Music Commons^™

Choral Showcase, October 1, 2017, School Of Music

School of Music Programs

Center for the Performing Arts
October 1, 2017
Sunday Afternoon
3:00 p.m.

Isu Brass Day, October 1, 2017, Froydis Ree Wekre

School of Music Programs

Cook Hall
October 1, 2017
Sunday
1:00-6:00 p.m.

La Música Como Una Forma De Educación: Canciones Para Cambios Sociales / Music As A Form Of Education: Songs For Social Changes, Di Hu

Independent Study Project (ISP) Collection

Este proyecto de ISP no tradicional busca recrear un mini EP de tres canciones basado en el entorno problemático del sistema educativo chileno y sus influencias negativas en los estudiantes. Las canciones pretenden pedir cambios sociales y aumentar la conciencia al criticar los problemas y al mismo tiempo servir como una forma de educar a los jóvenes de la nueva generación sobre las realidades del sistema educativo actual. Usando información de observaciones escolares anteriores, inspiraciones de la música de diferentes músicos y lo más importante las narrativas de entrevistas, estas tres canciones tomaron forma en tres temas principales: un llamado …

Calundu's Winds Of Divination: Music And Black Religiosity In Eighteenth And Nineteenth-Century Minas Gerais, Brazil, Jonathon Grasse

Yale Journal of Music & Religion

Calundu was an African-derived religious practice known in colonial Brazil, most widely recognized in Minas Gerais during and following that region’s early eighteenth-century gold rush. Drumming, chant, and dance channeled healing and divinational powers brought about primarily through trance possession. Severely disrupted by Church intervention, descriptions of calundu found in Portuguese Inquisition testimony join the published observations by European travelers as windows into the social history of Minas Gerais, an important yet often overlooked cultural territory of Brazil. This region of gold, diamonds, and coffee formed one of the most intense, highly populated slave operations known in the Western Hemisphere. …

Nationalist Transformations: Music, Ritual, And The Work Of Memory In Cambodia And Thailand, Jeffrey M. Dyer

Yale Journal of Music & Religion

Drawing on fieldwork conducted in Cambodia and its diaspora since 2004, this article explores tensions that arise when individuals and institutions impose nation-state ideologies on music and ritual that predate the nation-state concept and transcend official state boundaries. In numerous contexts, musicians and dancers in Cambodia and Thailand perform offerings and blessings that honor their teachers and initiate artistic lineages. Due to broad influence from India and centuries of conflict and borrowing, these rituals—though not necessarily their musical content—have proliferated in these two countries. I describe these nearly identical rituals—called thvāy grū in Khmer and wai khruu in Thai—and their …

The Acoustics Of Justice: Music And Myth In Afro-Brazilian Congado, Genevieve E. Dempsey

Yale Journal of Music & Religion

For the Afro-Brazilian musicians of popular Catholicism, or Congadeiros, who live precariously on the urban and rural margins of Brazil, ritual undergirds their struggles for subsistence, spiritual fulfillment, and racial equality. When Congadeiros create ritual, they enter into a tradition begun in the seventeenth century in Brazil by their enslaved African and Afro-descendant ancestors who intoned songs of redemption. In keeping with their ancestors’ evocations of dignity during slavery, worshipers in the present day embed multiple kinds of vested interests within ritual festivity to achieve racial equality. This article explores Congado, the ceremonies of these disenfranchised musicians, to …

Musicalization: Early Childhood Music Access, Discourse, And Praxis In Nyc Charter Schools, 2014-2015, Andrew Aprile

Dissertations, Theses, and Capstone Projects

Over the past two decades, charter schools have become a hallmark of education reform in the United States. Concurrent with this movement is the increasing prominence of high stakes testing. While much research has sought to compare the effectiveness of charter schools and traditional public schools in terms of standardized assessments, scant attention has been paid to the role of arts and music in charter schools, and little has been done to distinguish the distinct strands of the charter school movement. Given what we know about the importance of music education and the growth of charter schools, it was the …

Creating An Unbroken Line Of Becoming In Live Music Performance, Bonnie B. Mcalvin

Dissertations, Theses, and Capstone Projects

The dissertation provides an approach to the pedagogy of musical expression in applied music study. Exercises are provided which support a student’s mastery of the mechanics of grouping, and this mastery is put to work in an adaptation of the work of the great Russian acting teacher, Constantine Stanislavski. Mapping of embodiment schema in the manner of Lakoff and Johnson (1980) is asserted as a useful interface between grouped pitch objects and meaning; mappings are utilized by the instrumental music performer in the same manner as Stanislavski taught his acting students to utilize given circumstances. The discourse situates all of …

Homecoming 2017 - Alumni Gala Concert, Department Of Music

Concerts and Event Programs 2017-2018

AU Wind Symphony under the direction of Byron Graves and Symphony Orchestra under the direction of Claudio Gonzalez, featuring works by Smith, King, Daehn, Balmages, Ticheli, and Beethoven.

Special guest: Wen-Teng Ong, piano

From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene

Dissertations, Theses, and Capstone Projects

Based on archival and ethnographic fieldwork in the cities of Bogotá and Medellín, this dissertation documents the development of canción protesta (protest song) in Colombia in the 1960s, and tracks its evolution in subsequent decades. At the turn of the 1970s, songwriters affiliated with a grassroots canción protesta movement in Bogotá used music as a vehicle for disseminating leftist political ideology and extolling the revolutionary guerrilla groups that had formed in the Colombian countryside in the preceding years. However, canción protesta was an urban phenomenon that emerged in tandem with other countercultural currents, and their confluence in the late 1960s …

Worlds Of If: Analyses Of The Composed And Improvised Works Of Robert Dick, Melissa Keeling

Dissertations, Theses, and Capstone Projects

Considered one of the most important publications in twentieth-century flute pedagogy, Robert Dick’s seminal method book, The Other Flute (1975),[1] is an extensive catalogue of multiphonic fingerings, microtonal fingerings, glissandi, circular breathing, and other extended techniques. The Other Flute and a handful of his published solos are widely studied, but these works only represent a fraction of Dick’s creative energies.

Equally comfortable in classical, jazz, rock, electronic, and world music, Dick’s oeuvre demonstrates a sophisticated, musical use of contemporary techniques and his pieces have become standard repertoire. Though Dick was not the first flutist to use or notate these …

A New Approach To The Analysis Of Timbre, Megan L. Lavengood

Dissertations, Theses, and Capstone Projects

Two distinct approaches to timbre analysis exist, each with complementary strengths and limitations. First, music theorists from the 1980s adopt a positivist mindset and look for ways to quantify timbral phenomena, often using spectrograms, while avoiding any cultural dimensions in their work. Second, writings of the past five years focus on the cultural aspects of timbre but make no use of spectrograms. This dissertation builds upon these two approaches by synthesizing them: discussion is grounded in spectrogram analysis, but situated within a broad cultural context, through interactions with listener experience and ethnographic study of music periodicals and other published interviews. …

Guest Recital And Group Class, Hanna Hurwitz, Violin, September 29, 2017, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

The Broadsheet September 29, 2017, Students Of Risd, Risd Archives

All Student Newspapers

The Broadsheet was a short-lived student newspaper published in 2017. The September 29, 2017 issue features articles on an "ethical consciousness post-Trump," improving critiques, the US pulling out of the Paris Climate Accords, the Social Equity and Inclusion Action Plan, the smoking ban at Kennedy Plaza, statue conservation, new programming at the library, an offensive incident involving a graphic designer and a sign language interpreter, and other items of interest.

Symphonic Band And Wind Ensemble, September 29, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2017-2018 Alumni Recital - Anna Brumbaugh And Friends, Anna Brumbaugh, Lisa Leonard, Chauncey Patterson

Alumni Concerts

1st Annual Alumni Recital

Judith Saxton, Trumpet And Robin Guy, Piano, September 28, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Ensemble Concerts: Isu Jazz Ensembles 1 And 2, September 28, 2017, Dr. Tom Marko

School of Music Programs

Center for the Performing Arts
September 28, 2017
Thursday Evening
8:00 p.m.

2017-2018 Performance Forum - September 28, 2017, Meiya Wu, Joshua Cessna, Stephanie Barrett, Sheng Yuan Kuan, David Brill, Mario Rivieccio, Omar Lawand, Nolan Carbin, Tamas Markovics, Kayla Williams, Kristine Mezines, Brian Garcia, Carlos Diaz, Molly Flanagan, Sodienye Finebone

Performance Forum

No abstract provided.

Guest Recital, Twin Talk, September 27, 2017, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Marshall University Music Department Presents A Jazz Ensemble I, Mr. Jeffrey Wolfe, Director, Jeff Wolfe

All Performances

No abstract provided.

Marshall University Music Department Presents A String Faculty Recital, Elizabeth Reed Smith, Violin, Şölen Dikener, Cello, Júlio Ribeiro Alves, Guitar, Elizabeth Reed Smith, Şőlen Dikener, Júlio Ribeiro Alves

All Performances

No abstract provided.

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Key Notes
• Vocal Arts Gala
• Saxophone
• Musical Mystery Tour
• Mansfield Park

Uni Jazz Combos, September 26, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

F. Ludwig Diehn Concert Series: Amjad Ali Khan, Sarod, Amaan Ali Bangash, Sarod And Ayaan Ali Bangash, Sarod, Amjad Ali Khan, Amaan Ali Bangash, Ayaan Ali Bangash, Vineet Vyas,, Nilan Chaudhuri

Guest Performances

No abstract provided.

Comedy Tonight!, September 25, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Faculty Recital, Mark Urness, Double Bass, September 24, 2017, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Conference Conversations: Monique Charles On Corbyn And Grime, Florence Sutcliffe-Braithwaite, Monique Charles

Sociology Faculty Articles and Research

Yesterday Renewal co-hosted an event with The Corbyn Effect at Momentum’s conference, The World Transformed, in Brighton. One of the speakers, Monique Charles, recently completed a PhD on grime music. In The Corbyn Effect she looks at the phenomenon of Grime for Corbyn, and we had coffee with her to talk about her work, Jeremy Corbyn, and the Labour Party.

Tidal Rhythms, September 24, 2017, Glenn Block

School of Music Programs

Center for the Performing Arts Concert Hall
September 24, 2017
Sunday Evening
7:00 p.m.

Senior Recital: Lauren Bobarsky, Percussion; September 24, 2017, Lauren Bobarsky

School of Music Programs

Kemp Recital Hall
September 24, 2017
Sunday Morning
11:30 a.m.