Latin American Languages and Societies Commons^™

La Santa Muerte And The Characteristic Damage Of Canonization, Ellen Webber

Journal of Global Catholicism

Devotion to La Santa Muerte, a Mexican folk saint who personifies Death, has

been condemned by the Catholic Church for its affiliation with Mexican drug

cartels. This article challenges mainstream interpretations of La Santa Muerte

devotion using the theological framework of characteristic damage, as defined

by Lauren Winner and Paul J. Griffiths. This framework understands liturgy

as celebrated by sinners in a damaged world, and therefore necessarily damaged

itself. As much as liturgy and Christian practice form us for good, they also per-

petuate damage. I argue that the sins present in La Santa Muerte veneration are

an expression of …

The Untameability Of The Sacred: Votive Traditions At Notre Dame De Lourdes And El Santuario De Chimayó, Gabrielle Bibeau

Journal of Global Catholicism

This article compares divergent votive practices at Notre Dame de Lourdes in France and El Santuario de Chimayó in New Mexico. Lourdes’ embrace of modern aesthetic values—simplicity, order, and functional clarity—has led to the removal and tight regulation of most ex-votos. By contrast, Chimayó’s roots in Latin American Baroque aesthetics, with its emphasis on abundance, drama, and hybridity, create space for a vibrant proliferation of offerings. Drawing on Jacques Rancière’s theory of aesthetics and politics as the “distribution of the sensible,” the article shows how aesthetic judgments intertwine with clerical power to curate, constrain, and authorize pilgrims’ access to the …

Las Filipinas: The Persistence Of Spain In Jessica Hagedorn's Dogeaters, Blake Seana Locklin

CLCWeb: Comparative Literature and Culture

This essay argues for the significance of the legacy of Spain in Jessica Hagedorn's Dogeaters. Critical analyses have explored many aspects of the novel's portrayal of relations between the Philippines and the United States, a more recent colonizer whose influence on politics and culture is prominent in Dogeaters. The effects of Spanish colonization are more subtle in the novel, but pervade its representation of characters, language, and society. While highlighting the fragmentation of individual and national identities, Dogeaters depicts a Philippines in which many social and political problems have roots in the Spanish colonial era. Building on the …

Visual Semiotics And Cultural Hybridity In Orión, El Atlante: Negotiating Global Comic Codes And Mexican Identity, Jaime Cruz-Ortiz

The Coastal Review

This article examines the 1980s Mexican comic series Orión, el Atlante through the lens of visual semiotics and cultural hybridity, drawing on Roland Barthes’s theory of polysemy and Néstor García Canclini’s concept of hybridization. While Mexican historietas have long been understudied, Orión offers a compelling case for understanding how Latin American comics negotiate global superhero tropes and local cultural imaginaries. The analysis foregrounds the historieta’s layered visual codes and narrative strategies, revealing how its retrofuturistic Atlantis blends Greco-Roman aesthetics, advanced technology, and indigenous symbolism to construct a mythic space that evokes both precolonial grandeur and modern aspiration. Orión’s characterization—rooted …

Trans-Pacific Connections: Unveiling Cultural Exchange Through Baroque Folding Screens Of Japan And Mexico, Natalia Christine Ramirez

Departmental Honors & Graduate Capstone Projects

This study focuses into the often-overlooked world of 16th-17th-century globally-mobile folding screens, revealing them as vastly important cultural objects. While conventional scholarship tends to compartmentalize artistic traditions, focusing on isolated cultures, this research emphasizes the vibrant exchanges that connected Japan and Mexico during the ‘Baroque’ period. By contrasting the Conquest of Mexico screen with the Japanese Namban Folding Screen, the nuances and vastness of cultural interaction through creative objects becomes illuminated and revered as important pieces of global history.

Through applying global art historical theories, especially the concept of the ‘global Baroque,’ I explore how Mexican biombo screens adapted from …

Wide Screen With Critical Essay "Translating A Poetry Of Cinema"., James L. Richie Iv

Electronic Theses and Dissertations

This dissertation combines the creative task of translating Víctor Cabrera’s poetry collection WIDE SCREEN (2009) from Spanish into English with a critical study that analyzes the volume to highlight the uniqueness of his writing, the importance of translating such a work for an Anglophone audience, and the challenges that occur in translating this complex collection. Moreover, Cabrera’s writing engages with a variety of cultural works in ways that challenge preconceived notions of language, culture, and medium. The poetry in WIDE SCREEN draws inspiration from the films of American filmmaker Jim Jarmusch, while frequently putting these films into dialogue with works …

Tradition Reimagined, Andrea Ortiz

MA Projects

Tradition Reimagined explores the dynamic intersection of traditional Mexican craftsmanship and contemporary art, celebrating the rich cultural heritage of Mexico while embracing innovative artistic practices. This exhibition brings together an extraordinary collaboration between Mexican artisans, whose ancestral techniques have been passed down through generations, and contemporary artists who reinterpret these traditions through a modern lens. Hosted at Galería Kurimanzutto’s Chelsea space in New York, the exhibition highlights the importance of preserving artisanal practices in an era where immediacy and mass production threaten their sustainability. Artisans from regions such as Oaxaca, Jalisco, Chiapas, and Puebla bring their expertise in weaving, ceramics, …

Nchetjá Kuènté Chjasin Jnantáyo: El Barro Del Pueblo De Metzontla, Xítjōahnko Cruz, Eric Silberberg

Publications and Research

Nchetjá kuènté chjasin Jnantáyo, tíhi mé jnko xroon chronka nkexrín t’óna ti nchetjá kuènté ti Chjasin Jnantáyo, T’áninka. Ti xroon mé kjaxin tsoxraxinkakonxin chojni nkexrín k’uénixja sín itan ngiva ti chjasin Jnantáyo. Ti ixra nohen chojni ich’e ndesi ósé, mé tíha la jína tsoxrakonxin ti itan ngiva, kíxi kaín xjanchjin ko xjandoa mé ts’itja ti itan. Tjinkaoni kíxin tsokjan tsonixja sín ti itan k’uénixja chojni ósé, ko kjaxin ts’itjáñahña ti nkehe nohen chojni ch’énaxín nchetjá.

Nchetjá kuènté chjasin Jnantáyo: El barro del pueblo de Metzontla, es una obra que está dedicada a la alfarería de Los Reyes Metzontla, …

Exploring The Factors That Influence Female Offending In The U.S. And Mexico, Dana Villasenor

CMC Senior Theses

Hollywood has painted a picture of the criminal woman as a sexy, sneaky, and often psychotic female fatale. This is because men run Hollywood. Much like movies, research on why women offend had historically focused on men as their stellar. However, towards the turn of the century and with the disproportionate rise in female incarceration, literature caught up to the fact that women and men do not experience the same socialization, standards, or reality and, therefore, have different reasons for and ways of offending. This research explores those reasons for women in the U.S. and Mexico and paints the picture …

Mama’S Got A Brand New Degree: Education And Changing Perceptions Of Femininity During The Mexican Revolution (1910-1917), Eden E. Baize

The Cardinal Edge

Bloody struggles, tense political debates, and general unease characterized Mexico in the early twentieth century. Under former president Porfirio Díaz, tensions grew as the lower classes pleaded for labor and land reform, culminating in a violent period of revolution from 1910 to 1917. As with all conflicts of this scale, the Mexican Revolution prompted the challenging of many long standing social conventions, specifically as they pertained to the role of government and the organization of social classes. With the restructuring of society already underway, many activists capitalized on the uncertainty of the era to push against the subjugation of women. …

Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales

Theses and Dissertations

Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.

Times Of Crisis: A Comparative Discourse Analysis Of U.S. And Mexican Presidential Rhetoric, Kassandra Gonzalez-Ramos

LSU Master's Theses

Language is a communicative tool that in the possession of politicians holds the power to be persuasive and aggressive, empowering and uniting, or disruptive and dividing. Previous research has relied on numerous methodological approaches to analyze political discourse from different viewpoints to reveal the manner in which politicians as part of political institutions transform and manipulate language. The current investigation performs a critical discourse analysis (CDA) based on the framework developed by Van Dijk (1993,1997) in order to demonstrate the speech act realization in a total of 14 political speeches delivered by American presidents Biden, Trump, and Obama and Mexican …

Diccionario De La Inmigración Y La Otredad En Las Américas En El Siglo Xxi, Flor Urbina Barrera, Araceli Hernandez-Laroche

Publications

Tiene como objetivo ser fuente de consulta amigable y visual para un público diverso, interesado en las expresiones sociales contemporáneas, particularmente para los estudiosos del tema que puedan poner en contexto la migración de los países latinoamericanos sin restringirla exclusivamente al cruce entre México, Centroamérica y los Estados Unidos.

Estudiar las migraciones internacionales desde una perspectiva social, cultural y cotidiana, nos muestra a grandes y pequeños contingentes de población en movimiento, tanto en la frontera norte de América Latina, como entre las fronteras de los países de Centro y Sudamérica. En el contexto actual, ante la visible presencia de grupos …

Drugs And Addiction In The Work Of Carlos Velázquez, Brandon Bisbey

World Languages and Cultures Faculty Publications

Coahuilan author Carlos Velázquez is one of the latest in a long line of Mexican writers who have portrayed intoxicated and addicted subjectivities in their country. Velázquez in particular centers addiction as part of a critique of the effects of neoliberal capitalism in northern Mexico. His work politicizes addiction by invoking the importance of social structures in its genesis through grotesque and dark sa?re as well as a self-conscious dialogue with metropolitan cultures that echoes that of much La?n American literature. In this way, his work transcends facile divisions between the “producing” Global South and “consuming” North and lays bare …

Gender Nonconformity In Mexico: A Study Of Community And Isolation In Carmín Tropical, Maddox Arnold

Honors College Theses

As media representation of minority communities becomes more common, it is important to consider how such representation reflects the real-life experience of the communities in question. Rigoberto Pérezcano’s 2014 film Carmín Tropical offers a clear view of the gender nonconforming experience in Mexico. Although Mexico remains one of the deadliest countries for transgender people, over the last decade many states have introduced legislation to advance the rights of the transgender and gender nonconforming community. This places Mexico in a unique position as the country finds itself balancing between violence and progress. Carmín Tropical tells the story of Mabel, a muxe …

War Over Measure: Latin American Cultural Policy And The Pedagogy Of Neoliberal States, D. Bret Leraul

Faculty Journal Articles

This article recovers the link between cultural and educational policy in Latin America to understand the neoliberal state’s discursive institution of culture as capital. It does so by studying the form and function of Mexican and Chilean cultural bureaucracies. The calculability and accountability of culture in Chilean cultural policy and the incalculability of Mexico’s culture of favor cultural policy are but two sides of one coin issued by the same neoliberal state form. Both depend on the discursive institution (from above) of culture as cultural capital and labor as human capital reflected (from below) in the formation of Latin American …

Boundary As Borderland: Mexico City’S Central Plaza And The Politics Of Presence, Re'al Christian

Theses and Dissertations

In the postcolonial era, the land surrounding national borders—the borderland—has inherited a specific identity and relationship with those who navigate it. While national borderlands are oft discussed amid conversations on globalization, land disputes, and war, the Spanish colonization of the Americas in the fifteenth and sixteenth centuries saw the new establishment of borderlands from within in the form of segregative boundaries that purported to separate Indigenous and European peoples. This thesis concerns the manifestation of the borderland as not only an external entity, but an internal one as well. Using Mexico City, the center of the Spanish colonial empire, as …

Ley Olimpia: Examining Policymaking Around Digital Violence, Andrea Alejandra Capella-Castro

Undergraduate Honors Theses

The topic of this thesis is policymaking and regulations around digital gender violence. This work intends to examine what methods effectively regulate and eradicate Online-Gender Based Violence (OGBV), a new type of Gender-Based Violence (GBV). Effective policymaking for the digital space has a significant impact on our society and especially on women as they remain the most objectified, attacked, and harassed on social media platforms. Therefore, social media needs an effective policy to address digital gender violence. Furthermore, the topic is relevant because policymaking around digital gender violence will advance the feminist movement’s fight and protect women and social media …

Nopal En La Frente: Racial Passing And The Hidden Indigeneity Of The Los Altos Region Of Jalisco, 1720-1950, Brandon Manuel Márquez

History

When people look at Los Altos de Jalisco, they typically think of this area as representing a pocket of European ancestry in a mestizaje state. Yet this ignores one huge aspect of this region: its indigenous history. Throughout the last three hundred years, the Los Altos region of Jalisco has allowed for the racial passing of many different families. This is all the more significant because many of its citizens have what many believe to be European features- mainly being light hair, light skin, and colored eyes. Because of these perceived European features, many of the Alteños believe that they …

Encounters At Manuscript Preparation: Inquiry In Conflict’S Aftermath, Stephen T. Sadlier

The Qualitative Report

This exercise of the researcher self explores relationships materializing in manuscript preparation, suggests that conflict-site research is more of a social and affective experience, from proposal to manuscript preparation, than most researchers realize. Outside of clinical and ameliorative approaches, little educational research focuses on ongoing, unresolved conflict. Even less sheds light on the experience of the conflict-site researcher. Here, I show how texts of other conflict-site writers accompanied my process of manuscript preparation, just as activist teachers I observed during the field work phase stood among peers when protesting and facing police repression. Correspondingly, I discuss an intertextual approach of …

Beyond "Viuda De": Practical Approaches To Promoting Mexican Books Printed At Women-Owned Businesses, Taylor Leigh, Colleen Barrett

Library Presentations

Women print shop owners have existed for much longer than most people realize; the first examples in Mexico date to the seventeenth century. Unfortunately, these texts are not always clearly described in a way that is findable beyond searching “viuda de.” Though many title-pages describe their businesses in terms of being a widow of their husband, these business owners deserve credit for their entrepreneurial efforts and should be findable in their own right. This poster would highlight the strategies and steps taken by a Hispanic Studies Librarian and a Rare Books Librarian to better promote these types of works held …

Mexico And The People: Revolutionary Printmaking And The Taller De Gráfica Popular, Carolyn Hauk, Joy Zanghi

Schmucker Art Catalogs

During its most turbulent and formative years of the twentieth century, Mexico witnessed decades of political frustration, a major revolution, and two World Wars. By the late 1900s, it emerged as a modernized nation, thrust into an ever-growing global sphere. The revolutionary voices of Mexico’s people that echoed through time took root in the arts and emerged as a collective force to bring about a new self-awareness and change for their nation. Mexico’s most distinguished artists set out to challenge an overpowered government, propagate social-political advancement, and reimagine a stronger, unified national identity. Following in the footsteps of political printmaker …

Mexican Modernism’S Other: The Contemporáneos, Gender, And National Identity, 1920–1940, Joseph S. Shaikewitz

Theses and Dissertations

In postrevolutionary Mexico, a group of artists known as the Contemporáneos redefined the parameters of modernism through personal expressions of otherness and difference. This thesis examines works by artists including Abraham Ángel, Julio Castellanos, María Izquierdo, and Manuel Rodríguez Lozano in relation to shifting discourses surrounding gender and national identity.

Science Under The Microscope And Legality On Trial: How Female Authors In Latin America Confront And Challenge The Patriarchal Control Of Science And Legality In The Representation Of Women, Anna Bellum

Spanish and Portuguese ETDs

In this dissertation, I analyze a selection of works by eight Latin American female authors in order to explore how they represent the process of the social construction of women’s identities and roles in the male-dominated social, institutional, familial, and personal spaces that force women into particular positions of subordination. This analysis will focus, in particular, on how women writers represent the hegemonic systems of legality and science in order to highlight their role in the reproduction of values, practices, and institutions that maintain male control and female exploitation.

Each of the authors I analyze addresses the construction of women’s …

Distorsión Y Silencio En El Lienzo De Tlaxcala (1892) De Alfredo Chavero: Notas Metodológicas, Jannette Amaral-Rodríguez

Latin American, Latino and Iberian Studies Faculty Publications

Descripción de la ciudad y provincia de Tlaxcala (1581–1585), a Tlaxcalan manuscript that contains homologous images to the ones in Lienzo de Tlaxcala (of which there are only modern copies in existence), was found in 1976 and published in three modern editions since 1981. Even though this sixteenth-century manuscript offers authentic images on the history of colonial Tlaxcala, literary critics and historians continue to use the Lienzo de Tlaxcala copied by the painter Genaro López and edited by Alfredo Chavero in 1892. To develop a critique of these methodological practices through the consideration of the historical and ideological context of …

At The Mercy Of The Mexican Supreme Court: The Implications Of Party Capability On Indigenous People's Cases, Alan Cardenas

Open Access Theses & Dissertations

Indigenous Peoples in Mexico have long struggled in securing their rights in colonizing states. Applying party capability theory, this paper seeks to empirically understand the Mexican Supreme Court's behavior in cases pertaining to Indigenous Peoples. This paper thus evaluates the degree to which the Mexican Supreme Court is indeed an impartial actor that produces "equal protection under the law" for everyone (Galanter, 1974). Specifically, this paper examines the questions: To what extent does the Mexican Supreme Court protect Indigenous Peoples' rights? Are Indigenous Peoples legally affected by the power disparity perpetuated by the inequality in the country? This paper thus …

Wounds, Remembrance, Sutures: Performing Existence In Times Of Gore Capitalism, Christina Baker

Biennial Conference: The Social Practice of Human Rights

Since 2006, the initiation of Mexico’s “War on Drugs,” the nation has experienced horrific violence despite increased militarization of its streets. As cartels have deepened their networks, controlling the northern border states and beyond, (random) acts of violence have become an endemic crisis. In this Mexico, one where a new daily vernacular constantly evolves to articulate brutal acts and the state has routinely espoused a rhetoric of ignorance, performer-activists have turned to creative initiatives to combat efforts that invisibilize and derealize victims. From her work, Gore Capitalism, in which she explores the human body as commodity and casualty in …

A Displacement Of The Self: How Manuel Alvarez Bravo Uses Hair To Represent The Reassertion Of An Indigenous Feminine Identity In Postrevolutionary Mexico, Brooke Lashley

Augsburg Honors Review

Many artworks created during the Mexican Revolution (1910-1940) and in the years immediately following it contained nationalist themes that served to reinforce the importance of maintaining a traditional Mexican identity amongst the Mexican people. As a result, many Mexican artists questioned such traditional representations. This can be seen in images of Mexican women that depict them within the perimeters of an idealized traditional Mexican aesthetic. However, as a burgeoning feminist agenda arose, women were urged to present themselves as free from the oft-oppressing patriarchal traditions of Mexico's past. Now choosing between the ideologies of their pasts and promises of a …

Stills Of Passage: Photography And Migration In The Us-Mexico Borderlands, 1978-1992, Nadiah Rivera Fellah

Dissertations, Theses, and Capstone Projects

This project investigates documentary photography at a critical juncture in the history of the US-Mexico borderlands. Following a period of rapid industrialization and growth in Mexico, the 1970s and 1980s were marked by moments of economic and political crisis, which simultaneously spurred a massive wave of northward migrants and the militarization of the US-Mexico border. These developments produced a large class of Mexican undocumented workers in the US, which in turn stimulated the formation of a hybrid border culture. At the same moment, a generation of young artists from Mexico and the United States, eager to document these changes, radically …

America's New Favorite Food, Laura E. Duclos, Sshiva Tejas M

Capstones

America's New Favorite Food focuses on the culinary shift the United States is making. The days of burgers and fries are dwindling and tacos are taking over. This short documentary series follows four people who hold distinctive views on Mexican cuisine. Viewers are also able to experience Mexican food in augmented reality, where they can tinker with the models via computer or phone.

LINK TO PROJECT: DuclosTejasCapstone.weebly.com