Music Commons^™

Communicative Language In The Compositional Output Of Kirke Mechem, Kirstina Rasmussen Collins

Theses and Dissertations

Kirke Mechem (born 1925) has had a long career, spanning several decades. In looking at his large body of work, it is argued that the role of communicative language is central to his compositional style. This priority, originating from his own background, has influenced his choices of musical and textual language, his preferred genres of composition, and his beliefs about the role of music. The importance of communicative language in Mechem’s music sets him apart in the musical landscape of the late 20th and early 21st century.

From early on both music and the written word held a high importance …

Vladimir Pleshakov: A Historiography And Analysis Of His Liturgy Of St. John Chrysostom, Andrew Cameron Pittman

Theses and Dissertations

Vladimir Pleshakov, an accomplished concert pianist, began composing at the age of seventy-five after a struggle with cancer. While awaking from anesthesia after surgery, Pleshakov began hearing spontaneously-composed and completed original Slavonic sacred choral music (in his mind). Over the last decade Dr. Pleshakov has produced nearly sixty compositions. Many of his compositions have found critical acclaim and are published by Musica Russica. This document provides a biography, list of compositions, background information, and a conductor’s analysis of his Liturgy of St. John Chrysostom.

Finding A Voice – Exploration Of Modes And Timbres : A Portfolio Of Ten Original Compositions With Accompanying Commentaries, Ekapon Muenyam

Doctoral

This thesis marks the culmination of four years’ work, as part of my PhD study in composition. The portfolio consists of ten pieces, lasting in total approximately 2 hours and 10 minutes, and a commentary comprising an analysis of each of the works. The main emphasis has been on the development of an individual style, informed by the exploration of twentieth and twenty-first century compositional techniques, instrumental timbres, stylistic genres, forms, scale derivations and the wider aesthetic of contemporary music. The portfolio includes works for solo instruments, ensemble and orchestra. One of the main areas of research has been to …

London Stage Database, Mattie Burkert, Will Daland, Emma Hallock, Todd Hugie, Lauren Liebe, Derek Miller, Dustin Olson, Ben R. Schneider Jr.

Browse all Datasets

Recovered files, and documents and archival data used to revitalize the London Stage Information Bank, which was completed in the 1970s but had become technologically obsolete.

Contents:

--Greene_2018_SITAR_3.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her via mail by John Greene, who received it from Ben Schneider in or around 1990.

--Greene_2018_SITAR_5.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her …

Literacy-Based Elementary Music Instruction And English Language Literacy Acquisition, Stefan Wolf

Graduate Teacher Education

It is often touted by music educators and proponents of music education in the public school system that music helps improve math and reading achievement and test scores. While this justification has undoubtedly saved some music programs, the purpose of this study is not to establish the usefulness of music education in improving other skills but rather to find parallels and overlaps between music literacy and English language acquisition and the pedagogy used to teach both and to determine what implications these relationships have for music literacy pedagogy for all. The author tentatively postulates that music literacy instruction has some …

"Safari" Choir Camp Concert, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Increasing The Inclusion Of Women Composers In The Wind Band Repertoire: Pale As Centuries By Sarah Kirkland Snider, Clifton Gerod Croomes

LSU Doctoral Dissertations

Women composers are underrepresented in the wind band medium. This study aims to determine the major factors for the disparity between men and women composers. I’ve transcribed a contemporary chamber music piece, Pale As Centuries by Sarah Kirkland Snider, for the wind band. Expanding on Snider’s existing work for chamber ensemble I will explore her compositional style and reinterpret the piece using the colors of the wind band.

A review of the literature focuses on trends within western music in the United States over the last century and establishes a documented history of institutionalized marginalization. In an interview with Snider …

The Application Of Nonverbal Prosody In Scratches, An Original Composition For Trumpet And Chamber Ensemble, Shane Courville

LSU Doctoral Dissertations

This project uses research in prosody (the patterns of stress and intonation in language) to inform the compositional process of an original piece of music for trumpet, piano, string quartet, and sign language entitled Scratches. In this this paper, I propose that both verbal and nonverbal prosody affects music across all cultures at both the subtle and overt levels consciousness. It shows up in chanting and rhythmic structures of folk music as well as composers who use the influence of language explicitly. In conjunction with this document, I will discuss and perform the piece I compose through the inspiration of …

Analyzing Sentiment In Twitter Tweets As A Basis For Music Creation, Jeff Lupker

Western Research Forum

Analysis of the sentiment associated with different words has long been used as a pre-compositional tool by various composers through their use of the words of poets, lyricists or writers in creating their music. While the interpretation of any given word and its relation to music might have loosely followed some implicitly accepted notions amongst composers, there was no accurate method for qualifying each word according to its sentiment in standard usage. More recent research measuring individuals’ evaluation of text has led to a quantitative ranking of words in terms of properties concerning sentiment. My current research is an attempt …

Sunésis: Evolving Aesthetic Discourse In Traditional Music Practices In Ireland, Nollaig Ó Fiongháile

Research Theses

The enquiry ‘Súnesis’ investigates aesthetic awareness in traditional music practices in Ireland and seeks to evolve an aesthetic discourse with the practices at hand.Súnesis undertakes a critical examination of a suite of performances from contemporary and traditional folk music practices in Ireland. Engaging an interpretative model evolved by Paul Ricoeur, the author designs a dimensional pathway to articulate the modes of consciousness and aesthetic awareness at work in the creative act.

It is proposed that a rethinking of traditional folk music is required, beyond the disciplinary, geographical or political boundaries more typically conceived in music studies. With an alternate …

Wiseman, Michelle (Fa 1306), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1306. Student project titled “Folk Songs and Legends,” which includes survey sheets of folk songs and folk legends collected in Indiana and Kentucky. Sheets may include folk songs, lyrics, musical scores, Brown Collection variant number, legends, informant’s name, age, and address.

Recording Of Marco Borogni’S Vocalise Etudes For Trumpet, Dominik Campora, David Brown

Journal of Undergraduate Research

The experience of preparing, completing, and evaluating the progress of my ORCA project over the past twelve months has helped me grow exponentially as an aspiring orchestral musician. Specifically, preparing the Bordogni etudes has helped me achieve a heightened musical sense of phrasing, analysis, and musicality. Our musical and academic objectives of the project were to provide a reference for future trumpet performance students on vocalise studies (such as these,) and the concept of overall sound production, phrasing, and virtuosity. We were able to record a CD that will be documented and preserved in the trumpet studio for students to …

Deconstructing Piatti: Exploring Underlying Physiological Challenges In The 12 Caprices For Solo Cello, Unusdian Errandonea

LSU Doctoral Dissertations

Composed in 1865 and first published in 1874, Alfredo Piatti’s 12 Caprices for Solo Cello, Op.25 have become one of the most widely-used volumes of technical studies for cello students. A virtuoso cellist, influential teacher, and prolific composer dubbed “The Paganini of the Cello” by Franz Liszt, his complete command of the cello allowed him to push the limits of the instrument in an era when the virtuoso solo cello repertoire was just starting to flourish. To this day, the study of the Caprices is still tremendously helpful–and often required by teachers as material for developing the highest level of …

Dimër (Winter), Anthony Elia

Bridwell Library Research

This work is an original musical setting of the poem by Albanian poet Lasgush Poradeci (1898-1987). The work was written for the esteemed mezzo-soprano Etleva Shemai.

Industry Profile: Denny Stilwell, Mack Avenue Music Group President, Axel Tanner

Backstage Pass

No abstract provided.

Insta-Promotion: Here’S Why (And How) You Should Be Using Instagram To Market Your Music, Jennifer Morrow

Backstage Pass

No abstract provided.

A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne

Backstage Pass

Throughout the history of the music industry, women of color have not received the same recognition as their male counterparts because males have dominated the industry resulting in lack of female representation. Women have been oversexualized reducing their clout in their fields and the lack of acknowledgement of success, which discourages future generations of colored women from attempting to reach their highest potential.

Social Activism In The U.S. Music Industry, Joey A. Tan

Backstage Pass

No abstract provided.

The Trending Killer, Diana Ventura

Backstage Pass

No abstract provided.

Why Streaming Is A Good Thing For The Music Industry, Ailey Butler

Backstage Pass

No abstract provided.

Censoring Hate In The Music Industry: Shifting Perspectives In Pursuit Of Cultural Equity, Joey A. Tan

Backstage Pass

Music is intended to be expressive and unconstrained, a tool of communicating emotion and bridging humanity. As such, censorship is widely despised among music creators, listeners, publishers, distributors, and other music industry stakeholders. “Freedom of expression,” however, proves to be an applicable argument for both sides of the matter when the censorship concerns hate directed at marginalized communities. Analyzing the concept of censorship through the lens of those with privilege and power fails to recognize the extent to which hate speech impacts its victims and the indirect recipients of the message. As a powerful influencer of popular and youth cultures, …

Big Business In The Music Business, Kortney Burton

Backstage Pass

No abstract provided.

The Music Industry Has A Mental Health Problem, Manny Manriquez

Backstage Pass

No abstract provided.

Music And Politics: A Potent Combination To Commercial Success?, Veronica Martinez

Backstage Pass

No abstract provided.

Stream Ripping: A Copyright Infringement Epidemic, Darla Testino

Backstage Pass

No abstract provided.

What Is A Music Supervisor?, June Benoit

Backstage Pass

No abstract provided.

Closing The Music Industry Gender Gap, Sami Fong

Backstage Pass

No abstract provided.

Gender Inequality In The Music Industry, Issadora Tulalian

Backstage Pass

No abstract provided.

15 Seconds Of Fame, Graham Mclaren-Finelli

Backstage Pass

No abstract provided.

Redemption: A Deep Dive Into The Magnum Opus That Saved Kanye’S Career, Graham D. Mclaren-Finelli

Backstage Pass

No abstract provided.