Music Commons^™

A Performer’S Guide To Poema De Sete Faces, Song Cycle By Jeffrey Perry, Paulo Henrique Campos Silva

LSU Doctoral Dissertations

The American composer Jeffrey Perry composed the song cycle Poema de sete faces (Poem of seven faces), for tenor or soprano and piano, based on the poem of the same name by Carlos Drummond de Andrade, one of the greatest Brazilian modernist poets of the 20th century. Both Drummond’s poem and Perry’s music were written to be open to multiple interpretations. Together, the possibilities for their interpretation are even broader. This dissertation discusses the art that emerges at the intersection of the poem and the music from the perspective of the singer. I present a biography and an overview of …

Jazz Small Groups (Combos 4, 5 & 6), May 31, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Bali’S “Forgotten Stepchild”: The Cultural And Sonic Vitality Of The Balinese Rebab, Mikaela Marget

Lawrence University Honors Projects

The rebab is one of the only traditional stringed instruments found on the island of Bali, Indonesia. Though it is ever-present in musical ensembles in Bali, the rebab has been consistently overlooked in scholarship of Balinese music by Western ethnomusicologists. Through participant observation, personal interviews, and library research, I explore the idea that the rebab deserves a place in the scholarship of Balinese music. In addition, I argue that the Balinese rebab not only persists in Balinese music culture as a vital object, but that it is also an active participant in shaping Balinese music culture. In this paper, I …

Jazz Small Groups (Combos 1, 2 & 3), May 30, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Sounds Of The Singing Revolution: Alo Mattiisen, Popular Music, And The Estonian Independence Movement, 1987-1991, Allison Brooks-Conrad

Lawrence University Honors Projects

Estonian identity, history, and music are deeply intertwined. In the late 20^th century, when faced with Soviet domination, Estonians relied on music to carry their message as part of their independence movement, which was eventually referred to as the Singing Revolution. Composer Alo Mattiisen emerged as one of the most influential members of the Estonian music scene in the 1980s, not only by defining Estonian popular music as political and activist, but also by developing experimental reinterpretations of larger Western popular music traditions. We can view Alo Mattiisen’s contributions to the Estonian music scene of the 1980s as a …

Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman

Lawrence University Honors Projects

The popularity and universal reach of music genres such as Jazz and Hip Hop attest to the idea that these forms have been long established as a vital part of global musical culture. For people who are familiar with Afrocentric music, it is clear that styles such as Jazz and Hip Hop are rooted in, and inextricably linked with, African culture and history. What is more difficult to make sense of, however, is how and why transplanted African culture came to have such wide reaching impact in the new contexts in which it was taken up – because the stories …

Santería In A Globalized World: A Study In Afro-Cuban Folkloric Music, Nathan Montgomery

Lawrence University Honors Projects

The Yoruban people of modern-day Nigeria worship many deities called orichas by means of singing, drumming, and dancing. Their aurally preserved artistic traditions are intrinsically connected to both religious ceremony and everyday life. These forms of worship traveled to the Americas during the colonial era through the brutal transatlantic slave trade and continued to evolve beneath racist societal hierarchies implemented by western European nations. Despite severe oppression, Yoruban slaves in Cuba were able to disguise orichas behind Catholic saints so that they could still actively worship in public. This initial guise led to a synthesis of religious practice, language, and …

Electronics And The Music Of Miles Davis, Darren E. Shekailo

Theses and Dissertations

Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.

Generating Audio Using Recurrent Neural Networks, Andrew Pfalz

LSU Doctoral Dissertations

Long Short Term Memory cells are a type of recurrent neural network that perform well when predicting sequence data. This works presents four approaches to modeling audio data. The models are trained to predict either raw audio samples or magnitude spectrum windows based on prior input audio. In a process called sampling, the models can then be employed to generate new audio using what they learned about the data they were trained on.

Four methods for sampling are presented. The first has the model predict a vector for each vector in the input. The second has the model predict one …

The Accompaniment Techniques Of British Organists, Dallin Baldwin, Don Cook

Journal of Undergraduate Research

The purpose of my research was to better understand the choral accompaniment techniques of English organists. Most of the choral music that is performed in the United States today is accompanied by the piano. Yet there are great choral masterpieces that are neglected because there are no organists that have sufficient training and experience to perform them. In Great Britain, however, choirs are often accompanied by organists. Several of the top choirs in the world are located in Great Britain and have resident organists to accompany them. In my research, I studied the techniques of English organists in accompanying choirs.

Lupé (Lawrence University Percussion Ensemble) With Tambo Toké And Sambistas, May 27, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

String Chamber Music Recital, May 27, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Oh, The Places You'll Go!, Lawrence University Symphonic Band, May 26, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Guest-Faculty Recital, Dis N’ Tat Improv, May 25, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Spring Choral Concert, May 25, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Spring Term Keyboard Department Area Recital, May 25, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Music Video Creation And Auteurism, Dylan Paris

University Honors Theses

My thesis project is a music video for a song I wrote and recorded called “Mad King”. The themes of the song revolve around my fears and anger towards our current presidential administration and the constant threat of death from nuclear war. The video combines footage of myself playing multiple characters in a near future based on my fears and anxieties. Along with the footage of myself, additional found footage is overlaid into the piece. This footage includes rallies, North Korean military parades, the inauguration of Donald Trump, test footage of the “Mother Of All Bombs”, and lastly alpha footage …

Transformations Of Chant In Marcel Grandjany's Rhapsodie Pour La Harpe, Caitlin A. Thom

Celebration of Learning

Marcel Grandjany’s Rhapsodie pour la Harpe is a standard in pedal harp literature. This essay explores Grandjany’s use of the Gregorian Easter Chant Salve festa dies.

Newfoundland And Irish Music: Synonymous Or Similar?, Kathryn E. Krajewski

Celebration of Learning

This paper explores how Newfoundland music was influenced by not only Irish music, but English music as well. Some background on the connections and relationship Newfoundland had with England and Ireland is provided before delving into the influence these countries had on Newfoundland music. Musical examples are included to illustrate how the songs of Newfoundland have both similarities and differences to the music of Ireland and England.

The Composer, The Musicologist, His Wife, And Her Lover: On Lacan’S Relevance To Music, Thomas Reiner

Directions of New Music

This paper asks what it is to write about music. When we ask students or colleagues to write about music are we asking them to describe music structurally, or to cope with music’s ever-shifting signifieds? The paper attempts to answer this question by clarifying the relationship between composition, musicology, and music “itself” by way of a Lacanian reading of Peter Greenaway's film The Cook, the Thief, His Wife and Her Lover. Lacan’s existential concepts of the Imaginary, the Symbolic, and the Real are first introduced in relation to music with reference to music by Hans Werner Henze, Lady Gaga, …

"Lehadlik": Radical Jewish Music, Gender And Disidentification In Aviva Endean’S Work, Shoshana Rosenberg

Directions of New Music

This paper undertakes a hermeneutic analysis of Aviva Endean’s “Lehadlik”, exploring the complex relationship between the player, a Jewish woman living in Australia, and traditional Jewish culture and rituals. This analysis connects Endean’s work to the larger body of Radical Jewish Music, a movement which seeks to diversify and expand the meaning of contemporary Jewish music beyond the confines of Klezmer and religious hymns. The analysis includes an exploration of the relationship between Endean’s womanhood, Orthodox Jewish traditions, and women’s historical place in Judaism.

Steve Reich's ‘Music For 18 Musicians’ As A Soundscape Composition, Jesse Budel

Directions of New Music

Over the past half century, there has been much research into the acoustic qualities of soundscapes from a variety of perspectives: the humanities and social sciences as per the ‘acoustic ecology’ movement (established by Schafer, Truax, and Westerkamp et al.), and more recently the environmental science and ecology as per ‘soundscape ecology’ (established by Farina, Pijanowski, and Krause, et al.). Collectively, these disciplines provide diverse methods for engagement with analysis of acoustic environments. Simultaneous to the rise of the acoustic ecology movement in the 1970s (marked by the publication of Schafer’s ‘The Tuning of the World (1974)), the composition of …

Community Music For Human Development: A Brain-Centered Approach To Outreach, Jesse M. Hamlin

University Honors Theses

In an effort to combat the harmful physiological, societal, and psychological effects of the cutting of arts and music program budgets in public schools, and close the achievement gap for those in lower socioeconomic classes and underrepresented populations, this thesis created a functional community music training program, especially for homeless youth in Portland, OR. The author reviewed current literature across disciplines to form a curriculum based on evidence in psychological, educational, and cognitive neuroscience research. The curriculum was collaboratively formed with active music training professionals. The intervention was piloted via the ongoing collaboration between Portland-based arts-integrated science outreach group NW …

Luje (Lawrence University Jazz Ensemble), May 23, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Mari Folk Music Influences On Andrei Eshpai's Viola Concerto, Vengerskie Napevy (Hungarian Tunes), And A Transcription Of Hungarian Tunes For Viola In The Viola Repertoire, Anna Petrovna Ivanova

LSU Doctoral Dissertations

Andrei Eshpai was one of the most renown composers who drew on the Mari folk music traditions, within the confines of Western classical music. One of the main purposes of the research is to show how the Mari folk music was applied in Eshpai’s compositions for the viola. In the current research, I will explain the similarity between folk music of Mari and Hungary because the researched composition Hungarian Tunes by Eshpai is based on Mari tunes, however is called Hungarian Tunes. Another purpose of this research is to provide musical analysis and a performance guide for the compositions, where …

Voice, The Muscle Of The Soul: Finding Yourself Through Finding Your Voice, Kenneth Bozeman

Convocations

Kenneth Bozeman, the Frank C. Shattuck Professor of Music, presents “Voice, the Muscle of the Soul: Finding Yourself Through Finding Your Voice, ” in Lawrence University’s annual Honors Convocation.

The Honors Convocation publicly recognizes students and faculty recipients of awards and prizes for excellence in the arts, humanities, sciences, social sciences, languages and music as well as demonstrated excellence in athletics and service to others. Bozeman was chosen as the 2018 recipient of Lawrence’s annual Faculty Convocation Award, which honors a faculty member for distinguished professional work. He is the ninth faculty member so honored.

According to Bozeman, a person’s …

The Interval Dissonance Rate In Chopin’S Études Op. 10, Nos. 1-4: Dissecting Arpeggiation, Chromaticism, And Linear Progressions, Nikita Mamedov

LSU Doctoral Dissertations

Chopin’s twenty-seven piano études display the composer’s poetic musical language, uniting keyboard techniques, virtuosity, and artistic imagery, while preserving Romantic lyricism and songfulness. Each of these studies is unique in its set of pianistic challenges, compositional processes, and difficulty level. Schenkerian analysis provides an interpretation of relationships between the notes that constitute the harmony and the melody. This type of analysis allows one to understand the theoretical aspects that are necessary to play Chopin’s études. The Schenkerian theories can be used to amalgamate pianism and performance with harmony and analysis. Furthermore, the Schenkerian understanding of these études provides an analytical …

Iglu (Improvisation Group Of Lawrence University), Improvised Hip Hop And Beyond, May 21, 2018, Lawrence University

Conservatory of Music Concert Programs

Shattuck Hall

New Music Series, Coming Together, May 20, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Viking Bassoon Ensemble (Vibe), May 20, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall