recital, Joel Fan, Piano, May 10, 2017, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

"Composers’ Intentions?: Lost Traditions Of Musical Performance," By Andrew Parrott, Colin Lawson

Performance Practice Review

Colin Lawson discusses Andrew Parrott's 2015 work.

Parrott, Andrew. Composers’ Intentions?: Lost Traditions of Musical Performance. Suffolk: Boydell and Brewer, 2015. ISBN 978-1-783-27032-3.

Compositional Practice As Expression Of Cultural Hybridity In Lou Harrison’S Double Concerto For Violin, Cello, And Javanese Gamelan, Matthew N. Andrews

Student Research Symposium

Artists in the twenty-first century face a creative dilemma: styles and traditions from around the world are now available to all, and in the post-colonial era it can become difficult to discern the appropriateness of artistic borrowings. I propose that cultural hybridity, defined as genuine investment in another artistic culture's traditions and respect for its practitioners, can provide an “Ariadne's thread” to guide the interculturally sensitive artist. Lou Harrison's long relationship with the gamelan music (karawitan) of Indonesia provides an enlightening example. From his initial exposure to Asian music all through his decades of intensive study and instrument-building, Harrison's development …

Student Recital: Kevin Fields, Cello, Kevin Fields, Oksana Lutsyshyn

Student Recitals

No abstract provided.

The Music Achievement Program: Designing A Violin Lesson Curriculum, Laura Julieanne Bennett

Senior Theses

What is the biggest commitment you have ever made in your entire life? How about recalling the biggest commitment you made before you finished the first grade? Other than pledging to only eat candy for dinner for the rest of my life, at the age of six, I unknowingly committed to a challenging and unending pursuit: learning to play the violin. To be completely honest, I was not terribly interested in playing the instrument. However, my kindergarten-age sister was ecstatic to give it a go. So, my parents enrolled me in Suzuki lessons at my creative arts elementary school. Unlike …

Music And Gender, Chris Buckman

Senior Theses

The purpose of this research project was to conduct a study on the correlation between gender and music listening habits. Based on the results of a music survey, the author tested four hypotheses: females have wider genre preference range than males, females spend more time listening to music, males and females listen to music for different reasons, and males and females prefer different genres of music. Analysis was performed using a variety of hypothesis testing methods in R. Only one hypothesis was rejected out of the four—that males and females prefer different genres. Discussion is presented on why this is …

Sonority: A Study In Composing With Color For Wind Band, Kyle Brown

Senior Theses

Over the course of a year, Sonority has come to life. From early melodic ideas to musical sketches and now my final piece, this compositional journey has taught me a lot about my own writing and the processes involved in band writing. My emphasis on instrumental colors and waves of sound guided my writing as I worked to complete this piece. Those key concepts helped to shape the melody, rhythm, and form of this piece. Writing Sonority was certainly an educational experience for me, and I am proud to present this piece as a representation of my work over the …

Webern’S Labyrinth: Contour And Canonic Interaction– An Analysis Of Webern’S Op. 16, No. 2, Scott Saewitz

Theses and Dissertations

Contour can be recognized as an influential device that influences other musical features other than melody, such as canons and form. I introduce the concept of Subcontouric Cells, with the intent to highlight contouric influential potentiality, by thoroughly examining and providing an analysis of Webern’s Op. 16, No. 2.

Out Of The Shadows: Clara Schumann, Fanny Mendelssohn, And The Will To Persist, Juella Baltonado

Theses and Dissertations

Clara Schumann and Fanny Mendelssohn are known most commonly for their associations with their male counterparts, and often have their identities and accomplishments overshadowed by these men. This thesis shines a light on these women, uncovering the struggles with gender, agency, and societal expectations.

Spirits' Dance: Sunrise Overture, Jeonghun Kim

Theses and Dissertations

The subtitle of Spirits’ Dance is Sunrise Overture. This overture is composed with five different themes of spirits’ dances: Light, Air, Water, Earth and Fire. The piece starts with the wind breeze in the darkness, mimicked by woodwinds and brass blowing their instruments without producing a tone. When the Sun rises the piece quietly begins. The beginning and ending express the sunrise and the sunset with the Light spirits’ dance. Air spirits softly introduce Water spirits. Mischievous Earth spirits pop up and carry a practical joke after the beautiful water sprits’ dance. Marching of Fire spirits brings dryness to the …

Affirmation, Validation, And Empowerment: Influences Of A Composition Competition On Students’ Self-Concepts As Musicians, Daniel Albert

Faculty Authored Articles

The purpose of this study was to determine if participation in a composition competition influenced four K–12 students’ self-concepts as musicians. Research questions explored motivations for these four students to enter into a composition competition, influences of the competition on students’ self-concepts as musicians (if at all), and effects of the competition besides those of self-concept as a musician (if at all). Data sources for this multiple case design study included semi-structured interviews, journals, and wiki interactions. Findings determined that acceptance to the competition, performance of students’ works, and the reception that students received validated and strengthened their self-concepts as …

Indeterminacy As Social Practice In Contemporary Art Music, Lauren V. Coons

Music ETDs

This work examines the social practice element of contemporary indeterminate music. Through historical and critical research, and analysis of some contemporary indeterminate works, I provide a view of indeterminacy as a subversive experimental music practice that challenges both the forms of alienation present in Western art-music culture and the concepts and power structures that have contributed to them. I compare and contrast indeterminacy with other terms and concepts related to “open works,” specifically aleatory, chance, and improvisation. A discussion of various philosophical viewpoints regarding the concept of the musical “work” and the role of the composer reveal ways in which …

Kit Yee Tang Kelyth, Piano: Student Recital, Kit Yee Tang Kelyth

Setnor School of Music - Performance Programs

No abstract provided.

Daniel Fields, Tenor: Senior Voice Recital, Daniel Fields

Setnor School of Music - Performance Programs

No abstract provided.

Anouk Lenormand, Cello: Student Recital, Anouk Lenormand

Setnor School of Music - Performance Programs

No abstract provided.

“Ain’T It A Pretty Night?”: An Analysis Of Carlisle Floyd’S Susannah As An Allegory For The Socio-Political Culture Of The United States In The 1950s, Melissa L. Allen

Senior Honors Projects, 2010-2019

This capstone thesis discusses the applicability of Carlisle Floyd’s 1955 opera, Susannah, as an allegory for the socio-political climate of the United States in the 1950s. In order to do so, a musical analysis of the opera’s score was then performed for its use of folk song conventions and verismo operatic conventions. The libretto was analyzed for the use of social conventions of Southern Appalachia. Characters actions and musical content were then judged on whether (1) their actions were in line with the social conventions of traditional Appalachian culture and (2) if their musical content used/reflected conventions of traditional Appalachian …

“Emily Dickinson: The Poet’S Voice As Expressed Through Music” A Pedagogical Performance Analysis Of Selected Dickinson Poetry In Solo And Choral Literature, With Emphasis On Expression And Meaning Throughout The Rehearsal Process, Nelia M. Maurizi

Senior Honors Projects, 2010-2019

Vocal music is unique to other forms of music because of the inclusion of text. Words allow a performer to directly express thoughts, a story, or an emotion to an audience. Composers throughout history have taken famous texts as set them to music. This particular project explored the work of Emily Dickinson, one of Americans most prolific poets, in both choral and solo vocal literature. The culmination of this project was a lecture recital. This paper is a written documentation and exploration of the research, preparation, and execution of the recital. In it contain lesson plans, score analyses, the recital …

The Broadsheet May 6, 2017, Students Of Risd, Risd Archives

All Student Newspapers

The Broadsheet was a short-lived student newspaper published in 2017. The May 6, 2017 issue was the first and contained articles on the Social Equity Action plan developed in the wake of the "Not Your Token" protests, random facts about RISD, Project Open Door (POD), faculty member Jung Joon Lee, previous student newspapers from the RISD Archives, the European Honors Program, facts about the RISD student body, a student music club on campus, how Mike Fink saved Carr Haus, and other items of interest.

Combined Cello Recital- Emily Taylor And Erin Gordon, Emily Taylor, Erin Gordon

All Music Department Programs

This recital is in partial fulfillment of the requirements for the degree of Bachelor of Music in Cello Performance. Erin and Emily are students of Anne Francis-Bayless.

2016-2017 Senior Recital - Patricia Cova (Cello), Patricia Cova, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2016-2017 Ppc Recital - Benjamin Joncas (Tuba), Benjamin Joncas, Feruza Dadabaeva

PPC/PSDP Recitals

No abstract provided.

Marching Band And The College Transition, Jessica Fix

Honors Projects

The relationship between college student engagement and personal growth has been studied for decades. However, involvement in specific types of organizations or activities has not been researched as in-depth. This study examined involvement in college marching band specifically and how it affects transition into college and overall growth and learning of college students. This study analyzes quantitative data of all marching band participants at Bowling Green State University in the most recent year (2016-2017), as well as qualitative data retrieved through focus group sessions with first year marchers and returning marchers. Results of this study suggest that involvement in marching …

Hang Zhang, Violin: Student Recital, Hang Zhang

Setnor School of Music - Performance Programs

No abstract provided.

Degree Recital - Andrew Krause, Department Of Music

Student Degree Recitals 2016-2017

Andrew Krause featuring works by Brahms, Bach, and Saint-Saens.

Degree Recital - Nathaniel Cogen, Department Of Music

Student Degree Recitals 2016-2017

Natheniel Cogen featuring works by Liszt, Mozart, Mendelssohn, and Gershwin.

Trombone Degree Recital - Kenneth Andrade, Department Of Music

Student Degree Recitals 2016-2017

Kenneth Andrade featuring works by Handel, Guilmant, Hindemith, and Verhelst.

Special guests: Jonathan Penrod, Tyler Ronto and Monika Ansinn.

Rapping Back: Counter-Narratives From Auckland, New Zealand, Mariel Lopez Rogers

Master's Theses

Across the Pacific in Auckland, New Zealand two rap groups, Homebrew and @Peace, are contributing to a theoretically rich and socially conscious Hip Hop scene. Their music critically questions commercialism and conformity in a culture shaped by a history of colonialism. This makes their message starkly opposed to the normative values of New Zealand. The musicians of Homebrew and @Peace, a mix of Polynesian and Pakeha (people of European descent), employ methods of decolonization theory through the use of storytelling and focus on indigenous values. In a country that has adopted the neoliberal beliefs that competition drives human relations, and …