Music Commons^™

Muses, Laura Corrigan, Aubrey West, Emily Wood, Tessa Buck, Amy Loertscher, Dorothy Smith, Curtis Sanderson, Gabby Magallanes, Emily Salisbury, Bethany Ramsey, Abby Dean, Taylor Niebergall, Pam Parry, Kaelie Gillespie, Miranda Palmer, Morgan Empey, Gabriela Aragon, Sophie Mccotter, Aubree Hessing, Tori Smith, Janae Young, Letha Winger

All Music Department Programs

Utah State University's music therapy students present a concert on Muses.

Third Practice Electroacoustic Music Festival, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

The Epic Of Gilgamesh, Utah State University Wind Orchestra, Thomas P. Rohrer

All Music Department Programs

The Utah State University Wind Orchestra presents The Epic of Gilgamesh.

Marshall University Music Department Presents A Marshall University Choral Festival 2017, David Castleberry, Briana Nannen, Alexander Lee

All Performances

No abstract provided.

Hensley, Jennifer Lynn (Fa 351), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 351. Paper titled "The Music Barn" in which Lynn Hensley discusses the founding of The Music Barn, a local music venue in Warren County, Kentucky. Hensley's main informant is Joe Marshall, a country music artist, community organizer, and owner of The Music Barn.

Fox, Randy (Fa 350), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

FFinding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 350. Paper titled "Fiddle About: Ed Carnes-Contest Fiddler" in which Randy Fox charts the history of fiddle playing and the rise of "contest fiddling" during the traditional music revival in the late 1970s and early 1980s. Fox's main informant is Ed Carnes, an old-time fiddler who won the Kentucky State Fiddle Championship in 1981. Carnes details his beginnings as a fiddler, the recording of his fiddle-tunes album, and his travels across the country to different fiddling contests.

Fall Chamber Series (November 3, 6-7, 2017), Lindenwood University

Student Music Performance Programs

No abstract provided.

Senior Recital: Hannah Deitsch, Horn; Patricia Foltz, Piano; Mallory Konstans, Percussion; November 3, 2017, Hannah Deitsch, Patricia Foltz, Mallory Konstans

School of Music Programs

Kemp Recital Hall
November 3, 2017
Friday Evening
6:00 p.m.

Ensemble Concerts: Jazz Ensembles 1 And 2, November 3, 2017, Dr. Tom Marko

School of Music Programs

Center for the Performing Arts
November 3, 2017
Saturday Evening
8:00 p.m.

Acafellaz Fall 2017 Concert, November 3, 2017, School Of Music

School of Music Programs

Kemp Recital Hall
November 3, 2017
Friday Evening
8:00 p.m.

Flourishes And Meditations: Uni Wind Ensemble, November 3, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Closing The Gap: An Analysis Of The Musical Elements Contributing To Hip-Hop’S Emergence Into Popular Culture, Grant Knox

Scholars Week

This paper explores the musical evolution of hip-hop and the techniques that have influenced such growth. Hip-hop music’s pioneers established a genre that would not only prove to be self-sustaining, but allow for a diverse array of influences to contribute to its growth. An art form that was once preserved for minorities and often considered a lower form of intellectual art is growing closer to mainstream music. Topics such as the orchestration and production of music, influence of other genres, harmonic analysis, and the diversity within the genre itself are discussed with an emphasis on hip-hop artists of the previous …

Marshall University Music Department Presents A Marshall University Percussion Ensemble, Steven Hall, Conductor, Chris Scarberry, Assistant Conductor, Steven Hall, Chris Scarberry

All Performances

No abstract provided.

2017-2018 Mostly Music: Franz Joseph Haydn, Roberta Rust, Eric Van Der Veer Varner, Laura Bennett Cameron, Huyen Anh Nguyen, Sing Hong Lee, William Ford-Smith, Khosiyatkohn Khusanova, Emilio Rutllant, Trevor Mansell, James Abrahamson, James Currence, Isaac Roles, Carol Cole, David Cole, Jon Robertson, Marshall Turkin, Jay Stuart

Mostly Music Series

No abstract provided.

2017-2018 Performance Forum - November 2, 2017, Kaitlin Springer, Sheng Yuan Kuan, Molly Flanagan, Niki Khabbazvahed, Dunia Andreu, Erika Andersen, Jiawei Yuan, Benita Dzhurkova, Karolina Kukolova, Andrew Baloff, Clarissa Vieira, Suhao Bai, Alexander Ramazanov, Abigail Rowland, Shaun Murray, Nolan Carbin, Hallgrimur Hauksson, Natalie Smith, Carlos Diaz, Nikita Solberg, Omar Lawand, Daniel Sanchez

Performance Forum

No abstract provided.

Uni Singers And Concert Chorale, November 2, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Holy Cross Chamber Singers Fall Concert: 2017 (Library Resources), Holy Cross Libraries

Library Resources for Campus Events

A bibliography of resources available through the Holy Cross Music Library which provide additional information related to the Holy Cross Chamber Singers Fall Concert, performed on November 9, 2017 in the Brooks Concert Hall.

It’S A Strange Place: The Narrative Film Music Of Danny Elfman, Chad Sell

Selected Honors Theses

The role of film music should function as part of the narrative, collaborating with all other filmic aspects such as color editing, scriptwriting, acting, and directing to convey a narrative that engages and affects the audience. Over the course of history, film music has functioned in a variety of ways, from live bands to draw in theatregoers to the contemporary discussion of diegetic and non-diegetic music in film. Composer Danny Elfman emerges from an unusual background in rock n’ roll, but, despite initial criticism and skepticism, has proven to be a seminal film composer whose scores demonstrate an intimate connection …

About This Issue, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Towards The Recovery Of Authentic Organ Continuo Practice In Haydn's Concerted Sacred Music, Tom Mueller

HAYDN: Online Journal of the Haydn Society of North America

During the classical era, full-size church organs were used in the performance of concerted sacred music. Historical evidence such as treatises and surviving organs offer useful information that can be used to reconstruct organ continuo performance practices. In spite of this evidence, modern performances and recordings of this repertoire often make use of small positive organs that cannot match the capabilities, timbre, and dynamics of larger instrument. Furthermore, the continuo realizations published in modern performance editions rarely reflect the style and techniques of historic practice.

This article explores issues in the performance practice of continuo playing on large church organs …

Alexander Pershounin, Double Bass, November 1, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Art Infested Water, November 2017, Nova Southeastern University Department Of Visual And Performing Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

University Singers; Dr. John Warren, Director: Fall Tour 2017, University Singers, Setnor School Of Music, John Warren

Setnor School of Music - Performance Programs

No abstract provided.

Music Review, Volume 74, No. 2, Kathleen Roland-Silverstein

Voice - All Scholarship

Contains reviews of OperAria; Bärenreiter Opera Kaleidoscope, für Sopran oder Mezzosopran und Klavier; German Opera Arias for Soprano and Piano; Bishop’s English Arias for Mozart’s The Marriage of Figaro, for Soprano and Piano; Charles Brett’s Baroque Anthology for Counter-tenor, with realized continuo.

U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson

Masters Theses

“Cuba and Puerto Rico are As two wings of the same bird, They receive flowers and bullets Into the same heart ...” (Lola Rodriguez de Tio, 1868) Puerto Rican poet and political activist Lola Rodriguez de Tio penned these words after being inspired by the call for the independence of Puerto Rico. Her words were further canonized in Puerto Rican cultural identity after being published in the song La Borinquena by composer Rafael Hernandez. Hernandez’s song would later become a musical symbol of national identity for the island of Puerto Rico and the Puerto Rican Diaspora. The connection between the …

Faculty Recital: Lauren Hunt, Horn; Tuyen Tonnu, Piano; November 1, 2017, Lauren Hunt, Tuyen Tonnu

School of Music Programs

Kemp Recital Hall
November 1, 2017
Wednesday Evening
7:30 p.m.

School Of Music Faculty/Staff Newsletter, November 2017, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Keynotes
• Georgia Southern Percussion Ensemble
• Hallmarks
• Channel Noise 15
• Steven Elisha, Conductor

Instrumental Concerto Competition, November 1, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Utah State Department Of Music Jazz Combos, Combo Ach Du Meine Gute, Combo Of Supreme Enlightenment, The Lighthouse Combo, Combo Of Now Is Not The Time, Caine Jazz Combo

All Music Department Programs

Utah State University Department of Music presents Jazz Combos.