Music Commons^™

Thomas Keeping, Voice: Junior Voice Recital, Thomas Keeping

Setnor School of Music - Performance Programs

No abstract provided.

Max Hughes Junior Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Steven Heyman, Piano: Faculty Piano Recital, Steven Heyman

Setnor School of Music - Performance Programs

No abstract provided.

Women's Chorale, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

The Fruit Of Silence: Schola Cantorum 2019 Concert Tour, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Combined Recital: Sarah Lange, Flute; Grace Sulich, Flute; Valen Pao, Piano; March 3, 2019, Sarah Lange, Grace Sulich, Valen Pao

School of Music Programs

Kemp Recital Hall
March 3, 2019
Sunday Afternoon
1:30 p.m.

Afternoon Of Brass, March 3, 2019, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
March 3, 2019
Sunday Afternoon
3:00 p.m.

Inspire! Featuring The World Premiere Of Samay Raga For Wind Ensemble By Aakash Mittal, Lawrence University Symphonic Band, March 2, 2019, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

National Opera Association: Undergraduate Scene Repertoire, Melissa Comstock, Gina Comstock

UNO Student Research and Creative Activity Fair

In January 2018, UNO students Melissa Comstock and Gina Comstock performed in a presentation at the 2018 National Opera Association Conference in New Orleans, LA. The presentation entitled “Beyond Fledermaus: Undergraduate Friendly Opera Scenes from the Golden Age of Operetta” was given by UNO Professor Shelby VanNordstrand and Iowa State University Professor Jodi Goble. The presentation included three live performances featuring the professors’ students. Comstock and Comstock will discuss the preparation and rehearsal processes for the performance and the benefits of inter-university collaboration. Video footage from one of the live performances will be shown.

Electronic Music And The Uno Technology Assisted Performance Ensemble, Nicholas Spencer

UNO Student Research and Creative Activity Fair

The University of Nebraska at Omaha's Technology Assisted Performance Ensemble (or TAPE) is UNO's first Laptop Orchestra. TAPE focuses on electronic music as well as exploring the boundaries of what we understand to be music. Combining traditional music theory and digital synthesis creates a new genre of academic music that is on the cutting edge of research in both fields of music and technology. TAPE was founded by Dr. Seth Shafer and Nicholas Spencer with initial funding by the University of Nebraska at Omaha's FUSE grant.

Dense Geometry Of Music And Visual Arts: Vanishing Points, Continuous Tonnetz, And Theremin Performance, Maria Mannone, Irene Iaccarino, Rosanna Iembo

The Transdisciplinary STEAM+ Journal

The dualism between continuous and discrete is relevant in music theory as well as in performance practice of musical instruments. Geometry has been used since longtime to represent relationships between notes and chords in tonal system. Moreover, in the field of mathematics itself, it has been shown that the continuity of real numbers can arise from geometrical observations and reasoning. Here, we consider a geometrical approach to generalize representations used in music theory introducing continuous pitch. Such a theoretical framework can be applied to instrument playing where continuous pitch can be naturally performed. Geometry and visual representations of concepts of …

Community Music Therapy And Participatory Performance: Case Study Of A Coffee House, Elizabeth Mitchell

Music Faculty Publications

This case study research explores the impact of a musical performance event—the Coffee House—held bi-annually at an adolescent mental health treatment facility in Southwestern Ontario, Canada. Any client or staff member is welcomed to perform at this event, which is organized by the facility’s music therapist and framed here as an example of community music therapy. Drawing upon Turino’s (2008) ethnomusicological perspective on performance, I will argue that the Coffee House’s success within this context is due to its participatory ethos, wherein success is primarily defined by the act of participation. Here, performance takes place within an inclusive and supportive …

Chelsea Knox, Flute; Eric Stephenson, Cello: Syracuse University Flute Day, Chelsea Knox, Eric Stephenson

Setnor School of Music - Performance Programs

No abstract provided.

Editor’S Essay, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Going For Broke: A Talk To Music Teachers, Juliet Hess, Brent C. Talbot

Sunderman Conservatory of Music Faculty Publications

In 1963—a racially-charged time in the United States—James Baldwin delivered “A Talk to Teachers,” urging educators to engage youth in difficult conversations about current events. We concur with Giroux (2011, 2019) that political forces influence our educational spaces and that classrooms should not be viewed as apolitical, but instead seen as sites for engagement, where educators and artists alike can “go for broke.” Drawing upon A Tribe Called Quest’s 2017 Grammy performance of “We the People…” as an example of the role of the arts in troubled times, we consider ways to work alongside youth in schools to respond, consider, …

Music Reviews, Volume 75, No. 4, Kathleen Roland-Silverstein

Voice - All Scholarship

Contains reviews of New Music Shelf Anthology of New Music; Bride of the Island, for Tenor and Piano; And With Such Boldness: A Set of Three Songs for Voice, Violin and Piano, with Poetry and Music by Alan Louis Smith.

Inform: A Mobile App To Teach Untrained Listeners Of Classical Music About Fugue, Sonata, And Rondo Form Through Interactive Information Graphics, Miranda Finn

Honors Program: Senior Projects (Public)

This thesis introduces adult non-musicians to large-scale structural components of three fundamental musical forms (fugue, sonata, and rondo) through a mobile application containing interactive information graphics and audio examples. This provides the knowledge and vocabulary necessary to discuss and listen critically to classical music, as well as enhance the overall listening experience. The written component of this project describes the content of the app and how it is presented, as well as the reasoning behind creative decisions such as color palette, page design, and development of the information graphics. Also reviewed are the programs used in the creation of the …

From Improvisation To Artistry: A Study Of The Piano’S 12 Sides By Carter Pann, Louis Claussen

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Intended as a resource for pianists who may analyze or perform Carter Pann’s The Piano’s 12 Sides, this study provides biographical information on the composer and explores his professional relationship with the pianist for whom it was composed, Joel Hastings. Each piece from The Piano’s 12 Sides is discussed in terms of form, melody, harmony, texture and Pann’s approach to the pianistic compositional idiom. The composition is also examined with regard to extra-musical details and programmatic elements as well as inspiration and dedications that influenced Pann’s compositional process.

Correspondence and interviews with the composer reveal the motivation and inspiration behind …

Transcribing Astor Piazzolla's Works To Maximize Stylistic Fidelity: An Examination Of Three Saxophone Quartets With A New Transcription, Sarah L. Cosano

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Astor Piazzolla is recognized as a pivotal figure who drew tango music onto an international stage. His output of written compositions and recordings provide a reference for studying tango. Though Piazzolla adapted a collection of flute etudes in 1988, he did not write specifically for saxophone during his lifetime. Saxophonists must instead rely on transcriptions of his music. Today, tango is a widely performed idiom for saxophone quartet.

Because of its tessitura, timbral variety, and flexibility, the saxophone is uniquely suited to perform tango music. This instrument has an expansive range when altissimo is included. Its written range spans from …

A Dip Into Frank Ocean's Music And Marketing, Katharine E. Gardias

Music

No abstract provided.

L'Amic Mallorquí De Rossini, Antoni Pizà, Maria L. Martínez

Publications and Research

En tot cas, avui en dia, a pesar d'haver compost molta música, Frontera és recordat —si és que és recordat— per haver estat l'artífex de la política musical de la Casa Reial i, possiblement, com tots aquests regals atesten, per la seva estreta relació amb Rossini —i amb la Reina, és clar.

Wind Symphony Vespers Concert, Department Of Music

Concerts and Event Programs 2018-2019

Benediction

Andrews University Wind Symphony under the direction of Byron Graves featuring works by Roost, Curnow, and Hartley.

Katia Nikolaus, graduate conductor.

School Of Music Faculty/Staff Newsletter, March 2019, School Of Music,

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Georgia Southern Chorale Fundaraiser
• Alumn Features
• Faculty Features
• Student Accomplishments
• Upcoming Events in Statesboro
• Upcoming Events at Armstrong

La Bicicletta, Jack Druffel

Compositions

Program Notes:

La Bicicletta was written in the fall of 2018 and edited for the Illinois Wesleyan Symphony Orchestra in early 2019. It is a narrative about an accident the composer endured while in Milan, Italy. While cycling home, he was struck by a motorcycle and spent a night in an Italian hospital and was released the next day with minor injuries. The main idea of the piece is to reflect the mundane tasks of daily life, and this motif is presented in each of the four sections that make up La Bicicletta.

The first part of the piece reflects …

Measuring Expressive Music Performances: A Performance Science Model Using Symbolic Approximation, Eamon O Doherty

Doctoral

Music Performance Science (MPS), sometimes termed systematic musicology in Northern Europe, is concerned with designing, testing and applying quantitative measurements to music performances. It has applications in art musics, jazz and other genres. It is least concerned with aesthetic judgements or with ontological considerations of artworks that stand alone from their instantiations in performances. Musicians deliver expressive performances by manipulating multiple, simultaneous variables including, but not limited to: tempo, acceleration and deceleration, dynamics, rates of change of dynamic levels, intonation and articulation. There are significant complexities when handling multivariate music datasets of significant scale. A critical issue in analyzing any …

2018-2019 Dean's Showcase No. 3, David Brill, Guzal Isametdinova, Robiyakhon Akromova, Guillermo Yalanda, Sheng Yuan Kuan, Dunia Andreu, Askar Salimdjanov, Feruza Dadabaeva

Dean's Showcase

No abstract provided.

The Tenth Annual Festival Of New Music February 28 - March 1, 2019, Mark Zanter

All Performances

No abstract provided.

Liam Hines, Trumpet: Junior Recital, Liam Hines

Setnor School of Music - Performance Programs

No abstract provided.

2018-2019 Scholarship Fund Concert At The Country Club Of Florida, Friends Of The Consevatory, Leanna Ginsberg, Georgiy Khokhlov, Kayla Williams, Kristine Mezines, Suhao Bai, Zulfiya Bashirova, Natalia Hidalgo

Friends of the Conservatory Events

No abstract provided.