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Latin American Languages and Societies Commons™
Open Access. Powered by Scholars. Published by Universities.®
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Articles 1171 - 1200 of 4020
Full-Text Articles in Latin American Languages and Societies
Entry Nr. 125 Francisco Alves De Souza, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 125 Francisco Alves De Souza, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 308 Malade, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 308 Malade, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Five Hundred African Voices: A Catalog Of Published Accounts By Africans Enslaved In The Transatlantic Slave Trade, 1586-1936, Aaron Spencer Fogleman, Robert Hanserd
Five Hundred African Voices: A Catalog Of Published Accounts By Africans Enslaved In The Transatlantic Slave Trade, 1586-1936, Aaron Spencer Fogleman, Robert Hanserd
Faculty Books & Book Chapters
The importance of published accounts by African slave ship survivors is well-known but not their existence in large numbers. Fogleman and Hanserd catalog nearly five hundred discrete accounts and more than 2,500 printings of them over four centuries in numerous Atlantic languages. Short biographies of each African, print histories of the complete or partial life story. Five Hundred African Voices an invaluable resource for scholars, teachers, students, and others wishing to study transatlantic slavery using African Voices.
Pasado, Presente, Futuro: A Story Of Immigration, Constanza Galindo Acosta
Pasado, Presente, Futuro: A Story Of Immigration, Constanza Galindo Acosta
MA Projects
Oftentimes when speaking about immigration the conversation centers
around specific political agendas, economic impact, or labor. However important
these topics may be, they fail to understand the humanity of immigration, leaving
behind the most essential part of the conversation: the voice of the actual
immigrants. How can a more individualistic approach towards the experience of
the immigrant give us a better understanding of the nuances of immigration as a
whole? Pasado, Presente, Futuro takes as inspiration the personal experiences of
nine Latinx artists that currently live in the United States as a way to tell the past,
present, and future …
Za'a Demi-Fine Jewelry: Cultural Representation Through The Use Of Wearable Crafts, Maria Canedo Gomez Ortigoza
Za'a Demi-Fine Jewelry: Cultural Representation Through The Use Of Wearable Crafts, Maria Canedo Gomez Ortigoza
MA Projects
Za'a is an e-commerce demi-fine jewelry brand that gives its wearer the ability to explore, connect and give back to indigenous Latin American cultures. Za'a pieces are made with 14k gold, sterling silver, vermeil (solid gold electroplated silver), and semi-precious gemstones while incorporating traditional craftsmanship; incorporating elements such as woodcarving, embroidery, and painting. What makes Za'a's products unique is that they are designed and fabricated in conjunction with the communities, ensuring fair and ethical practices. This close collaboration turns the pieces into a cultural bridge of communication, an exchange of ideas, and an appreciation between consumers and the indigenous communities. …
Looking South: The Increased Visibility Of Modern Latin American Art, Sofía Festa
Looking South: The Increased Visibility Of Modern Latin American Art, Sofía Festa
MA Theses
This thesis aims to identify and analyze the main factors behind the increased visibility of Latin American Modern art today. I intend to examine the role played by American institutions, private collectors, and the top auction houses and how they are driving awareness in the global art market. The research will focus on artists whose works were made from the 1920s through mid-1940s and are currently breaking records in the auction world. These are the same artists that are being showcased in prominent private collections and American museums, which in turn serves as a way of validating those artists as …
Rebeca Lane: Voz, Cuerpo Y Territorio, Silvia Rivera Alfaro
Rebeca Lane: Voz, Cuerpo Y Territorio, Silvia Rivera Alfaro
Publications and Research
Esta entrevista a Rebeca Lane, la rapera centroamericana, discute aspectos relacionados con tomar la palabra desde el hip-hop, los temas de su trabajo, su relación con la identidad centroamericana, ser mestiza en Centroamérica vs los Estados Unidos (en línea con Anzaldúa), los feminismos y la maternidad, y los conceptos de cuerpo y el territorio. Finalmente, Rebeca habla de su experiencia con lo comunitario y el quehacer de la academia.
La Voz Winter 2022, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies
La Voz Winter 2022, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies
La Voz
In this issue:
- Visiting Scholar Sophie Maríñez
- UConn Gives 2022 to Feature Graduate Support Fund
- Latinos Working for Inclusive Engineering
- Alumna at UNESCO Luanda Biennale
- El Instituto Partners with DCF
- Collective Action for Social and Migrant Justice
- Recent Faculty Book: Writing the Caribbean in Magazine Time
- PRLACC 50th Anniversary
Hauntology And Epistemology In Guillermo Del Toro’S Pan’S Labyrinth And Juan Antonio Bayona’S The Orphanage, Timothy P. Reed
Hauntology And Epistemology In Guillermo Del Toro’S Pan’S Labyrinth And Juan Antonio Bayona’S The Orphanage, Timothy P. Reed
The Coastal Review
This article analyzes the narrative function of the fantastic in two commercial Spanish language movies, Guillermo Del Toro’s 2006 Pan’s Labyrinth and Juan Antonio Bayona’s 2007 The Orphanage, to compare how they encompass and reflect aspects of hauntological theory. The movies show how Ofelia and Laura embrace the fantastic to acquire knowledge and agency by deliberately communicating with specters. Through acknowledging the epistemological implications of the fantastic, deliberate disobedience and self-sacrifice, Ofelia and Laura are able to liberate themselves from a repressive present and envisage a more optimistic future for others too. Hauntological discourse in both films ultimately functions …
Entry Nr. 002 Jaun Roque, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 002 Jaun Roque, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 003 Anchico, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 003 Anchico, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 004 Francisco Angola, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 004 Francisco Angola, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 005 Francisco Biáfara, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 005 Francisco Biáfara, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 006 Juan Biáfara, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 006 Juan Biáfara, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 007 María De Huancavelica, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 007 María De Huancavelica, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 009 Ana De La Calle, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 009 Ana De La Calle, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 010 Louis Congo, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 010 Louis Congo, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 014 Domingos Alvares, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 014 Domingos Alvares, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 017 Chicaba, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 017 Chicaba, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 020 Medor, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 020 Medor, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 021 Vénus, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 021 Vénus, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 022 Apongo, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 022 Apongo, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 023 Rosa Egipcíaca, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 023 Rosa Egipcíaca, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 024 Comba, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 024 Comba, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 026 Jean, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 026 Jean, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 027 Louis, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 027 Louis, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 028 Essom, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 028 Essom, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 029 Démocrite, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 029 Démocrite, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 030 Un-Named African Woman, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 030 Un-Named African Woman, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.
Entry Nr. 102 Second Un-Named Rebel, Aaron Spencer Fogleman, Robert Hanserd
Entry Nr. 102 Second Un-Named Rebel, Aaron Spencer Fogleman, Robert Hanserd
500 African Voices
No abstract provided.